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1983
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Bachelor of Fine Arts, Yale University, New Haven, CT
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1988
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Co-founded the Journal of Contemporary Art
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Present
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Lives and works in New York City
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2011 |
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Abstract Memory, Larry Becker Contemporary Art, Philadelphia, PA, USA (solo) |
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2011 |
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Still Light, Larry Becker Contemporary Art, Philadelphia, PA, USA (solo) |
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2011 |
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Papier/paper, kunstgaleriebonn, Bonn, Germany |
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2011 |
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’70 Years of Abstract Painting – Excerpts’, Jason McCoy Gallery, New York, USA |
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2010 |
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Same:Difference, curated by Julien Robson and Robert Cozzolino, Pennsylvania, Academy of the Fine Arts, PA, USA |
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2010 |
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Consider the Oyster, conceived and curated by Ingrid Dinter, James Graham & Sons, NY, USA |
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2010 |
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This Cool, Larry Becker Contemporary, Philadelphia, PA, USA |
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2010 |
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Recent Paintings, James Graham & Sons Gallery, New York, NY, USA (solo) |
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2009 |
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Art Dealer Archipelagos, James Graham & Sons Gallery, New York, NY, USA (solo) |
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2009 |
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Assemblage Abstract, Dinter Fine Art, NY, USA |
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2009 |
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Blue, James Graham & Sons, NY, USA (curator) |
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2008 |
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Color Climax, James Graham & Sons, NY, USA |
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2008 |
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Peace, Sideshow Gallery, Brooklyn, NY, USA |
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2008 |
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Recent Works, James Graham & Sons Gallery, New York, NY, USA (solo) |
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2007 |
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Inaugural Show, James Graham & Sons, NY, USA |
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2007 |
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Surfacing Now: Joe Fyfe and John Zinsser, JG Contemporary, (at flow, Miami Beach), USA |
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2007 |
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Monochrome Painting: Some Versions from Ad Reinhardt to Present, CardwellJimmerson Contemporary Art, Los Angeles, CA, USA |
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2007 |
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Horizon, curated by David Humphrey, EFA Gallery, NY, USA |
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2007 |
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New Beginnings, Galerie S65, Aalst, Belgium |
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2007 |
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The War is Over, Sideshow Galley, Brooklyn, NY, USA |
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2006 |
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The Independents, curated by Judith Slekowitz, 499 parkavenue, NY, USA |
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2006 |
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Roger Ramsay Gallery, Chicago, IL, USA (solo) |
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2005 |
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Galerie S65, Cologne, Germany (solo) |
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2005 |
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Armored, curated by Rene Allain, Planet Thailand, Brooklyn, NY, USA |
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2004 |
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The Flag Project, Rubin Museum of Art, NY, USA |
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2004 |
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Dialogue: Abstract, Exhibition Space 13, NY, curated by Gayle Ruskin White, USA |
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2004 |
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Arbeiten auf Papier, Galerie S65, Cologne, Germany |
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2004 |
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Under the Influence, Barbara Mathes Gallery, NY, USA |
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2003 |
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Theories: Abstract New York, LICK Ltd, Queens, NY (also: Ramsay Gallery, Chicago), USA |
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2003 |
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Brooklyn on 57th St, Nohra Haime Gallery, NY, NY, USA |
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2003 |
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1.ZenRoxy, curated by Ivan Vera, Von Lintel Gallery, NY, USA |
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2003 |
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Color, curated by Paul Rusconi, Sandroni/Rey Gallery, Venice, CA, USA |
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2003 |
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Paintings and Sculpture, Maximilian Krips Galerie, Cologne, Germany |
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2003 |
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Bible Studies, Von Lintel Gallery, New York, USA (solo) |
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2003 |
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Galerie S65, Cologne, Germany (solo) |
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2002 |
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Color, curated by Paul Rusconi, Snadroni/Rey, Venice, CA |
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2002 |
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Von Lintel Gallery, New York, NY (solo) |
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2001 |
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Fifteen Years of Painting, Stark Gallery, New York, NY |
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2001 |
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Galerie S65, Aalst, Belgium (solo) |
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2001 |
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Cinema Studies, curated by Aruna D’Souza, Lucas Schoormans, NY, USA |
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2001 |
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1.Significant Pursuits: Paint and Geometry, curated by Robert Kingston and Phong Bui, Smack Mellon Studios, DUMBO, Brooklyn, NY, USA |
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2001 |
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The Tao of Painting: Principles in Monochrome, curated by Marina Zakarian, The McKinney Avenue Contemporary, Dallas, TX (Katalog), USA |
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2001 |
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Deep Field Painting, Hunter College Art Gallery, curated by Michael Brennan (Katalog), USA |
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2000 |
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Von Lintel & Nusser New York, NY (solo) |
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2000 |
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The Significan Pursiuit: Form and Geometry, Smack Mellon, Brooklyn, NY |
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2000 |
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Deep Field Painting, curated by Michael Brennan, Hunter College New York, NY |
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2000 |
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The Tao of Painting: Principles in Monochrome, curated by Marina Zakarian, The McKinney Avenue Contemporary Dallas, TX |
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1999 |
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Tang, Turner & Runyon Dallas, TX |
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1999 |
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Gridlocked, Rocket Gallery London |
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1999 |
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Paint Structures, Galerie von Lintel Munich, Germany |
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1999 |
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Dialogue (with Mark Sheinkman), ART Resources, New York |
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1999 |
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Abstraction, Roger Ramsay Gallery, Chicago, IL |
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1999 |
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New American Abstraction, Galerie Windows, Brussels, Belgium |
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1999 |
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One by One: Painting Vs. Drawing, Galerie von Lintel & Nusser, Munich |
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1998 |
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Galerie Thomas von Lintel, Munich (solo) |
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1998 |
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Roger Ramsay Gallery, Chicago (solo) |
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1998 |
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White Grid Variations, Gallery S65 Aalst, Belgium (solo) |
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1998 |
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Monomania, Rocket Gallery London |
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1997 |
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The Architecture of Color, Pamela Auchincloss Project Space, New York (solo) |
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1997 |
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A Reversal of Scale, Turner & Runyon, Dallas, TX |
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1997 |
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Group Show, Green on Red, Dublin |
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1997 |
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Summer Show, Galerie Thomas Von Lintel, Munich |
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1997 |
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Works on Paper, Gallery S65, Aalst, Belgium |
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1997 |
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The Pavilion, Lawing Gallery Houston, TX (solo) |
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1996 |
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The Jullian Pretto Collection, The Wadsworth Atheneum, Hartford, CT |
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1996 |
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Stark Gallery New York, NY (solo) |
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1996 |
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Inaugural, Turner & Runyon Gallery, Dallas, TX |
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1996 |
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Group Show, Todd Gallery, London, England |
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1996 |
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Republic Tower Comission, Turner, Byrne & Runyon Gallery, Dallas (solo) |
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1996 |
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John Zinsser, Lawing Gallery Houston, TX (solo) |
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1996 |
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John Zinsser, Galerie Thomas von Lintel Munich, Germany (solo) |
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1995 |
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Stark Gallery, New York (solo) |
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1995 |
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Galerie S65 Alst, Belgium (solo) |
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1995 |
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Minimalist Strategies, Pamela Auchincloss Gallery, New York, NY |
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1995 |
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NY Abstract, Contemporary Art Center, New Orleans, LA |
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1995 |
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New York Paper Now, Galerie Thomas von Lintel, Munich |
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1994 |
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New York Abstraction, Tavelli Gallery, Aspen, CO |
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1994 |
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Color, Pamela Auchincloss Gallery |
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1994 |
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Four Painters, Galerie S65, Aalst, Belgium |
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1994 |
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Fractured Seduction, curated by Maya Damianovic, Artifact, Tel Aviv, Israel |
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1994 |
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Galerie Thomas Von Lintel, Munich (solo) |
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1993 |
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Thomas Solomon's Garage, Los Angeles, CA (solo) |
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1993 |
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Elizabeth Koury Gallery, New York (solo) |
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1993 |
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Galerie S65 Aalst, Belgium (solo) |
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1993 |
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Works on Paper, Galerie Nãchst St. Stephan, Vienna, Austria |
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1992 |
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Group Exhibition, John Good Gallery, New York, NY, USA |
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1992 |
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Contemporary Surfaces, curated by Rick Ward, Pamela Auchincloss Gallery, USA |
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1992 |
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Slow Art: Painting in New York Now, curated by Alana Heiss, PS1 Museum, NY, USA |
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1992 |
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Abstract Painting Between Analysis and Synthesis, Galerie Nachst St. Stephan, Vienna, Austria (Katalog) |
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1992 |
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Kinder! macht Neues!, Galerie Rolf Ricke, Cologne |
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1992 |
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Group Exibition, Mars Gallery, Tokyo, Japan |
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1991 |
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Automatic Writing, Julian Pretto Gallery New York, NY, USA (solo) |
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1991 |
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Conceptual Abstraction, Sidney Janis Gallery, NY (Katalog), USA |
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1991 |
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The Vertical Flatbed Picture-Plane, Turner & Byrne Gallery, Dallas, TX, USA |
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1991 |
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Hybrid Abstraction, curated by Joshua Decter, Bennington College, Bennington, VT, USA |
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1991 |
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Five Days, Thomas Solomon’s Garage, Los Angeles, CA, USA |
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1991 |
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Synthesis, John Good Gallery, NY, USA |
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1990 |
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Commodities Corporation Collection, curated by Sam Hunter, New Jersey State Museum, NJ, USA |
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1990 |
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A Question of Paint, curated by Charles Wright, Jr., Hallwalls, Buffalo, NY |
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1990 |
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Visiting Artists, Kent State University, Kent, OH, USA |
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1990 |
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Material Painting, curated by Julian Pretto, Roger Ramsay Gallery, Chicago, IL, USA |
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1990 |
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Invitational, Curt Marcus Gallery, NY, USA |
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1990 |
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Thomas Solomon’s Garage, Los Angeles, CA, USA (solo) |
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1990 |
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Julian Pretto Gallery, NY, USA (solo) |
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1990 |
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Work on Paper, curated by Randy Alexander, Paula Allen Gallery, NY, USA |
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1990 |
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Process and Material, Julian Pretto Gallery, NY, USA |
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1990 |
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20th Anniversary Benefit, White Columns, NY, USA |
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1990 |
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20th Anniversary Benefit, White Columns, NY, USA |
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1989 |
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Aspects of Painting, Julian Pretto Gallery, NY, USA |
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1989 |
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Nine Abstract Painters, White Columns, NY, USA |
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1989 |
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Julian Pretto Gallery New York, NY, USA (solo) |
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2010 |
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Last Chance, Roberta Smith, The New York Times, October 29 |
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2010 |
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Haiku Review: Consider the Oyster, Peter Frank, The Huffington Post, October 28 |
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2009 |
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Uptown Art Mingles with Architectural Gems, Roberta Smith, The New York Times, Dec. 4, 2009, p36 |
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2009 |
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Now Showing: Art Dealer Archipelagoes, Sandra Ballantine, November 24 |
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2009 |
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Down the Rabbit Hole with Artist John Zinsser, Kelsey Keith, November 30 |
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2008 |
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John Zinsser, Edward Leffingwell, Art in America, October |
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2008 |
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John Zinsser: Recent Work, Stephanie Buhmann, The Brooklyn Rail, March |
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2007 |
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The Possibilities of Paint: An Interview with John Zinsser, Cindi Di Marzo, Studio International, UK, February |
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2004 |
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Gallery Chronicle, James Panero, The New Criterion, October |
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2003 |
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Farben, stets voll Schwung und Gewicht: John Zinsser stellt in der Galerie S 65 aus, von Jürgen Kisters, Kölner Stadt-Anzeiger, 13/16 February |
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2003 |
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John Zinsser: Neue Bilder, Galerie S 65, Köln, Reinhard Ermen, Kunstforum International, März-Mai |
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2003 |
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Review, “Bible Studies”, Grace Glueck, The New York Times, June 27 |
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2003 |
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Review, “Bible Studies”, Aruna D’Souza, Time Out New York, July 24-31 |
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2003 |
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Driven to Abstraction, Amei Wallach, ARTnews, November |
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2002 |
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Review, Walter Robinson, Artnet Magazine, April |
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2002 |
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Zinsser, John. 'Free Parking and Other Directed Fantasies' |
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2000 |
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T McDonough. 'John Zinsser at Von Lintel & Nusser', Art in America, December |
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2000 |
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For Hikers Seeking Art, Brooklyn is a Left Bank, Holland Cotter, The New York Times, Dec. 15 |
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2000 |
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A Captivating Coat of Not Many Colors, Charles Dee Mitchell, The Dallas Morning News, Feb. 5, 2000 |
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1999 |
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Erfle, A. 'Krafte gegen neue Medien, Zehn zeitgenossische Kunstler in der Galerie von Lintel & Nusser', Suddeutsche Zeitung, SZ extra, February 11 |
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1999 |
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Horny, Tinga. 'Hier regiert die Vielfalt', Handelsblatt, February 11 |
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1999 |
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'Artist Profile', Noema, January-March, p. 114 |
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1999 |
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'John Zinsser', Prinz, January |
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1998 |
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Zinsser, John. 'Andy Warhol: Pure Painter', artnet.com, February 25 |
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1997 |
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Review, Holland Cotter, The New York Times, June 6 |
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1997 |
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John Zinsser at Pamela Auchincloss, Bill Arning, Art in America, November |
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1997 |
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Review, Patricia C. Johnsons, Houston Chronicle, Sept 23 |
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1997 |
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John Zinsser at Pamela Auchincloss, Michael Brennan, Artnet, September |
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1995 |
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Review, The New Yorker, March 20 |
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1995 |
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Also of Note, Holland Cotter, The New York Times, March 24 |
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1994 |
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Hollywood Collects, ARTnews, March |
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1993 |
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John Zinsser Repays Debt to Andy Warhol, David Pagel, Los Angeles Times, May 29 |
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1992 |
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Slow Art at PS1, Brooks Adams, Art in America, October |
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1992 |
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Slow Art at PS1, Roberta Smith, The New York Times |
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1992 |
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New York Fax, David Pagel, Art Issues, Sept./Oct. |
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1992 |
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Contemporary Surfaces, Holland Carter, The New York Times, Aug. 7 |
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1992 |
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Life in the Abstract, Justin Sunward, Gay Chicago, May 21 |
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1992 |
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Zinsser Shows Respect for Materials, David McCracken, The Chicago Tribune, May 1 |
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1992 |
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John Zinsser: An Interview with Alisa Tager, Tema Celeste, Spring |
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1991 |
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New York in Review, Terry R. Myers, ARTS, September |
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1991 |
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John Zinsser (Interview), Cora Cohen, BOMB, Fall |
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1991 |
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Review, Roberta Smith, The New York Times, July |
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1990 |
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Material Painting/Roger Ramsay Gallery, Michael Bulka, Dialogue, November |
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1990 |
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Four Artists Work in a Discreet Human Scale, David McCracken, Chicago Tribune, July |
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1990 |
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John Zinsser at Julian Pretto, Ken Johnson, Art in America, July |
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1990 |
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New York in Review, Robert Mahony, ARTS |
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1989 |
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The Next Generation, Alexandra Anderson, Smart, October |
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1988 |
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Talk, the Lost Art, Douglas McGill, The New York Times, Jan. 22 |
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