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Gary Hill Biography
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1951 |
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Born in Santa Monica, California
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1985 |
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Grand Prix (shared), 1st Tokyo International Video Biennale, Tokyo, Japan
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1985 |
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Sony Grand Prize (3/4-inch Video/New Media), Video Culture
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1985 |
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International, Montreal, Quebec
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1985 |
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1st Prize Art (Video/New Media), Video Culture International, Montreal, Quebec
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1985 |
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International, Montreal, Quebec
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1987 |
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National Endowment for the Arts Fellowship
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1988 |
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"Seattle Artists 1988" (selected for City Lights portable works), Seattle, WA
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1988 |
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Grand Prix, World Wide Video Festival, The Hague, The Netherlands
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1988 |
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Honorable Mention, 3rd Bonn Video Art Festival, Bonn, Germany
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1988 |
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Prix Alcan (Video), 18th Annual Montreal Film and Video Festival, Montreal, Quebec, Canada
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1988 |
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1st Prize (Structuralist Video), Athens International Video Festival, Athens, OH
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1988 |
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Grand Prize, 6th Annual Daniel Wadsworth Video Festival, Real Art Ways, Hartford, CT
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1988 |
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James D. Phelan Art Award, San Francisco Foundation, CA
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1988 |
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Honorable Mention (Non-Narrative Video), Video Culture International, Toronto, Ontario
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1990 |
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Rockefeller Intercultural Media Arts Fellowship (stage 2)
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1991 |
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Prize Winner, "ARTEC 91," International Biennale, Nagoya, Japan
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1991 |
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Prize Winner (Performance Video), 13th Atlanta Film/Video Festival, Atlanta, GA
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1995 |
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Leone d'Oro, Prize for Sculpture, Biennale of Venice, Italy
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1998 |
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John D. and Catherine T. MacArthur Foundation Grant
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2000 |
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CAA Artist Award for Distinguished Body of Work, College Art
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2000 - 2001 |
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Joseph H. Hazen Rome Prize Fellowship
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2003 |
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Artist Trust/Washington State Arts Commission Fellowship
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2003 |
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Skowhegan Medal for Video Installation
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| Selected Exhibitions |
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2010
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Paying a Visit to Mary, The Aldrich Contemporary Art Museum, Aldrich, Connecticut
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2010
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CUE: Artist’s Video, Vancouver Art Gallery, Vancouver
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2010
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Circumstances/Circunstancias, MIS Museu da Imagem e Do Som, Sao Paulo, Brazil (solo)
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2010
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The Contemporary Figure, Donald Young Gallery, Chicago, IL
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2010
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Oslo Screen Festival 2010, Filmens Hus, Oslo, Norway
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2010
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Mulberry Tree Press, SE8 Gallery, London, England
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2010
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DreamTime 2 / Fantasmagoria, La Grotte du Mas d’Azil, Le Mas-d’Azil, France
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2010
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SWELL: Art 1950 – 2010, Friedrich Petzel Gallery, New York, NY
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2010
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From Picasso to Gary Hill, MAC Museu de Arte Contemporânea Centro Dragão do Mar de Arte e Cultura, Fortaleza, Ceará, Brazil
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2010
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Short Shorts, Electronic Arts Intermix (EAI), New York, NY
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2010
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TV/ARTS/TV, Arts Santa Mònica, Barcelona, Spain
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2010
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Gary Hill: Viewer, GMG Gallery, Moscow, Russia (solo)
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2009
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Gary Hill: Up Against Down, Christchurch Art Gallery, Christchurch, New Zealand (solo)
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2009
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Gary Hill: Voice Grounds, St Paul Street Gallery, Auckland University of Technology, Auckland, New Zealand (solo)
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2009
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Holbein to Tillmans, Prominent Guests from the Kunstmuseum Basel, Schaulager / Laurenz Foundation, Basel Switzerland
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2009
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Talking Tongues and Other Organs, Kleinert James Arts Center, Woodstock, NY
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2009
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Against the Grain: 15 Years of Collecting, Kunstmuseum Wolfsburg, Wolfsburg, Germany
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2009
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Private Universes, Dallas Museum of Art, Dallas, TX
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2009
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Art 40 Basel / Donald Young Gallery, Basel, Switzerland
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2009
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Vital Signals: Japanese + American Video Art from the 1960s and 70s, touring EAI (Electronic Arts Intermix, NY) video program
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2009
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The Estrangement of Judgement, Jensen Gallery, Auckland, New Zealand
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2009
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5th VentoSul Biennial, Instituto Paranaense de Arte, Curitiba, Brazil
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2009
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Faux Jumeaux, S.M.A.K., Ghent, Belgium
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2009
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Videnie, PERMM Museum of Contemporary Art, Perm, Russia
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2009
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See This Sound: Promises in Sound and Vision, Lentos Art Museum, Linz, Austria
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2009
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Vortexhibition Polyphonica, Henry Art Gallery, University of Washington, Seattle, WA
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2009
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IMAI on Screen: Voice Windows, Art House Cinema Bambi, Dusseldorf, Germany
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2009
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Art of Limina: Gary Hill, Oi Futureo, Rio de Janeiro, Brazil (solo)
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2008
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James Harris Gallery, Seattle, WA (solo)
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2008
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Gary Hill / It’s Turtles All the Way Down, in SITU / Fabienne Leclerc, Paris, France (solo)
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2008
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Fundacion Centro Cultural Chacao, Caracas, Venezuela (solo)
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2008
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The Cinema Effect: Illusion, Reality, and the Moving Image, Part I: Dreams, The Hirshhorn Museum and Sculpture Garden, Washington, DC
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2008
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Die Lucky Bush, The Museum of Contemporary Art Antwerp (MuHKA), Antwerp, Belgium
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2008
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Art 39 Basel / Donald Young Gallery, Basel, Switzerland
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2008
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On Time, video program in conjunction with the exhibition, “Synthetic Times – Media Art China 2008, The National Art Museum of China (NAMOC), Beijing, China
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2008
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Sensory Overload: Light, Motion, Sound and Optical Art since 1945, Milwaukee Art Museum, Milwaukee, WI
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2008
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Art & Tech – Wondering, Art Taipei 2008, Taipei, Taiwan
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2008
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Don’t You F***IN’ Look At Me! Surveillance in the 21st Century, 911 Media Arts, Seattle, WA
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2008
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Flight Dreams, Art Gallery of Nova Scotia, Halifax, Nova Scotia, Canada; Art Gallery of Nova Scotia Western Branch, Yarmouth, Canada, 2009
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2008
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The 2008 Centre Georges Pompidou Exhibition: ‘Heaven for Artists’, Seoul Museum of Art (SeMA), Seoul, Korea
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2008
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Art Basel Miami Beach / Donald Young Gallery, Miami Beach, FL
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2007
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Gary Hill, Gladstone Gallery, New York
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2007
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Gary Hill, Louise T. Blouin Foundation, London
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2007
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Gary Hill: Strange Trajectories, IMAI (Inter Media Art Intitute), Dusseldorf, Germany
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2007
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Uneasy Angel/Imagine Los Angeles, Monika Spruth Philomene Magers, Munich
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2007
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Video Trajectories, MIT List Visual Arts Center, Boston
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2007
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Sound Dimension, Koldo Mitxelena Kulturunea, San Sebastian
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2007
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Mouth Open, Teeth Showing: Works from the True Collection, Henry Art Gallery, University of Washington, Seattle
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2007
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Passage du Temp: une selection d’oeuvres de la Francois Pinault Foundation, Tri Postal, Lille, France
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2007
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Her(his)tory, Museum of Cycladic Art, Greece
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2007
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Gary Hill: Glass Onion, 911 Media Arts, Seattle, WA (solo)
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2006
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Gary Hill: Images of Light, Museu d’Art Espanyol Contemporani, Palma de Mallorca, Spain; Museo de Arte Abstracto Espanol, Cuenca, Spain, 2007 (solo)
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2006
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Donald Young Gallery, Chicago, IL (solo)
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2006
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Gary Hill, Fondation Cartier pour l'art contemporain, Paris (solo)
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2006
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Im Anfang war das Wort, Langenscheidt KG, Munich, Germany
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2006
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18: Beckett, Blackwood Gallery, University of Toronto at Mississauga, Ontario
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2006
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The 80's: A Topology, Museau Serralves, Porto
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2006
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Wrestle, CCS Bard /Hessel Museum of Art, Annandale-on-Hudson, New York
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2006
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The Grand Promenade, Hellenic Ministry of Culture, National Museum of Contemporary Art, Athens, Greece
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2005
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Image, Body, Text: Selected Words by Gary Hill, San Francisco Museum of Modern Art, San Francisco, CA
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2005
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Gary Hill: Projecting Rome, solo exhibition of projected installations at the Coliseum and various venues in Rome, Italy
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2005
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Language Willing, Salt Lake Art Center, Salt Lake City
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2005
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L’oeil-moteur: Art optique et art cinétique, 1950 – 1975, Musée d’art Moderne et contemporain de Strasbourg, France
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2005
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River Styx, Western Bridge, Seattle, WA
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2005
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Temps de vídeo, Fundacio “la Caixa,” Barcelona, Spain
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2005
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Logical Conclusions: 40 Years of Rule-Based Art,” PaceWildenstein, New York, NY
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2004
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W.O.W. (The Work of the Work), Henry Art Gallery, University of Washington, Seattle (group show with Tall Ships)
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2004
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Artists Favourites, ICA, London, England
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2004
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Works and Days: Acquisitions for the Louisiana Collection 2000 –2004, Louisiana Museum of Modern Art, Humlebaek, Denmark
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2004
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Sons et Lumières, Centre Georges Pompidou, Paris, France
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2004
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Perspectives @ 25, Contemporary Arts Museum Houston, Houston, 08 October – 09 January 2005
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2004
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Transmit + Transform, Santa Fe Art Institute, Santa FE, NM
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2004
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The Myth of Childhood in the 20th Century Art, Museo Cantonale d’Arte, Lugano
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2004
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Contrepoint, l’art contemporain au Louve, Musée du Louvre, Paris
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2004
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Trans-Culture, National Museum of Contemporary Art (EMST), Athens, Greece(group show with commissioned work, Standing Ground)
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2004
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Lateral Thinking: Art of the 1990’s, (travelling exhibition) Dayton Art Institute, Dayton, Ohio (group show with Learning Curve (still point))
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2004
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Being with Things, Art Basel Art Unlimited 2004, Switzerland
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2004
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The Arizona State University Art Museum (solo)
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2004
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Gary Hill: Wall Piece, Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN
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2003
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Sammlung Goetz, München (solo)
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2002
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La Compagnie, Marseille, France (solo)
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2002
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New Frontiers, Art Association, Jackson Hole, WY
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2002
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Stepping Back, Moving Forward: Human Interaction in an Interactive Age, Pittsburgh Center for the Arts, Pittsburgh, PA
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2002
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Factory at the Art School of Athens, Athens, Greece
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2001 - 2002
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Media Connection, Palazzo delle Esposizioni, Rome, Italy. Travelled to: Palazzo della Triennale, Milan, Italy; Castel S. Elmo, Naples, Italy
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2001 - 2002
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Space Odysseys: Sensation and Immersion in Contemporary Art, Art Gallery of New South Wales, Sydney, Australia. Travelled to: Australian Centre for the Moving Image (Cinemedia), Melbourne, Australia (with the title “Deep Space: Sensation and Immersion”)
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2001 - 2002
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Hands, Israel Museum, Jerusalem, Israel
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2001 - 2002
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Lateral Thinking: Art of the 1990’s, Museum of Contemporary Art, San Diego, California
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2001 - 2002
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Into the Light: The Projected Image in American Art 1964 – 1977, Whitney Museum of American Art, New York, NY. Travelled to: Cleveland Museum of Art, Cleveland, OH; ZKM Karlsruhe, Germany
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2001 - 2002
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Fast Forward: Contemporary Videos by Gary Hill, Mary Lucier, and Michael Snow, as part of “The 59th Minute Art Project: Video Art on the Times Square Astrovision Billboard,” Times Square, New York, NY
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2001 - 2002
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Kunstmuseum Wolfsburg, Wolfsburg, Germany (solo)
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2001
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Hill(scape), Extra Microwave Media Art Festival (organized by Videotage), Hong Kong Cultural Centre, Hong Kong (solo)
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2001
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The Winnipeg Art Gallery, Winnipeg, Manitoba, Canada (solo)
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2001
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Gary Hill: Remembering Paralinguay, in SITU Fabienne Leclerc, Paris, France (solo)
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2001
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l’écriture vidéophage – les bandes vidéo de Gary Hill, La Compagnie, Marseille, France (solo)
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2001
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Gary Hill, 13th Videobrasil Electronic Art International Festival, São Paulo, Brazil (solo)
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2001
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Donald Young Gallery, Chicago, IL
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2001
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I’ll Never Let You Go, organized by Panacea Festivals / Siemens Kulturprogramm, Stockholm, Sweden
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2001
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2001 Annual Exhibition, American Academy in Rome, Rome, Italy
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2001
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49. International Art Exhibition, La Biennale di Venezia, Italy
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2001
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Black Box – The Dark Room in Art, Kunstmuseum Bern, Switzerland
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2000 - 2001
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Gary Hill: The Performative Image, WATARI-UM, The Watari Museum of Contemporary Art, Tokyo, Japan, and Towers Plaza Hall, Nagoya, Japan (solo)
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2000 - 2001
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Sprengel Museum, Hannover, Germany (solo)
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2000 - 2001
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Language Let Loose, Seattle Art Museum, Seattle, WA
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2000 - 2001
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Double Feature: Nick Crowe and Gary Hill, San Francisco Museum of Modern Art, San Francisco, CA
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2000 - 2001
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Voici, Palais des Beaux-Arts, Brussels, Belgium
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2000 - 2001
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Video Time, The Museum of Modern Art, New York, NY
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2000 - 2001
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46th Biennial Exhibition: Media/Metaphor, The Corcoran Gallery of Art, Washington, DC
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2000 - 2001
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Making Time: Considering Time as a Material in Contemporary Video & Film, Palm Beach Institute of Contemporary Art, Lake Worth, FL. Travelled to: UCLA Hammer Museum, Los Angeles, CA
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2000
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Moving Pictures, Real Art Ways (RAW), Hartford, CT
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2000
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The Anagrammatical Body: The Body and Its Photographic Condition, ZKM (Zentrum für Kunst und Medientechnologie), Karlsruhe, Germany
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2000
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Re: soundings, Film Video Series at Pratt, Pratt Institute of Art and Design, Brooklyn, New York
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2000
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L’Empire du Temps, Musée du Louvre, Paris, France
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2000
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Sound Video Film, Donald Young Gallery, Chicago, IL
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2000
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Vision Ruhr, Westfälisches Industriemuseum, Dortmund, Germany
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2000
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Surf Trip: Surf Culture Art and Artifacts, Yerba Buena Center for the Arts, San Francisco, CA
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2000
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Between Cinema and a Hard Place, Tate Modern, London, England
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2000
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12th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia
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2000
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1/2: Going Forward Looking Back, Seattle Art Museum, Seattle, WA
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2000
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media art 2000: escape, media_city seoul 2000, Seoul Metropolitan Museum, Seoul, Korea
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2000
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BOOK/ENDS WIRED: Electronic Media at the Arts Center, Capital Region Arts Center, Troy, NY
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2000
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Galerie Jamileh Weber, Zurich, Switzerland
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2000
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media(tion); fragmentation and acceleration, Center for Photography at Woodstock, Woodstock, NY
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2000
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Vies Parallèles, Ecole Régionale des Beaux-Arts de Rouen, Rouen, France
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2000
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Donald Young Gallery, Chicago, IL (solo)
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2000
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London Regional Art and Historical Museum, London, Ontario, Canada (solo)
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2000
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Centro Cultural Recoleta, Buenos Aires, Argentina (solo)
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2000
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Museo Caraffa, Córdoba, Argentina (solo)
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1999 - 2000
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The American Century: Art & Culture, Part II 1950-2000, The Whitney Museum of American Art, New York, NY
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1999 - 2000
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Warten, Kunst-Werke Berlin, Berlin, Germany
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1999 - 2000
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MOMA 2000, Museum of Modern Art, New York, NY
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1999 - 2000
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Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art, San Francisco Museum of Art, San Francisco, CA. Travelled to: ZKM / Center for Art and Media, Karlsruhe, Germany (2000 – 2001)
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1999 - 2000
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Dreams 1900-2000: Science, Art, and the Unconscious Mind, (travelling exhibition organized by the Binghamton University Art Museum, Binghamton, NY)
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1999 - 2000
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Rewind to the Future, Bonner Kunstverein, Bonn, Germany
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1999 - 2000
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The Cool World: Film & Video in America 1950 – 2000, Part 2: The Unfixed Image, 1970 - 2000, Whitney Museum of American Art, New York, NY (screening)
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1999
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TV Gallery, Moscow, Russia
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1999
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Passage, WATARI-UM – The Watari Museum of Contemporary Art, Tokyo, Japan
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1999
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Passage a l’art: des lieux et des choses, Forum Culturel du Blanc-Mesnil, Le Blanc-Mesnil, France
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1999
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The Liquid Medium: Video Art, Queensland Art Gallery, Brisbane, Queensland, Australia
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1999
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Umedalen Skulptur 99, organized by Galleri Stefan Andersson, Umeå, Sweden
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1999
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The Hand, The Power Plant, Toronto, Ontario, Canada
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1999
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Transmute, Museum of Contemporary Art, Chicago, IL
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1999
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Searchlight: Consciousness at the Millenium, CCAC (California College of Arts and Crafts) Institute, San Francisco, CA
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1999
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Romancing the Brain, Pittsburgh Center for the Arts, Pittsburgh, PA
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1999
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Re-Structure, Grinnell College Art Gallery, Grinnell, IA
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1999
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Aarhus Kunstmuseum, Aarhus, Denmark (solo)
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1999
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School of the Museum of Fine Arts, Boston, MA (solo)
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1999
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Gary Hill: Video Works, NTT InterCommunication Center (ICC), Tokyo, Japan
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1999
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A name, a kind of chamber, two weapons and a still life, Barbara Gladstone Gallery, New York, NY (solo)
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1999
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Galleria Lia Rumma and Galleria Carla Sozzani, Milan, Italy (solo)
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1998 - 1999
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Whitney Museum of American Art, New York, NY (solo)
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1998 - 1999
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Barbara Gladstone Gallery, New York, NY (solo)
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1998 - 1999
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Crossings, Kunsthalle Wien, Austria, and Galerie Rudolfinum, Prague, Czech Republic
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1998 - 1999
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Voices, Witte de With, Rotterdam, The Netherlands. Travelled to: Fundació Joan Miro, Barcelona, Spain; Le Fresnoy, Studio national des arts contemporains, Tourcoing, France
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1998 - 1999
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Blickwechsel, ZKM, Karlsruhe, Germany
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1998 - 1999
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Surrogate: The Figure in Contemporary Sculpture and Photography, Henry Art Gallery, Seattle, WA
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1998 - 1999
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Silent Treatment, Aspen Art Museum, Aspen, CO
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1998
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Center for Contemporary Images, Saint-Gervais Genève, Geneva, Switzerland (solo)
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1998
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The Kitchen, New York, NY (solo)
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1998
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Made in Corpus, Odyssud, Blagnac, France
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1998
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Anos 80, Culturgest – Gestão de Espaços Culturais, Lisbon, Portugal
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1998
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Personal Effects: The Collective Unconscious, Museum of Contemporary Art, Sydney, Australia
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1998
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3rd Werkleitz Biennial: sub fiction, Werkleitz, Germany
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1998
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Video Arte, Palacio de Osambela, Lima, Peru
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1998
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Tuning up #5, Kunstmuseum Wolfsburg, Wolfsburg, Germany
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1998
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Musée d’art contemporain de Montréal, Montreal, Quebec, Canada (solo)
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1998
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Visual Utterance: The Works of Gary Hill, Pacific Film Archive, University of California, Berkeley, CA (solo)
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1998
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Rice University Art Gallery, Houston, TX (solo)
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1998
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Fundação de Serralves, Porto, Portugal (solo)
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1998
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Donald Young Gallery, Seattle, WA (solo)
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1998
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Capp Street Project, San Francisco, CA (solo)
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1998
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St. Norbert Arts and Cultural Centre, St. Norbert, Manitoba, Canada (solo)
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1998
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Museu d’Art Contemporani, Barcelona, Spain (solo)
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1997
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The Digital Video Wall, Museum of Modern Art, New York
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1997
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Inside, Henry Art Gallery, Seattle, WA
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1997
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Citta’ Natura: mostra internazionale di arte contemporanea, Palazzo delle Esposizioni, Rome, Italy
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1997
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The Twentieth Century: The Age of Modern Art, Martin-Gropius-Bau, Berlin, Germany. Travelled to: Royal Academy of Arts, London, England
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1997
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Amours, Fondation Cartier pour l’art contemporain, Paris, France
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1997
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Angel, Angel, Kunsthalle Wien, Vienna, Austria. Travelled to: Galerie Rudolfinum, Prague, Czech Republic
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1997
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4th biennale d’art contemporain de Lyon, Musée d’art contemporain, Lyon, France
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1997
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’97 Kwangju Biennale: “Unmapping the Earth,” Kwangju, Korea
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1997
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The Objects in Hangar 2, Seattle Arts Commission, Building 2 at the former Sand Point Naval Base, Seattle, WA
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1997
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Human References: Marks of the Artist: A Ten Year Retrospective Exhibition of the Seattle Artists’ Program Collection, Seattle Arts Commission, Seattle Center Pavilion, Seattle, WA
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1997
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Water: The Renewable Metaphor, Museum of Art, University of Oregon, Eugene, OR
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1997
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Surveying the First Decade: Video Art and Alternative Media in the United States, San Francisco Museum of Modern Art, San Francisco, CA
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1997
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Unimplosive Art, Milan, Italy
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1997
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Grand Opening, Montevideo/TBA, Amsterdam, The Netherlands
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1997
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Westfälischer Kunstverein, Münster, Germany (solo)
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1997
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o lugar do outro/where the other takes place, Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil. Travelled to: Museu de Arte Moderna de São Paulo, Brazil (solo)
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1997
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University Art Galleries, University of California, San Diego, CA (solo)
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1997
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Center for Contemporary Art, Ujazdowski Castle, Warsaw, Poland
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1997
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Gary Hill: Rétrospective de ses premières oeuvres mono-bandes, Cinéma Lux, Caen, Basse-Normandie, France (solo)
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1996 - 1997
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Being and Time: The Emergence of Video Projection, (travelling exhibition organized by the Albright-Knox Art Gallery, Buffalo, NY)
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1996
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One and Others: Photography and Video by Juan Downey, Angela Grauerholz, Gary Hill, Alfredo Jaar, Annette Messager, Galerie Lelong, New York, NY
|
|
1996
|
|
The World Wide Video Festival, Kijkhuis, The Hague, The Netherlands
|
|
1996
|
|
Museum Barrytown, Stained Glass Studio, Barrytown, NY
|
|
1996
|
|
NowHere, Louisiana Museum of Modern Art, Humlebaek, Denmark
|
|
1996
|
|
Kunstmuseum Wolfsburg, Wolfsburg, Germany
|
|
1996
|
|
Foreign Bodies, Museum für Gegenwartskunst, Basel, Switzerland
|
|
1996
|
|
Le Printemps de Cahors: Photographie & Arts Visuels, Cahors, France. Travelled to: Portalen Contemporary Art Center, Greve, Denmark
|
|
1996
|
|
Moderna Museet Stockholm, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany
|
|
1996
|
|
From Ex-Libris to Home Page, Paço das Artes, Sao Paolo, Brazil
|
|
1996
|
|
Sonambiente, Akademie der Kunste, Berlin, Germany
|
|
1996
|
|
The Last Supper, Donald Young Gallery, Seattle, WA
|
|
1996
|
|
The Red Gate, Museum Van Hedendaagse Kunst Gent, Ghent, Belgium
|
|
1996
|
|
Video Collection of the Pompidou Center, Cinéma Rex, Belgrade, Yugoslavia
|
|
1996
|
|
Continuity & Contradiction, A New Look at the Permanent Collection from the Museum of Contemporary Art, San Diego, Miami Art Museum, Miami, FL
|
|
1996
|
|
Gary Hill: Withershins, Institute of Contemporary Art, Philadelphia, PA (solo)
|
|
1996
|
|
Galerie des Archives, Paris, France (solo)
|
|
1996
|
|
Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, (Forum), Bonn, Germany (solo)
|
|
1996
|
|
Galleria Lia Rumma, Naples, Italy (solo)
|
|
1996
|
|
Donald Young Gallery, Seattle, WA (solo)
|
|
1996
|
|
Gary Hill: Installations, vidéos, Centre d’art contemporain de Castres, Castres, France (solo)
|
|
1996
|
|
Barbara Gladstone Gallery, New York, NY (solo)
|
|
1996
|
|
White Cube, London, England (solo)
|
|
1995
|
|
Gary Hill, (Scandinavian touring exhibition organized by Riksutställningar, Stockholm, Sweden) (solo)
|
|
1995
|
|
Busch-Reisinger Museum, Harvard University Art Museums, Cambridge, MA (solo)
|
|
1995
|
|
Gary Hill: Remarks on Color, Fundació “la Caixa,” Barcelona, Spain (solo)
|
|
1995
|
|
Dia Center for the Arts, New York, NY (solo)
|
|
1995
|
|
Private/Public: ARS '95 Helsinki, Museum of Contemporary Art, Helsinki, Finland
|
|
1995
|
|
Pour un couteau, Le Creux de l'Enfer, Le Centre d'art contemporain, Thiers, France
|
|
1995
|
|
Altered States: American Art in the 90’s, Forum for Contemporary Art, St. Louis, MO
|
|
1995
|
|
Immagini in Prospettive, Cinema “Verdi,” Serre de Rapolano, Italy
|
|
1995
|
|
MultiMediale 4, Zentrum für Kunst und Medientechnologie (ZKM), Karlsruhe, Germany
|
|
1995
|
|
Identità e Alterità, Venice Biennale, Venice, Italy
|
|
1995
|
|
Video Spaces: Eight Installations, Museum of Modern Art, New York, NY
|
|
1995
|
|
Sound Sculpture – Music for the Eye, Ludwig Museum im Deutschherrenhaus, Koblenz, Germany
|
|
1995
|
|
Longing and Belonging: From the Faraway Nearby, Site Santa Fe, Santa Fe, NM
|
|
1995
|
|
Sedicesima Biennale Internazionale del Bronzetto Piccola Scultura Padova, Padua, Italy
|
|
1995
|
|
feux terrestres, Centre Régional d’Art Contemporain, Montbéliard, France
|
|
1995
|
|
Carnegie International, Carnegie Museum of Art, Pittsburgh, PA
|
|
1995
|
|
3rd Biennale d’art contemporain de Lyon, Musée d’art contemporain, Lyon, France
|
|
1994 - 1995
|
|
Gary Hill, (travelling exhibition organized by the Henry Art Gallery, Seattle, WA) (solo)
|
|
1994
|
|
Musée d'art contemporain, Lyon, France (solo)
|
|
1994
|
|
Gary Hill: Selected Videotapes 1978-1990, Art Gallery of Ontario, Toronto, Ontario, Canada (solo)
|
|
1994
|
|
911 Media Arts Center, Seattle, WA (solo)
|
|
1994
|
|
Imagining the Brain Closer than the Eyes, Museum für Gegenwartskunst, Öffentliche Kunstsammlung, Basel, Switzerland (solo)
|
|
1994
|
|
Beeld/Beeld, Museum van Hedendaagse Kunst, Ghent, Belgium
|
|
1994
|
|
Múltiplas Dimensões, Centro Cultural de Belém, Lisbon, Portugal
|
|
1994
|
|
Intelligent Ambience, Ars Electronica ’94: Festival fur Kunst, Technologie und Gesellschaft. Travelled to: Long Beach Museum of Art, Long Beach, CA
|
|
1994
|
|
Video Art ’94: ature in Motion, Mánes, Prague, Czech Republic
|
|
1994
|
|
Bienal Internacionale de São Paulo, São Paulo, Brazil
|
|
1994
|
|
Facts and Figures: Selections from the Lannan Foundation Collection, Lannan Foundation, Los Angeles, CA
|
|
1994
|
|
Light Into Art: From Video to Virtual Reality, Contemporary Arts Center, Cincinnati, OH
|
|
1994
|
|
Cocido y Crudo, Museo Nacionale Centro de Arte Reina Sofia, Madrid, Spain
|
|
1994
|
|
Heart of Darkness, Kröller-Müller Museum, Otterlo, The Netherlands
|
|
1993
|
|
Whitney Biennial, Whitney Museum of American Art, New York, NY
|
|
1993
|
|
Between World and Image, Museum of Modern Art, New York, NY
|
|
1993
|
|
The 21st Century: Into the Future with Paracelsus, Künsthalle Basel, Basel, Switzerland
|
|
1993
|
|
Passageworks, Rooseum, Malmö, Sweden
|
|
1993
|
|
American Art in the 20th Century, Painting and Sculpture 1913-1993, Martin-Gropiu-Bau, Berlin, Germany. Travelled to: Royal Academy of Arts and the Saatchi Gallery, London, England
|
|
1993
|
|
Frames, Ydessa Hendeles Art Foundation, Toronto, Ontario, Canada
|
|
1993
|
|
16 Dagar, Nylistasafnid, The Living Art Museum, Reykjavik, Iceland
|
|
1993
|
|
Gary Hill, Between Cinema and a Hard Place, and recent works by Lewis Baltz, Jac Leirner, and Glenn Ligon," The Bohen Foundation, New York, NY
|
|
1993
|
|
1993 Whitney Biennial in Seoul, National Museum of Contemporary Art, Seoul, Korea
|
|
1993
|
|
Fifth Fukui International Video Biennal, Fukui, Japan
|
|
1993
|
|
Anonymity and Identity, Anderson Gallery, Virginia Commonwealth University, Richmond, VA. Travelled to: The Art Gallery, University of Maryland, College Park, MD
|
|
1993
|
|
strange HOTEL, Aarhus Kuntsmuseum, Aarhus, Denmark
|
|
1993
|
|
37th London Film Festival, London, England
|
|
1993
|
|
ForumBHZvideo, Festival Internacional de Video, Belo Horizonte, Minas Gerais, Brazil
|
|
1993
|
|
Centro Cultural Arte Contemporaneo, Mexico City, Mexico
|
|
1993
|
|
Donald Young Gallery, Seattle, WA (solo)
|
|
1993
|
|
Gary Hill: In Light of the Other, Museum of Modern Art, Oxford, England. Travelled to: Tate Gallery Liverpool, Liverpool, England (solo)
|
|
1993
|
|
Gary Hill: Sites Recited, Long Beach Museum of Art, Long Beach, CA (solo)
|
|
1992 - 1993
|
|
Gary Hill, (travelling exhibition organized by the Musée national d'art moderne, Centre Georges Pompidou, Paris, France) (solo)
|
|
1992
|
|
Japan 92 Video and Television Festival: “Prospectus for a TV Art Channel,” Spiral, Tokyo, Japan (solo)
|
|
1992
|
|
Gary Hill: I Believe It Is an Image, WATARI-UM – The Watari Museum of Contemporary Art, Tokyo, Japan (solo)
|
|
1992
|
|
Le Creux de L'Enfer, Centre d'art contemporain, Thiers, France (solo)
|
|
1992
|
|
Establissements Phonographiques de l’Est, Paris, France (solo)
|
|
1992
|
|
Stedelijk Van Abbemuseum, Eindhoven, The Netherlands (solo)
|
|
1992
|
|
Donald Young Gallery, Seattle, WA
|
|
1992
|
|
Les Rencontres en Direct, American Center, Paris, France
|
|
1992
|
|
Japan: Outside/Inside/Inbetween, Artists Space, New York, NY
|
|
1992
|
|
Dance, California Museum of Photography, Riverside, CA
|
|
1992
|
|
Doubletake: Collective Memory and Current Art, Hayward Gallery, London, England. Travelled to: Künsthalle Wien, Vienna, Austria
|
|
1992
|
|
C’est pas la fin du monde – une exposition des années 80, Galerie Art et Essai De l’Université de Rennes 2, Rennes, France; La Criée, Halle d’Art Contemporain, Rennes, France; Galerie de T.N.B., Rennes, France
|
|
1992
|
|
Documenta IX, Museum Fridericianum, Kassel, Germany
|
|
1992
|
|
Night of Electricity, Nighttown, Rotterdam, The Netherlands
|
|
1992
|
|
Videokunstfest, Kassel, Germany, Travelled to: Botschaft Festival, Berlin, Germany; Hinterhaus, Wiesbaden, Germany
|
|
1992
|
|
The Binary Era: New Interactions, Musée d'Ixelles, Brussels, Belgium, Travelled to: Künsthalle Wien, Vienna, Austria
|
|
1992
|
|
Art at the Armory: Occupied Territory, Museum of Contemporary Art, Chicago, IL
|
|
1992
|
|
Métamorphoses, St. Gervais-Genève, Geneva, Switzerland
|
|
1991
|
|
Currents, Institute of Contemporary Art, Boston, MA
|
|
1991
|
|
The Body (2), The Renaissance Society at the University of Chicago, Chicago, IL
|
|
1991
|
|
Whitney Biennial, Whitney Museum of American Art, New York, NY
|
|
1991
|
|
International Art Exhibition Berlin 1991: Metropolis, Martin-Gropius-Bau, Berlin, Germany
|
|
1991
|
|
In Public: 1991: Artists from Seattle, Seattle Art Museum, Seattle, WA
|
|
1991
|
|
In Public: Seattle, 1991, Security Pacific Gallery, Seattle, WA
|
|
1991
|
|
Impakt: Festival voor Experimentele Kunst, Utrecht, The Netherlands
|
|
1991
|
|
Topographie 2: Untergrund, Wiener Festwochen, Vienna, Austria
|
|
1991
|
|
The Body, Grazer Kunstverein, Graz, Austria
|
|
1991
|
|
ARTEC ’91 Second International Biennale, Nagoya, Japan
|
|
1991
|
|
Glass: Material in the Service of Meaning, Tacoma Art Museum, Tacoma, WA
|
|
1991
|
|
Performing Objects, Institute of Contemporary Art, Boston, MA
|
|
1991
|
|
Galerie des Archives, Paris, France (solo)
|
|
1991
|
|
OCO Espace d'art contemporain, Paris, France (solo)
|
|
1990
|
|
Galerie des Archives, Paris, France (solo)
|
|
1990
|
|
Gary Hill: Incidence of Catastrophe, YYZ Artist's Outlet, Toronto, Ontario, Canada (solo)
|
|
1990
|
|
OTHERWORDSANDIMAGES, Video Galleriet, Huset, Denmark and Ny Carlsberg Glyptotek Museum, Copenhagen, Denmark (solo)
|
|
1990
|
|
Museum of Modern Art, New York, NY (solo)
|
|
1990
|
|
Moderna Museet, Stockholm, Sweden. Travelled to: Museum of Contemporary Art, Helsinki, Finland (solo)
|
|
1990
|
|
Tendances multiples: Vidéos des Annees 80, Musée national d'art moderne, Centre Georges Pompidou, Paris, France
|
|
1990
|
|
1990 – Energies: An Exhibition of Fifteen International Artists, Stedelijk Museum, Amsterdam, The Netherlands
|
|
1990
|
|
Video Poetics, Long Beach Museum of Art, Long Beach, CA
|
|
1990
|
|
"L'Amour de Berlin: Installation Video," Centre Culturel de Cavaillon, Cavaillon, France
|
|
1990
|
|
A Force of Repetition," New Jersey State Museum, Trenton, NJ
|
|
1990
|
|
"Passages de l'image," Musée national d'art moderne, Centre Georges Pompidou, Paris, France.
|
|
1990
|
|
"God & Country," Greg Kucera Gallery, Seattle, WA
|
|
1990
|
|
“V.I.P. video – image – peinture,” Galerie du génie, Paris, France
|
|
1990
|
|
“Le temps des machines,” Centre de recherche et d’action culturelle (CRAC), Valence, France
|
|
1990
|
|
“NON%*@#&?!SENSE,” Whitney Museum of American Art, New York, NY
|
|
1990
|
|
"Bienal de la imagen en movimento '90," Centro de Arte Reina Sofia, Madrid, Spain
|
|
1989
|
|
"Video-Skulptur Retrospektiv und Aktuell 1963-1989," Kolnischer Künstverein, Cologne, Germany
|
|
1989
|
|
Whitney Biennial, Whitney Museum of American Art, New York, NY
|
|
1989
|
|
"Electronic Landscapes," The National Gallery of Canada, Ottawa, Ontario, Canada
|
|
1989
|
|
2nd Japan Video Television Festival: “Delicate Technology,” Spiral, Aoyama, Tokyo, Japan
|
|
1989
|
|
"Les Cent jours d'art contemporain de Montreal 1989," Centre international d'art contemporain de Montreal, Montreal, Quebec, Canada
|
|
1989
|
|
“Video and Language,” Museum of Modern Art, New York, NY
|
|
1989
|
|
The World Wide Video Festival, Kijkhuis, The Hague, The Netherlands
|
|
1989
|
|
“Extended Definitions: Video Experiments in Perception,” Artists Space, New York, NY
|
|
1989
|
|
"Eye for I: Video Self-Portraits," organized by Independent Curators Incorporated, New York, NY
|
|
1989
|
|
Musée d'art moderne, Villeneuve d'Ascq, France (solo)
|
|
1989
|
|
Beursschouwburg, Brussels, Belgium (solo)
|
|
1989
|
|
Kijkuis, The Hague, The Netherlands (solo)
|
|
1989
|
|
“Between the Silences: The Videoworks of Gary Hill,” Pacific Film Archive, University of California, Berkeley, CA (solo)
|
|
1989
|
|
“1989 Whitney Biennial Film & Video Exhibiton,” Institut d’estudis nord americans, Barcelona, Spain
|
|
1989
|
|
“Image World: Mediamedia,” Whitney Museum of American Art, New York, NY
|
|
1989
|
|
“3 Semaine Internationale de Video,” St. Gervais-Genève, Geneva, Switzerland (festival selection)
|
|
1989
|
|
"Selections from the Permanent Collection: Recent Acquisitions - Video," San Francisco Museum of Modern Art, San Francisco, CA
|
|
1988
|
|
"Infermental VII," organized by Hallwalls Contemporary Arts Center, Buffalo, New York. Travelled internationally to over 30 venues
|
|
1988
|
|
"Degrees of Reality," Long Beach Museum of Art, Long Beach, CA
|
|
1988
|
|
"AS TOLD TO: Structures for Conversation," Walter Philips Gallery, Banff Centre, Banff, Alberta, Canada
|
|
1988
|
|
"3. Videonale," Bonn, Germany
|
|
1988
|
|
"The World Wide Video Festival," Kijkhuis, The Hague, The Netherlands
|
|
1988
|
|
“Ethique & Television: 4 Manifestation Internationale de Video et TV,” Montbéliard, France
|
|
1988
|
|
Festival International du Nouveau Cinéma et de la Vidéo Montréal, Montreal, Quebec, Canada
|
|
1988
|
|
32nd London Film Festival, London, England
|
|
1988
|
|
Western Front, Vancouver, British Columbia, Canada (solo)
|
|
1988
|
|
Video Wochen, Basel, Switzerland (performance, screening) (solo)
|
|
1988
|
|
Espace lyonnais d'art contemporain (ELAC), Lyon, France (solo)
|
|
1987
|
|
Museum of Contemporary Art, Los Angeles, CA (solo)
|
|
1987
|
|
Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA (screening) (solo)
|
|
1987
|
|
Cornish College of the Arts, Seattle, WA (solo)
|
|
1987
|
|
Japan 87 – The 1st Video Television Festival: “Private Visions and Media Crossover,” Spiral, Aoyama, Tokyo, Japan
|
|
1987
|
|
"15th Avenue Studio #2: The Mechanics of Contemplation," Henry Art Gallery, University of Washington, Seattle, WA
|
|
1987
|
|
"The Arts for Television," international travelling exhibition organized by the Museum of Contemporary Art, Los Angeles, CA, and the Stedelijk Museum, Amsterdam, The Netherlands
|
|
1987
|
|
"Computers and Art," Everson Museum of Art, Syracuse, NY. Travelled to: Contemporary Arts Center, Cincinnati, OH
|
|
1987
|
|
"Cinq pièces avec vue: 2 Semaine Internationale de Video," organized by Bel Veder, Centre Génevois de Gravure Contemporaine, Geneva, Switzerland
|
|
1987
|
|
Centre national d’art contemporain de Grenoble, Grenoble, France
|
|
1987
|
|
"Video Discourse: Mediated Narratives," La Jolla Museum of Contemporary Art, La Jolla, CA
|
|
1987
|
|
"Infermental VI," Western Front, Vancouver, British Columbia, Canada. Travelled internationally
|
|
1987
|
|
"Video Discourse: Mediated Narratives," Institute of Contemporary Art, Boston, MA
|
|
1987
|
|
"Contemporary Diptychs: Divided Visions," Whitney Museum of American Art, Fairfield County, Stamford, CT
|
|
1987
|
|
Whitney Biennial, Whitney Museum of American Art, New York, NY
|
|
1987
|
|
"The Situated Image," Mandeville Gallery, University of California at San Diego (UCSD), La Jolla, CA
|
|
1987
|
|
"Documenta VIII," Museum Fridericianum, Kassel, Germany
|
|
1986
|
|
"Video Transformations," organized by Independent Curators Incorporated (ICI), New York, NY. Travelled in the U.S. from 1986 – 1987
|
|
1986
|
|
"Collections Videos: Acquisitions Depuis 1977," Musée National d'art Moderne, Centre Georges Pompidou, Paris, France
|
|
1986
|
|
"Cryptic Languages," Washington Project for the Arts, Washington, D.C.
|
|
1986
|
|
"The Image of Fiction: International Videoart, Infermental V," Con Rumore, Rotterdam, Germany. Travelled internationally
|
|
1986
|
|
"Resolution: A Critique of Video Art," Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA
|
|
1986
|
|
"Poetic License," Long Beach Museum of Art, Long Beach, CA
|
|
1986
|
|
The World Wide Video Festival, Kijkhuis, The Hague, The Netherlands
|
|
1986
|
|
"International Festival of Video Art," Saw Gallery, Ottawa, Ontario, Canada
|
|
1986
|
|
"Video: Recent Aquisitions," Museum of Modern Art, New York, NY
|
|
1986
|
|
Video and Language: Video as Language, Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA
|
|
1986
|
|
National Video Festival, American Film Institute (AFI), Los Angeles, CA
|
|
1986
|
|
Whitney Museum of American Art, New York, NY (solo)
|
|
1986
|
|
Mediaworks: Gary Hill, Nexus Gallery, Philadelphia, PA (solo)
|
|
1986
|
|
911 Contemporary Arts Center, Seattle, WA (solo)
|
|
1985
|
|
Video Gallery Scan, Tokyo, Japan (solo)
|
|
1985
|
|
International House of Japan, Tokyo, Japan (solo)
|
|
1985
|
|
American Center, Kyoto, Japan (solo)
|
|
1985
|
|
American Center, Sapporo, Japan (solo)
|
|
1985
|
|
American Center, Paris, France (solo)
|
|
1985
|
|
Gary Hill/Stephen Kolpan Video Works, Byrdcliffe Barn, Woodstock, NY (solo)
|
|
1985
|
|
911 Arts Center, Seattle, WA (solo)
|
|
1985
|
|
Whitney Biennial, Whitney Museum of American Art, New York NY
|
|
1985
|
|
A Video Sampler: Realities, American Museum of the Moving Image, Astoria, NY
|
|
1985
|
|
National Video Festival, American Film Institute (AFI), Los Angeles, CA
|
|
1985
|
|
San Francisco International Video Festival, San Francisco Art Institute, San Francisco, CA
|
|
1985
|
|
Image/Word: The Art of Reading, New Langton Arts, San Francisco, CA
|
|
1985
|
|
Video: Recent Acquistions, Museum of Modern Art, New York, NY
|
|
1985
|
|
Video Art: Stockholm International Festival '85, Kulturhuset, Stockholm, Sweden
|
|
1984
|
|
Mix,” The Kitchen Center for Video, Music, Dance, Performance and Film, New York, NY
|
|
1984
|
|
Videographia, Escoia I Centre d'Activtats Video, Barcelona, Spain
|
|
1984
|
|
So There, Orwell 1984, The Louisiana World Exhibition, New Orleans, LA
|
|
1984
|
|
Arte, Ambiente, Scena, Biennale di Venezia, Venice, Italy
|
|
1984
|
|
Video: A Retrospective / Long Beach Museum of Art, 1974-1984, Long Beach Museum of Art, Long Beach, CA
|
|
1984
|
|
The World Wide Video Festival, Kijkhuis, The Hague, The Netherlands
|
|
1984
|
|
National Video Festival, American Film Institute (AFI), Los Angeles, CA
|
|
1984
|
|
WNET/Thirteen TV Lab: A Survey, Museum of Modern Art, New York, NY
|
|
1984
|
|
Gary Hill: Selected Videography, JISC Plaza Video and International Cultural Community Services, Tokyo, Japan (solo)
|
|
1983
|
|
Whitney Museum of American Art, New York, NY (solo)
|
|
1983
|
|
International Cultural Center, Antwerp, Belgium (solo)
|
|
1983
|
|
Center for Media Art, The American Center, Paris, France (solo)
|
|
1983
|
|
MonteVideo, Amsterdam, The Netherlands (solo)
|
|
1983
|
|
Art Video Retrospectives et Perspectives, Palais des Beaux-Arts, Brussels, Belgium
|
|
1983
|
|
Whitney Biennial, Whitney Museum of American Art, New York, NY
|
|
1983
|
|
American Video: Twenty New Works, Museum of Modern Art, New York, NY
|
|
1983
|
|
Video As Attitude, University Art Museum, University of New Mexico, Albuquerque, NM
|
|
1983
|
|
The Second Link: Viewpoints on Video in the Eighties, Walter Philips Gallery, Banff, Alberta, Canada
|
|
1983
|
|
Art & Technology: Electronic Visions, Hudson River Museum, Yonkers, NY
|
|
1983
|
|
XXXI Festival Internacional de Cine de San Sebastian, San Sebastian, Spain
|
|
1983
|
|
San Francisco International Video Festival, San Francisco, CA
|
|
1983
|
|
Video Installation Exhibition, Visual Studies Workshop, Rochester, NY
|
|
1983
|
|
Video Art: A History, Part Two, Museum of Modern Art, New York, NY
|
|
1982
|
|
Sydney Biennale, Sydney, Australia
|
|
1982
|
|
Text/Picture Notes, Visual Studies Workshop, Rochester, NY
|
|
1982
|
|
Galerie H at ORF, Steirischer Herbst, Graz, Austria
|
|
1982
|
|
Gary Hill: Equal Time, Long Beach Museum of Art, Long Beach, CA (solo)
|
|
1981
|
|
Glass Onion, Installation for Video, Sound & Text: A Topological Mapping, And/Or Gallery, Seattle, WA (solo)
|
|
1981
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Museum of Modern Art, New York, NY (solo)
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1981
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Anthology Film Archives, New York, NY (solo)
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1981
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The Kitchen Center for Video and Music, New York, NY (solo)
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1981
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Projects Video XXXV, Museum of Modern Art, New York, NY
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1981
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Seventh Annual Ithaca Video Festival, Johnson Museum, Cornell University, Ithaca, NY
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1981
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National Video Festival, American Film Institute, John F. Kennedy Center for the Performing Arts, Washington, D.C.
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1981
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New York Video, Stadtische Galerie im Lenbachhaus, Munich, Germany
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1981
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Themes in Electronic Image Processing, The Kitchen Center for Video, Music, Dance, and Performance, New York, NY
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1980
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American Video: New York, Seattle and Los Angeles, organized by the Museum of Modern Art, New York, NY
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1980
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Video 80 / San Francisco International Video Festival, San Francisco, CA
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1980
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Video Viewpoints: Processual Video, Museum of Modern Art, New York, NY (solo)
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1980
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Media Study/Buffalo, Buffalo, NY (solo)
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1980
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Image Dissector Screening Series, University of California at Los Angeles, Los Angeles, CA (solo)
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| Literature |
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2008
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Strickland, Carol, The Annotated Mona Lisa," Andrew McMeel Publishing, Kansas City, 2008
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2007
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Hofman, Werner et al., RAUM: Orte der Kunst, Verlag fur moderne Kunst Nürnberg, 2007
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2007
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Higgins, Steven, Still Moving The Film and Media Collections of the Museum of Modern Art, The Museum of Modern Art, New York, 2006
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2007
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Her(his)tory, N.P. Goulandris Foundation - Museum of Cycladic Art, Greece
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2007
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Talking Art: Interviews with Artists Since 1976, Art Monthly, Manchester 2007
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2007
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Gielen, Denis, Atlas of Contemporary Art For Use By Everyone, Musée des Arts Contemporains au Grand-Hornu, Belgium, 2007
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2006
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50 Géants de l'art Americain, Beaux Arts, Paris, 2006
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2005
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Crippa, Antonella, "Sandretto re rebaudengo foundation," Tema Celeste, October 2005, pp. 99.
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2005
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Ferri, Patrizia, “Gary Hill,” Flash Art, July-September 2005, p. 83.
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2005
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Gary Hill: Scritti Interviste, a cura di Ester Coen, Electa, Milano
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2003
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Riding, Alan. “Artists Touched By Amazon Tribe.” The New York Times. Tuesday, June 17, 2003, E1, E5.
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2002
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Art y Parte, October/November, 2002
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2002
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Schwendener, Martha, "Language Willing", Time Out NY, October 3-10, 2002
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2002
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Fox, Dan, "D 11", Frieze, September, 2002
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2002
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Rush, Michael, "A Resume of Surfing and Philosophy as Well as Art", The New York Times, September 15, 2002
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2002
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Bers, Miriam, "Gary Hill at Kunstmuseum Wolfsberg," Tema Celeste, March/April, p. 92.
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2002
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Gary Hill, Selected Works + Catalogue Raisonné, Kunstmuseum Wolfsburg.
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2001
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The Uncanny: Experiments in Cyborg Culture, Vancouver Art Gallery.
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2001
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Gary Hill, Midnight Crossing, Remarks on Color, Center for Contemporary Art, Ujazdowski Castle, Warsaw.
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2001
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Soutif, Daniel, "Pick to Click,” Artforum, September
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2000
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Salvatore Lacognina, "Gary Hill,” Tema Celeste, January/February.
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1997
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TALL SHIPS Gary Hill’s Projective Installations No.2, Station Hill Arts.
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1997
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VIEWER Gary Hill’s Projective Installations No.3, Station Hill Arts and Barbara Gladstone Gallery.
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1996
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Gary Hill: HanD HearD/liminal objects (Galerie des Archives, Paris), Text by Charles Stein and George Quasha.
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1996
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Gary Hill: Imagining the Brain Closer Than the Eyes (Museum für Gegenwartskunst, Basel), Cantz, Essays by Hans Belting, Gottfried Boehm, Gary Hill, Birgit Kempker, Karlheinz Ludeking, Friedmann Malsch, and Theodora Vischer.
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1994
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Gary Hill (Henry Art Gallery, Seattle), Essays by Chris Bruce, Lynne Cooke, Bruce Ferguson, John Hanhardt, and Robert Mittenthal.
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1993
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Gary Hill (Stedelijk Museum, Amsterdam and Kunsthalle, Wien), in English with Dutch and German translations. Essays by Willem Van Weelden and George Quasha.
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