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1993
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BFA, The School of the Art Institute of Chicago, Chicago, IL
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2006 |
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Sodium Fox, Honor Fraser, Venice, CA (solo) |
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2006 |
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The Gospel of Lead (with Dario Robleto), curated by Regine Basha, Arthouse, Austin, Texas (catalogue) |
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2005 |
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Winchester, San Francisco Museum of Modern Art, CA (solo) |
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2005 |
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Galerie Tanit, München, Germany (solo) |
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2005 |
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Sodium Fox, Feigen Contemporary, New York |
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2005 |
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Impakt Festival 2005, Utrecht, the Netherlands |
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2005 |
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All the Pretty Corpses, The Renaissance Society at The University of Chicago, Chicago, IL |
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2005 |
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Dreaming of a More Better Future, The Reinberger Galleries, Cleveland, OH |
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2005 |
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Afterall, curated by Charles Esche, apexart, New York, NY |
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2005 |
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Extreme Abstraction, Albright-Knox Art Gallery, Buffalo, NY |
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2005 |
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Staging the Real, Projects at Clifford Chance, New York, NY |
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2005 |
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Blur of the Otherworldly: Contemporary Art, Technology and the Paranormal, Center for Art and Visual Culture, University of Maryland, Baltimore County, MD |
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2005 |
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Techno/Sublime, CU Art Museum, University of Colorado at Boulder, CO |
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2004 |
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One Channel Only, Atrium Gallery, University of Connecticut School of Fine Arts, Storrs, CT |
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2004 |
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Paranormal, Aeroplastics Contemporary, Brussels, Belgium |
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2004 |
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Breathtaking, The Art Institute of Boston, Lesley University, Boston, MA |
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2004 |
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Floor to Ceiling/Wall to Wall, Wadsworth Atheneum Museum of Art, Hartford, CT |
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2004 |
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Whitney Biennial, Whitney Museum of American Art, New York, NY |
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2004 |
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Centro de Arte Caja de Burgos, Burgos, Spain (solo) |
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2004 |
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Galerie Ghislaine Hussenot, Paris, France (solo) |
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2004 |
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I Shot the Sheriff, Sister, Los Angeles, CA (solo) |
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2004 |
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Jeremy Blake: Winchester Trilogy, Art Gallery of York University, York University, Toronto, Canada (solo) |
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2004 |
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Galeria Leyendecker, Santa Cruz de Tenerife, Canary Islands, Spain (solo) |
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2003 |
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Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain (catalogue) (solo) |
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2003 |
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The 59th Minute: Video Art on the Times Square Astrovision, sponsored by Creative Time and Panasonic, New York, NY (solo) |
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2003 |
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American Museum of the Moving Image, Astoria, NY (solo) |
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2003 |
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Animations, Kunst-Werke Berlin, Berlin, Germany |
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2003 |
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The Disembodied Spirit, Bowdoin College Museum of Art, Brunswick, ME (catalogue) |
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2003 |
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Animation Impulse: Video Art and the Generated Image, Cheekwood Museum of Art, Nashville, TN |
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2003 |
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Mystic, Massachusetts College of Art, Boston, MA (catalogue) |
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2003 |
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School is Out, Southfirst, Brooklyn, NY, curated by Michel Auder |
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2003 |
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Autumn Almanac, Feigen Contemporary, New York, NY (solo) |
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2003 |
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Social Strategies: Redefining Social Realism, University Art Museum, University of California, Santa Barbara, CA, curated by Klaus Ottmann and Pamela Auchincloss; Exhibition traveled: Illinois State University, Normal, IL; DePauw University Art Gallery, Greencastle, IN; The Schick Gallery, Skidmore College, Saratoga Springs, NY; The Newcomb Art Gallery, Tulane University, New Orleans, LA |
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2003 |
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Imag(in)ing Architecture, The University of Connecticut Center for Visual Arts and Culture, Storrs, CT |
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2003 |
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VideoMix, Arario Gallery, Cheonan-si, Korea (catalogue) |
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2003 |
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Imaging the Abstract, Feigen Contemporary, New York, NY |
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2002 |
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Museum of Contemporary Art, San Diego, San Diego, CA (solo) |
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2002 |
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Art & Film in the Age of Anxiety, curated by Chrissie Iles, Santa Monica Museum, Santa Monica, CA |
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2002 |
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New York, New Work, Now! Currier Museum of Art, Manchester, NH |
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2002 |
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Whitney Biennial, Whitney Museum of American Art, New York, NY (catalogue) |
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2002 |
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Painting Without Painting, Museum der Bildenden Künste Leipzig |
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2002 |
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Looking At America, Yale University Art Gallery, New Haven, CT |
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2002 |
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Claude Monet and Abstraction: Kandinsky – Rothko – Richter up to DigitalImpressionism, Fondation Beyeler, Basel, Switzerland |
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2002 |
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Remarks on Color, Sean Kelly Gallery, New York, NY |
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2002 |
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Mod Lang, Blaffer Gallery, University of Houston, Houston, TX (solo) |
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2002 |
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Galerie Ghislaine Hussenot, Paris, France (solo) |
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2002 |
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Galerie Tanit, Munich, Germany (solo) |
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2001 |
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Disappearing Floor, Dorothée DePauw Gallery, Brussels Belgium (solo) |
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2001 |
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Angel Dust, XYZ, Toronto, Canada (solo) |
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2001 |
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Chemical Sundown, Dot, London, England (solo) |
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2001 |
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The Forty Million Dollar Beatnik, Works on Paper, Inc., Los Angeles, CA (solo) |
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2001 |
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New Works, Feigen Contemporary, New York, NY |
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2001 |
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010101: Art in Technological Times, San Francisco Museum of Modern Art, San Francisco, CA (catalogue) |
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2001 |
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BitStreams, Whitney Museum of American Art, New York, NY |
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2001 |
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New Settlements, Nikolaj Copenhagen Contemporary Art Center, Copenhagen, Denmark |
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2001 |
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Animations, PS1 Contemporary Art Center, Long Island City, NY |
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2001 |
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The Approximative, Ghislaine Hussenot Galerie, Paris, France |
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2001 |
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Duchamp’s Suitcase, Arnolfini Gallery, Bristol, England |
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2001 |
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Compression, Feigen Contemporary, New York, NY |
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2001 |
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Mod Lang, Feigen Contemporary, New York, NY (solo) |
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2000 |
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Jeremy Blake: Bungalow 8, The Contemporary Arts Center, Cincinnati, OH (solo) |
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2000 |
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Whitney Biennial, Whitney Museum of American Art New York, NY |
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2000 |
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Jeremy Blake: Digital Projections, Pennsylvania Academy of the Fine Arts, Philadelphia, PA (solo) |
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2000 |
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Jeremy Blake: Statements, Art Basel 2000, Basel, Switzerland (solo) |
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2000 |
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Jeremy Blake: Angel Dust and Other Works, Schusev Museum of Architecture, Moscow, Russia (solo) |
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2000 |
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Jeremy Blake: Angel Dust, Gallery of Art, Johnson County Community College, Kansas City, MO (solo) |
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2000 |
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Angel Dust, Feigen Contemporary New York, NY (solo) |
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2000 |
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A Salon for the 21st Century, John Weber Gallery New York, NY |
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2000 |
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Maximal Minimal, Feigen Contemporary New York, NY |
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2000 |
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Elysian Fields, Centre Georges Pompidou Paris, France |
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2000 |
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Greater New York, Museum of Modern Art/P.S. 1 New York, NY |
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1999 |
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One Hit Wonder, Works On Paper Inc. Los Angeles, CA (solo) |
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1999 |
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Sucking in the Seventies, Jacob Fabricius/Nicolai Wallner Copenhagen, Denmark (solo) |
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1999 |
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Bungalow 8, Feigen Contemporary New York, NY (solo) |
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1999 |
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Fifteen, The Lobby Gallery, Deutsche Bank New York, NY |
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1999 |
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Re-Structure, Grinnell College, Bucksbaum Art Gallery Grinnell, IA |
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1999 |
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Whippersnapper, Vedanta Gallery Chicago, IL |
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1999 |
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Good Vibrations, Tomio Koyama Gallery Tokyo, Japan |
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1999 |
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Flaming June, Works On Paper, Inc. Los Angeles, CA |
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1999 |
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One Dot Zero, Institute for Contemporary Art London, England |
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1999 |
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Formulas For Revelation, The Rotunda Gallery Brooklyn, NY |
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1999 |
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Conduit Digital Film Festival, University of Texas Austin, TX |
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1999 |
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Exploding Cinema, Rotterdam International Film Festival Netherlands |
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