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Jessica Stockholder Biography
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1978 - 1979
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The Camden School of Art, London, England; four month program
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1978 - 1979
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University of British Columbia, Vancouver, BC, Canada; Fine Arts & academic course work
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1982
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University of Victoria, Victoria, BC, Canada; BFA-1982
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1983 - 1984
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Yale University, New Haven, CT, painting; University of British Columbia, Vancouver, BC, Canada; Fine Arts & academic course work
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1984 - 1985
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Yale University, New Haven, CT; sculpture, MFA-1985
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1996
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John Solomon Guggenheim Fellowship Award, Visual Art
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2001
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August Seeling Preis, Freundeskreis Wilhelm Lehmbruck Museum e.V., Duisburg, Germany
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Currently Director of Graduate Studies in Sculpture at Yale University, New Haven, CT
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Lives & works in New Haven, CT
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2010 - 2011 |
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Peer out to see, Museo Nacional Centro de Arte Reina Sofia, Palacio de Cristal, Madrid, Spain |
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2009 |
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La Pintura y sus Alrededores, Galerie naechst St. Stephan, Vienna, Austria |
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2007 |
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Connecticut Contemporary, Wadsworth Atheneum, Hartford, USA |
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2007 |
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Jessica Stockholder, Galerie Thomas Schulte, Berlin (solo) |
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2007 |
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Connecticut Contemporary, Wadsworth Atheneum, Hartford, USA |
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2007 |
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Like Color in Pictures, AAM - Aspen Art Museum, Aspen, USA |
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2007 |
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Paint, Vancouver Art Gallery, Vancouver, Canada |
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2006 |
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Space Between, Galerie Nathalie Obadia, Paris (solo) |
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2006 |
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Jessica Stockholder, Kissing the Wall: Works, 1988-2003, Blaffer Art Gallery, University of Houston, Texas, Commissaires Terrie Sultan and Nancy Doll (cat.) (solo) |
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2006 |
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Jessica Stockholder, Susan Inglett Gallery, New York (solo) |
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2006 |
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Jessica Stockholder: Of Standing Float Roots in Thin Air, P.S.1 Contemporary Art Center - MoMA, New York (solo) |
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2006 |
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Jessica Stockholder, Mitchell-Innes & Nash, New York (solo) |
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2005 |
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Air Padded Table Haunches, Art Unlimited, Basel |
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2005 |
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Kunsthallen Brandts Klaedefabrik, Odense, Denmark, survey exhibition (solo) |
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2005 |
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Sculpture and prints, Galleria Civica D’Arte Moderna e Contemporanea di Torino, Italy (solo) |
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2005 |
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Rawhide Harangue of Aching Indices As Told By Light, School of the Museum of Fine Arts, Boston, MA (solo) |
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2005 |
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Gallerie d’arte moderna e contemporanea, Torino, Palazzo Massari Ferrara (solo) |
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2004 |
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Sam Ran Over Sand or Sand Ran Over Sam, Rice University Art Gallery, Houston, Texas (solo) |
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2004 |
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New sculpture, Sable-Castelli Gallery, Toronto, Canada (solo) |
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2004 |
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Galleria Civica D’Arte Moderna e Contemporanea di Torino, Italy (solo) |
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2004 |
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GAM Torino, Italy (solo) |
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2004 |
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Rice University Art Gallery, Houston, Texas (solo) |
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2004 |
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Sable-Castelli Gallery, Toronto, Canada (solo) |
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2004 |
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Kunst Stoff, Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna, Austria |
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2003 |
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Under Pressure:Prints from Two Palms Press, The Cooper Union School of Art, New York; |
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2003 |
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Gorney Bravin + Lee, New York, NY (solo) |
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2003 |
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TV Tipped Toe Nail & the Green Salami, Chelsea Art Museum, New York, NY (solo) |
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2003 |
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Galerie Rolf Ricke, Cologne, Germany (solo) |
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2003 |
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CAPC, Musée d’art contemporain de Bordeaux, France (solo) |
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2003 |
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Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (solo) |
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2003 |
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Stiftung Wilhelm Lehmbruck Museum, Duisburg, Germany (solo) |
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2002 |
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Baltic Art Center, Visby, Sweden, curated by Lynne Cooke (solo) |
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2002 |
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Galleria Raffaela Cortese, Milan, Italy (solo) |
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2002 |
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Art Downtown: New Photography, Wall St Rising, New York, NY |
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2002 |
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Print Publisher's Spotlight, Barbara Krakow Gallery, Boston, MA |
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2002 |
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Beyond the Pale: Material Possibilities, Neuberger Museum of Art, Purchase, NY |
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2002 |
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Under Pressure: Prints from Two Palms Press, University Gallery, University of Massachusetts, Amherst, MA |
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2001 |
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Camera Works, Marianne Boesky Gallery, New York, NY |
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2001 |
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American Art from Sammlung Goetz, Rudolfinum, Prague, Czech Republic |
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2001 |
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Prints & Multiples, Senior & Shopmaker Gallery, New York, NY |
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2001 |
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Objective Color, Yale University Art Gallery, New Haven, CT |
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2001 |
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Galerie Nächst St.Stephan,Vienna, Austria (solo) |
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2001 |
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Gorney Bravin + Lee, New York, NY (solo) |
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2001 |
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Galerie Nathalie Obadia, Paris, France (solo) |
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2000 |
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Vortex in the Play of Theatre with the Real Passion (for Kay Stockholder) and installation: Pictures at an Exhibition,
Kunstmuseum St. Gallen, St. Gallen, Switzerland (solo) |
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2000 |
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Bucknell Art Gallery, Bucknell University, Lewisburg, PA (solo) |
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1996 |
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Tom Solomon's Garage, Los Angeles, CA |
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1996 |
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Studio la Città, Verona, Italy |
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1996 |
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Nott Memorial Art Museum Union College, Schenectady, NY |
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1995 |
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Una nuova tradizione americana, Galleria Oddi Baglioni Rome, Italy |
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1995 |
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Re-Fab: Painting Abstracted, Fabricated, Contemporary Art Museum University of South Florida, Tampa, FL |
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1995 |
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Elena Sisto, Lisa Hoke, Jessica Stockholder, Dru Arstark Gallery, New York, NY |
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1995 |
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Color in Space: Pictorialism in Contemporary Sculpture, David Winton Bell Gallery, List Art Center Brown University, Providence, RI |
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1995 |
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New York - Positionen Aktueller Malerei, Studiogalerie Kunstverein Mus. Schloss Morsbroich Leverkusen, Germany |
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1995 |
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On Target, Horodner Romley Gallery, New York, NY |
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1995 |
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Sweet for Three Oranges, Sala Montcada de la Fundacion 'la Caixa' Barcelona, Spain |
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1995 |
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Jay Gorney Modern Art, Jay Gorney Modern, Art New York, NY |
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1995 |
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S.L. Simpson Gallery, Toronto, Canada |
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1995 |
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Painting outside Painting: 44th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C. |
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1994 |
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John Dunn, Adelheid Mers, Carla Preiss, Jessica Stockholder, John Dunn, Adelh, N.A.M.E. Gallery Chicago, IL |
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1994 |
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Information Service, Goethe House, New York, NY |
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1994 |
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Untitled, Postmasters Gallery, New York, NY |
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1994 |
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The Beauty Show, Four Walls, New York, NY |
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1994 |
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Don't Look Now, Thread Waxing Space New York, NY |
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1994 |
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The Little House on the Prairie, Marc Jancou Gallery, London, England |
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1994 |
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Balkenhal, Dunham, Gilliam, Hirst, McCaslin, Stockholder, Weinstein, Dunha, Baumgartner Galleries Washington, D.C. |
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1994 |
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Herr Schlelermachers Sista Dröm: Förställningar om Måleriet, Galerie Nordenhake Stockholm, Sweden |
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1994 |
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Joan Snyder/Jessica Stockholder, Jay Gorney Modern Art, New York, NY |
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1994 |
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Reveillon '94, Stux Gallery, New York, NY |
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1994 |
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Joe's Garage, TZ'Art & Co. New York, NY |
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1994 |
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Ethereal Materialism, Apex Art, New York, NY |
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1994 |
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Symphonie en Sous-Sol, Galerie Renos Xippas, Paris, France |
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1994 |
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Country Sculpture, Installation: Ho, Le Consortium, Dijon, France |
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1994 |
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Unbound: Possiblities in Painting, Installation: Fa, Hayward Gallery, London, England |
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1994 |
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Pink Lady, Weatherspoon Art Gallery University of North Carolina, Greensboro, NC |
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1993 |
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Galerie Ludwig, Galerie Ludwig Krefeld, Germany |
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1993 |
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Edge of Hothouse Glass, Galerie des Arènes, Carré d'Art Musée d'Art Contemporain de Nîmes, France |
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1993 |
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As Long as it Lasts, Installation: Ca, Witte de With Rotterdam, Netherlands |
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1993 |
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Testwall: Small 3 Dimensional Multiples, TZ'Art & Co. New York, NY |
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1993 |
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Galerie Nathalie Obadia, Paris, France |
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1993 |
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Jours Tranquilles à Clichy, Tennisport Arts, New York, NY |
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1993 |
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Ordnung und ZerStörung, Lothringer Strasse 13, Munich, Germany |
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1993 |
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The Good, the Bad, and the Ugly.. a Modest Proposal, Galerie Jousse Seguin Paris, France |
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1993 |
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John Good Gallery, New York, NY |
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1993 |
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Anniversary Exhibition, Daniel Weinberg Gallery, Santa Monica, CA |
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1993 |
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Mettlesome & Meddlesome: Selections from the Collection of Robert J. Schiffler, The Contemporary Arts Center, Cincinnati, OH |
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1993 |
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American Fine Arts, New York, NY |
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1993 |
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Simply Made in America, The Aldrich Museum of Contemporary Art, Ridgefield, CT |
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1992 |
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Transgressions in the White Cube: Territorial Mappings, Suzanne Lemberg Usdan Gallery, Bennington College, Bennington, VT |
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1992 |
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Cultural Fabrication, John Good Gallery, New York, NY |
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1992 |
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Women Artists not included in Documenta 9, Kunstlerhaus Stuttgart, Stuttgart, Germany |
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1992 |
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Sea Floor Movement to Rise of Fire Place Stripping, Kunsthalle Zürich Zürich, Switzerland |
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1992 |
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SpICE BOXed Project(ion), Galerie Metropol, Vienna, Austria |
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1992 |
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Flower Dusted Prosies, American Fine Arts Co. New York, NY |
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1992 |
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Growing Rock Candy Mountain - Grasses in Canned Sand, Westfälischer Kunstverein Munster, Germany |
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1991 |
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1991 Biennial, Whitney Museum of American Art, Installation: Re, Whitney Museum of American Art New York, NY |
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1991 |
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Peter Nadin and Jessica Stockholder, Warren Adelson Gallery, New York, NY |
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1991 |
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Outside America: Going into the 90s, Fay Gold Gallery, Atlanta, GA |
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1991 |
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UNTITLED Seepage: Sandwashed, Sundried & Shrinkwrapped, Ezra and Cecile Zikha Gallery, Center for Arts Wesleyan University, Middletown, CT |
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1991 |
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Skin Toned Garden Mapping, The Renaissance Society at the Univ. of Chicago Chicago, IL |
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1991 |
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Near Weather Wall; Making a Clean Edge II, Witte de With Rotterdam, Netherlands |
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1991 |
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Daniel Weinberg Gallery, Santa Monica, CA |
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1991 |
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Jürgen Meyer, Jessica Stockholder, Franz West, Christine Burgin Gallery New York, NY |
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1991 |
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American Artists of the Eighties, Palazzo delle Albere, Trento, Italy |
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1991 |
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Plastic Fantastic Lover (object a), Blum Helman Warehouse, New York, NY |
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1991 |
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Awards in the Visual Arts 10, Traveling Exhibit, Southeastern Center for Contemporary Art, Winston-Salem |
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1991 |
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Sculptor's Drawings, Paula Cooper Gallery, New York, NY |
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1991 |
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The Museum of Natural History, Barbara Farber Gallery, Amsterdam, Netherlands |
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1991 |
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Physicality: an Exhibition on Color Dimensionality in Painting, The Gallery, New York, NY |
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1990 |
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Daniel Weinberg Gallery, New York, NY |
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1990 |
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Information, Terrain, San Francisco, CA |
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1990 |
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Pop 90, Postmasters Gallery, New York, NY |
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1990 |
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Stuttering, Stux Gallery, New York, NY |
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1990 |
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The Technological Muse, Katonah Museum of Art Katonah, NY |
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1990 |
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Contigent Realms, The Whitney Msueum of Art at Equitable Center, New York, NY |
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1990 |
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Detritus, Jack Tilton Gallery, New York, NY |
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1990 |
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Stendhal Syndrome: The Cure, Andrea Rosen Gallery New York, NY |
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1990 |
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Les Choix des Femmes, Le Consortium and L'Espace Frac et l'Usine, Dijon, France |
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1990 |
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Mary Heilmann and Jessica Stockholder, Isabella Kacprzak Gallery Cologne, Germany |
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1990 |
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Where it Happened, American Fine Arts, New York, NY |
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1989 |
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Mixing Food with the Bed, The Mattress Factory Pittsburg, PA |
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1989 |
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Berkshire Art Association 1989 Exhibition of Painting and Sculpture, Berkshire Museum, Pittsfield, MA |
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1989 |
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American Fine Arts Company, New York, NY |
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1989 |
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A Climate of Site, Barbara Farber Gallery, Amsterdam, Netherlands |
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1989 |
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Galerie Xavier Hufkens, Brussels, Belgium |
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1988 |
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Artists and Curators, John Gibson Gallery, New York, NY |
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1988 |
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Indoor lighting for my father, Mercer Union Toronto, Ontario, Canada |
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1987 |
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It's not over 'til the fat lady sings, Contemporary Art Gallery Vancouver, Canada |
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1985 |
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Wall Sandwich, Installation, Melinda Wyatt Gallery, New York, NY |
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1984 |
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In-side Out, Art Culture Resource Center Toronto, Canada |
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1982 |
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No Title, Open Space Gallery Victoria, British Columbia, Canada (solo) |
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2003 |
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Jessica Stockholder, Kissing the Wall: Works, 1988-2003 Copyright 2003 by Blaffer Gallery |
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2003 |
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Cohen, David. Arts & Letters: Gallery-Going, in: The New York Sun, 5 Nov; p. 15 |
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2003 |
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Smith, Roberta. Review: Jessica Stockholder, in: The New York Times, 31 October; p.E41 |
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2003 |
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Yablonsky, Linda. Art Reviews: Jessica Stockholder, in:Time Out New York, 23 – 30 October; p. 79 |
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2003 |
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Dannatt, Adrian. Contemporary Commercial Galleries: Jessica Stockholder Table Top Sculpture, No. 140, October; p. 3 |
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2003 |
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Tumlir, Jan. Trespassing: Houses x Artists, in: Frieze, Summer; p. 120 |
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2003 |
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Yablonsky, Linda. Even the Kitchen Sink, in: ARTnews, May; pp. 136-139, cover |
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2002 |
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Strati, Maria Cristina. Stockholder at Raffaella Cortese, Arte & Critica, nr. 30/31 |
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2001 |
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Mitchell, Charles Dee. Making the Case for Pleasure, in: Art in America, November; pp.122-129 |
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2001 |
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Schjeldahl, Peter. Desert Songs: A Maverick biennial in Santa Fe, in: The New Yorker, 13 August. |
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2001 |
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Rush, Michael. Santa Fe, Searching for the Meaning, in: The New York Times, 8 July; p.AR 31 |
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Links to further information |
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