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1990 - 1994
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BA (Hons) Environmental Art, Glasgow School of Art, Glasgow
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1998
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British Council award toward residency at Triangle, Marseille, France
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2000
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Paul Hamlyn Foundation Award for Artists
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2003
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BBC Underground Award
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Lives and works in Glasgow
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2008 |
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ACCA, Melbourne (solo) |
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2008 |
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Colour Chart, MoMA, New York |
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2008 |
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Towada Art Project, Towada Art Centre, Towada, Japan |
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2007 |
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Reconstruction 2, Sudeley Castle, Winchcombe, Gloucestershire |
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2007 |
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Passion Complex: Selected Works from the Albright-Knox Art Gallery, 21st Century Museum of Contemporary Art, Kanazawa |
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2007 |
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Sympathy for the Devil: Art and Rock and Roll since 1967, Museum of Contemporary Art, Chicago |
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2007 |
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RSVP: Jim Lambie, Museum of Fine Arts, Boston (solo) |
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2007 |
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The Prismatics, Anton Kern Gallery, New York (solo) |
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2007 |
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Melting Point, Tokyo Opera City Art Gallery, Tokyo |
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2007 |
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Domestic Irony. A curious glance at private Italian collections, Museion, Bolzano |
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2007 |
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Substance & Surface, Bortolami, New York |
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2007 |
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Breaking Step, Museum of Contemporary Art, Belgrade |
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2007 |
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Half Square, Half Crazy, Villa Arson, Nice |
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2007 |
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Off the Wall, Scottish National Gallery of Modern Art, Edinburgh |
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2006 |
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All Hawaii Entrées / Lunar Reggae, Irish Museum of Modern Art, Dublin |
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2006 |
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In the darkest hour there may be light, Serpentine Gallery, London |
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2006 |
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JaGGy-edge, The Travelling Gallery, touring Scotland |
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2006 |
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Among The Ash Heaps And Millionaires, Ancient & Modern, London |
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2006 |
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Jim Lambie, Anton Kern Gallery, New York (solo) |
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2006 |
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Directions - Jim Lambie, Hirshhorn Museum & Sculpture Garden, Washington D.C. (solo) |
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2006 |
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P.I.L., Mizuma Art Gallery, Tokyo (solo) |
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2006 |
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How to Improve the World, British Art 1946-2006, Hayward Gallery, London |
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2006 |
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Life’s a Beach, Sommer Contemporary Art, Tel Aviv |
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2006 |
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absract art now – strictly geometrical?, Wilhelm-Hack-Museum, Ludwigshafen am Rhein |
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2006 |
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Strange Powers, Creative Time, New York |
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2006 |
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IMPLOSION, Anton Kern Gallery, New York |
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2006 |
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Gregor Schneider: Totalschaden/Total Damage, Bonner Kunstverein, Bonn |
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2006 |
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If it didn’t exist you’d have to invent it: a partial Showroom history, The Showroom, London |
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2005 |
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The Turner Prize, (nominee), Tate Britain, London |
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2005 |
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Experiencing Duration, Lyon Biennial of Contemporary Art, Lyon |
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2005 |
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Prisms & Shadows, (curated by Toby Paterson), Glasgow Print Studio, Glasgow |
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2005 |
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The Byrds, The Modern Institute, Glasgow (solo) |
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2005 |
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Shoulder Pad, Sadie Coles HQ, London (solo) |
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2005 |
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Concentrations 47: Jim Lambie, Thirteenth Floor Elevator, Dallas Museum of Art, Dallas (solo) |
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2005 |
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Omaggio al Quadrato, Franco Noero, Turin |
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2005 |
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Minimalism and After IV, Daimler Chrysler Contemporary, Berlin |
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2005 |
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Extreme Abstraction, Albright Knox Gallery, Buffalo, New York |
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2005 |
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Stalemate, MCA, Chicago |
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2005 |
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Into My World: Recent British Sculpture, The Aldrich Contemporary Art Museum, Connecticut. |
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2005 |
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Sodium & Asphalt, (British Council touring exhibition), Museo Tamayo Arte Contemporáneo, Mexico City; Museo de Arte Contemporáneo de Monterrey, Monterrey |
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2004 |
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54th Carnegie International, Carnegie Museum of Art, Pittsburg |
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2004 |
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From Aural Sculpture to Sound by Ink, Galerie Art:Concept, Paris |
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2004 |
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Collage, Bloomberg SPACE, London |
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2004 |
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Brand New and Retro, UP Projects, The Empire, London |
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2004 |
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Synth, Kunstraum B/2, Leipzig |
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2004 |
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Ouroboros, CCA, Glasgow |
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2004 |
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Boros Collection, ZKM, Karlsruhe |
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2004 |
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My Boyfriend’s Back, Konrad Fischer Galerie, Düsseldorf (solo) |
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2004 |
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Mental Oyster, Anton Kern Gallery, New York (solo) |
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2004 |
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Grand Funk, OPA, Guadalajara (solo) |
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2004 |
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Mars Hotel, Franco Noero, Turin, and Sonia Rosso, Pordenone (solo) |
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2003 |
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Male Stripper, Museum of Modern Art, Oxford (solo) |
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2003 |
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Kebabylon, Inverleith House, Edinburgh (solo) |
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2003 |
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Paradise Garage, The Moore Space, Miami (solo) |
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2003 |
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Basic Instinct: Minimalism Past, Present, and Future, MCA, Chicago |
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2003 |
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ZENOMAP – New Works from Scotland for the Venice Biennale, 50th Venice Biennale, Venice |
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2003 |
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Painting on Sculpture, Tanya Bonakdar Gallery, New York |
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2003 |
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Objects in mirror are closer than they appear, Badischer Kunstverein, Karlsruhe |
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2003 |
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Il racconto del filo. Cucito e ricamo nell’arte Contemporanea (The tale of the other thread. Sewing and Embroidery in Contemporary Art), MART – Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Trento |
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2003 |
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The Moderns, Castello di Rivoli, Turin |
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2003 |
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Cut Out, Barbara Gross Galerie, Munich |
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2003 |
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Architecture Schmarchitecture, Kerlin Gallery, Dublin |
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2003 |
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Days Like These, Tate Triennial, Tate Britain, London |
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2003 |
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Painting Not Painting, Tate St. Ives, St. Ives |
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2003 |
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The Fourth Sex, Fondazione Pitti Immagine, Florence |
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2003 |
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Love Over Gold, Gallery of Modern Art, Glasgow |
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2003 |
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The Moderns, Fondazione Pitti Immagine, Florence |
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2003 |
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Outlook, Athens School of Fine Arts, Athens |
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2003 |
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Plunder, Culture as Material, Dundee Contemporary Arts, Dundee |
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2003 |
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Bad Behaviour from the Arts Council Collection, (touring exhibition), Longside Gallery, Yorkshire Sculpture Park, Wakefield, England; Aberystwyth Arts Centre, Aberrystwyth, Wales; Glynn Vivian Art Gallery, Swansea, Wales; The Hatton Gallery, University of Newcastle, Newcastle; Tullie House, Carlisle |
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2003 |
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Silver Convention, Galerie Giti Nourbakhsch, Berlin |
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2003 |
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The Unhomely, Kettle’s Yard, Cambridge |
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2002 |
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VIP, Very Important Pictures, Kunsthalle Palazzo, Liestal, Switzerland |
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2002 |
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EU2, Stephen Friedman Gallery, London |
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2002 |
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Greyscale/ CMYK, Tramway, Glasgow; Royal Hibernian Academy, Dublin |
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2002 |
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New – Recent Acquisitions of Contemporary British Art, Scottish National Gallery of Modern Art, Edinburgh |
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2002 |
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Early One Morning, Whitechapel Gallery, London |
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2002 |
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Jim, Jonathon, Kenny, Frances, and Sol, Stedlijk Bureau, Amsterdam |
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2002 |
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Electric Dreams, Barbican Gallery, London |
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2002 |
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Hello My Name Is…, Carnegie Museum of Art, Pittsburgh |
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2002 |
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Acid Trails, Art|Basel|Miami Beach, (with The Modern Institute), Miami (solo) |
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2002 |
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The Breeder, Athens (solo) |
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2002 |
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Salon Unisex, Sadie Coles HQ, London (solo) |
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2002 |
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Hot Butter, Anton Kern Gallery, New York (solo) |
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2002 |
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There Is A Light That Never Goes Out, Galleria Sonia Rosso, Pordenone |
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2002 |
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My Head is on Fire but my Heart is Full of Love, Charlottenborg Exhibition Hall, Copenhagen |
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2002 |
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Painted, Printed & Produced in Great Britain, Grant Selwyn Fine Art, Beverly Hills |
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2002 |
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Superlounge, Gale Gates et al, Brooklyn, New York |
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2002 |
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Life Is Beautiful, Laing Art Gallery, Newcastle |
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2002 |
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Sudden Glory: Sightgags and Slapsticks in Contemporary Art, California College of Arts and Crafts/ CCAC Institute, San Francisco |
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2002 |
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Tailsliding, (British Council touring show), Centre for Contemporary Art, Vilnius; Museum of Contemporary Art, Tallin; Centro de Arte de Salamanca (CASA), Salamanca; Turku Art Museum, Turku |
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2001 |
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Here and Now, Scottish Art 1990-2001, Dundee Contemporary Arts, Dundee |
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2001 |
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Between Object and Arabesque, Kunsthallen Brandts Klaedefabrik, Odense |
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2001 |
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Funktional Fictional, Kunsthalle zu Kiel, Kiel |
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2001 |
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Jim Lambie, The Modern Institute, Glasgow (solo) |
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2001 |
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Boy Hairdresser, Anton Kern Gallery, New York (solo) |
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2001 |
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Blank Generation, Jack Hanley, San Francisco (solo) |
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2001 |
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Jim Lambie, Galleria Franco Noero, Turin (solo) |
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2001 |
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SchattenRisse/ Shadows, Silhouettes and Cut-Outs, Städtische Galerie Lenbachhaus, München |
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2001 |
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Painting at the Edge of the World, Walker Arts Center, Minneapolis |
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2001 |
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Superimposition, Caren Golden Fine Art, New York |
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2001 |
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G3NY13, Casey Kaplan Gallery, New York |
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2001 |
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Altoids Curiously Strong Collection, The LAB, San Francisco |
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2001 |
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Songs of Love and Hate: Side A, Galerie Wieland, Berlin |
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2001 |
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I Love New York, (benefit show), Anton Kern Gallery, New York |
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2000 |
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Electric City, The Lighthouse, Glasgow |
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2000 |
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Off the record, Bucknell Art Gallery, Lewisburg, Pennsylvania |
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2000 |
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Raumkörper, Netze und andere Gebilde, Kunsthalle Basel, Basel |
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2000 |
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Jim Lambie, Konrad Fisher Galerie, Düsseldorf (solo) |
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2000 |
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Fictional, Triangle, Paris (solo) |
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2000 |
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Galleria Sonia Rosso, Pordenone (solo) |
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2000 |
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Black Gloss, Anton Kern Gallery, New York (solo) |
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2000 |
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Hoxton HQ, Sadie Coles HQ at Hoxton House, London |
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2000 |
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What If: Art on the verge of architecture and design, Moderna Museet, Stockholm |
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2000 |
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The British Art Show 5, Edinburgh; Cardiff; Birmingham; Southampton |
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2000 |
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Grant Selwyn Fine Art, Los Angeles |
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2000 |
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Herz aus Glas, Parking Meters, Cologne |
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2000 |
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Dream Machines, Dundee Contemporary Arts, Dundee; Mapin Gallery, Sheffield; Camden Arts Centre, London |
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2000 |
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Heart and Soul, Los Angeles |
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1999 |
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Matthew Higgs @ Galerie Krinzinger, Vienna |
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1999 |
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Papermake, Modern Art Inc., London |
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1999 |
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Creeping Revolution, Foksal Gallery, Warsaw |
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1999 |
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Weird Glow, Sadie Coles HQ, London (solo) |
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1999 |
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Voidoid, Transmission Gallery, Glasgow (solo) |
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1999 |
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ZOBOP, The Showroom Gallery, London (solo) |
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1999 |
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‘To be continued...’, Walsall Public Projects, Walsall, England |
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1999 |
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Dots and Loops, MK Expositeruimte, Rotterdam |
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1999 |
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Heart and Soul, 60 Long Lane, London |
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1999 |
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The Queen is Dead, Stills Gallery, Edinburgh |
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1999 |
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Silk Purse, Waygood Gallery, Newcastle |
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1998 |
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Lovecraft, Spacex Gallery, Exeter |
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1998 |
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All or Nothing, La Friche Gallery Triangle, Marseille |
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1998 |
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Slant6, Jacob Javit’s Center, New York |
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1998 |
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The Modern Institute at Sadie Coles HQ, Sadie Coles HQ, London |
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1998 |
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Host, Tramway, Glasgow |
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1998 |
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Ultralow, (The Modern Institute film screening), Carnival, Soho, London (solo) |
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1998 |
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Two Up, Property Gallery, Glasgow |
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1997 |
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This is...These are, Kirsty Ogg, Norwich |
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1997 |
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European Couples and Others, Transmission Gallery, Glasgow |
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1996 |
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The World of Ponce, Southpark, Glasgow |
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1996 |
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Brain Mail, Broad Studio 17, Cal Arts, Los Angeles |
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1996 |
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Girls High, The Old Fruitmarket, Glasgow |
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1996 |
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Sick Building, Globe Gallery, Copenhagen |
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1996 |
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Insanestupidphatfuctpervert, Concrete Skates, Glasgow; Cubitt Street, London |
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1996 |
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Art for People, Transmission Gallery, Glasgow |
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1996 |
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Kilt ou Double, La Vigie-Art Contemporain, Nîmes, France |
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1995 |
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In Stereo, Transmission Gallery, Glasgow |
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1995 |
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Sun Hung Low, Assembly Gallery, Glasgow |
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1995 |
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Jonnie Wilkes & Jim Lambie, 115 Dalriada, Glasgow |
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