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Lives and works in Pietrasanta
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2004 |
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Cantieri dell’arte, curated by Angela Madesani, Milan |
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2003 |
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Targetti Art Collection, Chelsea Art Museum, New York, USA |
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2002 |
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Wishing, Silvy Bassanese Arte Contemporanea, Biella |
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2002 |
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Tempo della Profezia, project curated by Tiziana Conti, Casale Monferrato |
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2002 |
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Metamorfosi della Realtà, Palazzo Mediceo, Serravalle |
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2001 - 2002 |
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Collaborative Concepts, Beacon, New York (solo) |
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2001 |
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Robert Miller Gallery, New York (cat.) (solo) |
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2001 |
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Il Respiro Nascosto delle Cose, Studio la Città, Verona (cat.) |
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2000 |
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Chorus of Light: Photographs from the Sir Elton John Collection, High Museum of Art, Atlanta |
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2000 |
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Jackson Fine Art Gallery, Atlanta |
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2000 |
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Carte blanche à Hélène de Franchis, Galerie Lucien Durand Le Gaillard, Paris |
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2000 |
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A Little Bit of Blue, Nassauischer Kunstverein E.V., Wiesbaden (cat.) (solo) |
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1999 |
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Galleria Milano, Milan (cat.) (solo) |
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1999 |
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Spazi dell’Anima, Targetti Art Light Collection, Mus Ars (National Museum of Architecture), Convento dei Cappuccini, Caraglio (cat.) |
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1999 |
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Sarajevo 2000, Sarajevo |
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1998 |
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Targetti Art Light Collection, Cripta di Santa Croce, Florence; Fondazione Mudima, Milan (cat.) |
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1998 |
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Sarajevo 2000, Museum Moderner Kunst Stiftung Ludwig, Vienna (cat.) |
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1998 |
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Stadtgalerie im Kulturviertel Sophienhof, Kiel (cat.) (solo) |
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1998 |
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Russian State Museum, Saint Petersburg (cat.) (solo) |
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1997 |
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Museum of Modern Art, Tel Aviv (cat.) (solo) |
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1996 - 1997 |
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Shared Beauty, Kunsthalle Helsinki; The Russian State Museum, St. Petersburg; Prins Eugens Waldemarsudde, Stockholm |
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1996 |
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New acquisitions, Ludwig Museum, Cologne |
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1996 |
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Self-Identification, The Russian State Museum, St. Petersburg; Sophienholm, Copenhagen (cat.) |
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1996 |
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Exposure, Caldic Collection, Rotterdam |
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1995 |
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After Auschwitz, Royal Festival Hall Galleries, London; Manchester City Art Gallery; Angel Row Gallery, Nottingham; Edinburgh City Art Centre; Northern Centre for Contemporary Art, Sunderland; Postdam (cat.) |
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1995 |
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Orte der Befragung, Salzau |
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1994 - 1995 |
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Self Identification, Ars Baltica, Stadgalerie Kiel; Haus am Waldsee, Berlin; National Museum of Contemporary Art, Oslo; The State Gallery of Contemporary Art, Sopot (cat.) |
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1994 |
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Galerie Andreas Weiß, Berlin (solo) |
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1994 |
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Silentia rerum, Städtische Galerie, Würzburg (cat.) (solo) |
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1992 |
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Galerie Reckermann, Cologne (cat.) (solo) |
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1992 |
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Houk-Friedman Gallery, New York |
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1991 - 1992 |
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Papier-Kunst, Aschaffenburger Kunstverein, Aschaffenburg (cat.) |
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1991 |
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The Presence of the Absent, The Genia Schreiber Tel Aviv University Art Gallery, Tel Aviv |
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1990 |
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3rd International Biennial of Paper Art, Leopold-Hoesch Museum, Düren |
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1989 |
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Solitude. Plan and Project, Kunstverein Ludwigsburg |
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1983 |
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Goldman-Kraft Gallery, Chicago |
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1981 |
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Goldman Art Gallery, Tel Aviv |
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1978 |
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Those Who Came From Russia, Kar Gallery, Toronto |
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1977 |
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Israel Art Center, Jerusalem |
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1973 |
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Young Artists, Leningrad |
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1999 |
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Elena Di Raddo: Tema Celeste, luglio-settembre |
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1998 |
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A. Borovsky: Solo for Striking Clock, World of Designs |
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1997 |
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Menashe Kadishmann: Studio, Tel Aviv |
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1992 |
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Tiziana Conti: The Magic of Existence, Nike |
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1991 |
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Sigmund Freeser: Kunstforum International |
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1990 |
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Karl Rurhberg: The Evocation of the Shades. Note on Lena Liv’s Environments and Constructions in Succession, Düren |
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1990 |
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Helga Meister: 3rd International Biennial of Paper Art, Kunstforum |
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1990 |
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Fred Camper: Redder Chicago’s Free Weekly, Chicago |
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1990 |
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Sigrid Freeser: Kinder, Schatten, Steine, Argus |
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