Jean-Baptiste-Camille Corot  (French, 1796-1875) 

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Jean-Baptiste-Camille Corot (French, 1796–1875) was a painter and printmaker whose work links the Neo-Classical tradition with the plein-air method (painting outdoors), developed by the Impressionists. He is best-known for landscapes characterized by simple compositions, soft brushwork, and subtle gradations of tone and light. Corot studied with Achille Etna Michallon (French, 1796–1822) and Jean Victor Bertin (French, 1767–1842), students of the historical landscape painter Pierre-Henri de Valenciennes (French, 1750–1819), before travelling to Italy in 1825 to complete his education. He submitted two paintings of the Roman countryside, Bridge at Narni (1826) and La Cervara (1827), to the Salon of 1827; throughout his career, he submitted more than 100 works to the Salon and became a member of its jury. Corot’s early work is divided into plein-air studies and large studio pictures of scenes from classical mythology. After 1850, Corot’s brushwork became more diffuse, and his subject matter included allegories and landscapes only loosely based on particular places. One of his most famous paintings, Souvenir of Mortefontaine (1864), depicts an idealized scene of a woman and children on the shore of a tranquil lake, while his broad brushstrokes anticipate the Impressionist movement. Apart from his landscapes, Corot painted portraits of his family and friends and experimented with cliché-verre, a medium that combined printmaking with early photographic technique. Corot was an influential figure for the next generation of artists, such as Berthe Morisot (French, 1841–1895) and Gustave Courbet (French, 1819–1877). His work is currently held in many museum collections, including the Louvre Museum and the Musée d'Orsay, in Paris, and the National Gallery of Art, in Washington, D.C.

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School Of Jean-Baptiste-Camille Corot, Impressionistic Landscape

 

School Of Jean-Baptiste-Camille Corot
Impressionistic Landscape
Zygman Voss Gallery
Jean-Baptiste-Camille Corot, Paysage

 

Jean-Baptiste-Camille Corot
Paysage
Jane Roberts Fine Arts
Jean-Baptiste-Camille Corot, Une Route dans la Campagne, Environs de Lac Leman

 

Jean-Baptiste-Camille Corot
Une Route dans la Campagne, Environs de Lac Leman
circa 1865

Trinity House
Jean-Baptiste-Camille Corot, Le fermier de Pithiviers

 

Jean-Baptiste-Camille Corot
Le fermier de Pithiviers
Galerie Dreyfus
Jean-Baptiste-Camille Corot, Coubron

 

Jean-Baptiste-Camille Corot
Coubron
circa 1870-1873

Galerie Dreyfus
Jean-Baptiste-Camille Corot, Gouvieux près de Chantilly, la route

 

Jean-Baptiste-Camille Corot
Gouvieux près de Chantilly, la route
Galerie Dreyfus
Jean-Baptiste-Camille Corot, Fontainebleau, sommet de carrière boisée

 

Jean-Baptiste-Camille Corot
Fontainebleau, sommet de carrière boisée
circa 1865

Le Polyptyque
Jean-Baptiste-Camille Corot, Souvenir d’Ostie

 

Jean-Baptiste-Camille Corot
Souvenir d’Ostie
1855

Galleria Della Lupa
Jean-Baptiste-Camille Corot, Ville d’Avray

 

Jean-Baptiste-Camille Corot
Ville d’Avray
circa 1825

Thomas Colville Fine Art, LLC
Past auction results (2486)  View All
Jean-Baptiste-Camille Corot, Paesaggi (2 works)

 

Jean-Baptiste-Camille Corot
Paesaggi (2 works)
etching

 

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Jean-Baptiste-Camille Corot, Paysage de Civitella

 

Jean-Baptiste-Camille Corot
Paysage de Civitella
pen and ink w/pencil

 

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Jean-Baptiste-Camille Corot, Pastoral Landscape

 

Jean-Baptiste-Camille Corot
Pastoral Landscape
oil on canvas

 

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1796   Born: July 16th, France
1875   Died: February 22nd, Ville-d'Array