|
|
Julian Opie Biography
|
 |
 |
|
1978 - 1979 |
|
Attended Chelsea School of Art, London, England
|
|
1979 - 1982 |
|
Attended Goldsmith’s College of Art, London, England
|
|
1983 |
|
First one-person show at the Lisson Gallery, London
|
|
1985 |
|
Exhibited at the Institute of Contemporary Arts, London
|
|
1993 |
|
Major retrospective of his work at the Hayward Gallery, London
|
|
1994 |
|
Wormwood Scrubs, Perimeter Wall Paintings, Commissioned by HMP Wormwood Scrubs
|
|
1995 |
|
Awarded the Sargent Fellowship at The British School in Rome
|
|
1995 - 1996 |
|
Residency at the Atelier Calder in Sache, France
|
|
1997 |
|
Imagine you are moving. Commissioned and Funded by BAA Plc as part of the BAA Ar Programme in association with the Public Art Development Trust
|
|
2001 |
|
Music Week CADS, Best Illustration for Best of Blur
|
|
|
|
Lives and works in London, England
|
|
 |
| Selected Exhibitions |
 |
 |
|
2011
|
|
Bob van Orsouw, Zürich, Switzerland (solo)
|
|
2011
|
|
Krobath, Berlin, Germany (solo)
|
|
2011
|
|
Alan Cristea Gallery, London, England (exh cat) (solo)
|
|
2011
|
|
Watch Me Move: The Animation Show, Barbican Art Gallery, London, England
|
|
2011
|
|
Rugby Collection 2011, Rugby Art Gallery and Museum, Rugby, UK
|
|
2011
|
|
Observadores, Museu Colleccao Berardo, Lisbon, Portugal
|
|
2011
|
|
Modern British Sculpture, Royal Academy, London, UK
|
|
2011
|
|
CAMERA VIVANT, AD Projects at Central Utah Arts Center, Ephraim, UT
|
|
2011
|
|
Moving Portraits, De La Warr Pavillion, Bexhill an Sea, UK
|
|
2010 - 2011
|
|
21st Century: Art in the first Decade, Queensland Gallery of Modern Art, Australia
|
|
2010 - 2011
|
|
Fast Forward: British Contemporary Art in Brazil, Brazilian British Centre Galleries, Pinheiros, Brazil
|
|
2010 - 2011
|
|
DLA Piper Series: This is Sculpture, Tate Liverpool, UK
|
|
2010 - 2011
|
|
Was ist schön?, Deutsches Hygiene-Museum Dresden, Germany
|
|
2010
|
|
Barbara Krakow Gallery, Boston, MA (solo)
|
|
2010
|
|
Mario Sequeira, Braga, Portugal (solo)
|
|
2010
|
|
IVAM, Valencia, Spain (solo)
|
|
2010
|
|
Galerist, Istanbul, Turkey (solo)
|
|
2010
|
|
Eleven, Alan Cristea Gallery, London, England
|
|
2010
|
|
The Rhythm of Istanbul, Akbank Sanat, Istanbul, Turkey
|
|
2010
|
|
Sea Fever: From Turner to Today, Southampton City Art Gallery, Southamptom, UK
|
|
2010
|
|
Pictures about Pictures, MUMOK, Vienna, Austria
|
|
2010
|
|
From Here to There: Contemporary Work from the Arts Council Collection, Herbert Art Gallery and Museum, Coventry, UK
|
|
2010
|
|
Realism – The Adventure of Reality, Kunsthalle Emden, Germany
|
|
2009
|
|
Boule to Braid, curated by Richard Wentworth, Lisson Gallery, London, England
|
|
2009
|
|
Citygarden, Saint Louis, MO
|
|
2009
|
|
Wham – Painting and Beyond, Den Frie Centre of Contemporary Art, Copenhagen, Denmark
|
|
2009
|
|
Lisson presents 2, Lisson Gallery, London, England
|
|
2009
|
|
Dancing in Kivik, Kivik Art Centre, Osterlen, Sweden (solo)
|
|
2009
|
|
Valentina Bonomo, Rome, Italy (solo)
|
|
2009
|
|
Kukje Gallery, Seoul, Korea (solo)
|
|
2009
|
|
Sakshi Gallery, Mumbai, India (solo)
|
|
2009
|
|
SCAI THE BATHHOUSE, Tokyo, Japan (solo)
|
|
2009
|
|
Patrick De Brock, Knokke, Belgium (solo)
|
|
2009
|
|
Transparency, National Theatre, Prague, Czech Republic (group)
|
|
2008
|
|
Lisson Gallery, London, England (solo)
|
|
2008
|
|
Alan Cristea Gallery, London, England (solo)
|
|
2008
|
|
Krobath Wimmer, Vienna, Austria (solo)
|
|
2008
|
|
Art Tower Mito, Japan (solo)
|
|
2008
|
|
The prospect 27, Roche Court Sculpture Park, Salisbury, UK (group)
|
|
2008
|
|
Still / Motion", Mie Prefecture Museum, The National Museum of Art, Osaka, Tokyo Metropolitan Museum of Photography, Japan (group)
|
|
2008
|
|
Recent works, MAK Vienna, Austria
|
|
2007
|
|
Passion for Art, Sammlung Essl, Vienna, Austria
|
|
2007
|
|
Group Show II, Barbara Krakow Gallery, Boston, MA
|
|
2007
|
|
Walk on the Vltava, Museum Kampa, Prague, Czech Republic (solo)
|
|
2007
|
|
This is Shahnoza, Galerie Barbara Thumm, Berlin, Germany (solo)
|
|
2007
|
|
San Diego Museum of Art, San Diego, CA (solo)
|
|
2007
|
|
Barbara Krakow Gallery, Boston, MA(solo)
|
|
2007
|
|
Julian Opie in the 90‘s, King‘s Lynn art centre, Norfolk, UK (solo)
|
|
2006 - 2007
|
|
SIGNS, outdoor exhibition organized by the Arts Council of Indianapolis, Indianapolis, Indiana, USA (solo)
|
|
2006 - 2007
|
|
Show Time, Centro de Arte Contemporáneo de Málaga, Spain
|
|
2006
|
|
Shanghai Biennale, Shanghai, China
|
|
2006
|
|
Auto Nom Kasel, Germany
|
|
2006
|
|
Alan Cristea Gallery, London, UK (solo)
|
|
2004 - 2006
|
|
Likeness: Portraits of Artists by Other Artists, touring: California College of Arts, Wattis Institute, San Francisco, CA; McColl Center for Visual Art, Charlotte, NC; ICA Boston, MA; Dalhousie University Art Gallery, Halifax, Nova Scotia, Canada; University Art Museum, California State University at Long Beach; Illingworth Kerr Gallery, Alberta College of Art & Design, Calgary, Alberta, Canada
|
|
2005
|
|
Gallery Mario Sequeira, Braga, Portugal (solo)
|
|
2005
|
|
La Chocolateria, Santiago de Compostela, Spain (solo)
|
|
2005
|
|
Scai the Bathhouse, Tokyo, Japan (solo)
|
|
2005
|
|
ICA, Boston, MA (solo)
|
|
2005
|
|
Gallery MGM, Oslo, Norway (solo)
|
|
2005
|
|
Gallery Valentina Bonomo, Rome, Italy (solo)
|
|
2004
|
|
Animals, buildings, cars and people, curated by Tom Eccles, Public Art Fund, City hall Park, New York City, USA (solo)
|
|
2004
|
|
Sara, Bryan & Monique, Lisson Gallery, London, UK (solo)
|
|
2004
|
|
Wetterling Gallery, Stockholm, Sweden (solo)
|
|
2004
|
|
Kunsthandlung H. Krobath & B. Wimmer, Vienna, Austria (solo)
|
|
2004
|
|
Patrick de Brock Gallery, Knokke, Belgium (solo)
|
|
2004
|
|
Barbara Thumm Galerie, Berlin, Germany (solo)
|
|
2004
|
|
MCA Chicago, IL (solo)
|
|
2004
|
|
Bearings: Landscapes from the IMMA Collection, Irish Museum of Modern Art, Dublin, Ireland
|
|
2004
|
|
The Tower Block, vertical architecture, Clifford Chance, Canary Wharf, London, UK
|
|
2004
|
|
Porträt ohne Antlitz, (Face without features) Kunsthalle Kiel, Germany (exh. cat.)
|
|
2004
|
|
Funny Cuts; cartoons and comics in contemporary art, Staatsgalerie, Stuttgart, Germany
|
|
2004
|
|
People, Mimmo Scognamiglio, Naples, Italy
|
|
2004
|
|
Summer Exhibiton, Royal Academy of Art, London, UK
|
|
2003
|
|
Saved, 100 Years of the National Art Collections Fund, Hayward Gallery, London, UK (exh. cat.)
|
|
2003
|
|
Lenbachhaus Kunstbau, Munich, Germany
|
|
2003
|
|
Arcadia; the other life of video games, Govett-Brewster Art Gallery, New Zealand
|
|
2003
|
|
Addiction, curated by Christopher Kul-Want, 15 Micamber Street, London, UK
|
|
2003
|
|
Bienal de Valencia, Valencia, Spain
|
|
2003
|
|
No Art-No City - City Utopias in Contemporary Art. Städtische Galerie im Buntentor, Bremen, Germany (exh. cat.)
|
|
2003
|
|
Auto-nom, das Automobil in der Zeitgenössischen Kunst, NRW Forum Kultur und Wirtschaft, Düsseldorf, Germany (exh. cat.)
|
|
2003
|
|
Urban Codes - Coder/De' coder, espace de l'art concret, Château de Mouans, Mouans-Sartoux, France (exh. cat.)
|
|
2003
|
|
Trickfilm, André Buchmann Galerie, Cologne, Germany
|
|
2003
|
|
Robert Mc Lain Gallery, Houston, TX
|
|
2003
|
|
MART - Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Italy (exh. cat.)
|
|
2003
|
|
Galerie Bob Van Orsouw, Zurich, Switzerland (solo)
|
|
2003
|
|
Neues Museum Nurnberg, Nuremberg, Germany (solo)
|
|
2003
|
|
K21 Düsseldorf, Germany (solo)
|
|
2003
|
|
Alan Cristea Gallery, London, UK (solo)
|
|
2002
|
|
Rebecca Camhi Gallery, Athens, Greece (solo)
|
|
2002
|
|
Mario Sequeira Gallery, Porto, Portugal (solo)
|
|
2002
|
|
Berlin Classics, an installation in the courtyard of the gallery in collaboration with Caroline Raspé, Galerie Barbara Thumm, Berlin, Germany (solo)
|
|
2002
|
|
Barbara Krakow Gallery, Boston, MA (solo)
|
|
2001
|
|
Lisson Gallery, London, UK (exh. cat./ solo)
|
|
1983
|
|
Lisson Gallery, London, UK (solo)
|
|
1982
|
|
Sculpture for a Garden, (Hounslow Sculpture II), Gunnersbury Park, London, UK
|
|
 |
 |
 |
|
|
| Literature |
 |
 |
|
2006
|
|
Julian Opie - Showtime, CAC Malaga, Spain (cat.)
|
|
2006
|
|
Vicente Jarque: Julian Opie, o el arte de la ambigüedad, Arte y Parte, no. 47, December 2006/January 2007
|
|
2004
|
|
Philipp Holstein: Julian Opie, der Vorsteher von Oz, Rheinische Post, 25. November 2004
|
|
2004
|
|
Ingeborg Ruthe: Piktogramm statt Weibsbild, Berliner Zeitung, 01. Dezember 2004
|
|
2004
|
|
Uta Grundmann, Nach dem Trubel - Berliner Galerien im Herbst, Berliner Zeitung, 01. Dezember 2004
|
|
2004
|
|
Tom Horan, The Olympics of the art world, The Telegraph, June 2004
|
|
2004
|
|
Michael Glover, Colourful, simple and noisy, The Independent, March 2004
|
|
2004
|
|
Our selection, The Art Newspaper, March 2004
|
|
2004
|
|
Settlements text by Laurent Heygi, Saint Etienne, France (cat.)
|
|
2004
|
|
Saved; 100 years of the national art collections fund, Hayward Gallery/Art Fund
|
|
2004
|
|
Julian Opie, Landscapes Wetterling Gallery, Stockholm (cat.)
|
|
2004
|
|
Julian Opie - Bijou, Sara, Bryan and Monique Lisson Gallery (cat.)
|
|
2004
|
|
Julian Opie (J.O), text by Mary Horlock, Tate Gallery publication
|
|
2003
|
|
Julian Opie Neues Museum Nurnberg, Germany (cat.)
|
|
2003
|
|
Urban Codes coder/decoder Espace de l’art concrete, Mouans-Sartoux, France (cat.)
|
|
2003
|
|
Bijou gets undressed text by Julian Heynen, K21 Dusseldorf, Germany (cat.)
|
|
2003
|
|
Auto-Nom NRW forum, Dusseldorf, Germany published by Hatje Cantz
|
|
2003
|
|
Julian Opie/Alan Cristea ‘newspaper’ Alan Cristea Gallery, London (cat.)
|
|
2003
|
|
Rose Aidin, Brush with fame, Observer October 2003
|
|
2003
|
|
Maev Kennedy, Saved, The Guardian, October 2003
|
|
2003
|
|
Hannah Jones, The art of changing faces, Western Mail, April 2003
|
|
2002
|
|
William Jackson, “Art 33 Basel”, Galleries, August 2002
|
|
2002
|
|
Paul Usherwood, “B. Opened”, Art Monthly, No. 259, September 2002, p. 1-4
|
|
2002
|
|
From Archipov to Zittel, selected Ikon Off-site projects 2000 – 2001, texts by Deborah Kenmode and Jonathan Watkins
|
|
2002
|
|
Sculptura 02 International Art in Public Spaces, Falkenbreg, Sweden (cat.)
|
|
2002
|
|
Continuity/Departure, Tokyo Museum of Art, curator Kazuo Nakabayashi (cat.)
|
|
2001
|
|
Multiplication, a British Council touring exhibition of artist’s multiples, National Museum of Art, Bucharest. (cat.)
|
|
2001
|
|
Julian Opie, Wetterling Gallery, Stockholm (book of stamps)
|
|
2001
|
|
Sarah Kent, Time Out, 28 February 01
|
|
2001
|
|
Cat Callender, Holidays of the rich and famous, The Observer Magazine, 5 August, p. 35
|
|
2000
|
|
Andrew Graham Dixon, The Art of Success, Vogue, pp.179-92, London, May 2000
|
|
2000
|
|
Julian Opie, Abbaye Saint-André, centre d’art contemporain, Meymac, France (cat.)
|
|
1999
|
|
Breaking the Mould, British Art of the 1980s and 1990s, The Weltkunst Collection, London (cat.)
|
|
1990
|
|
Face Value, The Standard, London, 20 July
|
|
1990
|
|
John Russell Taylor. Taking a narrow view, The Times, 26 March
|
|
 |
| Links to further information |
 |
 |
|
|
|