|
|
|
1946
|
|
Born, Oklahoma City, OK
|
|
|
1969
|
|
B.A., with honors, University of California, San Diego, Special Pre-Doctorate Fellowship
|
|
|
1970
|
|
California State Scholar
|
|
|
1972
|
|
M.F.A., with honors, University of California, San Diego, La Jolla, CA
|
|
|
2005 |
|
Eye Tattoos, Quint Contemporary Art, La Jolla, CA |
|
|
2004 |
|
New Paintings, Quint Contemporary Art, La Jolla, CA (solo) |
|
|
2004 |
|
The Armory Show, Rosamund Felsen Gallery booth, New York, NY |
|
|
2004 |
|
Arte Mexico, Rosamund Felsen Gallery booth, Mexico City, Mexico |
|
|
2003 |
|
Tijuanua Tripelo, Instituto de Cultural de Baja California, Tijuana, B.C., Mexico (solo) |
|
|
2003 |
|
Made In California, Selected Works from the Fredrick R. Weisman Collection, California State University at Bakersfield, Bakersfield, CA |
|
|
2003 |
|
NYPD, Shoshana Wayne Gallery, part of "The LAPD Project “The Legacy of Pattern and |
|
|
2003 |
|
Decoration, curated by Michael Duncan, Santa Monica, CA |
|
|
2003 |
|
LAPD, Rosamund Felsen Gallery, Santa Monica, CA |
|
|
2003 |
|
Art/Basel/Miami, Rosamund Felsen Gallery booth, Miami FL |
|
|
2003 |
|
Parrot Talk-A Retrospective of Works by Kim MacConnel, Santa Monica Museum, Santa Monica, California (solo) |
|
|
2002 |
|
Arabia Felix and New China, Rosamund Felsen Gallery, Santa Monica, California (solo) |
|
|
2002 |
|
Too Much Joy, Center for Curatorial Studies at Bard College, Annandale on the Hudson, NY |
|
|
2002 |
|
Object/Concept, University Art Gallery, University of California, San Diego, La Jolla, CA |
|
|
2002 |
|
A Good Impression: A Century Of Printmaking In San Diego, San Diego Museum of Art, San Diego, CA |
|
|
2002 |
|
Tenth Anniversary Exhibition, Fredrick R. Weisman Collection, Frederick R. Weisman |
|
|
2002 |
|
Curator’s Choice, Marion Kubler McNay Museum, San Antonio, TX |
|
|
2002 |
|
Furniture, Carnegie Museum of Art, Pittsburgh, PA |
|
|
2002 |
|
If You Study This Work You Will Benefit, Quint Contemporary Art, La Jolla, CA (solo) |
|
|
2001 |
|
I-5 California: Four Decades Of Contemporary Art, San Diego Museum of Art, San Diego, CA |
|
|
2001 |
|
Selections from the Permanent Collection, Art from the Sevenities, Museum of Contemporary Art San Diego, La Jolla, CA |
|
|
2001 |
|
Clowning Around, Margeaux Kurtie Modern Art, Madrid, NM (solo) |
|
|
2001 |
|
Homeage To Tung Feng-Photogrphs Fron China, Holly Solomon Gallery, New York, NY |
|
|
2000 |
|
Selections From The Beach Collections E , 1990-PRESENT, Fayman Gallery, Museum of Contemporary Art San Diego, La Jolla, CA |
|
|
2000 |
|
Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale-On-Hudson, NY |
|
|
2000 |
|
Show Your Holiday Heart, Margeaux Kurtie Modern Art, Madrid, NM |
|
|
1999 |
|
Fifty views of Fuji, Donna Beam Fine Art Gallery, University of Nevada at Las Vegas, Las Vegas, NV |
|
|
1999 |
|
Zoo Story, (collaboration with Jean Lowe), University Art Gallery, University of California, San Diego, La Jolla, CA |
|
|
1999 |
|
The American Century: Art and Culture, Part II 1950-2000, The Whitney Museum of American Art, New York |
|
|
1998 |
|
Postcards from India, Quint Contemporary Art, La Jolla, California (solo) |
|
|
1998 |
|
World Cultures, Holly Solomon Gallery, New York, NY (solo) |
|
|
1997 |
|
Kim MacConnel, Quint Contemporary Art, La Jolla, CA (solo) |
|
|
1997 |
|
Kim MacConnel, Selected works From 1974-1996, California Center for the Arts Museum, Escondido, CA (solo) |
|
|
1997 |
|
Fifty Views of Fuji, Holly Solomon Gallery, New York, New York (solo) |
|
|
1996 |
|
Postcards from India Holly Solomon Gallery, New York, NY |
|
|
1995 |
|
Bullstory, (with Jean Lowe), Holly Solomon Gallery, New York, NY |
|
|
1995 |
|
Its My Life and I'm Going to Change the World, Acme Gallery, Los Angeles, CA |
|
|
1994 |
|
Clowntown, Quint Gallery, Mission Hills, CA |
|
|
1994 |
|
Age of Plastic, Tom Solomon's Garage, Los Angeles California (solo) |
|
|
1992 |
|
DeCordova Museum and Sculpture Park, Lincoln, Massachusetts
In/Site 92 Installation Gallery, San Diego California |
|
|
1990 |
|
Decoc Terrae Africano, Aspen Art Museum, Aspen Colorado (solo) |
|
|
1988 |
|
Souvenir del Arte, Holly Solomon Gallery, New York, New York (solo) |
|
|
1986 |
|
An American Renaissance: Painting and Sculpture Since 1940, Museum of Art, Fort Lauderdale, Florida
The Politics of Cloth: Selections from the Fabric Workshop, Philadelphia, Pennsylvania |
|
|
1985 |
|
Whitney Museum of American Art, Biennial, New York, NY |
|
|
1984 |
|
XLI Esposizione Internazionale d'Arte la Biennale di Venezia, Venice, Italy
An International Survey of Recent Painting and Sculpture, Museum of Modern Art, New York |
|
|
1982 |
|
Luft Geschaften, James Corcoran Gallery, Los Angeles, California (solo) |
|
|
1981 |
|
Whitney Museum of American Art, Biennial, New York, NY |
|
|
1981 |
|
International Asusstellung Koln, West Kunst, Cologne, Germany |
|
|
1979 |
|
Directions, Hirshorn Museum and Sculpture Garden, Washington, D.C.
Whitney Museum of American Art, Biennial, New York, NY |
|
|
1978 |
|
China Trade Leisure Traffic, Galerie Bruno Bischoberger, Zurich, Switzerland (solo) |
|
|
1977 |
|
Whitney Museum of American Art, Biennial, New York, NY |
|
|
1975 |
|
Collection Applied Design, La Jolla Museum of Art, La Jolla, CA (solo)
Whitney Museum of American Art, Biennial, New York, NY |
|
|
|
|
2004
Pagel, David. "Big Gestures and Intimate Views," Los Angeles Times, January 16, E 47.
Pagel, David. " MacConnel Unbound," Art in America, February, pp.70-73.
Miles, Christopher. "Tracking Patterns," Art in America, February, pp. 77, 78, 79, 80, 81.
Cattaui, Jennifer. " Chez Es Saada--A House of Happiness for All Your Senses," Stitch, Spring, pp. 100, 101
Paul, Donna. "rock the casbah," Interior Design, March, pp.266,267,268-269, 270,
Muschamp, Herbert. "Air of Ambiguity Around a Vision of Harmony," New York Times, Styles, pg.6.
Urbin Raymond, Marcia and Zylberberg, Joyce. “Off The Canvas: a documentary profiling 9 maverick women art dealers”, Ready Made Productions, premier screening Walter Reade Theatre at Lincoln Center, May 3.
2003
Knight, Christopher. 'MacConnel Show is a Movement Reborn,' Los Angeles Times, September 19, 2003, pp. E1, 23.
1999
Morgan, Robert C. 'Kim MacConnel- World Cultures,' Review, December 1, 1999, pp. 22, 23.
1997
Heaton, James. 'Kim MacConnel, Fifty Views of Fuji,' The Exhibitionist, September, 1997, pp. 42, 43
1996
Sandler, Irving. Art of the Postmodern Era, Harper Collins, 1996, pp. 164, 216, 145, 155-157, 194.
1995
Cotter, Holland. 'Kim MacConnel and Jean Lowe: Bullstory,' The New York Times, August 25, 1995, p. C 15.
1991
Wheeler, Daniel. Art Since Mid-Century, New York: Vendome Press, 1991, p. 286.
Arnason, H. Harvard. The History of Modern Art (Third Edition), Harry N. Abrams, Inc., pp. 616, 618, 988, pl. 280.
1985
Hunter, Sam. Painting and Sculpture Since 1940, An American Renaissance, Abbeville Press, 1985, pp.204-206, pl.111.
1981
Armstrong, Richard. 'Westkunst; Kim MacConnel,' Flash Art, Summer, 1981, p. 29.
1976
Auping, Michael. 'Kim MacConnel - Questioning Taste,' Artweek, Vol. 7, No. 14, April 3 1976. |
|
|
|