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1967
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Born in Albuquerque, NM
Lives and works in New York City
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1990
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Yale University, B.A.
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1994
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New York University, M.P.S.
Tisch School of the Arts, Interactive Telecommunications Program (ITP)
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2010 |
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San Jose Museum of Art, San Jose, CA (solo) |
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2010 |
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Gering & López Gallery, New York, NY (solo) |
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2009 |
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Galería Javier López, Madrid, Spain (solo) |
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2008 |
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Conner Contemporary, Washington, DC (solo) |
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2008 |
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That Was Then… This is Now, P.S.1/MoMA, New York, NY |
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2007 |
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Brooklyn Academy of Music, Brooklyn, NY (site-specific commission) |
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2007 |
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Nerman Museum of Contemporary Art, Overland Park, KS (site-specific commission) |
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2007 |
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Digital Stories, Centro Galego de Arte Contemporánea (CGAC), Santiago, Spain |
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2007 |
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Gering & López Gallery, New York, NY (solo) |
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2006 |
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Conner Contemporary, Washington, DC (solo) |
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2006 |
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Lightworks, Galería Javier López, Madrid, Spain |
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2006 |
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Backdrop, Bloomberg SPACE, London, England |
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2006 |
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All Digital, Museum of Contemporary Art, Cleveland, OH |
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2006 |
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Summer Light, Sandra Gering Gallery, New York, NY |
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2006 |
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Art in America, Arario Gallery, Seoul, Korea |
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2006 |
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Perry Capital, New York, NY (site-specific commission) |
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2005 |
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Visual Music 1905-2005, the Hirshhorn Museum and Sculpture Garden, Washington DC and the Los Angeles Museum of Contemporary Art, Los Angeles, CA |
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2005 |
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Albright-Knox Museum of Art, Buffalo, NY (site-specific commission) |
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2005 |
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Galeria Javier Lopez, Madrid (solo) |
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2005 |
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Marc Selwyn Fine Art, Los Angeles, CA (solo) |
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2004 |
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Sandra Gering Gallery, NY (solo) |
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2004 |
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Conner Contemporary, Washington, DC (solo) |
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2004 |
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Fiction.Love-Ultra New Vision in Contemporary Art, Museum of Contemporary Art, Taipei |
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2004 |
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Editions Fawbush: A Selection, Sandra Gering Gallery, NY |
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2004 |
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Summer group show, Sandra Gering Gallery, NY |
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2004 |
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Optimo, The Ballroom, Marfa, TX |
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2004 |
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Innovate, Marcia Wood Gallery, Atlanta, GA |
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2004 |
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Collector’s Cabinet, Mark Selwyn Fine Art, Los Angeles, CA curated by Simon Watson |
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2003 - 2004 |
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GSA Art-in-Architecture project, new federal courthouse by architect Antoine Predock, El Paso, TX |
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2003 |
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Supercluster, PS1, Long Island City, NY |
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2003 |
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Printemps de Septembre, Toulouse, France |
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2003 |
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High Desert Test Sites, Joshua Tree, CA organized by Andrea Zittel |
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2003 |
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Winter Light, Socrates Sculpture Park, Long Island City, NY |
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2003 |
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In the Gloaming, The Fields Sculpture Park, Ghent, NY |
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2003 |
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LED as Primary Material, Woodstreet Galleries, Pittsburgh, PA |
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2003 |
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Finesilver Gallery, San Antonio, TX (solo) |
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2002 |
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Conner Contemporary Art, Washington, DC (solo) |
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2002 |
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Sandra Gering Gallery, New York (solo) |
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2002 |
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The Next Perfect 10, Galerie Simone Stern, New Orleans, LA |
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2001 |
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Museo de Arte Moderno (MAM), Mexico City |
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2001 |
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Tirana Biennale, Tirana (curated by Miltos Manetas) |
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2001 |
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Moby tour, various U.S. locations, summer 2001 |
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2001 |
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Casino 2001, curated by Jeannie Greenberg, Stedelijk Museum Voor |
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2001 |
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Actuele Kunst, Ghent, Belgium |
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2001 |
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Eye Candy, Scott White Contemporary, La Jolla Museum, CA |
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2001 |
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Synth, organized by Leo Villareal, White Columns, New York |
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2001 |
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Massless Medium: Explorations in Sensory Immersion, Creative Time in The Anchorage, Brooklyn, NY |
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2001 |
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The Next Perfect 10, Sandra Gering Gallery, New York (traveling) |
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2001 |
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Perfect 10: Ten Years in Soho, Sandra Gering Gallery, New York |
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2001 |
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rooms_for_listening, CCAC Institute, San Francisco, CA |
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2001 |
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Collector’s Choice, Exit Art, New York |
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2001 |
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City of Lights, curated by Simon Watson & Downtown Arts Projects, Hermes Boutique, New York |
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2001 |
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Exposure: The Future of Film Festival, USA Network & Scifi Channel, New York |
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2001 |
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The Bunker Project, MTV, New York |
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2001 |
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Camp Sleizure, Burning Man, Black Rock Desert, NE |
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1998 |
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Mind Probe, interactive game show, USA Network, Scifi Channel, New York |
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1997 |
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Thread Waxing Space, New York |
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Dannat, Adrian. “Synthesiser’s synthetic synthesis,” Artist’s Interview with Leo Villareal, The Art Newspaper, July-August 2001. |
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Griffin, Tim. “Synth,” Time Out New York, Issue 302, July 5-12, 2001. |
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Smith, Roberta. “Massless Medium, Explorations in Sensory Immersion,” The New York Times, Friday, July 20, 2001. |
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Pratt, Kevin. “Massless Medium, Explorations in Sensory Immersion,” Time Out New York, Issue 303, July 12-19, 2001. |
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Shelburne, Philip. “Rooms for Listening,” Frieze, January-February, 2001. |
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Johnson, Ken. “Collector’s Choice, Exit Art,” The New York Times, Friday, December 15, 2000. |
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“Collector’s Choice, Exit Art,” The New York Times, Friday, December 15, 2000. |
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Baker, Kenneth. “Stop, Look and Listen, Rooms for Listening,” San Francisco Chronicle, September 9, 2000. |
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Berk, Amy. “Rooms for Listening,” at CCAC,” Artweek, November 2000. |
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Breslin, Ramsay Bell. “Rooms for Listening,” East Bay Press, October 13, 2000. |
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Helfland, Glen. “Sonic Boom, 2000 is the Year of Sound Art,” SF Gate, October 13, 2000. |
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Pandicio, Richard. “Ones to Watch,” Interview, November 1999. |
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