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Judy Millar Biography
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1957 |
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Born in Auckland, New Zealand
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1989 |
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Tokaroa Art Award winner
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1990 |
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Italian Government post-graduate scholarship
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1994 |
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Creative New Zealand travel grant
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1994 |
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Moet and Chandon fellowship, France
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2002 |
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Wallace Art Award Paramount winner
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2003 |
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Artist in Residence Dunedin Public Art Gallery
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2006 |
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McCahon House Residency
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MFA, Elam School of Fine Arts, Auckland, New Zealand
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Lives and works in Auckland and Berlin
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| Selected Exhibitions |
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2012
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Seeing Red, Hamish Morrison Galerie, Berlin, Germany (group)
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2012
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Museum gegenstandsfreier Kunst, Otterndorf, Germany (solo)
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2011
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PUSH, POP, STACK!, Galerie Mark Müller, Zürich, Switzerland (solo)
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2011
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Into the belly of the whale, bartley + company art, Wellington, New Zealand (solo)
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2011
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Abstract Overture, Bochenska Gallery, Warswa, Poland
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2011
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Rohkunstbau, Berlin, Germany
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2011
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Personal Statements: Time - Space - Existence, Venice Biennale, Venice, Italy
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2011
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Treffpunkt, Hamish Morrison Galerie, Berlin, Germany
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2010
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ISCP, Brooklyn, New York, United States of America
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2010
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A Better Life, Hamish Morrison Galerie, Berlin, Germany
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2010
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Giraffe, Bottle, Gun, Installation from Venice Biennale 2009, Museum of New Zealand Te Papa Tongarewa, Wellington, New Zealand
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2009
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Giraffe-Bottle-Gun, Intallation in the Church La Maddalena, New-Zealand Pavilion for the 53rd Biennale in Venice
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2008
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Edge of Darkness, Hamish Morrison Galerie (group)
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2008
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Krammig & Pepper Contemporary, Berlin
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2008
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Galerie Mark Mueller Zurich (solo)
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2008
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Telecom Prospect 2007 New Art New Zealand, Wellington City Gallery, New Zealand
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2008
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Butter For The Fish, Gow Langsford Gallery, Auckland
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2007
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Prospect, City Gallery, Wellington, New Zealand
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2007
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Keeping You, You, Keeping Me, Me, Lopdell House, Auckland, New Zealand (solo)
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2007
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Butter for the Fish, Gow Langsfrod Gallery, Auckland, New Zealand (solo)
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2007
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PX: A Purposeless Production A Necessary Praxis, curated by Leonhard Emmerling, St Paul St Gallery, Auckland, New Zealand
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2006
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Something, Nothing, 64zero3, Christchurch, New Zealand (solo)
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2006
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Opening Exhibition, Spielhaus Morrison Galerie, Berlin, Germany
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2006
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Pittura Fresca, Spielhaus Morrison Galerie, Berlin, Germany
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2005
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Devil’s Puchbowl, Chris Grimes Gallery, Los Angeles, USA
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2005
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I Will, Should, Can, Must, May, Would Like to Express, Auckland Art Gallery, Auckland, New Zealand (solo)
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2005
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Here Eyes Are Hell, Galerie Mark Müller, Zurich, Switzerland (solo)
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2005
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Flammpunkt, with Sophia Schama, Spielhaus Morrison Galerie, Berlin, Germany (solo)
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2005
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Veils, Trails and Horses Tails, Bartley Nees Gallery, Wellington, New Zealand (solo)
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2004
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Open Hand, 64zero3, Christchurch, New Zealand (solo)
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2004
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To the Is-ness, Galerie Mark Müller, Zurich, Switzerland (solo)
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2004
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The Shooting Gallery, Ramp Gallery, Hamilton, New Zealand (solo)
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2004
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IS/NZ, Kunstverein Kreis Ludwigsburg, Ludwigsburg, Germany
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2004
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Sticky, Randolf Street Gallery, Auckland, New Zealand
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2004
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I’d Like Painting, Gow Langsford Gallery Auckland, New Zealand (solo)
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2003
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I is She as You to Me, Dunedin Public Art Gallery, Dunedin, New Zealand (solo)
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2003
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The Brush Moves This Way, the Brush Moves That, Bartley Nees Gallery, Wellington, New Zealand (solo)
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2003
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Fragmente des Paradieses, Kunsthalle Palazzo, Liestal, Switzerland
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2002
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Resisting Colour, Gow Langsford Gallery, Sydney, Australia
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2002
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Past Presents, Te Papa Tongarewa Museum of New Zealand, Wellington, New Zealand
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2002
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Memos For The Next Millennium, Gus Fisher Gallery, Auckland, New Zealand
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2002
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Don’t call me baby, baby, Gow Langsford Gallery, Auckland, New Zealand (solo)
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2002
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The Shape of a Curve, Gow Langsford Gallery, Sydney, Australia (solo)
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2002
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The Year I was Born and the Year I was Born, Again, Blockland Projects, Auckland, New Zealand (solo)
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2001
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New Paintings, Bartley Nees Gallery, Wellington, New Zealand (solo)
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2001
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The Contingency of Vision, Goodman-Suter Contemporary Art Project, The Suter, Nelson, New Zealand (touring exhibition 2001-2002)
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2000
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Stable Violet, Permanent Sunset, Bartley Nees Gallery, Wellington (solo)
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1999
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Scary Sunsets and Other Views, Gow Langsford Gallery, Auckland (solo)
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1999
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Leap of Faith, Govett-Brewster Art Gallery, New Plymouth, New Zealand
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1998
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Achromatic, Gow Langsford Gallery, Auckland, New Zealand
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1998
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Seam, Campbell Grant Galleries, Christchurch, New Zealand (solo)
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1997
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Skirting Abstraction, Govett-Brewster Art Gallery, New Plymouth, New Zealand
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1996
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The Second Asia- Pacific Triennial, Queensland Art Gallery, Brisbane, Australia
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1995
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A Very Peculiar Practice, Aspects of Recent New Zealand painting, City Gallery, Wellington, New Zealand
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1995
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Review ‘94, Fisher Gallery, Auckland, New Zealand
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1995
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Taking Stock of the 90’s, Sarjeant Gallery 75th Anniversary Exhibition, Wanganui, New Zealand
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1994
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Parallel Lines, Gordon Walters in Context, Auckland City Art Gallery, Auckland, New Zealand
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1992
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Surface Tension, Ten Artists in the 90’s, Auckland City Art Gallery, Auckland, New Zealand
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| Literature |
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2006
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Thomas, Morgan. Folding, Unfolding: Judy Millar’s Something Nothing, 64zero3, 2006
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2005
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Leonard, Robert. Judy Millar: 'I will, should, can, must, may, would like to express', Auckland Art Galley, 2005
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2005
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Kaeppele, Susan. 'IS/NZ', Kehrer Heidelberg, 2005
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2004
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Byrt, Anthony. 'Sticky, Ramp', Press/Whitecliffe, 2004
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2004
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Lonie, Bridie. Child’s Play: 'Judy Millar’s I is She, As You to Me', Art New Zealand, August, 2004
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2003
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Paton, Justin. 'I is She as You to Me', Dunedin Public Art Gallery, 2003
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2003
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Gerig, Karen. 'Nur Schoenheit Allein Taught zu Wenig'. Review, Basler Zeitung, September, 2003
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2003
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Byrt, Anthony. Judy Millar: 'How to Paint Backwards', Gow Langsford Gallery, 2003
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2003
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Ossher, Ian (edt.). 'Notions of Mortality', Lino, No. 2, 2003
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2003
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McAloon, William. 'Veering Distinctly towards the Lime', New Zealand Listener, May 3, 2003
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2001
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Shand, Peter. 'The Contingency of Vision', The Goodman-Suter Contemporary Art Project, 2001
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1999
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Shand, Peter ‘If I Were Penelope...’ Art New Zealand, 90, Winter 1999
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1998
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Smith, Allan ‘ Judy Millar: as light as in-between’ Judy Millar, catalogue, Gow Langsford Gallery, 1998
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1997
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Smith, Allan ‘Skirting Abstraction - skepticism and sensibility’, Art New Zealand, 82, Autumn 1997
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1997
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Greenstein, M.A. ‘Second Asia Pacific Triennial of Contemporary Art’, World Art, No.12, 1997
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1996
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Turner, Caroline and Rhona Devonport (ed.) The Second Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery, 1996
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1995
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Smith, Allen and Leigh Davis, A Very Peculiar Practice - aspects of recent New Zealand Painting, City Gallery, Wellington, 1995
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1995
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French, Blair ‘Gordon Walters - Parallel Lines: Gordon Walters in context’, World Art, January 1995
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1995
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Smith, Allen ‘The Past and Future Perfect’, Art and Text, 50, 1995
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1993
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White, Alice ‘Women Artists take their share of the glare’, Herald Tribune, 7th November, 1993
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