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Johan Grimonprez Biography
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1962
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Born in Roeselaere, Belgium
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Lives and works in Belgium and New York
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2011 |
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The World Belongs to You, Palazzo Grassi, Venice, Italy |
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2011 |
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dial H-I-S-T-O-R-Y, Videoex Festival 2011, Zurich Switzerland |
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2011 |
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I may have lost my forever my umbrella, ALIAS: Photomonth Festival |
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2011 |
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FOKUS, Nikolaj Kunsthal / Nikolaj Copenhagen Cont. Art Center, Copenhangen, Denmark |
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2011 |
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Are you ready for television?, CGAC, Santiago de Compostela, Spain |
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2011 |
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ANGRY – Young and Radical, Nederlands Fotomuseum,The Netherlands |
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2011 |
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Sleeping beauties, Kasteel van Gaasbeek, Gaasbeek, Belgium |
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2011 |
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L’Europe des esprits ou la fascination de l’occulte, Musée d’Art moderne de la Ville de Strasbourg, Strasbourg, France |
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2011 |
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Alias, Krakow, Poland |
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2011 |
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Johan Grimonprez, paraSITE Gallery, Graz, Austria (solo) |
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2011 |
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It’s a poor sort of memory that only works backwards, S.M.A.K., Gent, Belgium (solo) |
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2011 |
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HE MISTOOK THE GROUNDLIGHTS FOR STARS AND ASKED WHY THE AIRPLANE WAS FLYING UPSIDEDOWN, ltd los angeles, Los Angeles, California (solo) |
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2011 |
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Double Take, Ierimonti Gallery, Milano, Italy (solo) |
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2011 |
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It’s a poor sort of memory that only works backwards, The Blaffer Gallery, the Art Museum of the University of Houston, Houston, Texas (solo) |
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2010 |
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Double Take, Ierimonti Gallery, Milano, Italy (solo) |
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2010 |
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Sometimes a Cigar is just a Cigar, Voges Gallery, Frankfurt, Germany (solo) |
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2010 |
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Johan Grimonprez, The Fruitmarket Gallery, Edinburgh, Scotland (solo) |
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2010 |
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Double Take, DocForthnight, MoMA, New York, USA (solo) |
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2010 |
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Looking for Alfred, Cinémathèque Québecoise, Montréal, Canada (solo) |
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2010 |
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The Esopus Foundation, New York |
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2010 |
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Selected Works from the Centre Pompidou New Media Collection: Herzliya Museum, Isreal |
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2010 |
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Expanding Documentary, De Brakke Grond, Amsterdam, The Netherlands |
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2010 |
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ABC Art Belge Contemporain, Le Fresnoy, Tourcoing Cedex, France |
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2010 |
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Are you Ready for TV?, Mueu d’Art Contemporani de Barcelona, Barcelona, Spain |
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2010 |
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Québec City Biennal, Québec, Canada |
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2010 |
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Art Unlimited 41, Basel, Switzerland |
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2010 |
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All That Is Solid Melts Into Air: The Social at the Berardo Collection, Museu Colecção Berardo, Lisbon, Portugal |
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2010 |
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Ikonoklash, Centro Cultural de Lagos, Algarve, Portugal |
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2010 |
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At the Movies, Winkleman Gallery, New York, New York |
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2010 |
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Manif d'art 5, Québec City Biennial, Quebec, Canada |
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2010 |
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The State of Things, NAMOC, Beijing, China |
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2010 |
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Déjà vu, Galerie Michel Journiac, Paris, France |
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2009 |
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Shot By Both Sides, CC Strombeek, Strombeek, Belgium |
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2009 |
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Shot By Both Sides, CC Mechelen, Mechelen, Belgium |
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2009 |
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The State of Things. Brussels/Beijing, BOZAR, Brussels, Belgium |
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2009 |
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Faux-semblants, Maison de la Culture de la Province de Namur, Namur, Belgium |
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2009 |
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The Social Critique: 1993-2005, Kalmar Konstmuseum, Sweden |
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2009 |
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Johan Grimonprez, Magazin 3, Stockholm, Sweden (solo) |
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2009 |
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Johan Grimonprez: DOUBLE TAKE, Sean Kelly Gallery, New York, New York (solo) |
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2009 |
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Shot by Both Sides: Johan Grimonprez and Pieter Geenen, bkSM #8, Strombeek /De Garage Mechelen, Belgium (solo) |
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2009 |
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A Certain State of the World? A Selection for Works From the Francois Pinault Foundation, Center For Contemporary Culture, Garage, Moscow, Russia |
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2009 |
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Signals in the Dark: Art in the Shadow of War, Goethe-Institut, Ireland |
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2009 |
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Artists Rooms, The collection of Anthony d’Offay UK traveling exhibition: Inverness Museum and Art Gallery, Inverness; Scottish National Gallery of Modern Art, Edinburgh; Tramway, Glasgow; Pier Arts Centre, Stromness, Orkney; Aberdeen Art Gallery; Tate Britain, Tate Liverpool, Tate Modern and Tate St. Ives; Wolverhampton Art Gallery; Ulster Museum; National Museums Northern Ireland, Belfast; National Museum Cardiff; Pier Arts Centre, Stromness, Orkney; Aberdeen Art Gallery; De La Warr Pavilion,Bexhill; New Art Gallery, Walsall; Middlesbrough Institute of Modern Art; Graves Gallery, Museums Sheffield; The Lightbox, Woking and Firstsite, Colchester |
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2009 |
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Attempt to Raise Hell, Museum of Contemporary Art San Diego, San Diego, California |
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2009 |
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The Uncertainty Principle, MACBA, Barcelona, Spain |
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2009 |
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Labyrinth: Freedom, Fortezza, Italy |
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2009 |
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Open doek, De Warande, Turnhout, Belgium |
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2009 |
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Das Brüssler Kunst- und Medinzentrum Argos zu Gast in der Villa Merkel, Esslingen am Neckar, Germany |
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2009 |
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NOTES FROM THE EMPIRE, Kunsthaus Dresden, Dresen, Germany |
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2009 |
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55th International Short Film Festival Oberhausen: UNREAL ASIA, Lichtburg Filmpalast, Oberhausen, Germany |
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2009 |
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Exprmntl 21, Cinéma Sauvenière, Liège, Belgium |
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2008 |
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La vidéo, un art, une histoire 1965 - 2007, Musée Fabre, Montpellier, France |
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2008 |
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Video Vortex.2, Nederlands Instituut voor Mediakunst in Amsterdam, The Netherlands |
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2008 |
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Clair-obscur Filmfestival, Basel, Switzerland |
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2008 |
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The Rencontres Internationales, Paris, France |
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2008 |
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Comme au cinema - The Cinematic as Method and Metaphor, Fotogalleriet, Oslo, Norway |
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2008 |
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Unnamable Name, Main Library Copenhagen, Denmark |
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2008 |
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The Rencontres Internationales, Haus der Kulturen der Welt, Berlin, Germany Institute of Modern Art in Brisbane, Brisbane, Australia |
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2008 |
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DOUBLE TAKE, Art Unlimited Basel, Switzerland (solo) |
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2008 |
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Dial H-I-S-T-O-R-Y, Hammer Museum, Los Angeles, CA (solo) |
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2008 |
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Art Unlimited, Basel, Switzerland |
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2008 |
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The Rencontres Internationales, Madrid, Spain |
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2008 |
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The Morning After: Videoworks from the Goetz Collection, Weserburg Museum für moderne Kunst, Bremen, Germany |
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2008 |
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Happiness, German Hygiene Museum Dresden, Germany |
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2008 |
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Ornithology: Looking at Birds, Contemporary Art Galleries, University of Connecticut, Contemporary Art Galleries, Connecticut |
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2008 |
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Video Vortex.2, Nederlands Instituut voor Mediakunst in Amsterdam, The Netherlands |
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2008 |
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Unnamable Name, Ithaca County Public Library, Ithaca, New York |
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2008 |
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Signals in the Dark: Art in the Shadow of War, Blackwood Gallery, Toronto,Canada |
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2007 |
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J’ai oublié mon parapluie, Galerie Kamel Mennour, Paris, France (solo) |
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2007 |
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Le ciel est peut être vert et nous daltoniens, Le Plateau / Frac Ile-de-France (solo) |
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2007 |
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Johan Grimonprez, Retrospektive, Pinakothek der Moderne, Münich, Germany (solo) |
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2007 |
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Töten, Zeitraumexit, Mannheim; Germany |
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2007 |
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Résidents, Mairie de Paris, Espace Electra, Paris, France |
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2007 |
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Machine-RAUM: a biennale for video art and digital culture, Keller - center for Experimental Art and the devolpment environment BIZ-ArT, in collaboration with Vejle Musem of Art, Denmark |
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2007 |
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Artist in Wonderland, Baltic Sea Cultural Center, Gdansk, Poland |
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2007 |
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Under Hitchcock, (during: International Short Movies Festival of Vila do Conde), Solar, Vila do Conde, Portugal |
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2007 |
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Ombres au Paradis, FRAC Nord-Pas de Calais, France (group show – screening) |
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2007 |
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L’Evenement (The Event), Jeu De Paume, Paris, France |
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2007 |
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Lights, Camera, Action: Artists Films for the Cinema, The Whitney Museum of American Art, New York, New York |
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2007 |
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Role Exchange, Sean Kelly Gallery, New York, New York |
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2007 |
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Petrol, Moscow Biennale, Moscow, Russia |
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2007 |
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Exhibition at the beeldbank, University of Eindhoven, The Netherlands |
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2007 |
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Il confondit les repères lumineux au sol avec des étoiles et demanda pourquoi l’avion volait à l’envers…, Galerie Martine et Thibault de la Châtre, Paris, France |
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2006 |
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Manipulations. On Economy of Deceit, Laznia Centre for Contemporary Art, Gdansk, Poland |
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2006 |
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Signal, Malmoe, Sweden |
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2006 |
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Die Kultur der Angst / The Culture of Fear, ACC Galerie Weimar, Weimar, Germany |
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2006 |
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Video: An Art, A History 1965-2005, New Media Collection, Centre Pompidou,Miami Art Central, Miami, Florida |
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2006 |
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Universal Experience: Art, Life and the Tourist’s Eye, MART, Rovereto, Italy |
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2006 |
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The Culture of Fear, Federkiel Foundation, Leipzig, Germany |
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2006 |
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But The Cups Never Grew To Be Kettles, Erna Hécey Gallery, Brussels, Belgium (solo) |
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2006 |
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ZOOlogical Garden, family park Harry Malter, Heusden, Belgium |
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2006 |
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postER, Hydra, Greece |
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2006 |
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50 Jahre/Years Documenta 1955 -2005. archive in motion, Domus Artium 2002 Museum, Salamanca, Spain |
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2006 |
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Transformation. Aus eigener Sammlung, Kunstmuseum Lichtenstein, Lichtenstein |
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2006 |
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Photo-Trafic, Centre pour l'image contemporaine, BAC, Genève, Switzerland |
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2006 |
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Shared History/Decolonising the Image, W139 & Arti & Amicitiae, Amsterdam, The Netherlands |
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2006 |
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EXCES, Z33, Hasselt, Belgium |
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2006 |
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On the move, verkehrskultur II, Westfälischer Kunstverein, Münster, Germany |
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2006 |
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Image War: Contesting Images of Political Conflict, Whitney The Art Gallery of The Graduate Center at CUNY, New York |
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2006 |
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Accidents, Galerie Georges-Philippe & Nathalie Vallois, Paris, France |
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2006 |
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Sip My Ocean, Louisana museum of modern art, Louisana |
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2006 |
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Médiat, L’Arteppes, Annecy, France |
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2006 |
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Universal Experience: Art, Life and the Tourist’s Eye, MART, Rovereto, Italy |
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2006 |
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Universal Experience: Art, Life and the Tourist’s Eye, MART, Rovereto, Italy Vers uit België, Montevideo, Amsterdam, The Netherlands |
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2006 |
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Universal Experience: Art, Life and the Tourist’s Eye, MART, Rovereto, Italy, February 10 – May 14 2006 (group show – screening) |
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2005 |
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Artfilmbiennale Cologne, October 19-24 2005 (group show – screening) |
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2005 |
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Encosta, Arte Moderna e Contemporanea, Carcavelos, Lisbon, October 13 2005 (group show – screening) |
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2005 |
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Unheimlich, De warande, Turnhout, September 23 - October 23 2005 (group show screening) |
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2005 |
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Museum Night Lausanne, Palais De Rumine, September 24 2005 (group show – screening) |
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2005 |
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50 Jahre/Years Documenta 1955 -2005, Kunsthalle Fridericianum Kassel, September 1- November 20 2005 (group show – screening) |
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2005 |
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Farsites: Urban Crisis and Domestic Symptoms in Recent Contemporary Art, part of IN SITE_05, Centro Cultural Tijuana, San Diego, August 27- 2005 |
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2005 |
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Art Unlimited, Basel Art Fair, represented by ERNA HECEY GALLERY, June 15 -20 2005 (group show – screening) |
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2005 |
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Inauguration show, De la Warr Pavilion, Bexhill on Sea, September 17, 2005 (group show – screening) |
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2005 |
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Johan Grimonprez, Looking for Alfred, Palais des Beaux-Arts, Brussels, March 4 – April 3 2005 (solo show – screening) (solo) |
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2005 |
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Johan Grimonprez, Looking for Alfred, Mead Gallery, University of Warwick Arts Centre, February 14 – March 8 2005 (solo) |
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2005 |
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Zur Vorstellung des Terrors: Die RAF-Austellung (Regarding Terror: the RAF- Exhibition), Kunst Werke Berlin, Germany |
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2005 |
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Landesmuseum Joanneum Graz, Austria |
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2005 |
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Screen Tests, Nederlands Fotomuseum Rotterdam, Internationaal Film Festival Rotterdam, The Netherlands |
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2005 |
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Moderna by Night, Moderne Museet, Stockholm, Sweden |
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2005 |
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Strange, Familiar and Unforgotten, Erna Hécey gallery Brussels, Belgium |
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2005 |
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Art Brussels 2005, Brussels, Belgium |
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2005 |
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videoDictionary of TheVideoArtFoundation, the Island Art Film & Video Festival, London, March 9 2005 & La Casa Encendida, Madrid, Spain |
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2005 |
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Fair Use: Appropriation in Recent Film and Video, Hammer Museum, Los Angeles |
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2005 |
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Just do it! The subversion of signs from Marcel Duchamp to Prada Meinhof, Lentos Art Museum Linz, Linz, Austria |
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2005 |
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Universal Experience: Art, Life and the Tourist’s Eye, Museum of Contemporary Art, Chicago, Illinois |
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2005 |
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Hayward Gallery, London, UK |
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2005 |
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Detox – By Any Media Necessary, Kunstnerneshus, Oslo, Norway |
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2005 |
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Tiempos De Vídeo. 1965-2005, Colección nouveaux medias del Centre Pompidou con la participaci´n de la coleccion de arte contemporáneo Fundación “La Caixa”, Barcelona, Spain |
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2005 |
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VideoDictionary of TheVideoArtFoundation, Centre d’Art Santa Monica Barcelona, Spain |
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2005 |
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VideoDictionary of TheVideoArtFoundation, La Casa Encendida, Madrid, Spain |
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2005 |
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Voices of Site, Visual Arts Gallery, New York, New York |
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2005 |
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Manipulation. On economies of deceit, International Biennale of Contemporary Art 2005 (IBCA 2005), National Gallery Prague, Prague, Czech Republic |
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2005 |
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Laocoon Devoured, Artium, Basque Center-Museum of Contemporary Art, Vitoria-Gasteiz, Spain |
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2005 |
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Contemporary Art Center Vilnius, Vilnius, Lithuania |
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2005 |
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VideoDictionary of TheVideoArtFoundation, Image Forum Festival |
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2005 |
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Johan Grimonprez, Looking for Alfred, Moderna Museet, Sweden (solo) |
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2004 |
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20th anniversary show, Collective Gallery, Edinburgh, UK |
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2004 |
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Slice & Dice, School of Visual Arts Museum, New York, New York |
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2004 |
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De Loense Strategieën van het (Kunst)Boek, Een selectie uit de Antwerpse Kunst-en Bewaarbibiliotheken, Rubenianum, Antwerp, Belgium |
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2004 |
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Tour-isms. The defeat of dissent, Fundació Antoni Tàpies, Barcelona, Spain |
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2004 |
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Whitestable Biennal, Deal, Kent, UK |
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2004 |
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A arañeira. A colección (The Cobweb. The Collection), Centro Galego de Arte Contemporánea, Spain |
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2004 |
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Works and Days, Acquisitions for the Louisiana Collection 2000-2004, The Louisiana Museum of Modern Art, Denmark |
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2004 |
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Monument to Now, The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens, Greece |
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2004 |
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Dartington College of Arts, Totnes, UK |
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2004 |
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Laocoon Devoured, Artium, Basque Center-Museum of Contemporary Art, Vitoria-Gasteiz, Spain |
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2004 |
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PROOF – The Act of Seeing With Ones Own Eyes, Screen Gallery of the Australian Centre for the Moving Image, Melbourne, Australia |
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2004 |
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ParaDocs, Stedelijk Museum CS Amsterdam, The Netherlands |
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2004 |
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Gutentak Gesamtausstellung 2004, Annual Show of the Stuttgart Art Academy, Stuttgart, Germany |
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2004 |
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FLIGHT, LIFT Contemporary & LIFT Caffe, Cherokee, USA |
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2004 |
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Voice of Site: Tokyo - Chicago - New York, Tokyo National University of Fine Arts and Music, Tokyo, Japan |
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2004 |
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A Complete Guide to Rewriting Your History, Sparwasser HQ, Offensive for Contemporary Art and Communication, Berlin, Germany |
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2004 |
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Beginning Here: 101 Ways, Visual Arts Gallery, School of Visual Arts, New York, New York |
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2004 |
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Bozar Cinema, Palais des Beaux-Arts, Paris, France |
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2004 |
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La Casa Encendida, Madrid, Spain |
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2004 |
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How to learn to love the bomb and stop worrying about it, Central de Arte, Guadalajara, Mexico |
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2004 |
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This Much Is Certain, Royal College of Art Galleries, UK |
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2004 |
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MULTIPLEX, revisioning the movie house in a new 3 story cineplex at Smack Mellon, Brooklyn, New York, Tate Liverpool, UK |
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2004 |
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Centre pour l’Image Contemporaine, Genève, Switzerland |
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2004 |
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Videoessay, Medienmuseum/ Mediathek, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany |
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2004 |
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Revolution/Restoration Part II, Palais des Beaux-Arts, Brussels, December 19 2004 (solo show – screening) (solo) |
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2004 |
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Johan Grimonprez: Looking for Alfred, Photographers Gallery, London, December 8 2004 – Januari 9 2005 (solo) |
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2004 |
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We never tell everything, we always keep something for the next anthropologist, Johan Grimonprez, Yvon Lambert, New York, April 30 May 29, 2004 (solo) |
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2004 |
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OLLYWOOO: Flag Raising Ceremony, Hollywood Hills House, February 8, 2004 (solo) |
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2003 |
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Dial H-I-S-T-O-R-Y, The Essor Gallery, London, November 29 - January 25 (solo show – screening) (solo) |
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2003 |
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Remo, Osaka, Japan, October 26 - November 2 2003 (solo show – screening) (solo) |
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2003 |
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Kojimacchi Gallery, April 2003 (solo show – screening) (solo) |
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2003 |
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During Commercial Break..., web project introduced by Johan Grimonprez, Argos Brussels, March 14 2003 (solo) |
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2003 |
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M-ARS, Art and War, Neue galerie am landesmuseum Joanneum, Graz, Austria |
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2003 |
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Bird’s coffe, Paris, France |
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2003 |
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Forum des Images, Paris, France |
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2003 |
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Appendix 2: dif fusion and its topology, maf_Media Art Farm, Tbilisi, Georgia |
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2003 |
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In context: a running program, Andrea Rosen Gallery, New York |
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2003 |
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'Your memorabilia, Video Art Screening: Tokyo, Tokyo International Forum (at NICAF 2003), Tokyo, Japan |
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2003 |
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Australian Center for the moving image, Melbourne, Australia |
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2003 |
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De Brakke Grond, Amsterdam, The Netherlands |
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2003 |
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Oorlog is geen kunst, Kunstencentrum Vooruit, Ghent, Belgium |
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2003 |
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Hardcore, Palais de Tokyo, Paris, France |
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2003 |
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Media Field: pol.i.tick, Williams College Museum of Art, Williamstown, Massachusetts |
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2003 |
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La Condition Publique, Roubaix, France |
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2003 |
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Once upon a time, Kunst in België in de jaren ’90, MUHKA, Antwerp, Belgium |
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2003 |
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Kunst-Werke Berlin, Germany |
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2003 |
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Wings of Art, Motiv Flugzeug, Kunsthalle Darmstadt, Germany & Ludwig Forum für Internationale Kunst Aachen, Germany |
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2003 |
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Synopsis III, Testimonies between fiction and reality, National Museum of Contemporary Art (EMST), Athens, Greece |
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2003 |
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Le Mois de la Photo à Montréal 2003, Maintenant. Images du Temps Présent sous la direction de Vincent Lavoie, Montreal, Canada |
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2003 |
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IX foro internacionalde teoria de arte contemporaneo, Canaia, Mexico |
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2003 |
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Europe exists, Macedonian Museum of Contemporary Art, Thessaloniki, Greece |
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2002 |
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How do we know the sky isn’t really green and we're just colorblind?, videolibrary at the Santa Monica Museum of Art (SMMOA), Los Angeles, California (solo) |
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2002 |
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Total Überzogen, edith-ru-haus für medienkunst, Oldenburg, Germany |
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2002 |
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HAUNTED BY DETAIL, A project by the Curatorial Training Programme 2002, De Appel, Amsterdam, with the collaboration of the filmmuseum in Amsterdam, The Netherlands |
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2002 |
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Airborne/Luftburen, Midlanda Konsthall, Sweden |
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2002 |
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Future Drei, The Starting Line, Pinakothek der Moderne, Munich, Germany |
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2002 |
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The Galleries Show, The Royal Academy, London, UK |
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2002 |
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911+1: The Perplexities of Security, Watson Institute for International Studies Brown University, Providence, Rhode Island |
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2002 |
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Edith-Russ-Haus für Medienkunst/ Edith Russ Site for New Media, Oldenburg, Germany |
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2002 |
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Lost Nation, Werkleitz Biennale, Dresden, Germany |
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2002 |
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, Galerie im Parkhaus, Berlin, Germany |
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2002 |
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Feierabend, MARta Herford Museum, Herford, Germany |
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2002 |
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Trauma, MOMA, Oxford, UK |
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2002 |
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Museum Hamburger Bahnhof, Berlin, Germany |
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2001 |
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4FREE, BüroFriedrich, Berlin, Germany |
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2001 |
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Trauma, FirstSite, Colchester, UK |
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2001 |
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Discontinuances in time, part 1.Terrorism, Galerija Likovnia Umetnosti, Gradec, Croatia |
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2001 |
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Een goed in de weg staande tafel, Galerie Van Gelder, Amsterdam, The Netherlands |
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2001 |
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Maybe the sky is green and we’re just colorblind, Galleri Nicolai Wallner, Copenhagen, Denmark (solo) |
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2001 |
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I’m a bit like you, I’m a bit in the clouds, Impakt/ Flatland Gallery, Utrecht, The Netherlands (solo) |
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2001 |
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Trauma, the Hayward Gallery in collaboration with Dundee Contemporary Arts, Dundee Contemporary Arts, Scotland, UK |
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2001 |
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1st Bienal de Valencia, Valencia, Spain |
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2001 |
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De Melkweg, Amsterdam, The Netherlands |
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2001 |
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Maybe the sky is green and we’re just colorblind, MIT List Visual Arts Center, Cambridge, Boston, Massachusetts |
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2001 |
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Centre pour l’Image Contemporaine Saint-Gervais, Genève, Switzerland |
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2000 |
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Erna-Hécey Gallery, Luxemburg (solo) |
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2000 |
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Deitch Projects, New York, New York (solo) |
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2000 |
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House of Contemporary Arts, Trafó, Budapest, Hungary (solo) |
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2000 |
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Kunstforeningen, Copenhagen, Denmark (solo) |
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2000 |
|
Maybe the sky is green and we’re just colorblind, videolounge, Stedelijk Museum voor Aktuele Kunst (S.M.A.K.), Ghent, Belgium (solo) |
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2000 |
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Magnetoscopio, Rio de Janeiro, Brazil (solo) |
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2000 |
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Atomium, Brussels, Belgium (solo) |
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2000 |
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Centro Galego Arte Contemporanea (CGAC), Santiago de Compostela, Spain (solo) |
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2000 |
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Museum für Neue Kunst/ Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany (solo) |
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2000 |
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Your Words Have Reached My Ears, Anthony d’Offay Gallery, London, UK (solo) |
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2000 |
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INSERT COMMERCIAL HERE, videolounge at The Kitchen, New York, New York (solo) |
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2000 |
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Finale di Partita/ Endgame / Fin de Partie, Piazza Ognissanti, Florence, Italy |
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2000 |
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Brussel, Kruispunt der Kulturen, Expositions du Palais des Beaux Arts/ Tentoonstellingen van het Paleis voor Schone Kunsten, Brussels, Belgium |
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2000 |
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Diasporical Thoughts, Tacktoren Kortrijk, Belgium |
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2000 |
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Eine Munition Unter Anderen, Frankfurter Kunstverein, Germany |
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2000 |
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Agitated Histories: Video Art and the Documentary, Cranbrook Art Museum, Cranbrook, UK |
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2000 |
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International Videogramme, Trafo-house of Contemporary Arts, Budapest, Hungary |
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2000 |
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No vacancies, Galerie Barbara Thumm, Berlin, Germany |
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2000 |
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Widerspenstige Praktiken, Im Zeitalter von Informations- und Biotechnologien, Shedhalle, Zürich, Switzerland |
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2000 |
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ZKM/ Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany |
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2000 |
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Art Unlimited, Basel Art Fair, Basel, Switzerland |
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2000 |
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Voilà, Le Monde dans la Tête, Musée d’Art Moderne de la Ville de Paris, Paris, France |
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2000 |
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Anywhere But Here, Artist Space, New York, New York |
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2000 |
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La vérité est ailleurs, Centre pour l’Image Contemporaine, Saint-Gervais, Genève, Switzerland |
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2000 |
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Lost Nation, a library, Forum Stadtpark, Graz, Switzerland |
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2000 |
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Edit, Badischer Kunstverein, Karlsruhe, Germany |
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2000 |
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FAMILIY VIEWING, as part of the The Cool World: Film & Video in America 1950- 2000, The American Century, Part II: 1950 - 2000, Whitney Museum of American Art, New York, New York |
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1999 |
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Oakville Gallery, Oakville,Toronto, Canada (solo) |
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1999 |
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Casino d’Art Contemporain, Luxembourg (solo) |
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1999 |
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Presentation House Gallery, Vancouver, Canada (solo) |
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1999 |
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Art Gallery of New South Wales, Sydney, Australia (solo) |
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1999 |
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Australian Center for Contemporary Art, Melbourne, Australia (solo) |
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1999 |
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Das XX-Jahrhundert - Ein Jahrhuert Kunst in Deutschland, Nationalgalerie im Hamburger Bahnhof, Germany |
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1999 |
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Fireworks, DE APPEL, Amsterdam, The Netherlands |
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1999 |
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Interarchiv, Kunstraum der Universität Lüneburg, Lüneburg, Germany |
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1999 |
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Lè Grând Præmière Opénïng Shöw, Galleri Nicolai Wallner, Copenhagen, Denmark |
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1999 |
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War Zones, Presentation House Gallery, Vancouver, Canada |
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1999 |
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Twee uur breed of twee uur lang, Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium |
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1999 |
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Space Place, Kunsthalle Tirol, Tirol, Austria |
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1999 |
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Lost Nation, a library, Beursschouwburg, Brussels, Belgium |
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1999 |
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Spiral TV, Spiral Building /Wacoal Center, Tokyo, Japan |
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1999 |
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Collection de MNAM Centre Georges Pompidou, at ARC, Musée d'Art Contemporaine de la ville de Paris, Paris, France |
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1998 |
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XXIV Biennale Sao-Paulo, Sao-Paulo, Brasil |
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1998 |
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The Cinema Project—Das Tarantino Syndrom, Künstlerhaus Bethanien, Berlin, Germany |
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1998 |
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Ludwig - Suermondt Museum, Aachen, Germany |
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1998 |
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MuuMediaFestival, Helsinki, Finland |
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1998 |
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Reservate der Sehnsucht, Dortmunder U, Dortmund, Germany |
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1998 |
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Revolution 98, Corner House/ISEA, Manchester, UK |
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1998 |
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Mächtig Gewaltig, ACC Galerie, Weimar, Germany |
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1998 |
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Videostore!, Bricks and Kicks, Vienna, Austria |
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1998 |
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A Day in the Life, The Crimean Project/ Part I, Soros Center for Contemporary Art (SCCA), Kiev, Russia |
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1998 |
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Global Visions II, Deste Foundation, Athens, Greece |
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1998 |
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Two hours wide and two hours long, Centro Cultural de Belèm, Lisbon, Portugal |
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1998 |
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When Worlds Collide, Centre for Contemporary Arts, Glasgow, UK |
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1998 |
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68 - '98: trente ans de film militant…et quelques restes, Centre pour l'Image Contemporaine, Genève, Switzerland |
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1998 |
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Biennale de l'image, de très courts espaces de temps, Caisse de Dépot, Paris, France |
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1998 |
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Kunsthaus Zürich & Schirn Kunsthalle Frankfurt, Germany |
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1998 |
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Herzliya Museum of Art, Tel Aviv, Israel |
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1998 |
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Wounds, between Democracy and Redemption in Contemporary Art, Moderna Museet, Stockholm, Sweden |
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1998 |
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Fast Forward, 'IMAGE', Kunstverein in Hamburg, Germany |
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1998 |
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Arkipelag, Nordic Museum, Stockholm, Sweden |
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1998 |
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Airport, Nederlands Foto-Instituut, Rotterdam, The Netherlands |
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1998 |
|
Places to stay #2, Dorothy doesn't live here anymore, Büro Friedrich, Berlin, Germany |
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1998 |
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Gallery 227, Jan van Eyck Academy, Maastricht, The Netherlands (solo) |
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1998 |
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We must be over the rainbow..., Centro Galego Arte Contemporanea (CGAC), Santiago de Compostela, Spain (solo) |
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1998 |
|
Gallery for Contemporary Art, Cambridge, UK (solo) |
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1998 |
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Chapter Art Center, Cardiff, UK (solo) |
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1998 |
|
La Caixa, Barcelona, Spain (solo) |
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1998 |
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Centro Cultural do Brasil, Rio de Janeiro, Brazil (solo) |
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1998 |
|
Musée du Jeu de Paume, Paris, France (solo) |
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1998 |
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Museum für Moderne Kunst, Frankfurt am Main, Germany (solo) |
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1998 |
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Institute of Contemporary Art, Boston, Massachussetts (solo) |
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1998 |
|
Bild Museet, Umea, Sweden (solo) |
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1998 |
|
Nationalgalerie im Hamburger Bahnhof, Berlin, Germany (solo) |
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1998 |
|
Dial H-I-S-T-O-R-Y, Anthony d'Offay Gallery, London, England (solo) |
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1998 |
|
Münchener Kunstverein, München, Germany (solo) |
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1998 |
|
Ludwig-Suermondt Museum, Aachen, Germany (solo) |
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1997 |
|
Galleri Riis, Oslo, Norway (solo) |
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1997 |
|
Kiasma Museum of Modern Art, Helsinki, Finland (solo) |
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1997 |
|
Museum voor Hedendaagse Kunst Antwerpen (MUHKA), Brussels, Belgium (solo) |
|
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1997 |
|
Palais des Beaux Arts/ Paleis voor Schone Kunsten, Brussels, Belgium (solo) |
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1997 |
|
Prends Garde! A Jouer au fantôme, on le devient, De Beursschouwburg, Brussels, Belgium (solo) |
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1997 |
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Kunstforeningen, Copenhagen, Denmark (solo) |
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1997 |
|
Museu da Republica, Rio de Janeiro, Brazil (solo) |
|
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1997 |
|
Deitch Projects, New York, New York (solo) |
|
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1997 |
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Prends Garde! A Jouer au fantôme, on le devient, MNAM, Centre Georges Pompidou, Paris, France (solo) |
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1997 |
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Interarchiv,The Kunstraum der Universitat Luneburg, Luneburg, Germany |
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1997 |
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Rencontre Vidéo Art Plastique, Centre d'Art Contemporain de Basse Normandie, Hérouville-Saint-Clair, France |
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1997 |
|
Selected Memories, Paleis voor Schone Kunsten, Brussels, Belgium |
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1997 |
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Zones of Disturbance, Steirischer Herbst, Graz, Switzerland |
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1997 |
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Knowledge/ Power/ Control, Northern Center for Photography, Helsinki, Finland |
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1997 |
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En Collection, De Witte Zaal, Gent, Belgium |
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1997 |
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Documenta X, Kassel, Germany |
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1997 |
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Espèces d'Espace in Made in France, MNAM, Centre Georges Pompidou, Paris, France |
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1997 |
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Art video/ catastrophe et nativité: TV trauma, Musée Royal de Mariemont, Mariemont, France |
|
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1996 |
|
On-Line, Gent, Belgium |
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1996 |
|
Arte E Media, Palazzo delle Esposizionni, Roma, Italy |
|
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1996 |
|
Centro Galego De Arte Contemporanea, Santiago De Compostella, Spain |
|
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1996 |
|
The world over - Under Capricorn, Art in the age of globalisation, Stedelijk Museum, Amsterdam, The Netherlands |
|
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1996 |
|
City Gallery, Wellington, UK |
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1996 |
|
Video from the centre Georges Pompidou, Artist Space, New York |
|
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1996 |
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How is everything?, Kunstbunker, Nürnberg, Germany |
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1996 |
|
Landesmuseum, Innsbrück, Germany |
|
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1996 |
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Vereinigung Bildener Künstler, Wiener Secession, Wien, Germany |
|
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1995 |
|
Semaine Internationale de Vidéo, St. Gervais-Genève, Geneva, Switzerland |
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1995 |
|
Fri-Art Centre, Fribourg, Switzerland |
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1995 |
|
Noevas tendencias, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain |
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1995 |
|
Quarters, Old Bonnefanten Museum, Maastricht, The Netherlands |
|
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1995 |
|
TANZ-Geschichten 20: Hybridance - Vermischung der Genres, Cinemathek, Museum Ludwig, Köln, Germany |
|
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1995 |
|
Kanagawa Arts Foundation, Japan |
|
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1995 |
|
Points de Vue/ Viewpoint [Images d'Europe], Museum voor Hedendaagse Kunst MUHKA, Antwerpen, Belgium |
|
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1995 |
|
MNAM, Centre Georges Pompidou, Paris, France |
|
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1995 |
|
Paleis voor Schone Kunsten, Brussels, Belgium |
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1995 |
|
Cinématheque Yerevan, Armenia |
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1995 |
|
Kunstencentrum STUC, Leuven, Belgium |
|
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1995 |
|
Beware! In playing the phantom you become one, Vereniging van het Museum voor Hedendaagse Kunst, Ghent, Belgium (solo) |
|
|
1994 |
|
It wil be all right if you come again, only next time don't bring any gear except a tea kettle, Antichambres, Les Expositions du Palais des Beaux-Arts/ Tentoonstellingen van het Paleis voor Schone Kunsten, Brussels, Belgium (solo) |
|
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1994 |
|
Vigilando las fronteras, Casa de Cultura de Intxaurrondo, Bilbao, Spain |
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1994 |
|
Musée d'art Moderne et d'Art Contemporaine, Nice, France |
|
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1994 |
|
New Visions, Glasgow, UK |
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1994 |
|
Espace Lyon d'Art Contemporain, Lyon, France |
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1994 |
|
The Pleasure Dome, Toronto, Canada |
|
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1994 |
|
Monitor, Paleis voor Schone Kunsten, Brussels, Belgium |
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1994 |
|
Casa de Cultura de Larrotxene Intxaurrondo, San Sebastian, Spain |
|
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1994 |
|
Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe, Germany |
|
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1993 |
|
Films by young New York filmmakers, W 139, Amsterdam, The Netherlands |
|
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1993 |
|
In search of..., Information Gallery, New York |
|
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1993 |
|
YYZ Gallery, Toronto, Canada (solo) |
|
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1992 |
|
The Perverse Double, Longwood Arts Gallery, Bronx Council on the Arts, New York |
|
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1991 |
|
Never one without the other, Rivington Gallery, New York |
|
|
1989 |
|
De ente et essentiae Lijn 9, Klapstuk, University of Leuven, Department of Philosophy, Leuven, Belgium |
|
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ZUNK®, 2005 Film in development with Zapomatik, Ghent/ New York and the Flemish Audiovisual Film Fund (VAF);Presented at Cinemart 2003, Rotterdam |
|
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|
LOOKALIKE, 1 min, 2005 Ron Burrage professional Hitchcock lookalike |
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MAYBE THE SKY IS GREEN AND WE'RE JUST COLORBLIND, 2000-2002 |
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LOST NATION, JANUARY 1999, 18 min., 1999 |
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DOROTHY DOESN'T LIVE HERE ANYMORE... , 1997-2001 |
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Dial H-I-S-T-O-R-Y, 68 min.,1997 |
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BEWARE! IN PLAYING THE PHANTOM, YOU BECOME ONE, 1994-1998 |
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IT WILL BE ALL RIGHT IF YOU COME AGAIN, ONLY NEXT TIME DON'T BRING ANY GEAR, EXCEPT A TEA KETTLE..., 1994-2001 |
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