Hilary Brace  (American, 1956) 

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Hilary Brace Biography
1956   Born in Seattle, WA
1983   BFA Painting Western Washington State University, Bellingham, WA
1985   MFA Painting UC Santa Barbara, Santa Barbara, CA
1993   National Endowment for the Arts Fellowship for Works on Paper
1993   Purhase Award, Santa Barbara County Arts Commission
1997   Pollock-Krasner Foundation grant, 1997
2003   California Arts Council Fellowship
2005   Pollock-Krasner Foundation Grant
2006   Guggenheim Fellowship
  Website: www.hilarybrace.com
Selected Exhibitions
2006   World Without End, Valerie McKenzie Fine Art, New York, NY
2005   Craig Krull Gallery, Santa Monica, CA (solo)
2004   Edward Thorp Gallery, New York, NY
2004   Drawings VII, Koplin del Rio Gallery, Los Angeles, CA
2004   Drawings, Hunsaker Schlesinger Fine Art, Santa Monica, CA
2004   Mark Making, Schneider Museum of Art, Southern Oregon University, Ashland, OR
2003   Works on Paper, Edward Thorp Gallery, New York, NY
2003   Edward Thorp Gallery, New York, NY (solo)
2003   Craig Krull Gallery, Santa Moncia, CA (solo)
2002   Edward Thorp Gallery, New York, NY
2001   Craig Krull Gallery, Santa Moncia, CA (January and September) (solo)
2001   Craig Krull Gallery Santa Monica, CA (solo)
2000   Craig Krull Gallery, Santa Monica, CA (solo)
2000   Representing L.A., Frye Art Museum Seattle, WA
2000   Craig Krull Gallery Santa Monica, CA (solo)
2000   Representing L.A. Frye Art Museum, Seattle, WA, and South Texas Institute of Art, Corpus Christi. (catalog)
1999   The Great Drawing Show, 1550 to 1999, Kohn Turner Gallery Los Angeles, CA
1998   Small Images I, Ventura College Main Gallery Ventura, CA
1998   Elements, Los Angeles Municipal Art Gallery
1998   Landscapes of the Mind, Mt. San Jacinto Community College San Jacinto, CA
1998   Santa Barbara Contemporary Arts Forum Santa Barbara, CA
1998   Elements. Los Angeles Municipal Art Gallery, Barnsdall Art Park, Los Angeles, CA.
1997   Tatistchef/Rogers Gallery, Santa Monica (solo)
1997   Tatistcheff/Rogers Gallery Santa Monica, CA (solo)
1997   Mendenhall Gallery Pasadena, CA (solo)
1997   Romantic Landscape and Contemporary Art, Armory Center for the Arts Pasadena, CA (solo)
1996   Land-Inspired Imagery, Anne Reed Gallery Ketchum, ID
1996   Drawn Conclusions, Riverside Art Museum Riverside, CA
1995   Scissors, Paper, Stone; Nine Women Working, Santa Maria Museum Art Center Pasadena, CA
1995   Terrain: Observations of Nature, SOMA Gallery, San Diego, CA
1994   External Views, Internal Perceptions, Mt. San Antonio College, Walnut, CA
1994   New Realities, Tatistcheff/Rogers Gallery, Santa Monica, CA
1994   Anniversary Exhibition, SOMA Gallery, San Diego,CA
1994   Selections From the Janus Collection, Boise Art Museum, Boise, ID
1993   Sun Valley Center for the Arts and Humanities Sun Vallery, ID (solo)
1992   Hilary Brace, Wade Hoefer and Norman Lundin, SOMA Gallery, San Diego, CA
1992   A Room With a View, Ettinger Gallery, Art Institute of Southern California, Laguna Beach, CA
1992   The Landscape Revisited, Bakersfield Museum of Art, Bakersfield, CA
1992   New Year Group Show, Edith Caldwell Gallery, San Francisco, CA
1991   Santa Barbara Artists II, Santa Barbara Museum of Art, Santa Barbara, CA
1991   Five California Artists, Tatistcheff Gallery, New York, NY
1990   Pastel, Fine Arts Gallery, Cerritos College, Norwalk, CA
1990   Tatistcheff Gallery Santa Monica, CA (solo)
1989   Landscape: Theme and Variation, with James Murray and Paul Singdahlson
1989   New Work, Tatistcheff Gallery, Santa Monica, CA
1988   Professors’ Choice III, Scripps and Pamona Colleges galleries, Claremont, CA
1983   Chrysalis Gallery Fairhaven College, Bellingham, WA (solo)
1982   Multiples of Two, Western Gallery, Western Washington State University, WA
1980   Artists in Residence, American Embassy, Burkina Fasso, West Africa
  SELECTED COLLECTIONS
Boise Art Museum, Boise, ID
Nora Eccles Harrison Museum of Art, Utah State University, Logan, UT
Leonard and Susan Nimoy Collection, New York, NY (among other private collections)
Western Washington State University Art Gallery, Bellingham, WA
Literature
  Dinah Berland, “Three Rich, Moody Nature Walks,” The Long Beach Press Telegram, August 6, 1989
  Nori Slrouzu, "Multiples," The Bellingham Herald, Oct. 8, 1982 (Reproduction)
  David Pagel, "Benign Fantasy", Los Angeles Times, May 9, 1997, p. F16
  William Wilson, "Tracing the Influences of Romantic Art", Los Angeles Times, May 3, 1997, p. F10 (Reproduction)
  Collette Chattopadhyay, "Three perspectives on Drawing and Paper", Artweek, October 2, 1995, p.16-17 (Reproduction)
  Joan Crowder, "Working Women", Scene; Santa Barbara News Press, June 30, 1995, p 11-12
  Rick Heredia, "Landscape: Features of Light", Bakersfield Press, une 21, 1992, p. E1-E2
  Los Angeles Times, Calendar Supplement Section, August 21, 1991. (Reproduction)
  Joan Crowder, “The Bold Ones,” "Scene" section, Santa Barbara News Press, August 16,1991 (Reproduction)
  Jeff Abshear, “Cream of the Crop,” The Independent, Santa Barbara, CA, August 22, 1991
  Heather Lineberry, “California Landscapes” Art of California, March 1991, p. 10-15
  Orville O. Clarke Jr., “Tatistcheff Gallery,” S.California Home and Garden, October 1990, p.32-33 (Reproduction)
  Leah Ollman, “Every Picture Tells a Story,” Los Angeles Times, June 24, 2005, p. E24
  Ken Johnson, New York Times, April 19, 2002, p. B34
  The NewYorker, Art listings, May 5, 2002, p. 20
  Leah Ollman,, Art in America, September, 2001, p. 160-161 (Reproduction)
  Christopher Knight, "Above It All", Los Angeles Times, February 23, 2001 (Reproduction)
  Leah Ollman, "Bracing Images", Los Angeles Times, February 4, 2000, p. F20
  Leah Ollman, "Exposed to the Elements", Los Angeles Times, November 27, 1998, p. F39
  Marina Walker, “Daydreams on Paper”, Scene; Santa Barbara News Press, July 17, 1998, p. 21 (Reproduction)
  Devorah L. Knaff, "The Landscape as Portrait", The Press Enterprise, February 9, 1998, p. D3 (Reproduction)
  Collette Chattopadhyay, "New Romantics at the Century's Cusp", Artweek, September, 1997, p. 12-13 (Reproduction)