|
|
Glenn Brown Biography
|
 |
 |
|
1966 |
|
Born in Hexham, Northumberland, England
|
|
1985 |
|
Foundation Course, Norwich School of Art, Norwich, United Kingdom
|
|
1988 |
|
Attended Bath College of Higher Education, Bath, United Kingdom
|
|
1990 - 1992 |
|
M.A. in Fine Art, Goldsmiths' College, London, England
|
|
|
|
Lives and works in London, England
|
|
|
| Selected Exhibitions |
|
|
|
2006
|
|
Galerie Max Hetzler, Berlin, Germany (solo)
|
|
2005
|
|
Ecstasy: In and About Altered States, Museum of Contemporary Art, Los Angeles, CA
|
|
2005
|
|
Glenn Brown, Patrick Painter Inc., Santa Monica, CA
|
|
2004
|
|
Heißkalt
Sammlung Scharpff, Staatsgalerie Stuttgart;
Kunsthalle Hamburg, Germany (catalog) (group)
|
|
2004
|
|
Serpentine Gallery, London, England
|
|
2004
|
|
Gagosian Gallery, New York, Ny
|
|
2003
|
|
Dreams and Conflicts: The Viewer's Dictatorship - Delays and Revolutions
Padiglione Italia, 50th Biennale di Venezia, Venice, Italy (group)
|
|
2003
|
|
Pittura/Paintings - from Rauschenberg to Murakami 1964 - 2003
Museo Correr, Venice, Italy(group)
|
|
2003
|
|
M ARS - Art and War
Neue Galerie am Landesmuseum Joanneum, Graz, Austria (group)
|
|
2002
|
|
Sao Paulo Biennale: Iconografias Metropolitanas
Sao Paulo, Brazil (group)
|
|
2002
|
|
Melodrama
Artium, Centro-Museo Vasco de Arte Contemporano, Spain;
Palacio de los Condes de Gabia, Granada (group)
|
|
2002
|
|
Lieber Maler, male mir (Cher Peintre, Peins-Moi; Dear Painter Paint Me)
Centre Georges Pompidou, Paris, France;
Kunsthalle Wien, Vienna, Austria;
Schirn Kunsthalle, Frankfurt, Germany (group)
|
|
2002
|
|
Galerie Max Hetzler, Berlin, Germany
|
|
2002
|
|
From Saatchi Gift
Talbot Rice Gallery, The University of Edinburgh. Edinburgh, United Kingdom (group)
|
|
2002
|
|
Painting as a Foreign Language
Edifico Cultura Inglesa, Centro Brasileiro Britanico, Sao Paolo, Brazil (group)
|
|
2002
|
|
Landscape
Saatchi Gallery, London, England(group)
|
|
2001
|
|
Passion
Galerie Ascan Crone, Berlin and Hamburg, Germany (group)
|
|
2001
|
|
Azerty
Centre Pompidou, Paris, France (group)
|
|
2001
|
|
Patric Painter Inc., Los Angeles, CA
|
|
2001
|
|
Künstlerverein Malkasten, Düsseldorf, Germany
|
|
2000
|
|
Domaine de Kerguéhennec, Centre d´Art Contemporain, Bignan, France (catalogue)
|
|
2000
|
|
Galerie Max Hetzler, Berlin, Germany
|
|
2000
|
|
The British Art Show 5
Edinburgh, Scotland
Southampton, England;
Cardiff; Wales;
Birmingham, England (group)
|
|
2000
|
|
Salon
Delfina Project Space, London, England (group)
|
|
2000
|
|
Hypermental Rampart Reality 1950-2000, from Salvador Dali to Jeff Koons
Kunsthaus Zürich, Switzerland;
Hamburger Kunsthalle, Germany;
Rudolfinum, Prague, Czech Republic (group)
|
|
2000
|
|
The Turner Price 2000
Tate Modern, London, England (group)
|
|
2000
|
|
Suite Substitute IV: Beautiful Strangers
Hotel du Rhone, Geneva, Switzerland (group)
|
|
2000
|
|
Futuro - Decadent Art and Architecture
Centre for Visual Arts, Cardiff, Wales (group)
|
|
2000
|
|
Glenn Brown, Julie Mehreti, Peter Rostovsky
The Project, New York, NY (group)
|
|
2000
|
|
The Wreck of Hope
The Nunnery Gallery, Bow, London, England (group)
|
|
2000
|
|
Blue
New Art Gallery, Walsall, England (group)
|
|
2000
|
|
Little Angels
Houldsworth Fine Art, London, England (group)
|
|
2000
|
|
Examining Painting
Armand Hammer, University of California, CA (group)
|
|
1999
|
|
Disaster
Harris Museum & Art Gallery, Preston, England (group)
|
|
1999
|
|
Day of Donkey Day
Transmission, Glasgow, Scotland (group)
|
|
1999
|
|
John Moores 21
Walker Art Gallery, Liverpool, England (group)
|
|
1999
|
|
Fresh Paint, Recent Acquisitions from the Frank Cohan Collection
Gallery of Modern Art, Glasgow, Scotland (group)
|
|
1999
|
|
Examining Pictures: Exhibiting Paintings
Whitechapel Art Gallery, London, England;
The Museum of Contemporary Art, Chicago, IL;
UCLA Hammer Museum, Los Angeles, CA (group)
|
|
1999
|
|
Holding Cour
Entwistle, London, England (group)
|
|
1999
|
|
Patrick Painter, Inc., Los Angeles, CA
|
|
1999
|
|
Jerwood Gallery, London, England
|
|
1998
|
|
Patrick Painter, Inc., Los Angeles, CA
|
|
1998
|
|
It's a Curse, It's a Burden
The Approach, London, England (group)
|
|
1998
|
|
Cluster Bomb
Morrison Judd, London, England (group)
|
|
1998
|
|
Secret Victorians
First Sight, Colchester, England;
Arnolfini, Bristol, England;
Ikon Gallery, Birmingham, England;
UCLA Hammer Museum, Los Angeles, CA (group)
|
|
1998
|
|
Abstract Painting, Once Removed
Contemporary Arts Museum Houston, Houston, TX;
Kemper Museum of Contemporary Art, Kansas City, MO(group)
|
|
1998
|
|
New Work
Patrick Painter, Inc., Los Angeles, CA (group)
|
|
1997
|
|
Sensation
Royal Academy of Art, London, England;
Hamburger Bahnhof, Berlin, Germany;
Brooklyn Museum, New York, NY (group)
|
|
1997
|
|
Galerie Barbara Thumm, Berlin, Germany (group)
|
|
1997
|
|
Pure Fantasy
Oriel Mostyn, Llandudo, North Wales, England (group)
|
|
1997
|
|
Treasure Island
Fundacao Calouste Gulbenkian, Centro de Arte Moderna Jose de Azeredo Perdigao, Lisbon, Portugal (group)
|
|
1997
|
|
Belladonna
Institute of Contemporary Arts, London, England (group)
|
|
1997
|
|
Galerie Ghislaine Hussenot, Paris, France
|
|
1996
|
|
Queen's Hall Arts Centre, Hexham, United Kingdom
|
|
1996
|
|
Glenn Brown, Peter Doig, Jim Hodges, Adriana Varejao
Galerie Ghilaine Hussenot, Paris, France (group)
|
|
1996
|
|
21 Days of Darkness
Transmission Gallery, Glasgow, Scotland (group)
|
|
1996
|
|
Brilliant: New Art from London
Contemporary Arts Museum, Houston, Texas, USA (group)
|
|
1996
|
|
Ace: Arts Council Collection New Purchases
Hatton Gallery, New Castle upon Tyne, England;
Harris Museum and Art Gallery, Preston, England;
Oldham Art Gallery, Hayward Gallery, London, England;
Ikon Gallery, Birmingham, England;
Mappin Art Gallery, Sheffield, England;
Angel Row Gallery, Nottingham, England;
Ormeau Baths Gallery, Belfast, Ireland (group)
|
|
1996
|
|
Out of Space
Cole and Cole, Oxford, England (group)
|
|
1996
|
|
Strange Days
The Agency, London, England (group)
|
|
1996
|
|
The Jerwood Painting Prize
Lethaby Galleries, Central Saint Martin's College, London, England (group)
|
|
1996
|
|
Fernbedienung: Does Television Inform the Way Art is Made?
Kunstverein Graz, Austria (group)
|
|
1996
|
|
About Vision, New British Painting in the 1990's
Museum of Modern Art, Oxford, England (group)
|
|
1995
|
|
From Here
Waddington Galleries and Karsten Schubert, London, England (group)
|
|
1995
|
|
Summer Group Show
Karsten Schubert, London, England (group)
|
|
1995
|
|
Brilliant: New Art from London
Walker Art Center, Minneapolis, MN (group)
|
|
1995
|
|
Young British Artists V
Saatchi Collection, London, England (group)
|
|
1995
|
|
Obsession
The Tannery, London, England (group)
|
|
1995
|
|
Painters' Opinion
Bloom Gallery, Amsterdam, The Netherlands (group)
|
|
1995
|
|
That's Not The way To Do It
Project Space, University of Northumbria at Newcastle, England (group)
|
|
1995
|
|
Karsten Schubert Gallery, London
|
|
1994
|
|
Every Now and Then
Rear Window at Richard Salmon Ltd, London, England (group)
|
|
1994
|
|
Here and Now
Serpentine Gallery, London, England (group)
|
|
1994
|
|
Summer Group Show: Gallery Artists
Karsten Schubert, London, England (group)
|
|
1993
|
|
Barclay's Young Artist Award
Serpentine Gallery, London, England (group)
|
|
1993
|
|
Re-Present
Todd Gallery, London, England (group)
|
|
1993
|
|
Launch
Curtain Road Arts, London, England (group)
|
|
1993
|
|
Painting Invitational
Barbara Gladstone Gallery, New York, NY (group)
|
|
1993
|
|
Mandy Loves Declan 100%
Boote Gallery, New York, NY (group)
|
|
1992
|
|
Surface Values
Kettle's Yard, Cambridge, England (group)
|
|
1992
|
|
How Did These Children Come To Be Like That
Goldsmiths' Gallery, London, England (group)
|
|
1992
|
|
With Attitude
Galerie Guy Ledune, Brussels, Belgium (group)
|
|
1991
|
|
Group Show
Todd Gallery, London, England (group)
|
|
1990
|
|
B T New Conte
Arnolfini Gallery, Bristol, England:
John Hansard Gallery, Southampton, England;
Dean Clough, Halifax, England;
Ikon Gallery, Birmingham, England;
Arts Council Gallery, Belfast, Ireland;
Third Eye Center, Glasgow, Scotland;
I.C.A., London, England (group)
|
|
1989
|
|
Christie's New Contemporaries
Royal College of Art, London, England (group)
|
|
1989
|
|
B T New Contempo
I.C.A., London, England;
Cornerhouse Gallery, Manchester, England;
South Hill Park, Braknell;
Dean Clough, Halifax, England;
Brewery Arts Center, Kendal, England (group)
|
|
|
|
|
|
|
| Literature |
|
|
|
2006
|
|
Higgie, Jennifer. “He Paints Paint” ,Parkett Issue No. 75, January 2006: 106 - 109.
|
|
2006
|
|
Smith, Trevor. “New Worlds for Old: The Fantastic Voyage of Glenn Brown” Parkett Issue No. 75, January 2006: 116 -121.
|
|
2006
|
|
Heiser, Jörg. “Master and Minion,”Parkett Issue No. 75, January 2006: 133-139.
|
|
2005
|
|
Myers, Terry R, “Coming Up Roses”, ArtReview, Volume LVI, June 2005: 38-40
|
|
2005
|
|
Harvey, Doug. “High art: Affirming art’s secret history of substance abuse”, LA Weekly, November 4-10, 2005
|
|
2004
|
|
Glenn Brown
Gagosian Gallery, New York
|
|
2004
|
|
Glenn Brown
Serpentine Gallery, London
|
|
2002
|
|
(The World May Be) Fantastic: 2002 Biennale of Sydney
Sydney
|
|
2002
|
|
Lieber Maler, male mir
Schirn Kunsthalle, Frankfurt;
Kunsthalle Wien, Vienna;
Musée national d'arte moderne, Centre Pompidou, Paris
|
|
2001
|
|
Azerty
Musée national d'arte moderne, Centre Pompidou, Paris
|
|
2000
|
|
The British Art Show 5
South Bank Centre National Touring Exhibitions
|
|
2000
|
|
Blue
The New Art Gallery Walsall, England
|
|
2000
|
|
High Art Lite
Verso, London
|
|
2000
|
|
John Moors 21
National Museums and Galleries on Merseyside
|
|
1999
|
|
Examining Pictures
Whitechapel Art Gallery, London;
Museum of Contemporary Art, Chicago
|
|
1998
|
|
Abstract Painting, Once Removed
Contemporary Arts Museum, Housten
|
|
1997
|
|
Sensation
Thames & Hudson / Royal Academy of Art, London
|
|
1997
|
|
Blimey!
Matthew Collings, 21, London
|
|
1997
|
|
Treasure Island, A Ilha Do Tesouro
Fundacao Calouste Gulbenkian, C.A.M.J.A.P. Lisbon
|
|
1996
|
|
About Vision, New British Painting in the 1990s
Museum of Modern Art Oxford
|
|
1996
|
|
Fernbedienung, Does Television Inform the Way Art is Made
Grazer Kunstverein
|
|
1995
|
|
Young British Artists V
Saatchi Gallery, London
|
|
1995
|
|
Brilliant: New Art from L
Walker Arts Center Minneapolis
|
|
1995
|
|
From Here
Waddington Galleries & Karsten Schubert, London
|
|
1995
|
|
Shark Infested Waters, The Saatchi Collection of British Art in the 90's
Zwemmer, London
|
|
1993
|
|
Mandy Loves Declan 100%
Mark Boote Gallery, New York
|
|
1992
|
|
Barclays Young Artists Award
London
|
|
1991
|
|
B T New Contemporaries
|
|
1989
|
|
B T New Contemporaries
|
|
|
| Links to further information |
|
|
|
|
|