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Josephine Meckseper Biography
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1964
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Born in Lilienthal, Germany
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1986 - 1990
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Graduate studies, Hochschule der Künste, Berlin
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1990 - 1992
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MFA, California Institute of the Arts, Valencia, California
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Lives and works in New York
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2014 |
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Between Critique and Absorption, Haggerty Museum of Art at Marquette University, Milwaukee, WI |
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2013 |
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The Rose Art Museum at Brandeis University, Waltham, MA |
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2013 |
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2Q13 – Women Artists, Women Collectors, curated by Marcelle Joseph and Lydia Cowpertwait, Lloyds Club, London, United Kingdom |
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2013 |
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REVERSE ENGINEERING, Curated by Bill Powers, The Fireplace Project, East Hampton, NY |
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2013 |
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The Spook Rock Road, Galerie Frank Elbaz, Paris, France |
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2013 |
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Secrets of Sunset Beach, Timothy Taylor Gallery, London, United Kingdom |
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2013 |
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L’Ange de l’histoire, Palais des Beaux-Arts, Paris, France |
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2013 |
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Cultural Freedom in Europe, Goethe Institute, Brussels, Belgium |
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2013 |
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Living With More Art, Korrigierte Version, Galerie Reinhard Hauff, Stuttgart, Germany |
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2013 |
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Andrea Rosen Gallery, New York, NY (solo) |
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2012 |
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Josephine Meckseper, Parrish Art Museum, Water Mill, New York (solo) |
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2012 |
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Josephine Meckseper, Worpsweder Kunsthalle, Worpswede, Germany (solo) |
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2012 |
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Now’s the Time: Recent Acquisitions, curated by Lauren Hinkson and Carmen Hermo, Solomon F. Guggenheim Museum, New York, NY |
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2012 |
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Newly Renovated Contemporary Wing, Baltimore Museum of Art, Baltimore, MD |
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2012 |
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The Simple Life, curated by Valérie Knoll and Bettina von Dziembowski, Kunstverein Springhornhof, Neuenkirchen, Germany |
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2012 |
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est. 2002: 10th Anniversary Summer Exhibition, Elizabeth Dee Gallery, New York, NY |
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2012 |
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Parque Industrial, Galeria Luisa Strina, São Paulo, Brazil |
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2012 |
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Living With Art, Galerie Reinhard Hauff, Stuttgart, Germany |
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2012 |
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Cultural Production, Andrea Rosen Gallery, New York, NY |
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2012 |
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Worpsweder Kunsthalle, Worpswede, Germany |
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2012 |
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American Leg, Window Spaces, Contemporary Art Gallery, Vancouver, Canada |
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2012 |
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Manhattan Oil Project, with Art Production Fund, The Last Lot, Times Square, New York, NY |
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2011 |
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Timothy Taylor Gallery, London, UK (solo) |
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2011 |
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Gestamtkunstwerk: New Art from Germany, The Saatchi Gallery, London |
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2011 |
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NY: New Perspectives, Brandnew Gallery, Milan |
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2011 |
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Geschmack: der gute, der schlechte und der wirklich teure, Kunsthalle Baden-Baden, Germany |
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2011 |
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Praxis, Elizabeth Dee Gallery, New York |
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2011 |
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A Portrait of the Artist As a Young Man, Galerie Reinhard Hauff, Stuttgart, Germany |
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2011 |
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Sharjah Biennial 10: Plot for a Biennial, Sharjah Art Museum, United Arab Emirates |
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2011 |
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Cover Girl, Galerie des Galeries, Paris |
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2011 |
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Glamourama, Lanchester Gallery, Coventry, UK |
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2011 |
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The FLAG Art Foundation, New York, USA (solo) |
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2010 |
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ARNDT, Berlin, Germany |
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2010 |
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The Exquisite Corpse Project, David Zwirner Gallery, New York, USA (catalogue) |
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2010 |
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CONTACT Toronto Photography Festival, Museum of Contemporary Canadian Art, Toronto, Canada (catalogue) |
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2010 |
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Whitney Biennial, Whitney Museum of American Art, New York, USA (catalogue) |
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2010 |
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My Brother, My Killer, Freymond-Guth & Co. Fine Arts, Zurich, Switzerland |
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2010 |
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The Library of Babel/In and Out of Place, 176 / Zabludowicz Collection, London, UK |
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2010 |
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Contemplating the Void, Solomon R. Guggenheim Museum, New York, USA |
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2010 |
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HomeLess Home, The Museum on the Seam, Jerusalem |
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2010 |
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You can leave your hat on, Galerie Reinhard Hauff, Stuttgart (solo) |
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2010 |
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Josephine Meckseper, Elizabeth Dee Gallery, New York (solo) |
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2009 |
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migros museum für gegenwartskunst, Zurich, Switzerland (solo) |
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2009 |
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Zeigen. An Audio Tour Through Berlin, Temporäre Kunsthalle Berlin, Berlin, Germany (catalogue) |
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2009 |
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Dance in My Experience, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany |
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2009 |
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1989. Spione. Mauer. Kinderheim – An Der Brücke Zwischen den Welten, Villa Schöningen, Potsdam, Germany |
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2009 |
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Ausstellungshalle zeitgenössische Kunst Münster, Germany (solo) |
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2009 |
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Josephine Meckseper: Recent Films, Indianapolis Museum of Art, Indianapolis, USA (solo) |
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2009 |
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John McWhinnie at Glenn Horowitz Bookseller, New York, USA (solo) |
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2009 |
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Blaffer Gallery, The Art Museum of the University of Houston, USA (solo) |
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2009 |
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american apparel, Nottingham Contemporary, Nottingham, UK (solo) |
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2009 |
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Morality: Beautiful from Every Point of View, Witte de With, Rotterdam, Netherlands (catalogue) |
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2009 |
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1989. End of History or Beginning of the Future? Comments on a Paradigm Shift, Kunsthalle Wien, Vienna, Austria |
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2009 |
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Infinitesimal Eternity—Images Made in the Face of Spectacle, Yale University School of Art Gallery, New Haven, USA(catalogue) |
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2009 |
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Learn to Read Art: A History of Printed Matter, Badischer Kunstverein, Karlsruhe; traveling to P.S.1 Contemporary Art Center, USA |
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2009 |
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No Soul for Sale: A Festival of Independents, Galerie im Regierungsviertel/Forgotten Bar Project Berlin at X Initiative, New York |
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2009 |
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Narcotica, Galerie Im Regierungsviertel/Forgotten Bar Project Berlin, Basel, Switzerland |
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2009 |
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Extended. Sammlung Landesbank Baden-Württemberg, ZKM / Museum für Neue Kunst Karlsruhe, Germany (catalogue) |
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2009 |
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FAX, The Drawing Center, New York; traveling to Contemporary Museum, Baltimore, Maryland; Plug In ICA, Winnipeg, Canada; Para/Site Art Space, Hong Kong; Torrance Art Museum, Torrance, California; Burnaby Art Gallery, Burnaby, Canada; Dowd Gallery, State University of New York, College at Cortland, Cortland, New York (catalogue) |
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2009 |
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Bildschön. Schönheitskult in der aktuellen Kunst, Städtische Galerie, Karlsruhe, Germany (catalogue) |
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2009 |
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MAN SON 1969. Vom Schrecken der Situation, Hamburger Kunsthalle, Hamburg, Germany |
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2009 |
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Living Together, Centro Cultural Montehermoso Kulturunea, Vitoria Álava, Spain; traveling to Museo de Arte Contemporáneo de Vigo, Spain, curated by Xabier Arakistain and Emma Dexter (catalogue) |
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2008 |
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Prospect.1 New Orleans, USA (catalogue) |
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2008 |
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Shrink-Wrapped, Or Belkin Satellite Gallery, University of British Columbia, Vancouver, Canada |
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2008 |
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Strange Connections: Art und Fashion, KUNST + PROJEKTE, Sindelfingen, Germany |
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2008 |
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Constellations, Artissima, Turin, Italy |
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2008 |
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Alternating Beats, Museum of Art - Rhode Island School of Design, Providence, USA |
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2008 |
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Asking we Walk, Voices of Resistance, Den Frie Udstillingsbygning, Copenhagen, Denmark |
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2008 |
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Business As Usual, Museum of Contemporary Art Detroit, Detroit, USA |
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2008 |
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That Was Then… This is Now, P.S.1 Contemporary Art Center, Long Island City, New York, USA |
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2008 |
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Sculpture Is…, Arndt & Partner, Berlin, Germany |
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2008 |
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Elizabeth Dee Gallery, New York, USA (solo) |
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2008 |
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Colette, Paris, France |
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2008 |
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GAK, Gesellschaft für Aktuelle Kunst, Bremen, Germany (catalogue) |
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2008 |
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New Photography 2008: Josephine Meckseper and Mikhael Subotzky, MoMA, New York (solo) |
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2008 |
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Arndt & Partner, Berlin (solo) |
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2008 |
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Zidovi na ulici (Walls in the Street), Museum of Contemporary Art, Belgrade, Serbia |
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2008 |
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Vertrautes Terrain - Aktuelle Positionen in / über Deutschland, ZKM, Museum für Neue Kunst, Karlsruhe, Germany (Catalogue) |
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2008 |
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Common Affairs: Steirischer Herbst 2008, Landesmuseum Joanneum, Graz, Austria (catalogue) |
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2007 |
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An Atlas of Events, Calouste Gulbenkian Foundation in Lisbon, Portugal |
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2007 |
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From 60 to 7, Henie Onstad Art Centre, Norway |
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2007 |
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Galerie Reinhard Hauff, Stuttgart, Germany (solo) |
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2007 |
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Fit to Print: Printed Media in Recent Collage, Gagosian Gallery, New York, USA |
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2007 |
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Nouvelles Acquisitions/Volet 1, FRAC Nord – Pas de Calais, Dunkerque, France |
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2007 |
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Brave New Worlds, Walker Art Center, Minneapolis, USA (catalogue) |
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2007 |
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Shadows in Paradise, FRAC Nord - Pas de Calais, Dunkerque, France |
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2007 |
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When We Build Let Us Think That We Build Forever, The Zabludowicz Collection, Baltic Centre for Contemporary Art, Gateshead, UK |
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2007 |
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New York: States of Mind, Haus der Kulturen der Welt, Berlin; traveling to The Queens Museum of Art, Queens, New York, USA |
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2007 |
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Resistance Is, Whitney Museum of American Art, New York, USA |
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2007 |
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Rendición Extraordinaria/Extraordinary Rendition, NoguerasBlanchard, Barcelona, Spain |
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2007 |
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Second Moscow Biennale of Contemporary Art: Footnotes about Geopolitics, Market, and Amnesia, Russia |
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2007 |
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Just Kick It Till It Breaks, The Kitchen, New York, USA (catalogue) |
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2007 |
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New York – States of Mind, Haus der Kulturen der Welt, Berlin |
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2007 |
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Josephine Meckseper, Kunstmuseum Stuttgart, Stuttgart (solo) |
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2006 |
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Cooling Out - On the Paradox of Feminism, Lewis Glucksman Gallery, University College, Cork, Ireland |
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2006 |
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Stephen Andrews, Marc Handelman, Josephine Meckseper, Tom Molloy, Steve Mumford, Barbara Pollock: This Ain’t No Fooling Around, Rubicon Gallery, Dublin |
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2006 |
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Day for Night, Whitney Biennial of American Art, New York
USA Today. Works from the Saatchi Collection, Royal Academy of Arts, London
2. International Biennial of Contemporary Art of Sevilla, Sevilla
Tate Modern, London
International Project Room, ARCO ’06, Madrid
GAVLAK, West Palm Beach
Museo de Arte Contemporaneo de Castilla y Leon, MUSAC, Leon, curated by Yuko Hasegawa, Agustin Perez Rubio and Octavio Zaya
Josephine Meckseper, Eric Baudelaire, Adrian Piper, Wayne Gonzales, Elizabeth Dee Gallery, New York
Two Friends and So On, Andrew Kreps Gallery, New Yor, USA |
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2005 |
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Lyon Biennial of Contemporary Art, Lyon
Elizabeth Dee Gallery, New York (solo)
The Bulletin Board, White Columns, New York (solo)
Josephine Meckseper, GAVLAK, West Palm Beach
Experiencing Duration: Biennale d’art contemporain de Lyon 2005, curated by Nicolas Bourriaud and Jérôme Sans, Lyon (catalogue)
Die Neue Republik, Oldenburger Kunstverein, Oldenburg, Germany
A.B. Normal, Nyehaus, New York
Bonds of Love, curated by Lisa Kirk, John Connelly Presents, New York, (catalogue)
Faure & Light Gallery, Santa Monica
Girls on Film, Zwirner & Wirth, New York, USA |
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2004 |
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IG-Metall und die künstlichen Paradiese des Politischen, Galerie Reinhard Hauff, Stuttgart (solo)
Heimweh: Young German Art, curated by Juliane von Herz, Haunch of Venison, London
The Future Has a Silver Lining: Genealogies of Glamour, curated by Heike Munder and Tom Holert, Migros Museum für Gegenwartskunst, Zurich
Dresscode, Kunstverein Neuhausen, Neuhausen/Fildern, Germany
American Idyll, Greene Naftali, New York
twinkle, twinkle, Galerie Reinhard Hauff, Stuttgart, Germany |
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2003 |
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Elizabeth Dee Gallery, New York, USAbr>Fuckin’ Trendy, curated by Ellen Seifermann, Kunsthalle Nuremberg, Nuremberg, Germany
All That Glitters, curated by Karen Shaw, Islip Art Museum, East Islip, New York
Girls on Film, curated by Joseph R. Wolin, Produce Gallery, Penrose Gallery, Tyler School of Art, Temple University, Philadelphia
Wheeling, curated by Marcus Sendlinger, Cell Project Space, London
In the Public Domain, Greene Naftali, New York
Nation, curated by Nicolaus Schafhausen, Kunstverein Frankfurt, Frankfurt
Growing Up Absurd, curated by Jette Rudolph, Post-LA Gallery, Los Angeles
Lustgarten, Borgmann Nathusius Gallery, Cologne (solo) |
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2002 |
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Summer Show, Greene Naftali Gallery, New York
Bitch School, curated by Robert Blackson and Eddie Torres Longwood Arts Project, The Bronx Council on the Arts, New York
Wheeling! Krad Culture, curated by Marcus Sendlinger, Galerie Jette Rudolph, Berlin, Germany
Good Vibrations: Philip Argent, Marcy Freedman, Heribert Freidl, Josephine Meckseper, Galerie Jette Rudolph, Berlin, Germany |
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2001 |
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Shine—oder Jedem das Seine, Galerie Reinhard Hauff, Stuttgart (solo)
Wine, Women & Wheels, White Columns, New York |
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2000 |
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New New York, curated by Alejandro Diaz, Texas Fine Arts Association, The Jones Center for Contemporary Art, Austin, Texas
Grok Terence McKenna Dead, Feature, Inc., New York
Rob Pruitt’s Flea Market, Gavin Brown’s Enterprise, New York
Art Auction 2000, Museum of Contemporary Art, Los Angeles
Wunderbar, Art Club Berlin at W139 Gallery, Amsterdam |
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1999 |
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Overflow, curated by Caroline Schneider and Meg O’Rourke, D’Amelio Terras, Marianne Boesky Gallery, Anton Kern Gallery, New York
Criss Cross—Some Young New Yorkers III, curated by Klaus Biesenbach and Alanna Heiss, P.S.1 Contemporary Art Center, Long Island City, New York
Free Coke—Lines, Drawing, Paper, Greene Naftali, New York
Art Club Berlin Au Base Gallery, New York
Lifer, curated by Kenny Schachter, Cardozo School of Law Gallery, New York |
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1998 |
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Super Freaks: Post Pop and the New Generation, Greene Naftali, New York
Selective Affinities, curated by Caroline Nathusius, New York Ministorage, New York
Art Club Berlin, curated by Klara Wallner, Artforum, Berlin
Summer Show, Debs & Co., New York |
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1996 |
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Intervention, Starke Stiftung, Berlin
Mixing Messages: Graphic Design in Contemporary Culture, curated by Ellen Lupton, Cooper-Hewitt, National Design Museum, New York
Departure Lounge, Clocktower Gallery, P.S.1 Contemporary Art Center, New York
Summer Show, Greene Naftali, New York
Scratch, Thread Waxing Space, New York
Intervention: Tendenzen im Schatten der Stadtplanung, curated by Thomas Büsch, Stiftung Starke, Berlin |
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1995 |
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Voyeurism, 450 Gallery, New York
Wheel of Fortune, Lombard-Freid Fine Arts, New York
Benefit Exhibition, American Fine Arts, New York
On the Lam, Thicket Gallery, New York
Verisimilitude and the Utility of Doubt, curated by Bill Arning and Gregory Crewdson, White Columns, New York |
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1994 |
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This Is Your Home, curated by Ania Corcelius, Stuyvesant Town, New York
Agent Artist, curated by Thomas Büsch, P.S. 1 Contemporary Art Center, Long Island City, New York
Paranoid, curated by Sam Durant, The Brewery Gallery, Los Angeles |
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1992 |
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Every Day is the Same, Main Gallery, California Institute of the Arts, Valencia, California |
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1990 |
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Gemelli o dell’Attenzione Simultanea?, Contatto Europa Gallery, Milan |
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Public Collections
Museum of Modern Art, New York
Whitney Museum of American Art, New York
Solomon R. Guggenheim Museum, New York
The Saatchi Gallery, London
Kunstmuseum Stuttgart, Germany
Kunsthalle Bremen, Germany
DekaBank, Frankfurt, Germany
Landesbank Baden-Württemberg, Germany
FRAC Nord - Pas de Calais, Dunkerque, France
Van Dam Art Collection, Holland
Berezdivin Collection, San Juan |
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2010 |
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Singer, Debra, Creamier: Contemporary Art in Culture: 10 Curators, 100 Contemporary Artists, 10 Sources. London: Phaidon |
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2009 |
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Hooper, Rachel, Sylvère Lotringer, and Heike Munder, Josephine Meckseper, Zurich: JRP|Ringier |
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2009 |
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Rancière, Jacques, Der emanzipierte Zuschauer, trans. Richard Steurer. Vienna: Passagen Verlag |
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2007 |
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Enwezor, Okwui, Christian Hoeller and Marion Ackermann (editor), Josephine Meckseper. Ostfildern: Hatje Cantz Verlag. |
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2006 |
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Lotringer, Sylvère, The Josephine Meckseper Catalogue No. 2, New York and Berlin: Sternberg Press |
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2004 |
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Kelsey, John and Andrew Ross, The Josephine Meckseper Catalogue. New York: Lukas & Sternberg |
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