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Julian Rosefeldt Biography
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1965
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Born Munich, Germany
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1991
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DAAD Award, ETS Barcelona, Spain
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1988 - 1994
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MA Architecture, Technische Universität, Munich, Germany
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2000
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DG Bank Kunststipendium, Berlin, Germany
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2000
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Hoffmann Collection, Berlin, Germany (residency)
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2004
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Produktionsstipendium Kunst und neue Medien, Munich, Germany
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2010
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Vattenfall Contemporary Prize 2010
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Lives and works in Berlin, Germany
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CAC Centro de Arte Contemporáneo de Málaga, Málaga, Spain
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MUSAC, Castilla y Leon, Spain
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Fontanals Cisneros Art Foundation (CIFO), Miami, USA
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Olbricht Collection, Essen, Germany
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Hoffmann Collection, Berlin, Germany
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TBA21 - Thyssen-Bornemisza Art Contemporary, Vienna, Austria
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Deutsche Bank Collection, Frankfurt, Germany
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Saatchi Collection, London, UK
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UBS Collection, London, UK
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Collection Goetz, Munich, Germany
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2010 |
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Changing The World, Arndt Berlin, Germany |
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2010 |
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Arndt & Partner, Berlin, Germany (solo show to coincide with Berlin Gallery weekend) (solo) |
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2010 |
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Berlinische Galerie, Berlin, Germany (solo) |
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2010 |
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DA2, Salamanca, Spain (solo) |
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2009 |
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Kunstmuseum Bonn, Germany (solo) |
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2009 |
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Biennial of the Canary Islands |
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2009 |
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Prospectif Cinéma, Centre Georges Pompidou, Paris, France |
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2009 |
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American Night, EX3, Florence, Italy (solo) |
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2009 |
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Conflicting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany |
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2009 |
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Kurs: The Tree, Fulsgang Kunstmuseum, Germany |
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2009 |
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Arndt and Partner, Berlin, Germany (solo) |
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2009 |
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MARZlive, Marz Galeria, Lisbon, Portugal |
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2009 |
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My Evil Twin, MacKenzie Art Gallery, Regina, Canada |
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2009 |
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Contour 2009: The 4th Biennial of the Moving Image, Mechelen, Belgium |
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2009 |
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Leichtigkeit und Enthusiasmus. Junge Kunst und die Moderne, Kunstmuseum Wolfsburg, Germany |
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2009 |
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Selection de la KunstFilmBiennale Cologne 2007, Centre Nacional Georges Pompidou, Paris, France |
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2009 |
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tFilmBiennale Cologne 2007, Centre Nacional Georges Pompidou, Paris, France Green Platform- Art, Ecology, Sustainability, Centro di Cultura Contemporanea Strozzina (CCCS), Florence, Itlay |
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2009 |
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Intemperie, Bienal del Fin del Mundo, Ushuaia, Tierra del Fuego, Argentina |
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2009 |
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Lo Mejor de la KunstFilmBiennale 2007, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain |
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2009 |
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Berlin change plus vite que mon coeur- Vidéos et visions mouvantes actuelles, Lille 3000, Lille, France |
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2008 |
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Schwarze Galle - roter Saft. Aspekte des Melancholischen in der Kunst, b-05 Kunt- und Kulturzentrum, Montabaur, Germany |
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2008 |
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The Way Things Are...Works from the Thyssen-Bornemisza Art Contemporary Collection of Contemporary Art Torun, Torun, Poland (catalogue) |
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2008 |
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Molten States, Royal Academy of Arts, London, UK |
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2008 |
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Requiem, Galeria Helga de Alvear, Madrid, Spain (solo) |
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2008 |
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The Ship Of Fools, PhillipsdePury, New York, USA (solo) |
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2008 |
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Die Tropen, Martin-Gropius-Bau, Berlin, Germany (catalogue) |
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2008 |
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After Effects, Museo de Arte Contemporaneo, Santiago de Chile, Chile |
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2008 |
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Bad Joke, Riga Art Space, Riga, Latvia |
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2008 |
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The Ship of Fools, Arndt & Partner Project Space, Berlin, Germany (solo) |
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2008 |
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Max Wigram Gallery Temporary Exhibition Space, London, UK (solo) |
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2008 |
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Variable Capital, The Bluecoat, Liverpool (catalogue) |
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2008 |
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Laughing in a Foreign Language, The Hayward Gallery London, UK (catalogue) |
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2008 |
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The Cinema Effect: Illusion, Reality, and the Moving Image, Hirshhorn Museum and Sculpture Garden, Washington, DC, USA (catalogue) |
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2007 |
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Existencias, MUSAC - Museo de Arte Contemporaneo de Castilla y León, León, Spain (catalogue) |
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2007 |
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Cine y Casi Cine, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain |
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2007 |
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Apeejay Media Gallery, New Delhi, India (solo) |
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2007 |
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Olaf Nicolai, Rene Pollesh, Julian Rosefeldt, Royal Academy of Arts, London, UK |
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2007 |
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Galeria Vermelho, São Paulo, Brazil (solo) |
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2007 |
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Koraalberg, Antwerp, Belgium (solo) |
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2007 |
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Centro Cultural Telemar, Rio de Janeiro, Brazil (solo) |
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2007 |
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Made in Germany, Sprengel Museum Hannover, kestnergesellschaft, Kunstverein Hannover |
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2007 |
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Drei Farben – Weiss, XIV. Rohkunstbau, Groß Leuthen, Germany |
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2007 |
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Destroy Athens - 1. Athens Biennial, Athens, Greece (catalogue) |
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2007 |
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Kino wie noch nie, Akademie der Künste, Berlin |
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2007 |
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Manipulations. On Economies of Deceit, CCA Ujazdowski Castle, Warsaw |
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2007 |
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Silence. Listen to the Show, Fondazione Sandretto Re Rebaudengo, Turino, Italy (catalogue) |
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2007 |
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Bad Joke, Center for Contemporary Arts Estonia, Tallinn |
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2007 |
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KunstFilmBiennale Köln, Kino im Museum Ludwig |
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2007 |
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The Hurricane Projects, The Moore Space, Miami, USA |
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2007 |
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Generational Issue, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain (catalogue) |
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2007 |
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Scheitern, Landesgalerie Linz, Linz, Austria (catalogue) |
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2007 |
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Platform China, Beijing, China (solo) |
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2006 |
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Video Installations from the Olbricht Collection, Essen, Rodney Graham, Tony Oursler, Nam June Paik, Pipilotti Rist, Julian Rosefeldt, Skulpturenmuseum Glaskasten Marl, Marl, Germany |
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2006 |
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100 Tage=100 Videos, Heidelberger Kunstverein |
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2006 |
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Höhepunkte der KunstFilmBiennale Köln, KW Kunst-Werke, Berlin, Germany |
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2006 |
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Video-Kunst 2004-2006 – 12. Marler Video-Kunst-Preis, Kunsthalle Göppingen |
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2006 |
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Manipulations. On economy of deceit, Gdansk, Poland |
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2006 |
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Bienal de Arte, Arquitectura y Paisaje, Canarian Islands, Spain (catalogue) |
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2006 |
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El equilibrio y sus derivados, Casa del Lago, Mexico City, Mexico |
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2006 |
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Die Vergänglichkeit des Schönen, Stadthalle Görlitz, Germany |
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2006 |
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Mathilda is calling, Mathildenhöhe, Darmstadt, Germany (catalogue) |
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2006 |
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Sonambiente, Akademie der Künste, Berlin |
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2006 |
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Printemps de Septembre, Toulouse, France (catalogue) |
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2006 |
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Emergency Biennale, Riga, Latvia |
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2006 |
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Dark Places, Santa Monica Museum of Art (catalogue) |
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2006 |
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Indeterminate States: Video in the Ella Fontanals Cisneros Collection, CIFO, Miami, USA (catalogue) |
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2006 |
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Global Players, Deutsche und japanische Kunst der Gegenwart, Ludwig Forum Aachen, Germany |
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2006 |
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El equilibrio y sus derivados, Casa del Lago, Mexico City |
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2006 |
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Chapter Art Gallery, Cardiff, UK (solo) |
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2006 |
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Clown; Lonely Planet, Chapter Gallery, Cardiff (solo) |
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2006 |
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Lonely Planet, Arndt & Partner, Berlin (solo) |
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2006 |
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Clown, Max Wigram Gallery, London (solo) |
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2006 |
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Lonely Planet, Bonner Kunstverein, Bonn, Germany (as part of the Biennale Bonn theatre festival) (solo) |
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2006 |
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Trilogie des Scheiterns, ZKMax, Munich, Germany (solo) |
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2006 |
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Arndt & Partner, Zürich, Switzerland (solo) |
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2006 |
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Asylum, Haus der Kunst, Munich, Germany (as part of the Spielart Festival) (solo) |
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2005 |
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Biennial of Urgency, Grozny, Chechnya; Palais de Tokyo, Paris, France |
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2005 |
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Art Unlimited, Art Basel, Switzerland |
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2005 |
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Comedy, Moscow Art Fair (catalogue) |
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2005 |
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Others, Sørlandet Art Museum, Kristiansand, Norway (catalogue) |
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2005 |
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Global Players. Contemporary Japanese and German artists, Bankart Yokohama and Tokyo Gallery, Japan |
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2005 |
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Baroque and Neo-Baroque. The Hell of the Beautiful, Domus Artium DA2, Salamanca, Spain (catalogue) |
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2005 |
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Arndt & Partner, Zurich, Switzerland |
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2005 |
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ZKMax, Munich, Germany |
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2005 |
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Contrabandistas de Imágenes, Museo de Arte Contemporáneo, Santiago de Chile, Chile |
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2005 |
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El diablo no es tan feo como lo pintan, Museo de Bellas Artes, Buenos Aires, Argentina |
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2005 |
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Manipulations. On Economies of Deceit, Prague Biennial, National Gallery, Prague, Czech Republic |
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2005 |
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Galería Leyendecker, Santa Cruz de Tenerife, Spain |
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2005 |
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Max Wigram Gallery, London, UK. |
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2005 |
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Indeterminate States: Video in the Ella Fontanals Cisneros Collection, CIFO, Miami, USA (catalogue) |
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2005 |
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KunstFilmBiennale Köln 2005, Kino im Museum Ludwig, Cologne, Germany (catalogue) |
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2005 |
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International Biennale of Contemporary Art-Manipulations. On Economies of Deceit National Gallery, Prag, Czech Republic (catalogue) |
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2005 |
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Architektur mobil, Wilhelm Hack-Museum, Ludwigshafen, Germany (catalogue) |
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2005 |
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Comedy. The Funny Side of the Moving Image, during the Moscow Art fair (catalogue). House of Artists, Moscow, Russia |
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2005 |
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Emergency Biennale Chechnya, Grozny, Chechnya / Palais de Tokyo, Paris, France |
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2004 |
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11. Marler Video-Kunst-Preis 2004, Lothringer13 - Städtische Kunsthalle München |
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2004 |
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11. Marler Video-Kunst-Preis / 4. Marler Video-Installations-Preis, Skulpturenmuseum Glaskasten Marl. , Marl, Germany |
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2004 |
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Electronic City (by Falk Richter, directed by Tom Kühnel), Schaubühne am Lehniner Platz, Berlin, Germany |
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2004 |
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26th São Paulo Biennale, São Paulo, Brazil (catalogue) |
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2004 |
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asylum / Julian Rosefeldt, Centre for Contemporary Art, Gateshead / Spike Island, Bristol, UK (solo) |
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2004 |
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Trilogy of Failure, Kunst-Werke, Berlin, Germany (solo) |
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2004 |
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MWprojects, London, UK (solo) |
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2004 |
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Shake - Staatsaffaire / Affaire d' Etat, O.K Centrum für Gegenwartskunst, Linz, Austria; Villa Arson - Centre National d'Art Contemporain, Nice, France (catalogue) |
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2004 |
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Einleuchten, Museum der Moderne, Salzburg, Austria (catalogue) |
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2004 |
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Festival d' Avignon, Avignon, France (solo) |
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2004 |
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Baltic, The Centre for Contemporary Art, Gateshead / Newcastle, UK (solo) |
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2003 |
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Rituale, Akademie der Künste, Berlin, Germany (catalogue) |
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2003 |
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Melodrama, Museo de Arte Contemporánea de Vigo, Vigo, Spain |
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2003 |
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Julian Rosefeldt - asylum, Atlantis Gallery, London, UK, (solo) |
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2003 |
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Im Dickicht der Städte (by Bertolt Brecht, directed by Grzegorz Jarzyna), Schaubühne am Lehniner Platz, Berlin, Germany |
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2003 |
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asylum, Chulalongkorn Art Gallery, Bangkok, Thailand, (solo) |
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2003 |
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Julian Rosefeldt und Piero Steinle, Museum Franz Gertsch, Burgdorf, Schweiz |
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2002 |
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Asylum, Hamburger Bahnhof, Berlin Germany, (solo) |
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2002 |
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Global Soap, XXL Gallery, Sofia, Bulgaria, (solo) |
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2002 |
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Goldene Zeiten (by Richard Dresser, directed by Thomas Ostereier), Schaubühne am Lehniner Platz, Berlin, Germany |
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2002 |
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Meine Kunst kriegt hier zu fressen - Hommage à Max Beckmann, Centre National Georges Pompidou, Paris, France (catalogue) |
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2002 |
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Melodrama, Centro-Museo Vasco de Arte Contemporáneo, Vitoria, Spain; Centro José Guerrero, Granada (catalogue) |
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2002 |
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Architourism, Columbia University / Buell Center, New York, USA |
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2001 |
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Tele[visions] - Kunst sieht fern, Kunsthalle Vienna, Austria (catalogue) |
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2001 |
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De Schoonheid van het Kwaad, De Zonnehof, Amersfoort, The Netherlands |
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2001 |
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Global Soap, Künstlerhaus Bethanien, Berlin, Germany / Goethe-Institut, Salvador de Bahia, Brazil / Herzliya Museum of Art, Tel Aviv, Israel, (solo) |
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2001 |
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Detonation Deutschland, Architekturzentrum, Vienna, Austria, (solo) |
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2001 |
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Supermarket (by Bilijana Srbljanovic, directed by Thomas Ostermeier), Schaubühne am Lehniner Platz, Berlin |
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2001 |
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Herzliya Museum of Art, Tel Aviv, Israel (solo) |
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2000 |
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Julian Rosefeldt / Piero Steinle, Galerie Six Friedrich Lisa Ungar, München, Germany |
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2000 |
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Julian Rosefeldt / Piero Steinle, Galerie Romain Larivière, Paris , France |
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2000 |
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Julian Rosefeldt / Piero Steinle: Les Catedrales Inconnues, Goethe-Institut, Paris, France, (solo) |
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2000 |
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Multiple Sensations, Yerba Buena Center for the Arts, San Francisco, USA |
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2000 |
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Die Entfernung der Fotografie, Kunsthalle Basel, Basel, Switzerland |
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1999 |
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Julian Rosefeldt / Piero Steinle, Galerie für Zeitgenössische Kunst, Leipzig, Germany, (solo) |
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1999 |
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News, ZKM, Karlsruhe, Germany, (solo) |
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1999 |
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Wohin kein Auge reicht, Deichtorhallen, Hamburg, Germany (catalogue) |
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1999 |
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Performing Buildings, Tate Gallery, London, UK |
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1999 |
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Deep Storage, P.S.1, New York / Kunstmuseum Düsseldorf / Henry Art Gallery, Seattle |
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1998 |
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News, Kunstsammlung NRW, Düsseldorf, Germany, (solo) |
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1998 |
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Performing Buildings, Tate Gallery, London, UK |
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1998 |
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Deep Storage, P.S.1, New York / Kunstmuseum Düsseldorf / Henry Art Gallery, Seattle |
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1997 |
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Paris - Les Cathédrales Inconnues, Espace des Blancs Manteaux, Paris, France, (solo) |
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1997 |
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Deep Storage - Arsenale der Erinnerung, Haus der Kunst, Munich, Germany; Nationalgalerie / Kulturforum, Berlin, Germany (catalogue) |
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1996 |
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Detonation Deutschland, Orangerie, Munich, Germany, (solo) |
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1996 |
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As Catedrais Desconhecidas, Alfândega, Porto, Portugal, (solo) |
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1995 |
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Munich- Die unbekannten Kathedralen, Orangerie, Munich, Germany, (solo) |
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1994 |
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Stadt im Verborgenen, Orangerie, Munich, Germany, (solo) |
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2009 |
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Hidden in Remembrance is the Silent Memory of our Future, texts by Marc Glode and Katerina Gregos, published on occasion of Contour, the 4th film Biennial, Mechelen by vzwMark (A Prior Magazine), The Royal Academy of Arts (KASK) of the University College Ghent, pp. 138-147 |
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2009 |
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Coline Millard (Translation, L-S Torgoff), Julian Rosefeldt, Artpress February 2009, pp.78-79 |
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2009 |
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Green Platform. Art, Ecology, Sustainablity, texts by James Bradburne, Hans Dexler, Valentina Gensini, Lorenzo Giusti, Franco La Cecla, Franziska Nori, Gunter Paul, Marjetica Potrè and John Thackara published by Roberto Di Puma, Igor Salmi, 2009 |
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2008 |
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Julian Rosefeldt: Film Works, texts by Stephan Berg, Anselm Franke, Katherina Gregos, David Thorp, published by Hatje Cants Publishing |
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2008 |
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Diana Baldon, 1st Athens Biennial, ArtForum, January 2008, pp. 276 |
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2007 |
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Eliza Williams, Julian Rosefeldt, Flash Art, Vol. XL No.252 January – February, pp. 119-120 (with ill) |
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2006 |
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Judith Behamou-Huet, Tendances Marche de l’art, LE POINT, 12 October, p. 124 |
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2006 |
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Judith Behamou-Huet, Riche Printemps a Toulouse, Les Echos, 6 October |
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2006 |
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Une Ligne a suivre, Sud Ouest, 1 October |
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2006 |
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Brigitte Ollier, Toulouse en premieres “Lignes”, Liberation, 26 September |
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2006 |
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Toulouse fête le printemps, La Tribune, 29 September |
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2006 |
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Xerxes Cook, (preview), Tank Magazine, October Issue |
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2006 |
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Anselm Franke, Julian Rosefeldt: Trilogy Of Failure, Next Level Magazine, Issue 9, Summer Issue, pp. 114 – 123 (with illustrations) |
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2006 |
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Christoph Cox, Reverb Time, Artforum International, September Issue, pp. 89-90 (with illustration) |
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2006 |
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Sally O’Reilly, Reviews: Julian Rosefeldt, ArtReview, December 2006, p.142 |
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2005 |
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100 Future Greats, Art Review, Vol. IX, December 2005, pp. 66 – 70 (with illustration) |
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2005 |
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David Thorp, Julian Rosefeldt, Contemporary-special issue on video, Issue 71, April 2005,pp. 103 – 105 (with illustrations) |
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2004 |
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Sally O’Reilly, Julian Rosefeldt, Frieze, Issue 87, p. 123 |
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2004 |
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Francesco Manacorda, Julian Rosefeldt, Flash Art, November, Issue 238, p. 84 |
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2004 |
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Eliza Williams, Julian Rosefeldt, Art Review, No.10, October, p. 123 |
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2004 |
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Martin Herbert, Julian Rosefeldt, Time Out London, 1- 8 September, p. 52 |
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2004 |
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Valentina Angostinis, Julian Rosefeldt, immigranti e riti quotidiani, Carnet, Issue 02 |
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2004 |
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Patricia Ilya and Reed Gridneff, Who’s Depending On Who and All These Strange Things, Neue Review, July 2004 |
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2003 |
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Angelika Sommer, Rituale in der zeitgenössischen Kunst, Museums Journal, April 2003 |
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2002 |
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Katerina Gregos, Julian Rosefeldt: Asylum, Contemporary, London, December Issue, p94 |
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2002 |
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Ulrich Clewing, Rosen aus Indien, Der Tagesspiegel, 11th October, 2002 |
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2002 |
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Ingeborg Ruthe, Geknickte Stäbchen, Julian Rosefeldt’s Asylum, Berliner Zeitung, 2nd October |
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2002 |
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Kerstin Stremmel, Wiederkehr des Verdrängten, Neue Züricher Zeitung, 20th February |
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2002 |
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Johanns Wetzel, Wider das klischee vom berserker, Berliner Zeitung, October 12, 2002, p.11 |
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2002 |
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Kerstin Stremmel, Wiederkehr des Verdrängten”, Neue Züricher Zeitung, February 20, 2002 |
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2001 |
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Paul Jandl, Detonation Deutschland, Neue Züricher Zeitung, 13th August |
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2001 |
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Fremde Gesichter, bekannte Gesten - Die Welt ist eine seifenoper , Der Tagesspiegel, 24th July |
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2001 |
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David Rapp, Bubbling and Squeaking – Ha’aretz Week’s End, Herald Tribune International, March 2, 2001 |
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2001 |
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Jörg Lau, Globale Seife, Die Zeit, July 12 |
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2000 |
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Niels Werber, Zweierlei Aufmerksamkeit in Medien, Kunst und Politik, Kunstforum,No. 148, January, pp. 139-151 |
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2000 |
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David Bonetti, Collections, Series form ‘Multiple Sensations’, San Francisci Examiner, September 4 |
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1999 |
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Otto Neumaier, Von deutscher Seele, noëma, May/June, pp. 76-79 |
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1998 |
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Thomas Wolff, Ozapft is, Frankfurter Rundschau, 23 December, p. 9 |
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1998 |
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Esther Ruelfs, Die ewige Wiederkehr des Ferienstaus, Taz, 1st October |
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1998 |
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Robin Updike, Adding up to History, The Seattle Times, 05th November |
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1998 |
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Roberta Smith, Seeking the Innate Order or Chaos, The New York Times, 31st July |
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1998 |
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Laurie Attias, Forgotten Paris, Metropolis, February/March, pp. 74-75 |
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1998 |
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Laurie Attias, Julian Rosefeldt and Piero Steinle, Frieze, January, p. 91 |
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1998 |
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Ralf Siftel, Bonn. London, New York, Julian Rosefeldt und Piero Steinle sezieren ‘News’ in |
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1997 |
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Wilfried Wiegand, Das Schweigen des Grand Palais, Frankfurter Allgemeine Zeitung,15th August, p. 33 |
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1997 |
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Éric Biétry-Rivierre, Dans les Coulisses de la Ville, Le Figaro, 9th August |
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1997 |
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Fréderic Edelmann, La solitude de Gaspard dans la nuit, Le Monde, 8th August |
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1997 |
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Sibylle Vincendon, Géants Urbains Capturés, Liberation, 5th August |
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1997 |
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Myriam Boutoulle, Lieux de l'ombre, Beaux Arts, August Issue |
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1996 |
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Rita Siza, Fascínio pelo vazio, Publico, 10th October, p. 25 |
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1996 |
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Brita Sachs, Wer sich eine Grube sprengt, Frankfurter Allgemeine Zeitung, 26th April |
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1996 |
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Till Briegleb, Detonation Deutschland, Die Zeit Magazin, 19th April, pp. 10-18 |
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1996 |
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Nieder mit der Architektur, Der Spiegel, Issue 14, p. 251 |
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1996 |
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Gerhard Matzig, Einstürzende Altbauten, Süddeutsche Zeitung, 29th March, p. 15 |
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1996 |
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Peter Michalzik, Die Ruhe vor dem groâen Knall, Frankfuther Rundschau, March 1996, p.6 |
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1995 |
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Dieter Bartetzko, Anrufung der Toten, Frankfurter Allgemeine Zeitung, 22nd December, p.35 |
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1995 |
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Jean Wolfgang Stock, Die Filiale der Hölle, Süddeutsche Zeitung, November 22, 1995, P.14 |
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1994 |
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Wolfgang Höbel, Unter uns, Süddeutsche Zeitung Magazin, 18th February, pp. 32-41 |
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