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Isaac Julien Biography
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1960 |
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Born in 1960, in England; lives and works in London.
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1980 - 1984 |
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Central St. Martin's School of Art, BA Fine Art Film (1st Class Honors)
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1987 - 1989 |
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Les Entrepreneurs de L’Audiovisuel European (EAVE), Brussels (Post-Doctoral)
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1991 Semaine de la Critique Prize, Young Soul Rebels, Cannes Film Festival
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1993 John McKnight International Artist Award, Minneapolis, Minnesota
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1995 Rockefeller Humanities Fellowship Award, New York University, Centre for Media, Culture and History
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1996 Wexner Museum Fine Arts International Artist Award, Columbus, Ohio
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1997 Pratt and Whitney Canada Grand Prize, 15th International Festival of Films on Art for Frantz Fanon, Black Skin White Mask
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1998 Andy Warhol Foundation Award, USA
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1998 Jerome Foundation Award, USA
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1999 Art Pace, International Artist in Residence, San Antonio, Texas
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2001 The McDermott Award, MIT Cambridge Massachusetts
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2002 Eyebeam’s Moving Image Commission program, Artist in Residence, New York, USA
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2002 Ford Foundation Commission, New York, USA
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2002 Bohen Foundation Commission, New York, USA
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2002 Frameline Lifetime Achievement Award, San Francisco, USA
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2003 6th Festival International de Cortometraje y Cine Alternativo de Benalmadena (ficcab), Prize for outstanding career in cinematography, Benalmadena
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2003 Grand Jury Award, KunstFilmBiennale, Cologne, Germany
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2003 Surrey Institute of Art and Design, Honorary Degree, Master of Arts
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2005 Aurora Award, Aurora Picture Show, Houston Texas, USA
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SELECTED SCREENINGS/FESTIVALS
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2008 Berlin Film Festival, Berlin, Germany
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2008 Derek, Sundance Film Festival, Park City, Utah
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2006 Baltimore, Kino Eye Festival, Antwerp, Belgium
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2006 Looking for Langston, 20th Gay and Lesbian Festival, London
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2006 True North (single screen) and Fantôme Afrique (single screen), Sundance Film Festival, Park City, Utah
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2005 Paradise Omeros, Baltimore and True North, Locarno International Film Festival, Locarno, Switzerland
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2005 Three and Long Road to Mazatlan, Outfest, Los Angeles
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2005 Territories, Looking for Langston, and Franz Fanon: Black Skin White Mask, Museum Ludwig, Cologne
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2005 Three, Long Road to Mazatlan, Vagabondia and Paradise Omeros, La Rochelle, France
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2004 Baadasssss Cinema, ZKM Fate of Alien Mides, Germany
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2004 Baltimore (Single Screen), KunstFilmBiennale tour of Latin America: Sao Paulo, Rio de Janeiro and Buenos Aires
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2004 Frantz Fanon, Åarhus Festival of Contemporary Art, Denmark
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2004 The Long Road to Mazatlan, Pink Screens, Brussels, Belgium
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2004 Frantz Fanon, Dakar Biennale, Senegal, May
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2004 Baltimore and Paradise Omeros, Jeonju International Film Festival, Korea
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2004 Paradise Omeros, Be-bop Sessions Festival, Exeter
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2004 Paradise Omeros. Museé du Louvre, Paris
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2004 Baltimore (triple screen version) Berlin Biennale 04, Germany
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2004 Artist in Focus at Rotterdam Film Festival, showing Baltimore (single screen) Paradise Omeros (single Screen, Vagabondia (single screen), The Long Road to Mazatlan (single screen)
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2003 The Attendant, Tate Liverpool, Liverpool, 27 November
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2003 Frantz Fanon, Contemporary Art Museum, St. Louis, Missouri
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2003 Paradise (single screen version), Raindance Film Festival/Dazed & Confused, London
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2003 Baltimore (single screen version), KunstFilmBiennale, Cologne, Germany
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2003 Territories, A Century of Artists’ Film in Britain, Tate Britain, London
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2003 Vagabondia, The Long Road to Mazatlan, Baadasssss Cinema, Three, The Attendant, Looking for Langston, MOMA, New York
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2003 Baadasssss Cinema, The Jeonju International Film Festival, Korea
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2002 The Attendant, Nuit Blanche/Nuit Video, Paris
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2003 Three, Electromediascope, The Nelson-Atkins Museum of Art, Kansas
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2002 Paradise Omeros, Vagabondia, The Long Road to Mazatlan, Three, The Attendant, Territories Brief Encounters Film Festival, Arnolfini, Bristol
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2002 The Long Road to Mazatlan, The Attendant, Three, Looking for Langston, Contemporary
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2002 Film and Video, Moderna Museet, Stockholm. Touring to: Borås Kunstmuseum, Sweden (12th Sept) and Platform Garanti Contemporary Art Center, Istanbul (27th Sept)
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2002 Franz Fanon: Black Skin, White Mask Malmö Film Festival, Sweden
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2002 Paradise Omeros, Tate Britain
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2002 Looking for Langston, The Attendant, Trussed, Vagabondia, Future Past of Visual Culture, Tate Britain
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2002 Looking for Langston, The Long Road Mazatlan, Fierce & Warwick Arts Centre
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2001 Isaac Julien Film Retrospective, Neue Galerie, Graz, Austria
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2001 Umeå Film Festival, Bildmuseet, Sweden
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2000 Franz Fanon: Black Skin, White Mask, Looking for Langston, The Attendant Künslterhaus, Stuttgart
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2000 Three, International Film Festival Rotterdam
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2000 Three, Lesbian and Gay Film Festival, London
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2005 Fantôme Afrique, Triple screen projection, 16mm colour film, DVD transfer. 5.1 Sound. 17 mins
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2005 Fantôme Créole, Four screen projection, 16mm colour film, DVD transfer. 5.1 Sound. 23.27 mins
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2004 True North, Triple screen projection. 16 mm black&white/colour film, DVD transfer. Sound. 14.20 min
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2003 Baltimore, Triple screen projection. 16mm black&white/colour film, DVD transfer. Sound. 11.36min.
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2002 Paradise Omeros, Triple screen projection. 16mm black&white/colour film, DVD transfer. Sound. 20.29 min.
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2000 Vagabondia, Double screen rear projection. 16mm, colour film, video transfer. Sound.7min
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1999 Long Road to Mazatlan, Triple screen rear projection. 16mm, sepia/ colour film, video transfer.Sound.20min
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1999 Conservators Dream, Triple screen projection. 16mm, sepia/ colour film, video transfer. Sound. 6 min
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1999 Three, Single screen projection.16mm, sepia/ colour film, sound 20min
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1997 Fanon SA, Double screen projection. 16mm, colour film, video transfer. Sound. 12 min. (3 x looped sequence)
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1996 Trussed, Double screen projection, 16mm, black & white film, video transfer. Sound. 10 min
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1995 Cartooned Life, Series of seven photographs, linotronic print
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2005 Fantôme Afrique, (single screen), 16mm colour film, DVD transfer. Sound. 17.09 min
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2004 Encore II (Radioactive), 16 mm, Super 8 / Digital Betacam, 3 min
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2004 True North, (single screen), 16mm black & white/ colour film, DVD transfer. Sound. 14.20 min
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2003 Baltimore, (single screen), 16mm black & white/ colour film, DVD transfer. Sound. 12.43min
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2002 BaadAsssss Cinema ,DVD 56 min
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2002 Paradise Omeros, (single screen),16mm black&white/colour film, DVD transfer. Sound. 18.51min
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2000 Vagabondia, 2000,16mm, colour film, video transfer. Sound.7min
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1999 Long Road to Mazatlan, 16mm, sepia/colour film, video transfer.Sound.20min
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1999 The Conservators Dream, 16mm, sepia/colour film, video transfer. Sound. 4 min
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1999 Three, 1999, 35mm, sepia/colour film. Sound. 14 min
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1996 Frantz Fanon, Black Skin White Mask, 35mm, colour film. Sound 73 min
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1995 That Rush!, 1995, 16mm, colour film, video transfer. Sound. 7 min
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1994 The Darker Side of Black, 1994 , 16mm, colour film. Sound. 59 min
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1993 The Attendant, 1993, 35mm, colour film. Sound. 10 min
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1991 Young Soul Rebels, 35mm, colour film. Sound. 105 min
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1989 Looking For Langston, 16mm, black & white film. Sound 40 min
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1987 This is Not an AIDS Advertisement, Super 8 colour film, video transfer. Sound 14 min
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1986 The Passion of Remembrance, 16mm, colour film. Sound 95 min
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1984 Territories, 1984,16mm, colour film. Sound. 25 min
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Centre Georges Pompidou, Paris, France
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Solomon R. Guggenheim Museum, New York, USA
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Tate Collection, London, UK
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Hirshhorn Museum and Sculpture Garden, Washington DC, USA
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Irish Museum of Modern Art, Dublin, Ireland
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ArtPace, San Antonio, Texas, USA
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Sammlung Goetz, Munich, Germany
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Helga de Alvear, Madrid, Spain
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Kiasma Museum of Contemporary Art, Helsinki, Finland
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Deutsche Bank Art Collection, Frankfurt, Germany
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Government Art Collection, London, UK
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ACADEMIC POSTS AND TRUSTEESHIPS (selected)
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Visiting lecturer at Hochschule für bildende künste Hamburg
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Visiting lecturer Ecole national supérieure des beaux-arts
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Visiting lecturer at Universita degli Studi di Napolu, Italy
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Visiting Mellon Professor of English at the University of Pittsburgh, Pennsylvania
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Visiting lecturer at Harvard University
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Visiting lecturer Whitney Museum of American Art’s Independent Study Programme
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Research Fellow at Goldsmiths College University of London
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Editorial Board of Critical Quarterly (Blackwell, Oxford)
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Trustee of Art Pace Foundation, San Antonio
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Trustee of Serpentine Gallery, London
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| Selected Exhibitions |
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2010 - 2011
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`WESTERN UNION: Small Boats' (5 screen) in 21st Century: Art in the First Decade, Queensland Art Gallery, Gallery of Modern Art, Brisbane, Australia
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2010 - 2011
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8th Shanghai Biennale, China (Ten Thousand Waves single screen collaboration with CHoP, and photographic works)
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2010 - 2011
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Isaac Julien, BASS Museum, Miami, USA (Solo)
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2010
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Ten Thousand Waves, Roslyn Oxley9 Gallery, Sydney (Solo)
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2010
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WESTERN UNION: Small Boats, Riso Museo d'Arte Contemporanea della Sicilia, Palermo, Sicily, Italy (Solo)
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2010
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True North, Akron Art Museum, Ohio, USA (Solo)
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2010
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WESTERN UNION: Small Boats, The Israel Museum, Jerusalem, Israel (Solo)
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2010
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WESTERN UNION: Small Boats, Two Rooms, Auckland, New Zealand (Solo)
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2010
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Move: Choreographing You, Hayward Gallery, London, UK (Ten Thousand Waves, 9 screen)
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2010
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17th Biennale of Sydney, Beauty of Distance, songs of survival in a precarious age. Directed by David Elliot.
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2010
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fast forward 2. The Power of Motion, Media Art, Sammlung Goetz, ZKM / Museum of Contemporary Art, Karlsruhe, Germany (Paradise Omeros)
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2010
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Afro Modern, Tate Liverpool, UK (Cast No Shadow, Western Union Series)
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2010
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CUE: Artist's Videos, Vancouver Art Gallery, Canada (Vagabondia, Performing for the Camera)
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2010
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The Blanton Museum of Art, Austin, Texas, USA (Long Road to Mazatlán)
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2010
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I Love You, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
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2010
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Frantz Fanon: Black Skin White Mask, Bienal de Sao Paolo, Brazil
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2010
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Collected. Reflections on the Permanent Collection, The Studio Museum, Harlem, New York, USA (Paradise Omeros)
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2010
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Julia Stoschek Collection, Deichtorhallen Hamburg, Hamburg, Germany (True North)
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2009 - 2010
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Installations II: Video from the Guggenheim Collections, Guggenheim Bilbao, Spain (Paradise Omeros)
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2009
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The Moving Image: Scan to Screen, Pixel to Projection, Orange County Museum of Art, Newport Beach, California, USA
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2009
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Everywhere. Sexual Diversity Policies in Art: This is not an AIDs advert, CGAC, Santiago de Compostela, Spain
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2009
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The Margulies Collection, WAREhOUSE, Miami, Florida, USA (WESTERN UNION: Small Boats)
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2009
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Race to the Top: Arctic Inspirations 1909 & Today, Berkshire Museum, Pittsfield, Massachusetts, USA
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2009
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Collected. Propositions on the Permanent Collection, Studio Museum, Harlem, New York, USA (Incognito)
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2009
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WESTERN UNION: Small Boats, Museu Nacional de Arte Contemporanea - Museu do Chiado, Lisbon, Portugal (Solo)
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2008 - 2009
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Exposition Video, Un Art, Une Histoire (1965-2007), Musee Fabre, Montpellier, France
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2008
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Isaac Julien, University Art Museum, University of California, Santa Barbara, USA (Solo)
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2008
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Brutal Beauty: Derek Jarman, Kunsthalle Zurich (solo)
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2008
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Brutal Beauty: Derek Jarman, Kunsthalle Wien (solo)
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2008
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Fantôme Afrique, University Art Museum, University of California Santa Barbara, Santa Barbara (solo)
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2008
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Brutal Beauty: Derek Jarman, Serpentine Gallery, London (solo)
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2008
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Western Union: Small Boats, Galeria Helga de Alvear, Madrid (solo)
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2008
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Prospect 1 New Orleans, New Orleans
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2008
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The 7th Gwangju Biennale, Korea
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2008
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The Cinema Effect: Illusion, Reality and the Moving Image Part II: Realisms, Hirshhorn Museum, DC
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2008
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Print the Legend, Fruitmarket Gallery, Edinburgh
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2008
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Fiction Vs Realité, Calouste Gulbenkian Foundation, Lisbon Nov 07
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2007
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Wrestle, CCS Bard Hessel Museum, New York, USA (Trussed)
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2007
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Video: An Art, A History 1965-2005, MCA Sydney, Australia (Baltimore)
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2007
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Light, Camera, Action: Artists' Films for Cinema, Whitney Museum of American Art, New York, USA (The Attendant)
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2007
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Turbulence: 3rd Auckland Triennial, St Paul Street Gallery, Auckland, New Zealand (True North)
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2007
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Video: An Art, A History 1965-2005, ACMI, Melbourne, Australia (Baltimore)
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2007
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Metro Pictures, New York (solo)
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2007
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New Media Works from the Goetz Collection, Centre for Contemporary Art, Warsaw, Poland (Fantôme Créole) (solo)
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2007
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Currents 99: Isaac Julien, St. Louis Art Museum, Missouri, USA (True North photographs) (solo)
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2007
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Isaac Julien, True North, Roslyn Oxley9 Gallery, Sydney, Australia (True North) (solo)
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2007
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The Secret Public. The Last Days of the British Underground 1978-1988, Institute of Contemporary Arts, London
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2006
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Rethinking Nordic Colonialism – A Postcolonial Exhibition Project in Five Acts, Iceland, Greenland, The Faroe Islands, Sápmi, Denmark, Finland, Norway and Sweden (Looking for Langston)
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2006
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KunstFilmBiennale Köln, KW Institute for Contemporary Art, Berlin (24 Sept – 4 Oct)
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2006
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Video: An Art, A History 1965 – 2005 New Media Collection, Centre Pompidou, Miami Art Central, Miami, 20 September – 10 December 2006 (Baltimore)
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2006
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Review, Magasin – Centre National d’Art Contemporain, Grenoble, France (Trussed)
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2006
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Contemporary Commonwealth, ACMI, Melbourne, Australia (Paradise Omeros)
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2006
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Message Personnel, Galerie Yvon Lambert, Paris
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2006
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Speaking with Hands – Photographs from the Buhl Collection, Guggenheim Bilbao, Spain
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2006
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Making History: Art and Documentary in Britain from 1929 to now, Tate Liverpool
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2006
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Vidéodanse 2006, Centre Georges Pompidou, Paris
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2006
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Isaac Julien, The Lab at Belmar, Denver, Colorado (Fantôme Afrique and related photos) (solo)
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2006
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Isaac Julien, Kestnergesellschaft, Hannover (True North & Fantôme Afrique) (solo)
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2006
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Isaac Julien, Brandström Stene, Stockholm (True North & Fantôme Afrique) (solo)
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2006
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Isaac Julien: Looking for Langston, Metro Pictures, New York (solo)
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2005
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Isaac Julien, Museum of Contemporary Art, Miami (solo)
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2005
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Isaac Juilen, Victoria Miro Gallery, London (solo)
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2005
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Isaac Julien, Irish Museum of Modern Art, Dublin (solo)
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2005
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Isaac Julien, MAK Center, Los Angeles, USA (Photographic works) (solo)
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2005
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Isaac Julien: Fantôme Creole, Centre Pompidou, Paris (True North + Baltimore) (solo)
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2005
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Isaac Julien, Moderna Museet, Stockholm, Sweden (Paradise Omeros) (solo)
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2005
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Isaac Julien, VIVO Open Air, São Paulo, Brazil (solo)
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2005
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2nd Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, China (Before Paradise prints) (18 November 2005 – 20 January 2006)
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2005
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Temps de Vídeo, Fundació “La Caixa”, works from the collection of the Pompidou, Barcelona (27 September 2005 – 8 January 2006)
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2005
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Emergencies, MUSAC, Léon, Spain (Paradise Omeros – single screen) (1 April)
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2005
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25: Deutsche Bank 25th Anniversary Collection, Deutsche Guggenheim, Berlin (30 April – 19 June), traveling to Hara Museum, Tokyo, 25 March – 21 May 2006
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2005
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The Projected Image, Tate Modern, London (Encore: Paradise Omeros)
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2005
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3’, Centro Galego de Arte Contemporánea, Spain (Encore II: Radioactive) (1 April – 30 May)
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2005
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ShowCASe Contemporary Art for the UK, City Art Centre + Talbot Rice Gallery, Edinburgh (After Mazatlan) (22 January – 12 March)
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2004 - 2005
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Experiments with Truth, The Fabric Workshop, Philadelphia, Penn. (Fanon SA)
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2004 - 2005
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Utopia Station, Haus der Kunst München, Germany (7 Oct 2004 – 16 Jan 2005) (Lost Boundaries)
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2004 - 2005
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Needful Things: Recent Multiples, Cleveland Museum of Art, Clevland Ohio (19 September 2004 – 2 January 2005)
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2004
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Isaac Julien, GL Strand Kunstoreningen, Denmark. (Paradise Omeros, Vagabondia, Radioactive) (solo)
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2004
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True North, Musee d'art contemporain de Montreal (+ Baltimore + Paradise Omeros) (solo)
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2004
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Black Atlantic, House of World Cultures, Berlin. (True North+ Paradise Omeros) (solo)
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2004
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Baltimore, The Contemporary, Baltimore (solo)
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2004
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Baltimore and Baltimore Series, Galeria Helga de Alvear, Madrid (solo)
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2004
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Paradise Omeros (with accompanying photo works), Three and Frantz Fanon, Museum Boijmans Van Beuningen, Rotterdam (solo)
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2004
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Baltimore (with accompanying photo works), TENTCentrum Beeldende Kunst. Rotterdam (solo)
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2004
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Baltimore (single screen version), Eyebeam, New York (solo)
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2004
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3’ Schirn Kunsthalle Frankfurt,Germany.(Encore: Radioactive)
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2004
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Spread in Prato, Drypoint Arte Contemporanea, Prato, Italy (Paradise photoworks)
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2004
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DAK'ART 6eme Biennale de l'Art Africain Contemporain 2004: Nanook Cinema curated by Hans Ulrich Obrist. Frantz Fanon and single screen of Baltimore
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2004
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Permanent Collection, Territories (1984) Pompidou February - December 2004 curated by Christine van Assche
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2004
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Busan Biennale, Korea (Baltimore)
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2004
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Deviant Bodies, CEPA Gallery. New York. (The Attendant)
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2004
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Stranger Than Fiction, Leeds City Art Gallery, touring to: Tullie House Museum and Art Gallery, Carlisle, Aberystwyth Arts Centre, Usher Gallery, Lincoln, Nottingham Castle and Brighton Museum and Art Gallery
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2004
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Whitney Biennial. Whitney Museum of American Art, New York. (Baadasssss Cinema)
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2004
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Berlin Biennale 04, Germany. Baltimore (Triple Screen)
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2003
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Art, Lies and Videotape: Exposing Performance, Tate Liverpool
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2003
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Isaac Julien: Baltimore and Paradise Omeros, Art Pace, San Antonio (solo)
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2003
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Isaac Julien: Baltimore, Metro Pictures, New York (solo)
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2003
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Isaac Julien: Baltimore and Paradise Omeros, Victoria Miro Gallery, London (solo)
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2003
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Isaac Julien: Trussed, Sketch, London (solo)
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2003
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Isaac Julien: Baltimore, The Aspen Art Museum, Colorado U (solo)
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2003
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Isaac Julien Yvon Lambert, Paris (solo)
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2003
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Isaac Julien Bohen Foundation, New York (solo)
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2003
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Isaac Julien FACT, Film Art & Creative Technology, Liverpool (solo)
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2003
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Only Skin Deep, International Center of Photography, New York, touring to Seattle Art Museum (March 25 – June 13, 2004)
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2003
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Centre Georges Pompidou, Paris
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2003
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Love/Hate Ursula Blickle Stiftung, Germany
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2003
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East Wing Collection, Courtauld Institute of Art, London
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2003
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Edinburgh International Film Festival. Edinburgh College of Art, Scotland
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2003
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Utopia Station Poster Project, 50th Venice Biennale, Italy and Haus der Kunst, Münich, Germany
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2003
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Independence, South London Gallery, London
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2003
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Double Vision, Photo Espana, Madrid, Spain
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2002
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Documenta 11_Platform5: Ausstellung/Exhibition, Binding Building, Kassel Germany
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2002
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|
The Gap Show, Museum am Ostwall, Dortmund, Germany
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|
2002
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|
Screen Memories, Art Tower Mito, Japan
|
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2002
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|
New Narratives in Contemporary Photography and Video, Rose Art Musuem, Brandeis University, Waltham, MA
|
|
2002
|
|
The Future of Cinema ZKM, Germany (cat)
|
|
2002
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|
Les Enfants du Paradis, Yvon Lambert Gallery, Paris
|
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2001 - 2002
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|
Unpacking Europe, Haus der Kulturen der Welt, Berlin
|
|
2000 - 2002
|
|
2000-2002 The Film Art of Isaac Julien, Bard Curatorial College, Annandale on, NY, Hudson touring to: Museum of Contemporary Art Sydney, Bildmuseet Umeå Sweden, Henie Onstad Museum Norway, Yerba Buena Center San Francisco (solo)
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2001
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Isaac Julien, Fabric Workshop, Philadelphia, Pennsylvania (solo)
|
|
2001
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|
MIT List Visual Arts Center, Cambridge, Mass (solo)
|
|
2001
|
|
Museum Boijmans Von Beuningen, Rotterdam
|
|
2001
|
|
The Short Century, Museum Villa Stuck Munich,touring to House of World Cultures in the Martin Gropius-Bau Berlin, Museum of Contemporary Art Chicago, P.S.1 Contemporary Art Center and The Museum of Modern Art New York
|
|
2001
|
|
Enduring Love, Klemens Gasser & Tanja Grunert Inc., New York
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|
2001
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|
ARSO1, Kiasma / The Finnish National Gallery. Helsinki
|
|
2001
|
|
Turner Prize Tate Gallery, London
|
|
2001
|
|
Raw, Victoria Miro Gallery, Wharf Road, London
|
|
2000
|
|
Vagabondia, Studio Museum, Harlem. NY (solo)
|
|
2000
|
|
The Long Road to Mazatlan, Museum of Contemporary Art, Chicago (solo)
|
|
2000
|
|
Cinerama, Corner House Museum, Manchester, touring to South London Gallery (solo)
|
|
2000
|
|
After Mazatlan, Victoria Miro Gallery, London (solo)
|
|
2000
|
|
The Long Road to Mazatlan, Grand Arts, Kansas City (solo)
|
|
1999 - 2000
|
|
Retrace Your Steps, Sir John Soane Museum, London
|
|
1999
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|
Rhapsodies in Black, Museum of Fine Arts, Houston
|
|
1999
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|
The Long Road to Mazatlan, Art Pace, San Antonio (solo)
|
|
1999
|
|
Three, Victoria Miro Gallery, London (solo)
|
|
1999
|
|
Fanon S.A., The Arena, Oxford Brookes University (solo)
|
|
1998
|
|
Rhapsodies in Black, The Corcoran Gallery of Art, Washington
|
|
1998
|
|
Rhapsodies in Black, The California Palace of the Legion of Honour, Fine Arts Museum of San Francisco
|
|
1997
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|
Rhapsodies in Black, The Hayward Gallery, London
|
|
1997
|
|
Scream and Scream Again, The Irish Museum of Modern Art (cat
|
|
1997
|
|
Scream and Scream Again, Helsinki Museum of Contemporary Art
|
|
1997
|
|
2nd Johannesburg Biennale, Johannesburg (cat)
|
|
1997
|
|
The Look Of Love, The Approach, London & Southampton City Art Gallery
|
|
1997
|
|
Beauty and the Beast, Banff Center for the Arts, Vancouver
|
|
1996
|
|
Hotter Than July, Margo Leavin Gallery, Los Angeles
|
|
1996
|
|
Scream and Scream Again, Museum of Modern Art, Oxford
|
|
1996
|
|
British Art Now, Roslyn Oxley 9 Gallery, Sydney
|
|
1996
|
|
New Histories, ICA, Boston (cat.)
|
|
1996
|
|
AIDS World, Centre d’Art Contemporain Geneve (cat.)
|
|
1996
|
|
AIDS World, Centro d’Arte Contemporanea Ticino
|
|
1995
|
|
Mirage:Enigma of Race, Difference and Desire, ICA, London (cat.)
|
|
1993
|
|
Abject art: Repulsion and Desire in American Art, Whitney Museum of Art, New York, (cat.)
|
|
1991
|
|
Cabaret, Walker Art Gallery, Minneapolis
|
|
1990
|
|
Edge 90, Various Sites: London and Newcastle (cat.)
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|
|
|
|
|
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| Literature |
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|
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2008
|
|
Flash Art, Review, May/June 2008
|
|
2008
|
|
Karen Wright, The Independent, For the love of Derek, 19 February 2008
|
|
2008
|
|
Marjorie Allthorpe-Guyton, RA, Pick of the Bunch, Spring 2008
|
|
2008
|
|
Jon Savage, Guardian, Against the tide, 14 February 2008
|
|
2008
|
|
Dave Calhoun, Time Out, Bohemian Rhapsody, 6 – 12 February 2008
|
|
2008
|
|
David Frankel, Artforum, Isaac Julien, February 2008
|
|
2008
|
|
Brian Sholis, Artforum.com, There is a light that never goes out, 9 June 2008
|
|
2008
|
|
Elena Kane, Contemporary. Preview, No.95
|
|
2008
|
|
Sandra Rehme, Artforum, Critics’ Picks, 12 March 2008
|
|
2008
|
|
Waldemar Januszczak, The Sunday Times, His Blue heaven, 2 March 2008
|
|
2008
|
|
Charles Darwent, The Independent on Sunday, The painful history of a modern martyr, 2 March 2008
|
|
2008
|
|
Laura Cumming, The Observer, Jarman’s Rhapsody in Blue, 2 March 2008
|
|
2008
|
|
Brian Sewell, The Evening Standard, Where’s the Jarman I knew?, 29 February 2008
|
|
2008
|
|
Colin McCabe, The New Statesman, Life After Death, 25 February 2008
|
|
2008
|
|
James Christopher, The Times, How to Repeat the Unique, 20 February 2008
|
|
2007
|
|
RoseLee Goldberg, Flash Art, Yvonne Rainer, Isaac Julien, Learning how to wear it, November-December 2007
|
|
2007
|
|
Jennifer Higgie, Frieze, Her (his)tory, November-December 2007
|
|
2007
|
|
Claudia La Rocco, New York Times, Journeys That Leave the Traveler Changed, November 8 2007
|
|
2007
|
|
Holland Cotter, New York Times, Isaac Julien, November 2, 2007
|
|
2007
|
|
Time Out, Isaac Julien, 25 – 31 October 2007
|
|
2007
|
|
Martina Kudlacek, Bomb, Isaac Julien, Fall 2007
|
|
2007
|
|
Nadine Meisner, The Sunday Times, The net result is disappointment, 14 October 2007
|
|
2007
|
|
Zoe Anderson, The Independent, Cast No Shadow, 8 October 2007
|
|
2007
|
|
Sarah Crompton, The Daily Telegraph, Collaboration between dance and film goes goes swimmingly, 5 October 2007
|
|
2007
|
|
Debra Craine, The Times, The moves in movies, 5 October 2007
|
|
2007
|
|
Sarah Crompton, The Daily Telegraph, A dance in the world’s most beautiful room, 29 September 2007
|
|
2007
|
|
Debra Craine, The Times, A marriage of jigs and reels, 24 September 2007
|
|
2007
|
|
Roselee Goldberg, Art Asia Pacific, The World is Flat: Isaac Julien, No. 55, September/October 2007, pp 150 - 153
|
|
2006
|
|
Laura Taubman, Spot, True North: Interview with Isaac Julien, (Houston Center for Photography), Spring 2006, pp 4–7, cover
|
|
2006
|
|
Martin Herbert, Modern Painters, Pole Positions: Art’s Arctic Adventures, April 2006, pp 62 – 67
|
|
2006
|
|
Program of the 20th Gay and Lesbian Film Festival, London March-April
|
|
2006
|
|
Carly Berwick and Eileen Kinsella, ARTnews, New York, February
|
|
2006
|
|
Flash Art, Isaac Julien, January/February 2006
|
|
2006
|
|
Elisa Turner, Miami Herald Cinematic artist looks at Peary trip, 23 January 2006
|
|
2006
|
|
Jonathan Kahana, Film Quarterly Isaac Julien’s Ethics of Listening (on Frantz Fanon), Volume 59 No.2, page 19-31
|
|
2006
|
|
Holly Willis, Daily Variety, Art meets cinema: celluloid and highbrow ideas converge at pic fest, Sundance Film Festival 2006, page A10, January 19
|
|
2006
|
|
Isaac Julien: True North – Fantôme Afrique, kestnergesellschaft, Hanover, Germany
|
|
2006
|
|
Making History: Art and Documentary in Britain from 1929 to Now, Tate Liverpool
|
|
2005
|
|
Temps de Vídeo, works from the collection of the Pompidou Fundació “La Caixa”, Barcelona
|
|
2005
|
|
Isaac Julien, True North, MAK, Los Angeles, and MOCA, North Miami
|
|
2005
|
|
Isaac Julien, Centre Georges Pompidou, Paris
|
|
2005
|
|
Isaac Julien, Irish Museum of Modern Art, Dublin, Ireland
|
|
2005
|
|
Isaac Julien Deslocamento, Vivo Open Air, Brasil
|
|
2005
|
|
Aine O’Brien, Circa, Suturing the aesthetic and the political – multiple screens, multiple realities: An interview with Isaac Julien, Aine O’Brien, Issue 114, Winter 2005
|
|
2005
|
|
Christopher Miles, Artforum, Isaac Julien, November 2005
|
|
2005
|
|
Joanna Pitman, The Times, A lost people come in from the cold, 18 October 2005
|
|
2005
|
|
Serena Davies, The Daily Telegraph, In the Studio, 18 October 2005
|
|
2005
|
|
Malcolm Le Grice, Isaac Julien, Frieze October 2005
|
|
2005
|
|
Fréderic Bonnet, Noire Élégance, Vogue, 15 May (on Baltimore and Fantôme Créole)
|
|
2005
|
|
Anne-Sophie Caucheteux, Le Fantôme Créole d’Isaac Julien, Metro (France), 16 June
|
|
2005
|
|
Christine Van Assche, Black Remix, June (on Baltimore and Fantôme Créole)
|
|
2005
|
|
Nicolas Thély, Isaac Julien: Cineaste en Noir et Blanc, Beaux-Arts, July
|
|
2005
|
|
Siobhan Murphy, Looking for Langston, Metro (Ireland), 5 July
|
|
2005
|
|
Dave Calhoun, Whose Black World?, Time Out London, May 25–June 1
|
|
2005
|
|
Los Angeles Times, Chilly Image of an Icy Beyond (on True North), 5 August
|
|
2005
|
|
Uta M.Reindel, Hollywood und Homer, Köln
|
|
2005
|
|
Anna Lockward, The Black Atlantic, Paradoxes and Certainties, art.es #7, February
|
|
2005
|
|
Heinz Peter Schwerfel, “Die Ausdehnung des Bildes in Raum und Zeit”, Art das Kunstmagazin, Issue 3, (on True North), March
|
|
2005
|
|
French Culture Program, “Un Téléviseur, deux Emissions en Simultané”
|
|
2005
|
|
Catalina Serra, Una exposición en Caixaforum Permite Poner en Pausa la Trepidante
|
|
2005
|
|
Historia del Vídeo de Creación, El País, (on Baltimore), 28 September
|
|
2005
|
|
Olga Spiegel, Videoarte, 40 Años de Historia, La Vanguardia, 28 September
|
|
2005
|
|
Blind Spot, Issue 30, 2005
|
|
2005
|
|
Isaac Julien, Time Out, Whose Black World?, 25 May 2005
|
|
2004
|
|
Isaac Julien, Oedipus Directs, Isaac Julien on Baadasssss!, Artforum, Summer 2004
|
|
2004
|
|
Mariano Navarro, El Cultural, Isaac Julien y el cine de lo real, 27 May 2004
|
|
2004
|
|
Javier Hontoria, El Cultural, Isaac Julien, 13 May 2004
|
|
2004
|
|
Calvin Reid, Art in America, Funk Renaissance, March 2004
|
|
2004
|
|
Isaac Julien, GL Strand Kunstoreningen, Denmark
|
|
2004
|
|
3’ Schirn Kunsthalle Frankfurt,Germany
|
|
2004
|
|
True North, Musee d'art contemporain de Montreal
|
|
2004
|
|
Black Atlantic, House of World Cultures, Berlin
|
|
2004
|
|
Experiments with Truth, Frabric Workshop and Museum, Philadelphia
|
|
2004
|
|
Berlin Biennale 04, Berlin, Germany Baltimore (Triple screen)
|
|
2004
|
|
Stranger Than Fiction, Leeds City Art Gallery, touring to: Tullie House Museum and Art Gallery, Carlisle, Aberystwyth Arts Centre, Usher Gallery, Lincoln, Nottingham Castle and Brighton Museum and Art Gallery
|
|
2003
|
|
Love/Hate, Ursula Blickle Stiftung, Germany
|
|
2003
|
|
Utopia Station Poster Project, 50th Venice Biennale, Italy and Haus der Kunst, Münich, Germany
|
|
2003
|
|
Art, Lies and Videotape: Exposing Performance, Tate Liverpool
|
|
2003
|
|
Creolite and Creolization, Documenta 11_Platform 3"
|
|
2003
|
|
Morgan Falconer, Frieze, November 2003
|
|
2003
|
|
Richard Cork, New Statesman, The Black Half, 6 October 2003
|
|
2003
|
|
Armond White, New York Press, Badass is Back, vol 16 Issue 47, October 2003
|
|
2003
|
|
Sukhder Sadhu, The Daily Telegraph, Odyssey of a Lost Soul, 24 September 2003
|
|
2003
|
|
Charles Darwent, Independent on Sunday, The truth is rarely black and white, 7 September 2003
|
|
2003
|
|
John Russell Taylor, The Times, Is it a film? Is it a video installation? 17 September 2003
|
|
2003
|
|
Adrian Searle, The Guardian, Reviews – Art, Adrian Searle, 8 September 2003
|
|
2003
|
|
Roberta Smith New York Times, Paradise Omeros, Bohen Foundation, July 11 2003
|
|
2003
|
|
Carly Berwick, Isaac Julien, Vogue Homme International, Winter 2002 – 2003
|
|
2003
|
|
Chris Kaltenbach, You could call Him a Renaissance Man, Los Angeles Times
|
|
2003
|
|
Louisa Buck, Isaac Julien: Baltimore Fact, Liverpool, The Art Newspaper, March
|
|
2003
|
|
John Russell Taylor, The Matter of Fact, The Times, March 12th
|
|
2003
|
|
Answer the Questions, Isaac Julien, The Independent on Sunday March 9th
|
|
2003
|
|
Alfred Hickling Isaac Julien: Fact Liverpool. Guardian Unlimited March
|
|
2002
|
|
Essay from Documenta 11, Exhibition Catalogue – 2002, Paradise Omeros
|
|
2002
|
|
James Poniewozik, Can you Dig it? Right on!, Time, August 19th
|
|
2002
|
|
Hal Hinson, Birth of a Genre: The Black Hero Who Talks Back, The New York Times, Sunday August 11th (On Baadasssss Cinema)
|
|
2002
|
|
Tunku Varadarajan, Shaft and Foxy Revisited, The Wall Street Journal, Friday August 9th (on Baadassss Cinema)
|
|
2002
|
|
James Poniewozik, Can You Dig It? Right On!, Time, August 19th (On Baadasssss Cinema)
|
|
2002
|
|
Edward Guthmann, ‘Baad’ Company San Francisco Chronicle, Tuesday August 13th (On Baadasssss Cinema)
|
|
2002
|
|
Michael Freidson, Getting the Shaft, Time Out New York, August 8-15th (On Baadasssss Cinema)
|
|
2002
|
|
B. Ruby Rich, The Long Road: Isaac Julien in conversation with B. Ruby Rich, Art Journal, Summer 2002
|
|
2002
|
|
B, Ruby Rich, Still A Soul Rebel, The Advocate, May 14th
|
|
2002
|
|
Maite Lores, Isaac Julien, Contemporary, June July August 2002
|
|
2002
|
|
Constanze Ruhm, Spaces of Translation: Speaking One Language, Understanding Another, A Conversation with Isaac Julien, Camera Austria 79, pp. 17-28
|
|
2002
|
|
Mark Nash, Wait Until Dark, Tate, November/December (on Paradise Omeros)
|
|
2002
|
|
James Meyer, Tunnel Visions, Artforum, September pp. 168-169
|
|
2002
|
|
Linda Nochlan, Documented Success, Artforum, September pp. 161-163
|
|
2002
|
|
Eleanor Heartney, A 600-Hour Documenta, Art in America no.5, September 2002, pp. 87-95
|
|
2002
|
|
Documenta 11 Kassel, Germany
|
|
2002
|
|
The Gap Show, Museum am Ostwall, Dortmund
|
|
2002
|
|
Screen Memories, Art Tower Mito, Japan
|
|
2002
|
|
Unpacking Europe, Haus der Kulturen der Welt, Berlin, Germany
|
|
2001
|
|
Isaac Julien, Ellipsis Minigraph, London
|
|
2001
|
|
Turner Prize, Tate Gallery, London
|
|
2001
|
|
ARSO1, Kiasma / The Finnish National Gallery. Helsinki
|
|
2001
|
|
The Short Century, Museum Villa Stuck Munich,touring to House of World Cultures in the Martin Gropius-Bau Berlin, Museum of Contemporary Art Chicago, P.S.1 Center for Contemporary Art and The Museum of Modern Art New York
|
|
2001
|
|
Vasanthi Dass, Vagabondia: Archiving the Archive, in Unpacking Europe: Towards a Critical Reading, p. 350 - 355
|
|
2001
|
|
Dick Hebdige, Isaac Julien, The Great Divide: Territories, Prince Claus Fund, Journal #7, p.20-21
|
|
2001
|
|
Lilly Wei, Isaac Julien at the Studio Museum in Harlem, Art in America, May 2001 pp168
|
|
2000
|
|
Lisa Katzman, A World of Double Outsiders: Gay as Well as Black, The New York Times, Sunday, November 26
|
|
2000
|
|
Holland Cotter, Eros Cruises the Museum In a Filmmaker’s Dreams, The New York Times, November 24
|
|
2000
|
|
John L Walters, Noises at an Exhibition, The Guardian, September 29
|
|
2000
|
|
Judith Palmer, Once upon a time in the West, The Independent, September 19
|
|
2000
|
|
Adrian Searle, Winsome Cowboys, The Guardian, August 22
|
|
2000
|
|
Susan Corrigan, Dancing with Dudes, The Times, Metro, August 12 - 18
|
|
2000
|
|
Erika Muhammad, Reel Stories: Isaac Julien, Index, June / July
|
|
2000
|
|
Heather Lustfeldt, At Play in the Fields of the American West, Review, April
|
|
2000
|
|
Okwui Enwezor, Towards a Critical Cinema: The Films of Isaac Julien, February, The Long Road to Mazatlan, Grand Arts, Kansas City
|
|
2000
|
|
Alice Thornson, Lonesome Cowboy: Issac Julien disrupts the western canon with gay-themed film at Grand Arts. The Kansas City Star. March 19th
|
|
2000
|
|
Still moving. Hotshoe International. Jan/Feb
|
|
2000
|
|
The Film Art of Isaac Julien Bard Center for Curatorial Studies, U.S.A
|
|
1999
|
|
Rhapsodies in Black, Museum of Fine Arts, Houston
|
|
1999
|
|
Catherine Elwes, Isaac Julien, Art Monthly, June pp35-37
|
|
1999
|
|
Francesco Bonami & Hans Ulrich Obrist, Dreams, Fondazione Sandretto Re Rebaudengo Per L’Arte
|
|
1999
|
|
Christy Adair & Ramsay Burt, Two into the making of Three, Dance Theatre Journal, Vol 15 No2.
|
|
1999
|
|
David Frankel, Isaac Julien, The Long Road to Mazatlan, Art Pace, San Antonio
|
|
1999
|
|
Face to Interface: Isaac Julien, Sight and Sound, September
|
|
1998
|
|
Michael Corris, Art and Text Issue 63, Nov 98-Jan 99, pp54-59
|
|
1998
|
|
Manthia Diawara, Moving Company - The Second Johannesburg Biennale, ArtForum vol XXXVI, March 1998, pp87-89
|
|
1998
|
|
Isaac Julien & Mark Nash, Frantz Fanon: Peau Noire, Masque Blanc
|
|
1998
|
|
Isaac Julien, Only Angels Have Wings for DIA Centre of The Arts AIDS WORLD: Between Resignation and Hope, pp142-147
|
|
1998
|
|
Richard J Powell, Black Art and Culture in the Twentieth Century, Thames and Hudson, pp212-213
|
|
1998
|
|
Roselee Goldberg, Performance and Live Art Since the 60’s, Thames and Hudson, p143
|
|
1998
|
|
Black Film, British Cinema, ICA Documents 7, pp53-57
|
|
1998
|
|
Jacqueline Rose, Sexuality and Vision: some Questions, Vision and Visuality, Dia Art Foundation No 2
|
|
1998
|
|
Frantz Fanon (French text) K Films Edition
|
|
1997
|
|
Isaac Julien, MOMA Chicago, Program Catalogue. Spring
|
|
1997
|
|
Robert Stam, Permutations of the Fantonian Gaze; Isaac Julien’s ‘Black Skin White Mask’, Black Renaissance Noire vol 1 no 2 Summer/Fall pp186-192
|
|
1997
|
|
Richard Cork, Mirage, The Times June 27
|
|
1997
|
|
Izi Glover, The Look of Love, Frieze Sep/Oct
|
|
1997
|
|
Die Beute, Edition id-Archive, Summer pp62-66 (interview about Frantz Fanon)
|
|
1996
|
|
Warren E Crichlow, Popular music, Pedagogy and Cultural Politics in the Films of Isaac Julien, Discourse vol.16 no 3
|
|
1996
|
|
Kaja Silverman, The Ceremonial Image, The Threshold of the Visible World pp104-121 on Looking For Langston
|
|
1996
|
|
Charles Gaines, Hotter Than July, Art and Text Issue 55 p84
|
|
1996
|
|
Richard Cork, Scream and Scream Again, The Times August 6
|
|
1996
|
|
Isaac Julien & Kobena Mercer, De Margin and De Centre, Black British Cultural Studies pp194-210
|
|
1996
|
|
Manthia Diawara, Black British Cinema and Identity Formation in Territories, Black British Cultural Studies, pp293-306
|
|
1996
|
|
Bell Hooks, Thinking Through Class: Paying Attention to The Attendant, Reel to Real: Race Sex and Class at the Movies pp91-97
|
|
1996
|
|
Isaac Julien, Black British Cinema - Diaspora Cinema, New Histories pp60-64
|
|
1996
|
|
Alan Read (ed), Film-makers’ Dialogue, The Fact of Blackness: Frantz Fanon and Visual Representation
|
|
1996
|
|
Catherine Elwes, The Big Screen, Art Monthly Issue 199 pp11-16 (on Trussed)
|
|
1996
|
|
Eddie Chambers, Johannesburg Biennale, Art Monthly Issue 212 pp14-18
|
|
1995
|
|
Kobena Mercer, Busy in the Ruins of a Wretched Phantasia, Mirage: Enigmas of Race, Difference and Desire, ICA
|
|
1995
|
|
Bruce Morrow, The Isaac Julien Interview, Callaloo vol 18 no 2 pp406-415
|
|
1995
|
|
Roy Grundmann, Black Nationhood and the Rest in the West, Cineaste vol XXI nos1-2 pp28-31 (interview)
|
|
1995
|
|
David Curlis, A Directory of British Film and Video Artists pp86-87
|
|
1994
|
|
Kobena Mercer & Isaac Julien, True Confessions, Black Male Representations of Masculinity in Contemporary American Art pp191-200
|
|
1994
|
|
Isaac Julien & Jon Savage (ed),Critically Queer, Critical Quarterly vol 36 No 1 Spring
|
|
1994
|
|
Isaac Julien, Confessions of a Snow Queen: notes on the making of The Attendant, Critical Quarterly vol 36 no 1 Spring
|
|
1994
|
|
Jorg Heiser,Batty Boys in Babylon, Spex, Germany pp49-51
|
|
1993
|
|
Henry Louis Gates Jr., The Black Man’s Burden, Fear of a Queer Planet, Queer Politics and Social Theory (on Looking For Langston)
|
|
1993
|
|
Craig HauserI, Abject, Abject Art, Repulsion and Desire in American Art, Whitney Museum (on The Attendant)
|
|
1993
|
|
Paul Gilroy,Climbing the Racial Mountain, a Conversation with Isaac Julien, Small Acts : Thoughts on the Politics of Black Cultures
|
|
1993
|
|
Jose Arroyo, Look Back and Talk Black: The Films of Isaac Julien, Jump Cut no 36, translated into Japanese for ImageForum April pp88-97
|
|
1992
|
|
James Saynar, Interview Magazine, January p24
|
|
1991
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Manthia Diawara, The Absent One: The Avant-Garde and the Black Imaginary in Looking For Langston, Wide Angle vol13 nos 3 & 4 (July -October)
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1991
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Kobena Mercer, Dark and Lovely, Ten Photo Paperback vol 2 No 1 pp78-86
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1991
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Adrian Searle, Thumping Pleasure, Artscribe Issue 89 Nov/Dec (on Young Soul Rebels)
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1990
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Tony Fisher, Looking for Langston. Montageof a Dream Deferred
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1988
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Coco Fusco, Young British and Black, a monograph on the work of Sankofa Film/Video Collective and Black Audio Collective, Discourses, Conversations in Postmodern Art and culture, The New Museum of Contemporary Art NYC
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1988
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Armond White, Racing Ahead, Film Comment, pp2-4
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1987
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Douglas Crimp, How To Have Promiscuity in an Epidemic, pp270-271 (on This Is Not An AIDS Advertisement)
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