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1944
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Born in Rehovot, Israël.
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1962 - 1968
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Pratt Institute, Brooklyn, New York, B.F.A.
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1970 - 1971
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Yaddo Fellowships, Saratoga Springs, NY
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1970 - 1971
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MacDowell Fellowships, MacDowell Colony, Peterborough, NH
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1971 - 1973
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Yale University, New Haven, CT, M.F.A.
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1972 - 1973
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MacDowell Fellowships, MacDowell Colony, Peterborough, NH
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1978
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Cornell University, Ithaca, NY, research grant
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1983
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CAPS Grant, NY State Council on the Arts
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Lives and works in New York, USA
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2011 |
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Chefs d'oeuvre, Rodin et les ambassadeurs, Musée Rodin, Paris, France |
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2011 |
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Postemodernism: Style and Subversion, Victoria and Albert Museum, London |
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2010 |
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Bambaataa, aliceday, Brussels; curated by Der Kommissare François Curlet Double Up Double Up, Quint Contemporary Art, San Diego |
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2010 |
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Selections from the MCA Collection, Museum of Contempoary Art Chicago; co-organized by Julie Rodrigues Widhom, Pamela Alper, and Diana Nawi |
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2010 |
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SPACE, MAXXI – Museo nazionale delle arti del XXI secoio, Rome; curated by Bartolomeo Pietromarchi and Gabi Scardi (cat.) |
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2010 |
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Courant d'art au rayon de la quincaillerie paresseuse, L'observatoire du BHV, Paris Sculpture, Waddington Galleries, London |
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2010 |
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Christmas Show, Galerie Laurent Godin, Paris |
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2010 |
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Display #67 – Forsythia – PLS5/2SB, Site-specific installation at Louis Vuitton Maison, London, UK |
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2009 |
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Plastic Culture : Legacies of Pop 1962-2008, Harris Museum, Preston, UK |
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2009 |
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Zona Maco, Basel, Switzerland |
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2009 |
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Art Paris, Grand Palais, Paris |
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2008 |
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Espèce d’espaces, Le Magasin, Grenoble |
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2008 |
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Special project : Mr Peanut, Overduin and Kite, Los Angeles, USA |
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2008 |
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The Effect – Waddington Gallery, London, UK |
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2007 |
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Galerie Laurent Godin, Paris, France |
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2007 |
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Galleria Lia Rumma, Milan
Sonnabend Gallery, New York, USA
Vistamare, Benedetta Spalletti, Pescara
Basel Art Fair, Almine Rech Gallery; curated by Anselm Reyle
Living in the Material World Things in Art of the 20th Century and Beyond, The National ArtCenter, Tokyo
Making and Finding, The Foundation To-Life, Inc. Exhibition Space, Mount Kisco, New York; curated by Katy Siegel
not like you remembered (Louise Lawler, Thomas Locher, Haim Steinbach), Galerie Six Friedrich Lisa Ungar, Munich
plug, Sister Gallery, Los Angeles; curated by Art Design Office
The Happiness of Objects, Sculpture Center, Queens; curated by Sarina Basta
Versameling Roger en Hilda Matthys-Colle, Museum Dhondt-Dhaenens, Deurle |
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2006 |
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Akira Ikeda Gallery, Taura
Akira Ikeda Gallery, Berlin
In the Darkest Hour, There May Be Light, Serpentine Gallery, London; curated by Damien Hirst (cat.)
Matter Grey, Galerie Almine Rech; Paris, curated by Joseph Kosuth
The Gold Standard, PS1, New York; curated by Walead Beshty and Robert Nickas |
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2005 |
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Haim Steinbach/MATRIX 217, UC Berkeley Art Museum and Pacific Film Archive
Coleccion de Arte Contemporaneo Fundacion la Caixa, Museo De Bella Artes, Spain
Flashback: Eine Revision der Kunst, Museum fur Gegenwartskunst Basel; curated by Philipp Kaiser
Minimalism and After IV (New Acquistions), Sammlung Daimler Chysler Contemporary, Berlin |
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2004 |
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GBE (Modern), New York
Gimpel Fils, London
Sonnabend Gallery, New York
20th Anniversary Show, Castello di Rivoli, Rivoli/Turin (Haim Steinbach solo showcase)
East Village USA, New Museum of Contemporary Art, New York; curated by Dan Cameron
Future Noir, Gorney Bravin and Lee, New York
Haim Steinbach / The Art of Anselm Reyle, Gavin Brown Enterprise, New York
Intra-muros, Musee d’Art Moderne et d’Art Contemporain, Nice, France; June 26 – November 14
Monument to Now: The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens; curated by Dan Cameron, Jeffrey Deitch, Massimiliano Gioni, Alison M. Gingeras and Nancy Spector
Specific Objects, Museum of Contemporary Art San Diego, San Diego; curated by Stephanie Hanor
Suburban House Kit, Deitch Projects, New York; curated by Jeffrey Deitch
Visions of America: Contemporary Art from the Essl Collection and the Sonnabend Collection, New York; Sammlung Essl, Klosterneuberg/Vienna; October 2004 – March 2005 |
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2003 |
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Galerie Roger Pailhas, Marseille
Aftershock: The Legacy of the Readymade in Post-War and Contemporary American Art, Dickinson Roundell, Inc. New York; May 5 – June 20
Artists Gifts, Museum of Contemporary Art, Los Angeles; curated by Anne Goldsetin
Concrete Art, Graz 2003 Cultural Capital of Europe, Graz
L’Air du Temps, Bloomberg SPACE, London; curated by David Risley et. Al
Pop Thru Out, Arario Gallery, Chungchungnam-do, Korea; curated by Mary Dinaburg |
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2002 |
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Galerie Hubert Winter, Vienna
Conceptes de LEspai, selected works of the Museum Moderner Kunst Stiftung LudwigWien, Fundaciaro, Barcelona
Life, Death, Love, Hate, Pleasure, Pain: Selected Works from the MCA Collection, Museum of Contemporary Art, Chicago; curated by James W. Alsdorf and Elizabeth Smith
Shopping, Schirn Kunsthalle, Frankfurt; Tate Liverpool, Liverpool; curated by Max Hollein and Christophe Grunenberg
Surface to Surface, Mary Boone Gallery, New York; curated by Max Henry |
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2001 |
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The Box, Torino
Massimo Minini, Brescia
Postmodern Americans; a selection, The Menil Collection, Houston; curated by Walter Hopps
“Search Group Project”, Search Investment Group Limited, Cheung Kong Center
Central, Hong Kong (with Joseph Kosuth)
About Objects, curated by Judith Tannenbaum, RISD Museum, Providence, Rhode Island
La Bretagne Collectionne L’Arte de Notre Temps: Les Vingt Ans du Frac Bretagne, Comme a la Maison,curated by Jean-Paul Criqui, Ecole superieure d’arts, Lorient (2001)
Brooklyn, Institute of Contemporary Art, Palm Beach; curated by Michael Rush and Dominique Nahas
New Heimat, Frankfurter Kunstverein, Frankfurt, Germany, curated by Nicolaus Shafhausen, October – January 2002
Pictures, Patents, Monkeys, and More… On Collecting, Western Gallery, Bellingham, Washington; John Michael Kohler Arts Center, Sheboygan, Wisconsin; Akron Art Museum, Akron, Ohio (2002); Fuller Museum of Art, Brockton, Massachusetts (2002); Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania (2002); Pittsburgh Center for the Arts, Pittsburgh, Pennsylvania (2003)
Playgrounds and Toys for Children, curated by Adelina von Furstenberg; Geneva; Palazzo della Esposizione, Rome; United Nations Building, New York
SEQUENCES; troisienne volet, Galerie Roger Pailhas, Marseille, 2001Shoes or No Shoes?, Het Museum Voor Schoene Kunsten, Provincial Centruum voor Kunst, Gent, Belgium
The Overexcited Body; Art e Sport nella Societe’ Contemporanea, Office des Nations Unies, Geneve; Velodromo Vigarelli, Milano and Pallazo dell’ Arengario, Milano (2001); SESC Pompeia, Sao Paulo (2001); Hopitaux Universitaires de Geneve (2002); Queens Museum (2001) (cat.)
Alumni Choice; An Exhibition of Works on Paper, Yale University, New Haven, curated by Andrew Forge, October 2001
Multiple, Galerie Van Gelder, Amsterdam, curated by Jack Jaeger
Tele[visions] Kunsthalle Vienna, curated by Joshua Decter
Sonnabend Gallery
Postmodern Americans; a selection, The Menil Collection, Houston; curated by Walter Hops
Monet’s Legacy Series: Order and Obsession, Hamburger Kunsthalle, Hamburg Germany
Markers, Venice Biennale, Italy; curated by Ryszard Wasko, Liliana Kadichevski, et. al |
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2000 |
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Hyperspace, Brussels
North, East, South, West, Neuer Berliner Kunstverein, Berlin
North, East, South, West, Haus der Kunst, Munich
Around 1984: A Look at Art in the Eighties, P.S.1, Long Island City, NY; curated by Carolyn Christov-Bakargiev
Artisti Collezionisti, Palazzo Delle Papesse, Siena, Italy; curated by Cornelia Lauf and Pieranna Cavalchini
Concept Jewel, ELP Studio, Rome; Sofie Lachaert, Tielrode, Belgium; Anna Schwarz, Melbourne; curated by Cornelia Lauf
Castel Sant’Elmo, Naples
DINGE: in der Kunst des XX. Jahrhunderts, Haus der Kunst, Munich; curated by Stephanie Rosenthal and Hubertus Gassner (cat.)
Editions and Multiples 1990 – 2000, Helga Maria Klosterfelde, Hamburg.
Home-Made, Musée International des Arts Modestes, Sete
Home Sweet Home, Kunsthaus Muerz, Murzzuschlag, Austria; curated by Edelbert Kob
Fifty Years: Faculty Art at Middlebury, Middlebury College Museum of Art, Middlebury, Vermont
KunstSammeln, Museum fur Neue Kunst/ZKM, Karlsruhe (cat.)
Picture Show: Kunst und Mode, Kunsthof, Berlin; curated by Manuel Bonik and Undine Goldberg
L’assenza invadente del divino, Castel Sant’Angelo, Rome; curated by Luisa Valeriani and Franco Speroni
Over the Edges: The Corners of Gent, Stedelijk Museum voor Actuele Kunst, Gent (cat.)
Partage d’Exotismes, 5th Biennale d’Art Contemporain de Lyon, curated by Jean-Hubert Martin (cat.)
Pasajes de la colección en Málaga: Colección de Arte Contemporáneo Fundación “La Caixa,” Palacio Episcopal, Málaga
Retrospective, Sonnabend Gallery, New York
Sequences, Galerie Roger Pailhas, Marseille (cat.)
Wall Paintings, Le SPOT studio d’art contemporain, Le Havre |
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1999 |
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Haifa Museum, Haifa (with Joseph Kosuth)
Achim Kubinski Gallery, Berlin
Fondazione Antonio Ratti, Como
bibliomania (selecting the process of selection), Waterstones, London and Leeds, London; curated by Simon Morris and Helen Sacoor (cat.)
Building Histories, Apex Art, New York; curated by Maureen Connor
Calender 2000 Project, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
Decades in Dialogue: Perspectives on the MCA Collection, Museum of Contemporary Art, Chicago
Die Farben Schwarz , Landesmuseum Joanneum, Graz, curated by Thomas Zaunschirm (cat.)
Espace, modes d’emploi: Ouvres de la collection du Frac Bretagne, Centre d’art Passerelle, Brest, France
Free Coke; line, drawing & paper, Greene Naftali, New York
Group Show, Achim Kubinski Gallery, Berlin
Heaven; An Exhibition that Will Break Your Heart, Kunsthalle Dusseldorf, (1999); Tate Gallery, Liverpool, (1999 - 2000); curated by Doreet LeVitte Harten (cat.)
In...Cubo, Associazione Artisti Contemporanei Firenze e Metropoli (slide projection project at the Piazza SS. Annunziata, Florence)
La Collezione, Castello Di Rivoli, Torino; curated by Marcella Beccaria
Originale echt falsch - Nachahmung, Kopie, Zitat, Aneignung Fälschung in der Gegenwartskunst, Neues Museum Weserburg, Bremen; curated by Thomas Deecke (cat.)
Scripta Manent, Esso Gallery, New York
Shelf Life, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY; curated by Denise Markonish
S.M.A.K, The Opening, Stedelijk Museum voor Actuele Kunst, Gent; curated by Jan Hoet (cat.)
Urban Mythologies: The Bronx Represented Since the 1960s, The Bronx Museum of the Arts, New York; curated by Lydia Yee and Betti-Sue Hertz (cat.)
Visual Arts Salute, A Tribute to Harvey Lichtenstein, BAM, Feigen Contemporary, NY; organized by Livet Reichard for the Brooklyn Academy of Music (cat.) |
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1998 |
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John Hansard Gallery, University of Southampton, Southampton UK
Galerie & Edition Artelier, Graz (with Joseph Kosuth)
Galerie Albrecht, Munich
Galleria di Franca Mancini, Pesaro
Mala Galerija, Moderna Galerija Ljubjana, Slovenia
Anos 80: The Eighties, Culturguest, Lisbon; curated by Maria de Corral (cat.)
Artist/Author: Contemporary Artists’ Books, Weatherspoon Art Gallery, Greensboro, NC; The Emerson Gallery, Clinton, NY; Museum of Contemporary Art, Chicago; Lowe Art Museum, Coral Gables, FLA, (1999); Western Gallery, Bellingham, WA (1999); University Art Gallery, Amherst, MA, (1999) (cat.)
Arterias, Collection of Contemporary Art Fundació “la Caixa”, Malmö Konsthall, Malmö, Sweden
Autour du Mundial, Galerie Enrico Navarra, Paris (cat.)
Bathroom, Thomas Healy Gallery, New York; curated by Wayne Koestenbaum
Collection, un autre regard, capcMusée d’art contemporain, Bordeaux
Ensemble Moderne; Das Moderne Stilleben, Galerie Thaddeus Ropac, Salzburg, and Galerie Thaddeus Ropac, Paris, curated by Günter Salzmann (cat.)
Fast Forward, Trade Marks, Kunstverein, Hamburg; curated by Stephan Schmidt-Wulffen
Fetishes & Fetishisms, Passage de Retz, Paris (cat.)
Interpreting, The Rotunda Gallery, Brooklyn, NY
Kunst ohne Unikat, Edition Artelier, Graz, 1985 -1998 , Steirischer Herbst 98, Neuen Galerie am Landesmuseum Joanneum, Graz; curated by Peter Weibel (cat.)
Lifestyle, Kunsthaus Bregenz, Austria; curated by Edelbert Köb
Material Perfection: Minimal Art and Its Aftermath selected from the Kerry Stokes Collection, Lawrence Wilson Art Gallery, University of Western Australia, Perth; curated by John Stringer (cat.)
Passage — International Art Encounters, Project #3: Gideon Gechtman, Bertrand Lavier, Haim Steinbach, Chelouche Gallery, Tel Aviv (cat.)
Pop/Abstraction, Museum of American Art, Pennsylvania Academy of the Fine Arts, Philadelphia
Pop Surrealism, The Aldrich Museum of Contemporary Art, Ridgefield, CT, (cat.)
René Magritte and the contemporary art, Museum voor Moderne Kunst, Oostende; curated by Willy van den Bussche (cat.)
Selected Works from the Sonnabend Collection, Musee d’art Moderne, St. Ettiene |
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1997 |
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American Still Life and Other Stories, Sonnabend Gallery, NY
Camera Oscura Gallery, San Casciano (with Gwen Smith)
Museum Moderner Kunst Stiftung Ludwig, Vienna
504, Zentrum für Kunst, Medien und Design, Braunschweig; organized by John Armleder
Art Mocscow, International Art Fair, Central House of Artist’s, Moscow
Biennale of Venice, XLVII Esposizione Internazionale D’Arte; curated by Germano Celant (cat.)
Citta Natura, Pallazzo delle Esposizioni, Rome; curated by Carolyn Cristov-Bakargiev (cat.)
Colección de Arte Contemporáneo, Fundación “la Caixa” Palacio Almudi, Murcia; organized by Maria de Corral (cahier)
Dramatically Different, Magasin, Centre National D’Art Contemporain, Grenoble; curated by Eric Troncy with Yves Aupetitallot and Alessandra Galasso (cat.)
Group Show, Sonnabend Gallery, New York
Group Show, Foundation for the Arts, Sigmund Freud-Museum, Vienna; curated by Joseph Kosuth (cahier)
Kunst..Arbeit, Südwestdeutsche Landesbank Forum, Stuttgart; curated by Stephan Schmidt-Wulffen (cat.)
Kunstlerinnen, Kunsthaus Bregenz, Bregenz; curated by Edelbert Köb (cahier and video)
Magie der Zahl, Staatsgalerie Stuttgart, Stuttgart (cat.)
Normotic, One Great Jones Gallery, New York; curated by David Humphrey
Odisseo (Ulysses), Stadio Della Vittoria, BARI; curated by Giacinto di Pietroantonio (cat.)
Reviews (Une Discussion, Un Choix, Une Exposition), Galeria Roger Pailhas, Marseille (with a discussion of Haim Steinbach’s work by Olivier Zahm as part of a lecture series that accompanied this exhibition) |
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1996 |
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Art Gallery of York University, Toronto
Strenesse Group Fall Winter Collection 1996, Strenesse Group Showroom, Milan
Winnipeg Art Gallery, Winnipeg, Canada
Lia Rumma Gallery, Naples, Italy
Aluminum Pieces, Schellman Edition, New York
Body Language, Museum of Fine Art, Florida State University, Tallahassee (cat.)
Box, Fotouhi Cramer Gallery, New York
C - The Seven Deadly Sins, Benefit Auction for C Magazine, Toronto
Collezionismo a Torino, Castello di Rivoli Museo d’Arte Contemporanea, Torino (cat.)
Drawings: Spring 1996, Sandra Gering Gallery, New York
Everything That’s Interesting is New: The Dakis Joannou Collection, Athens School of Fine Arts, Athens; Museum of Modern Art, Copenhagen, (cat.)
Fragmentatie, Triple X, Amsterdam
Group Show, Jay Gorney Modern Art, New York
Handmade Readymades, The Bertha and Karl Leubsdorf Art Gallery, Hunter College of the City of New York; curated by Thomas Weaver (cat.)
Hold It!, benefit exhibition and auction, Los Angeles County Museum of Art, Los Angeles
Ideal Standard Life, organized by the committee of Art at Home, Spiral Garden, Tokyo (cat.)
Inauguration de la Galerie Roger Pailhas Marseille; 10 Annees d’ Activite Artistique, Galerie Roger Pailhas, Marseilles
Machins Trucs Choses; petit air connu, Carré-Musée Bonnat, Bayonne
Model Home, Clocktower Gallery, New York
NowHere (Walking and Thinking and Walking, curated by Bruce Ferguson), Louisiana Museum of Art, Humlebaek, Denmark (cat.)
Panoramas; 1981-1996, la collection du Frac Bretagne, Grand Hotel du Golf et des Panoramas, St. Briac, Bretagne (cat.)
Passions Privées; Collections particulières d’art moderne et d’art contemporain, Musée d’Art Moderne de la Ville de Paris, Paris (cat.)
Perdu Gagné C’est Oublié: FRAC Collection Aquitaine no. 5, Carré Musée Bonnat, Bayonne
Sammlung Sonnabend, Deichtorhallen Hamburg (Feb.-May); Kunsthalle Der Hypo- Kulturstiftung, Munich (July-Sep.) |
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1995 |
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Castello di Rivoli Museo d'Arte Contemporanea, Torino
Strenesse Group, The Show: Spring Summer Collection 1996, Strenesse Group Showroom, Milan
Caravanserraglio Arte Contemporanea, Fuori Uso‘95, Pescara; curated by Giacinto Di Pietroantonio
Collections en mouvements: 70+ 911+, Centre de Creation Contemporaine, Tours
Construction in Process, Mizpeh Ramon, Israel; organized by Yigal Ozeri
Corpus delicti, Museum van Hadendaagse Kunst, Gent (cat.)
Fashion is a Verb: Expanding the Definition, The Museum at the Fashion Institute of Technology, New York
Galerie Duran Dessert, Paris
Group Show, Sonnabend Gallery, New York
It’s Only Rock and Roll: Rock and Roll Currents in Contemporary Art, The Contemporary Arts Center, Cinncinatti, OH (1995-1996); Lakeview Museum of Arts and Sciences, Peoria, IL (1996); Virginia Beach Center for the Arts (1996); Tacoma Art Museum, Washington DC (1996); Jacksonville Museum of Art, Jacksonville, FL (1996); Bedford Gallery at the Regional Center for the Arts, Walnut Creek, CA (1996-1997); The Phoenix Art Museum, Phoenix, AZ (1997); Rock and Roll Hall of Fame, Cleveland, OH (1997); Lowe Art Museum, University of Miami, Miami, FL (1997-1998); Milwaukee Art Museum, Milwaukee, WI (1998); curated by David S. Rubin (cat.)
Kunst: Brauch, Galerie 5020, Salzburg (cat.)
Lawrence Weiner, Haim Steinbach, Jason Reed, Pierogi 2000, New York
Margo Leavin Gallery, 25 Years: An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles (cat.)
Marilyn: Il Mito, Valentino Accademia, Rome (1995-6); Gio Marconi and Fundazione Mudima, Milan (1996); Antica Stazione Leopolda, Florence (1996) (cat.)
Money Talks, Art Walks, (Benefit Auction for Art Metropole) Linda Genereux Gallery, Toronto
Musée d’Art Moderne, Saint Ettiene
Pop Art, Museum of Contemporary Art, Dallas Museum of Art, Dallas
Personal Heroes, Galerie De La Tour, Amsterdam
Pieces - Meublés, Galerie Jousse Seguin, Paris; curated by Bob Nickas
round-about, Galerie Beatrice Wasserman, Munich
Smells Like Vinyl, Roger Merians Gallery, New York
Still Leben, Nationalmuseum, Stockholm; curated by Görel Cavalli-Björkman, Jan von Gerber, and Bo Nillson (cat.)
Temporarily Possesed: The Semi-Permanent Collection , The New Museum of Contemporary Art, New York; organized by Brian Goldfarb, John Hatfield, Laura Trippi, and Mimi young (cat.)
Untitled (Reading Room), Margo Leavin Gallery, Los Angeles |
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1994 |
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Ritter Kunsthalle, Klagenfurt, Austria
Galerie Hubert Winter, Vienna
Galerie Yvon Lambert, Paris
1st Annual Gramercy International Gramercy Park Hotel, New York
Arce de Noé/Noah’s Ark, Fundaçao de Serralves, Porto; curated by Marga Paz
The Century of the Multiple, Deichtorhallen Hamburg
Collection of New Acquisitions, Center for Contemporary Art at Ujazdowski Castle, Warsaw
Comme dans une image, Gilbert Brownstone & CIE, Paris
Contemporary Art Collection, The Israel Museum, Jerusalem
Crash, Thread Waxing Space, New York; curated by Robert Reynolds and Thomas Zummer
Don’t Look Now, Thread Waxing Space, New York; curated by Joshua Decter (cat.)
Dysfunction, U.S.A., Arthur Rogers Gallery, New Orleans; curated by Robert Nickas and Peter Halley
Elvis + Marilyn: 2 x IMMORTAL, The Institute of Contemporary Art, Boston, (1994-1995); Contemporary Arts Museum, Houston TX (1995); Mint Museum of Art, Charlotte, NC (1995); Cleveland Museum of Art, Cleveland, OH (1995); Jacksonville Museum of Contemporary Art (1995-1996); Portland Museum of Art (1996); Philbrook Museum of Art, Tulsa, OK (1996); Columbus Museum of Art, Columbus, OH (1996); Tennessee State Museum, Nashville, TN (1996); San Jose Museum of Art, San José, CA,(1996-1997); Honolulu Academy of Art, Honolulu, HI(1997), Hokaido Bihiro Museum of Art, Hokkaido (1997), Daimaru Museum, Umeda, Osaka (1997), Takamatsu City Museum of Art, Takamatsu (1997), Sogo Museum of Art, Yokohama (1997), Mitsukoshi Museum of Art, Fukuoaka, (1998), Kumamoto Prefectural Museum of Art, (1998)
Entre la PRESENCIA y la REPRESENTACION - the Collection of the ‘La Caixa’ Contemporary Art Foundation, Centro Atlantico de Arte Moderno, Las Palmas, Canary Islands (cat.)
The First Fundraising Event to Benefit American Fine Arts, Co. American Fine Arts, Co and Colin de Land Fine Art, New York
Group Exhibition: Sonnabend Gallery, New YorkGroup Exhibition, Contemporary Collection, Musée de Grenoble
Kommentar zu Europa, Museum Moderner Kunst, Vienna; Mutualite Francais, Paris; Sala Parpalio - Palau dels Scala, Valencia; curated by Lorand Hegyi (cat.)
L’objet: du magasin au museé, Villa du Parc, Annemasse, France (cat.)
Le Cosanti Nell’Arte, Lia Rumma Storehouse, Naples
Même si c’est la nuit, capcMusee d’art contemporain, Bordeaux
The Music Box Project, The Equitable Gallery, New York (1994 -1995); Long Beach Museum of Art, California (1995); Japanese Tour organized by Nanjo and Associates, Tokyo (Summer 1995); Columbus Museum of Art, Ohio (1995 - 1996); Center for the Fine Arts, Miami (1996); European Tour, 1996-98, curated by Claudia Gould (cat.)
Opera Prima,Fuori Uso ‘94; Ex opificio Gaslini, Pescara; Trevi Flash Art Museum,Palazzo Lucarini, Trevi; Cankarjev Don in Ljubliana, Slovenia; curated by Giacinto Di Pietrantonio (cat.)
Portraits de femmes, Chateau Notre-Dame des Foeurs, Vence; curated by Marianne and Pierre Nahon (cat.)
Pour la vie, CAPC Musée d’Art Comtemporain, Bordeaux
Private Mix, 1 Galerie Eigen + Art, Berlin; curated by Olaf Nicolai and Frank Eckart, (cat.)
Sculpture: Group Exhibition, Rhona Hoffman Gallery, Chicago
Selections from the Collection, The Israel Museum, Jerusalem
Tradition and Invention: Contemporary Artists Interpret the Japanese Garden, organized for Art Against AIDS, Japan; Sogetsu Plaza, Sogetsu Kaikan (1994), Threadwaxing Space, New York (1995); curated by Nam June Paik, Robert Rauschenberg, and Hiroshi Teshigahara (cat.)
Urban Paradise: Gardens in the City, PaineWebber Art Gallery, New York; curated by Tom Eccles (cat.)
wandstücke III, Bob van Orsouw Galerie, Zurich |
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1993 |
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Osmosis, Guggenheim Museum (with Ettore Spalletti)
Achim Kubinsky, Cologne
Galerie Philomene Magers, Cologne
Sonnabend Gallery, NY
Caravanserraglio Arte Contemporanea, Fuori Uso‘95, Pescara; curated by Giacinto Di Pietroantonio
Collections en mouvements: 70+ 911+, Centre de Creation Contemporaine, Tours
Construction in Process, Mizpeh Ramon, Israel; organized by Yigal Ozeri
Corpus delicti, Museum van Hadendaagse Kunst, Gent (cat.)
Fashion is a Verb: Expanding the Definition, The Museum at the Fashion Institute of Technology, New York
Galerie Duran Dessert, Paris
Group Show, Sonnabend Gallery, New York
It’s Only Rock and Roll: Rock and Roll Currents in Contemporary Art, The Contemporary Arts Center, Cinncinatti, OH (1995-1996); Lakeview Museum of Arts and Sciences, Peoria, IL (1996); Virginia Beach Center for the Arts (1996); Tacoma Art Museum, Washington DC (1996); Jacksonville Museum of Art, Jacksonville, FL (1996); Bedford Gallery at the Regional Center for the Arts, Walnut Creek, CA (1996-1997); The Phoenix Art Museum, Phoenix, AZ (1997); Rock and Roll Hall of Fame, Cleveland, OH (1997); Lowe Art Museum, University of Miami, Miami, FL (1997-1998); Milwaukee Art Museum, Milwaukee, WI (1998); curated by David S. Rubin (cat.)
Kunst: Brauch, Galerie 5020, Salzburg (cat.)
Lawrence Weiner, Haim Steinbach, Jason Reed, Pierogi 2000, New York
Margo Leavin Gallery, 25 Years: An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles (cat.)
Marilyn: Il Mito, Valentino Accademia, Rome (1995-6); Gio Marconi and Fundazione Mudima, Milan (1996); Antica Stazione Leopolda, Florence (1996) (cat.)
Money Talks, Art Walks, (Benefit Auction for Art Metropole) Linda Genereux Gallery, Toronto
Musée d’Art Moderne, Saint Ettiene
Pop Art, Museum of Contemporary Art, Dallas Museum of Art, Dallas
Personal Heroes, Galerie De La Tour, Amsterdam
Pieces - Meublés, Galerie Jousse Seguin, Paris; curated by Bob Nickas
round-about, Galerie Beatrice Wasserman, Munich
Smells Like Vinyl, Roger Merians Gallery, New York
Still Leben, Nationalmuseum, Stockholm; curated by Görel Cavalli-Björkman, Jan von Gerber, and Bo Nillson (cat.)
Temporarily Possesed: The Semi-Permanent Collection , The New Museum of Contemporary Art, New York; organized by Brian Goldfarb, John Hatfield, Laura Trippi, and Mimi young (cat.)
Untitled (Reading Room), Margo Leavin Gallery, Los Angeles
A matchbox enclosed..., The Yavne Art Workskop Gallery, Yavne
Artists Only: A Recording Studio, Achim Kubinski Gallery, New York
Art and Application, Turbulence Gallery, New York; curated by Rick Kaufmann and Christine Ollier (cat.)
Cat. van de Collectie: In Extenso I: 1989-1992, Museum van Hedendaagse Kunst, Gent (cat.)
Le Choses et les mots, Galerie Thaddaeus Ropac, Paris
Collections pour une region, capcMusee d’art contemporain, Bordeaux (cat.)
De Receptie VI / [Erratum], Archipel artists space, Apeldoorn, Netherlands;organized by Foundation Still
Fall From Fashion, The Aldrich Museum of Contemporary Art, Ridgefield, CT (cat.)
The Foreign / The Guest, Offenes Kulturhaus, Linz, Austria; curated by Kurt Kladler and Elisabeth Madlener (cat.)
Friendly, Dooley Le Cappellaine, New York; curated by Janine Gordon and Trudie Riess
Gent te Gast, De Beyerd Breda, Centrum voor Beeldene Kunst, Gent; curated by Jan Hoet
Ghost-limb, Basilico Fine Arts, New York
Giftland II: Extra-ordinary (featured artist), Printed Matter, New York
Group Show, Annina Nosei Gallery, New York; curated by Valerie Del-Sol
I am the Enunciator, Thread Waxing Space, New York; curated by Christian Leigh
The Intellectual Conscience of Art, Galerie d’Eendt, Amsterdam
L’Ivresse du Reel: L-Objet dans l’art du XXè` siècle, Musee d’Art Contemporain, Nimes (cat.)
Markets of Resistance, White Columns, New York; curated by Karen Jones (cat.)
Selected Wall Works, Edition Schellmann, New York (1993-1994)
SEX MONEY - POLITICS, Nancy Drysdale Gallery, Washington, D.C. (cat.)
Slittamenti Biennale of Venice; curated by Christian Leigh
The Return of the Cadavre Exquis, The Drawing Center, New York
Territorio Italiano, Documentario, Milan; curated by Giacinto Di Pietrantonio
Tutte le Strade Portano a Roma? Palazzo delle Esposizioni Roma, curated by A. Bonito Oliva
Viaggio verso Citera, Biennale of Venice, curated by Francesca Pasini, (cat.)
Yours, Wooster Gardens, NY; curated by Michael Jenkins
Up Close: Contemporary Art from the Mallin Collection, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
Wall Installations, Edition Schellmann, Koln |
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1992 |
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no rocks allowed, Witte de With, Centre for Contemporary Art, Rotterdam
one Five, Antwerp
15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (cat.)
George-Philippe Vallois Galerie, Paris
1968, Consortium, Dijon; curated by Robert Nickas (cat.)
A New American Flag, Invitational Exhibition, Max Protech Gallery, New York
Acquisitions 1985-1992, Stedelijk Museum, Amsterdam (1992-1993) (cat.)
Al(l)ready Made, Museum voor Hedendaagse Kunst's-Hertogenbosch, Netherlands, (cat.)
Avantgarde & Kampagne, Kunsthalle Dusseldorf
CROSSECTION, The World Financial Center, Battery Park, New York
Documenta IX, Kassel; curated by Jan Hoet, Pier Luigi Tazzi, and Dennys Zacharopoulos (cat.)
Kunst und Kitsch, Markthalle Moderne Kunst, Stuttgart
La Collection: Tableau Inaugral, Musee d ’Art Contemporain de Montreal, Montreal
New and Different: Recent Acquisitions, Sheldon Memorial Art Gallery, University of Nebraska, Lincoln
Paris l99l, Galerie Thaddaeus Ropac, Paris
Psycho, Kunsthalle, New York; curated by Christian Leigh (cat.)
Refusing to Surface: Art and the Transfiguration of the Ordinary, John Hansard Gallery, The University of Southampton, Southampton, Great Britain (1992); Ikon Gallery, Birmingham, Great Britain (1992-1993); South London Gallery, London, Great Britain (1993); curated by Nicholas de Ville
Seville Universal Exhibition l992, Fundacao de Serralves, Seville, Portugal
The Ninth Biennale of Sydney, Art Gallery of New South Wales (cat.)
Theoretically Yours, Pier Carlo Rusci, Assessore alla Pubblica Istruzione, Aosta, Italy; curated by Tricia Collins and Richard Milazzo (cat.)
Translation, Center for Contemporary Art at Ujazdowski Castle, Warsaw; curated by Kim Levin (cat.)
TROPISMS. The collection of Contemporary Art. Fundacio‘la Caixa,’ Centre Culturel la Caixa, Barcelona
Up to You, Achim Kubinski, New York
Yvon Lambert Collectionne, Musée des Beaux-Arts deTourcoing, Musée d ’art moderne de la Communauté, Villeneuve d'Asq, France |
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1991 |
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Galerie Faust, Geneva, (with Julie Wachtel)
Galerie Yvon Lambert, Paris
Jay Gorney Modern Art, NY
Rhona Hoffman Gallery, Chicago, IL
Altrove: Between Image and Identity, Between Identity and Tradition, Centro per l’Arte Contemporanea Luigi Pecci; curated by Octavio Zaya (cat.)
American Art of the 80’s, Museo d’Arte Moderna e Contemporanea, Trento, Italy, (1991-l992)
Anni Novanta, Galleria d’Arte Moderna, Bologna; curated by Renato Barilli (cat.)
Beyond the Frame: American Art, l960 - l990, Setagaya Art Museum, Tokyo; National Museum of Art, Osaka; Fukuoka Art Museum (cat.)
Colors of Money, Musee de la Poste, Paris; curated by Jean-Michel Ribettes (cat.)
Das Goldene Zeitalter, Wurtembergischer Kunstverein, Stuttgart (1991-l992); curated by Tilman Osterwald (cat.)
Denk-Bilder: Kunst der Gegenwart l960-l990, Kunsthalle der Hypo-Kulturstiftung Munchen; Von der Heydt Museum, Wuppertal, Germany; curated by Zdenek Felix (cat.)
Desplazamientos, Aspectos de la identidad y culturas, Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria (1991); Altrove, Centro Per l’Arte Contemporanea Luigi Pecci, Prato, Italy; (1991-1992); curated by Octavio Zaya (cat.)
Haim Steinbach and Meyer Vaisman, Galerie Samuel Lallouz, Montreal
Haim Steinbach and Julia Wachtel, Galerie Faust, Geneva
History as Fiction, Meyers/ Bloom Gallery, Santa Monica, CA (brochure)
Joseph Kosuth, Michalangelo Pistoletto, Haim Steinbach, Jay Gorney Modern Art, New York
Joseph Beuys, Anne and Patrick Poirier, Haim Steinbach, Galerie Thaddaeus Ropac, Salzburg, Austria
La Poesie de l’Objet, Tresor d'Art, Saanenmoser, Switzerland
Just what is it that makes today's homes so different, so appealing?, The Hyde Collection, Glens Falls, New York (cat.)
L'Espai I La Idea, Centre Cultural de La Fundacio la Caixa, Barcelona
Love Ball 2: The Crowning Glory, benefit auction, Barneys, New York
Metropolis, Martin-Gropius-Bau, Berlin; curated by Christos M. Joachimides and Norman Rosenthal (cat.)
Multiple Indefinite, Galerie Bebert, Rotterdam, Netherlands
Objects for the Ideal Home / The Legacy of Pop Art, Serpentine Gallery, London; curated by Marco Livingstone (cat.)
once again the world is flat / Martin Kippenberger, Joseph Kosuth, Haim Steinbach, Galleria Juana de Aizpuru, Madrid
Power: its Myths and Mores in American Art, 1961-1991, Indianapolis Museum of Art, Indianapolis, IN; Akron Art Museum, Akron, OH; Virginia Museum of Fine Arts, Richmond, VA; curated by Holliday T. Day (cat.)
The Adventure of the Object, Quindicesima Biennale Internazionale del Bronzetto Piccola Scultura, Padova, Italy (1991-1992); curated by Renato Barilli and Pierre Restany
Vertigo, The Remake, Galerie Thadeus Ropac, Salzburg, Austria; curated by Christian Leigh (cat.) |
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1990 |
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More or Less, Sonnabend Gallery
Affinities and Intuitions, The Gerald S. Elliot Collection, The Art Institute of Chicago, (cat.)
Art et Publicite, Centre Georges Pompidou, Paris (cat.)
Art Against AIDS, Washinton, D.C.; organized by Livet Reichard (cat.)
Le Spectaculaire, Centre d’Histoire de l’Art Contemporain, Rennes, France; curated by Jean-Marc Poinsot (cat.)
Life-size, The Israel Museum, Jerusalem; curated by Suzanne Landau (cat.)
Lotte, or the Transformation of the Object, Grazer Kunstverein, and Stadtmuseum Graz, Graz, Austria ; curated by Clementine Deliss (cat.)
Multiples, Hirschl & Adler Modern, New York (cat.)
Objectives: The New Sculpture, The Newport Harbor Art Museum, Newport Beach, CA; curated by Paul Schimmel (cat.)
Ouverture, Galerie Roger Pailhas, Paris
Reproduced Authentic, Galerie Via Eight, Tokyo; curated by Joseph Kosuth (cat.)
Stuttering, Stux Gallery, New York (1990-199l)
The Decade Show, The New Museum of Contemporary Art; The Studio Museum in Harlem; Museum of Contemporary Hispanic Art, New York (cat.)
The Future of the Object! A Selection of American Art ; Minimalism and After, Galerie Ronny Van de Velde, Antwerp (cat.)
The Children’s Aids Project, Daniel Weinberg Gallery, Los Angeles
The Stendhal Syndrome, Andrea Rosen Gallery, New York; curated by Catherine Liu (cat.)
The Last Decade, Tony Shafrazi Gallery, New York; curated by Tricia Collins and Richard Milazzo (cat.)
Un Art de la Distinction?, Abbaye Saint-Andre, Centre d’Art Contemporain, Meymac, Correze, France; curated by Caroline Bissiere and Jean-Paul Blanchet (cat.)
Vertigo, Galerie Thaddeus Ropac, Paris; curated by Christian Leigh Word as Image, Milwaukee Art Museum, Milwaukee, WI(1990); Oklahoma City Art Museum, Oklahoma City, OK (1990-199l); Contemporary Arts Museum, Houston, TX, (199l) (cat.)
Worlds, Joensuu Art Museum, Joensuu, Finland (cat.) |
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1989 |
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Galerie Roger Pailhas, Marseille, France
Galerie Yvon Lambert, Paris, France
Margo Leavin Gallery, Los Angeles, Ca
A Forest of Signs, Museum of Contemporary Art, Los Angeles; curated by Mary Jane Jacob and Ann Goldstein (cat.)
Abstraction in Question, The John and Mable Ringling Museum of Art, Sarasota, FL; Center for The Fine Arts, Miami, FL,; organized by Joseph Jacobs; curated by Bruce Ferguson, Joan Simon, and Roberta Smith (cat.)
Complex Object, Galeria Marga Paz, Madrid; curated by Alexandre Melobr
Conspicuous Display, Stedman Art Gallery, Rutgers University, Camden, NJ
D&S Ausstellung, Kunstverein in Hamburg (cat.)
Horn of Plenty, Stedelijk Museum, Amsterdam; curated by Gosse Oosterhof (cat.)
Jet Lag, Turon Travel, Inc., New York; curated by Jan Avgikos and Michael Corris
Microsculpture, University of Rhode Island, Kingston, RI; curated by Willoughby Sharp (cat.)
Natura/Naturata (An Argument for Still Life), Josh Baer Gallery, New York; curated by Cornelia Lauf
Oeuf Alpha, capcMusee d’art contemporain, Bordeaux
Periodi di Marmo, XX Rassegna Internazionale d’Arte di Acireale, Italy; curated by Germano Celant (cat.)
Pictures from an Exhibition, Galerie Bebert, Rotterdam, Netherlands; Davis / McClain Gallery, Houston, TX
Repetition, Hirschl & Adler Modern, New York; Oberlin College, Oberlin, OH
Selections from the Collection of Marc and Livia Straus, The Aldrich Museum of Contemporary Art, Ridgefield, CT
The Silent Baroque, Gallerie Thaddaus J. Ropac, Salzburg, Austria; curated by Christian Leigh (cat.)
une autre affaire, le Consortium, Dijon, France (1989-1990)
Wall Objects, Editions Schellmann, New York (1989-1990)
What is Contemporary Art?, Rooseum, Malmo, Sweden,; curated by Dan Cameron
Wittgenstein,The Play of the Unsayable, Wiener Secession, Vienna (1989); Palais des Beaux Arts, Bruxelles, Belgium (1990); curated by Joseph Kosuth (cat.) |
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1988 |
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Coat of Arms, Gruppo GFT Moda Italia, Pier 88, NY
Jay Gorney Modern Art, NY"Recent Work", Capc, Musee d'Art Contemporain, Bordeaux, France
60s/80s Sculpture Parallels, Sidney Janis Gallery, NewYork
A Common Thread, Artschwager: His Peers and Persuasion l963-l988, Daniel Weinberg Gallery, Los Angeles; Leo Castelli Gallery, New York
A ‘Drawing’ Show, Cable Gallery; curated by Jerry Saltz.
Art at the End of the Social, Rooseum, Sweden; curated by Tricia Collins and Richard Milazzo
Broken Neon, Galerie Durr, Munich
Collections pour une region, capcMusee d’art contemporain, Bordeaux
Cultural Geometry, Deste Foundation, Athens, Greece; curated by Jeffrey Deitch (cat.)
Democracy: Cultural Participation, Dia Art Foundation; Group Material installation
Fonds National d’Art Contemporain, Acquisitions, 1988, Centre Arts Plastiques, Paris
Hover Culture, Metro Pictures, New York; curated by Ronald Jones
Hybrid Neutral: Modes of Abstraction and the Social, The University of North Texas Art Gallery, Denton, TX (1988); The J B Speed Art Gallery, Louisville, KY (1989); Alberta College Gallery of Art, Calgary, Alberta, Canada (1989); The Contemporary Arts Center, Cincinnati, OH (l989); Richard F. Brush Art Gallery, St. Lawrence University, Canton, NY (l989); Santa Fe Community College Art Gallery, Gainesville, FL (l990); curated by Tricia Collins and Richard Milazzo
Innovations in Sculpture 1985 - 1988, Aldrich Museum, Ridgefield, CT
Metamorphosis of the Object, The Israel Museum, Jerusalem
Jay Gorney Modern Art, New York
Moda Italia, (Coat of Arms, installation), Pier 88, New York
New Urban Landscape, The World Financial Center, New York (cat.)
NewYork in View, Munich Kunstverein, Munich (cat.)
Redefining the Object, Wright State University, Dayton, OH; Cleveland Center for Contemporary Art, Cleveland, OH
Schlaf der Vernunft, Museum Fridericianum, Kassel, Germany; curated by Veit Loers (cat.)
The Return of the Hero, Burden Gallery, New York; curated by Karen Marta
The Sonnabend Collection, Centro de Arte Reina Sofia, Madrid, Spain, 1987 - l988; CAPC Musee d’art contemporain, Bordeaux, 1988; Art Cologne, Cologne, l988; Hamburger Bahnhof Berlin, l989; Galleria Nazionale d’Arte Moderna, Rome, l989; Museo d’Arte Moderna e Contemporanea di Trento e Rovereto l989; Musee Rath, Geneva, l990; Sezon Museum of Art, Tokyo, l990; The Miyagi Museum of Art, l990; The Fukuyama Museum of Art, l990; The National Museum of Modern Art, Kyoto, 1991 (cat.)
The Binational, American Art of the Late 80s , The Institute of Contemporary Art, Boston Museum of Fine Arts, Boston (1988), Stadtische Kunsthalle, Kunstsammlung Nordrhein-Westfalen; Kunstverein fur die Rheinlande und Westfalen, Dusseldorf (1988); Kunsthalle Bremen (1988); Wurttembergischer Kunstverein Stuttgart (1989) (cat.)
Three Decades, The Oliver-Hoffman Collection, group exhibition, Museum of Contemporary Art, Chicago (cat.) |
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1987 |
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Sonnabend Gallery, NY
Rhona Hoffman Gallery, Chicago, IL
Lia Rumma Gallery, Naples
Art and Its Double, Fundacion Caja de Pensiones, Barcelona and Madrid; Dan Cameron curator (cat.)
Art Against Aids, Paula Cooper Gallery, NY
Art Against Aids - A Benefit Exhibition, Jay Gorney Modern Art, New York
Avant-Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (cat.)
Currents l2: Simulations, New American Conceptualism, Milwaukee Art Museum, Milwaukee, WI
Extreme Order,Lia Rumma Gallery, Naples; curated by Tricia Collins & Richard Milazzo
Industrial Icons, University Art Gallery, State University, San Diego, CA
Les Courtiers du Desir, Centre Georges Pompidou, Paris; curated by Walter Hopps and Howard Halle
Margo Leavin Gallery, Los Angeles
N.Y. Art Now, The Saatchi Collection, London (cat.)
New York New, Paul Maenz, Cologne.
New York Now, The Israel Museum, Jerusalem (cat.)
One Hand Clapping, Karsten Schubert, Ltd., London.
Perverted by Language, Hillwood Art Gallery, Long Island University, C.W. Post Campus, Greenvale, NY; curated by Robert Nickas
The Pop Project: Part IV, Nostalgia as Resistance, The Clocktower, New York; curated by Thomas Lawson
Post-Abstract Abstraction, Aldrich Museum of Contemporary Art, Ridgefield, CT (cat.)
Primary Structures, Rhona Hoffman Gallery, Chicago; curated by Robert Nickas
Reconstruct, John Gibson Gallery, New York; curated by Robert Nickas
Romance, Knight Gallery, Charlotte, NC; curated by Ronald Jones
Tenth Anniversary Benefit Auction, The New Museum of Contemporary Art, New York
The Castle, Documenta 8, Kassel, Germany; Group Material installation
The Transformative Vision, Davis/McClain Gallery, Houston, TX |
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1986 |
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Jay Gorney Modern Art, NY
Washington Projects for the Arts, Washington, D.C.
A Brokerage of Desire, Otis Art Institute, Los Angeles; Walter Hopps and Howard Halle curators
Arts & Leisure, Group Material installation, The Kitchen, New York
The Color Red, Massimo Audiello, New York
Damaged Goods: Desire and The Economy of The Object, New Museum of Contemporary Art, New York; curated by Brian Wallis
Donald Young, Chicago
Endgame: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston (cat.)
Group Show, Cable Gallery, New York
Group Show, Jay Gorney Modern Art, New York
Group Show, Postmasters Gallery, New York
New New York, Cleveland Center for the Contemporary Arts, Cleveland, OH, and Bard College, New York; curated by Arthur Solway.
New Sculpture: Robert Gober, Jeff Koons, Haim Steinbach, The Renaissance Society at the University of Chicago, Chicago; curated by Gary Garrels (cat.)
Paravision 2, Margo Leavin Gallery, Los Angeles; curated by Tricia Collins and Richard Milazzo
Post Pop Art, Michael Kohn, Los Angeles
Prospect 86, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt
Rooted Rhetoric, Castell Dell’Ovo, Naples; curated by Gabriele Guercio (cat.)
Time After Time, Diane Brown, New York; curated by Tricia Collins & Richard Milazzo
Vito Acconci, Stuart Sherman, Haim Steinbach, and Richard Wentworth, Carpenter & Hochman Gallery, New York |
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1985 |
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Cable Gallery, NY
Cult and Decorum, Tibor de Nagy Gallery, New York; curated by Tricia Collins and Richard Milazzo
Gallery Nature Morte, New York
Infotainment, Livet Reichard Co., Inc., and Nature Morte, New York
Jonathan Lasker, Wallace & Donahue, Haim Steinbach, Jay Gorney Modern Art, New York
Mass, Group Material installation, New Museum of Contemporary Art, New York
Michael Kohn Gallery, Los Angeles
Objects in Collision, The Kitchen, New York; curated by Howard Halle
Post Production, Feature Gallery, Chicago |
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1984 |
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Benefit, Wedge Magazine, Gallery Nature Morte, New York
Domesticity, Suellen Haber Gallery, New York
East of East Village, Dramatis Personae Gallery, New York
Objectivity, Hallwalls, Buffalo, NY; curated by Robin Dodd
Timeline, Group Material installation, PS1, Long Island City, New York |
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1983 |
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Social Conquest installation, collaboration with Julie Wachtel, Graduate Center Mall, City University, NY
Colab’s A More Store, Jack Tilton Gallery, New York
CAPS Fellowships Recipients, l983 Sculpture, City Gallery, New York
Concord Gallery, New York
Hundreds of Drawings, Artists Space, New York
Inside/Out, Bronx River Restoration Art Center, Bronx, New York; curated by Ann Philbin
Newspace, L.E.S.S. at P.S. 122, New York
Objects, Structures, Artifice; American Sculpture l970 - l983, SVC Fine Arts Gallery, University of South Florida, Tampa, FL, and Center Gallery, Bucknell University, Lewisburg, PA; curated by Michael Klein (cat.)
Phenomenal Projects, Planet-Mapping of the Body, (window installation), Ten on Eight, New York
Preparing for War, Terminal New York Show, Brooklyn, New York
Subculture, Group Material installation in New York subways, New York |
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1982 |
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Concord Gallery, NY
Benefit for Planned Parenthood, Semaphore Gallery, New York
Colab’s A More Store: Christmas Show, Barbara Gladstone Gallery, New York
Holiday Show, A.I.R. Gallery, New York
Invitational: Laurie Anderson, Scott Burton, Wolfgang Laib, Martin Puryear, Haim Steinbach, (red cross installation), Bell Gallery, List Art Center, Brown University, Providence, RI (brochure)
The Shit Show, Kwok Gallery, New York |
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1981 |
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Design for a Yogurt Bar installation, Berkshire Community College, Pittsfield, MA
Washington Projects for the Arts, Washington, D.C., collaboration with Johanna Boyce, dance performance, slides and music
Colab’s A More Store: Christmas Show, White Columns, New York
Ecological Issues, Hunter College, New York
The Ninth Street Survival Show, P.S. 122, New York
Washington Projects for the Arts (collaboration with Johanna Boyce), Washington, DC |
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1980 |
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Changing Displays, installation Fashion Moda, Bronx, NY |
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1979 |
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Display #7, Artists Space, NY
Cornell University Faculty Exhibition (Display #5, installation), Johnson Museum, Cornell University, Ithaca, NY
Memorial Art Gallery, University of Rochester, Rochester, NY |
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1978 |
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Johnson Museum, Cornell University, Ithaca, NY |
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1975 |
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Carlo Lamagna Gallery, NY |
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1974 |
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Johnson Gallery, Middlebury College, Middlebury, VT
Dartmouth College, Hanover, NH |
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1973 |
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Yale Art & Architecture Gallery, Yale University, New Haven, CT
Silvermine Guild of Artists, CT, curated by Marcia Tucker |
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1972 |
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Eight from Yale, Norfolk Gallery, Norfolk, CT |
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1971 |
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Graduate Painters, Yale Art & Architecture Gallery, Yale University, New Haven, CT |
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Links to further information |
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