Judy Millar (New Zealand, born )

Timeline

1957
Born in Auckland, New Zealand
1989
Tokaroa Art Award winner
1990
Italian Government post-graduate scholarship
1994
Creative New Zealand travel grant
1994
Moet and Chandon fellowship, France
2002
Wallace Art Award Paramount winner
2003
Artist in Residence Dunedin Public Art Gallery
2006
McCahon House Residency
MFA, Elam School of Fine Arts, Auckland, New Zealand
Lives and works in Auckland and Berlin

Exhibitions

2012
Seeing Red, Hamish Morrison Galerie, Berlin, Germany (group)
2012
Museum gegenstandsfreier Kunst, Otterndorf, Germany (solo)
2011
PUSH, POP, STACK!, Galerie Mark Müller, Zürich, Switzerland (solo)
2011
Into the belly of the whale, bartley + company art, Wellington, New Zealand (solo)
2011
Abstract Overture, Bochenska Gallery, Warswa, Poland
2011
Rohkunstbau, Berlin, Germany
2011
Personal Statements: Time - Space - Existence, Venice Biennale, Venice, Italy
2011
Treffpunkt, Hamish Morrison Galerie, Berlin, Germany
2010
ISCP, Brooklyn, New York, United States of America
2010
A Better Life, Hamish Morrison Galerie, Berlin, Germany
2010
Giraffe, Bottle, Gun, Installation from Venice Biennale 2009, Museum of New Zealand Te Papa Tongarewa, Wellington, New Zealand
2009
Giraffe-Bottle-Gun, Intallation in the Church La Maddalena, New-Zealand Pavilion for the 53rd Biennale in Venice
2008
Edge of Darkness, Hamish Morrison Galerie (group)
2008
Krammig & Pepper Contemporary, Berlin
2008
Galerie Mark Mueller Zurich (solo)
2008
Telecom Prospect 2007 New Art New Zealand, Wellington City Gallery, New Zealand
2008
Butter For The Fish, Gow Langsford Gallery, Auckland
2007
Prospect, City Gallery, Wellington, New Zealand
2007
Keeping You, You, Keeping Me, Me, Lopdell House, Auckland, New Zealand (solo)
2007
Butter for the Fish, Gow Langsfrod Gallery, Auckland, New Zealand (solo)
2007
PX: A Purposeless Production A Necessary Praxis, curated by Leonhard Emmerling, St Paul St Gallery, Auckland, New Zealand
2006
Something, Nothing, 64zero3, Christchurch, New Zealand (solo)
2006
Opening Exhibition, Spielhaus Morrison Galerie, Berlin, Germany
2006
Pittura Fresca, Spielhaus Morrison Galerie, Berlin, Germany
2005
Devil’s Puchbowl, Chris Grimes Gallery, Los Angeles, USA
2005
I Will, Should, Can, Must, May, Would Like to Express, Auckland Art Gallery, Auckland, New Zealand (solo)
2005
Here Eyes Are Hell, Galerie Mark Müller, Zurich, Switzerland (solo)
2005
Flammpunkt, with Sophia Schama, Spielhaus Morrison Galerie, Berlin, Germany (solo)
2005
Veils, Trails and Horses Tails, Bartley Nees Gallery, Wellington, New Zealand (solo)
2004
Open Hand, 64zero3, Christchurch, New Zealand (solo)
2004
To the Is-ness, Galerie Mark Müller, Zurich, Switzerland (solo)
2004
The Shooting Gallery, Ramp Gallery, Hamilton, New Zealand (solo)
2004
IS/NZ, Kunstverein Kreis Ludwigsburg, Ludwigsburg, Germany
2004
Sticky, Randolf Street Gallery, Auckland, New Zealand
2004
I’d Like Painting, Gow Langsford Gallery Auckland, New Zealand (solo)
2003
I is She as You to Me, Dunedin Public Art Gallery, Dunedin, New Zealand (solo)
2003
The Brush Moves This Way, the Brush Moves That, Bartley Nees Gallery, Wellington, New Zealand (solo)
2003
Fragmente des Paradieses, Kunsthalle Palazzo, Liestal, Switzerland
2002
Resisting Colour, Gow Langsford Gallery, Sydney, Australia
2002
Past Presents, Te Papa Tongarewa Museum of New Zealand, Wellington, New Zealand
2002
Memos For The Next Millennium, Gus Fisher Gallery, Auckland, New Zealand
2002
Don’t call me baby, baby, Gow Langsford Gallery, Auckland, New Zealand (solo)
2002
The Shape of a Curve, Gow Langsford Gallery, Sydney, Australia (solo)
2002
The Year I was Born and the Year I was Born, Again, Blockland Projects, Auckland, New Zealand (solo)
2001
New Paintings, Bartley Nees Gallery, Wellington, New Zealand (solo)
2001
The Contingency of Vision, Goodman-Suter Contemporary Art Project, The Suter, Nelson, New Zealand (touring exhibition 2001-2002)
2000
Stable Violet, Permanent Sunset, Bartley Nees Gallery, Wellington (solo)
1999
Scary Sunsets and Other Views, Gow Langsford Gallery, Auckland (solo)
1999
Leap of Faith, Govett-Brewster Art Gallery, New Plymouth, New Zealand
1998
Achromatic, Gow Langsford Gallery, Auckland, New Zealand
1998
Seam, Campbell Grant Galleries, Christchurch, New Zealand (solo)
1997
Skirting Abstraction, Govett-Brewster Art Gallery, New Plymouth, New Zealand
1996
The Second Asia- Pacific Triennial, Queensland Art Gallery, Brisbane, Australia
1995
A Very Peculiar Practice, Aspects of Recent New Zealand painting, City Gallery, Wellington, New Zealand
1995
Review ‘94, Fisher Gallery, Auckland, New Zealand
1995
Taking Stock of the 90’s, Sarjeant Gallery 75th Anniversary Exhibition, Wanganui, New Zealand
1994
Parallel Lines, Gordon Walters in Context, Auckland City Art Gallery, Auckland, New Zealand
1992
Surface Tension, Ten Artists in the 90’s, Auckland City Art Gallery, Auckland, New Zealand

Literature

2006
Thomas, Morgan. Folding, Unfolding: Judy Millar’s Something Nothing, 64zero3, 2006
2005
Leonard, Robert. Judy Millar: 'I will, should, can, must, may, would like to express', Auckland Art Galley, 2005
2005
Kaeppele, Susan. 'IS/NZ', Kehrer Heidelberg, 2005
2004
Byrt, Anthony. 'Sticky, Ramp', Press/Whitecliffe, 2004
2004
Lonie, Bridie. Child’s Play: 'Judy Millar’s I is She, As You to Me', Art New Zealand, August, 2004
2003
Paton, Justin. 'I is She as You to Me', Dunedin Public Art Gallery, 2003
2003
Gerig, Karen. 'Nur Schoenheit Allein Taught zu Wenig'. Review, Basler Zeitung, September, 2003
2003
Byrt, Anthony. Judy Millar: 'How to Paint Backwards', Gow Langsford Gallery, 2003
2003
Ossher, Ian (edt.). 'Notions of Mortality', Lino, No. 2, 2003
2003
McAloon, William. 'Veering Distinctly towards the Lime', New Zealand Listener, May 3, 2003
2001
Shand, Peter. 'The Contingency of Vision', The Goodman-Suter Contemporary Art Project, 2001
1999
Shand, Peter ‘If I Were Penelope...’ Art New Zealand, 90, Winter 1999
1998
Smith, Allan ‘ Judy Millar: as light as in-between’ Judy Millar, catalogue, Gow Langsford Gallery, 1998
1997
Smith, Allan ‘Skirting Abstraction - skepticism and sensibility’, Art New Zealand, 82, Autumn 1997
1997
Greenstein, M.A. ‘Second Asia Pacific Triennial of Contemporary Art’, World Art, No.12, 1997
1996
Turner, Caroline and Rhona Devonport (ed.) The Second Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery, 1996
1995
Smith, Allen and Leigh Davis, A Very Peculiar Practice - aspects of recent New Zealand Painting, City Gallery, Wellington, 1995
1995
French, Blair ‘Gordon Walters - Parallel Lines: Gordon Walters in context’, World Art, January 1995
1995
Smith, Allen ‘The Past and Future Perfect’, Art and Text, 50, 1995
1993
White, Alice ‘Women Artists take their share of the glare’, Herald Tribune, 7th November, 1993