|
|
|
1966
|
|
Born in Charlotte, North Carolina
|
|
|
|
|
Studied at University of South Florida, Tampa
|
|
|
|
|
Lives and works in New York City
|
|
|
2013 |
|
Ena Swansea: Fugitive Scenes, Locks Gallery, Philadelphia, PA (solo) |
|
|
2013 |
|
Ena Swansea: The Delight of Painting, 13 Art Project, Seoul, South Korea (solo) |
|
|
2013 |
|
Manifesto, FIAF Gallery, New York, NY |
|
|
2013 |
|
And those who were seen dancing were thought to be insane by those who could not hear the music, Friedman Benda Gallery, New York, NY |
|
|
2011 - 2012 |
|
PSYCHO, Sammlung Falckenberg, Hamburg, Germany |
|
|
2011 |
|
Ena Swansea, organized by ARNDT Berlin, New York, NY (solo) |
|
|
2011 |
|
Printer’s Proof, Bertrand Delacroix Gallery, New York, NY |
|
|
2011 |
|
Art2, The FLAG Art Foundation, New York, NY |
|
|
2010 |
|
Corrida Goyesque, temporary sand painting at Arena d’Arles, Arles, France (solo) |
|
|
2010 |
|
Armory Show, ARNDT booth, New York, NY (solo) |
|
|
2010 |
|
New Light, Locks Gallery, Philadelphia, PA |
|
|
2010 |
|
Changing the World, ARNDT, Berlin, Germany |
|
|
2010 |
|
From the Beginning, 313 Art Project, Seoul, South Korea |
|
|
2009 |
|
Water is Best, Locks Gallery, Philadelphia, PA |
|
|
2009 |
|
Naked!, Paul Kasmin Gallery, New York, NY |
|
|
2008 |
|
Arndt & Partner, Zurich, Switzerland (solo) |
|
|
2008 |
|
Ena Swansea 2002–2008, Musée d’Art Moderne Grand-Duc Jean (MUDAM), Luxembourg (solo) |
|
|
2008 |
|
André Schlechtriem, New York, NY(solo) |
|
|
2007 |
|
André Schlechtriem Temporary Inc., New York, NY (solo) |
|
|
2007 |
|
True Romance: Allegories of Love from the Renaissance to the Present, Kunsthalle Wien, Vienna, Austria. Travelled to: Museum Villa Stuck, Munich, Germany; Kunsthalle zu Kiel der Christian-Albrechts-Universitat, Kiel, Germany |
|
|
2006 |
|
Armory Show, Galerie Crone booth, New York, NY (solo) |
|
|
2006 |
|
WoMA, André Schlechtriem Temporary Inc., New York, NY |
|
|
2006 |
|
New Work, Klemens Gasser & Tanja Grunert, Inc., New York, NY |
|
|
2006 |
|
Big Pictures, Small Pictures, White Sculpture, The Cartin Collection, Hartford, CT |
|
|
2006 |
|
Figuring the Landscape, Contemporary Art Galleries, University of Conneticut, Storrs, CT |
|
|
2006 |
|
The Triumph of Painting - Part 3, The Saatchi Gallery, London |
|
|
2006 |
|
Zurück zur Figur. Malerei der Gegenwart., Kunsthalle der Hypo-Kulturstiftung, Munich |
|
|
2005 |
|
Geschichtenerzähler, Galerie der Gegenwart, Hamburger Kunsthalle |
|
|
2005 |
|
Greater New York 2005, P.S.1 MoMA, New York |
|
|
2005 |
|
The Triumph of Painting, The Saatchi Gallery, London |
|
|
2005 |
|
Slices of Life: Blueprints of the Self in Painting, Austrian Cultural Forum, NY |
|
|
2005 |
|
Galerie Crone, Andreas Osarek, Berlin (solo) |
|
|
2005 |
|
Goetz Meets Falkenberg, Sammlung Falkenberg, Hamburg, Germany |
|
|
2005 |
|
Flower Power, Klemens Gasser & Tanja Grunert, Inc., New York, NY |
|
|
2005 |
|
Story-Tellers, Hamburger Kunsthalle, Hamburg, Germany |
|
|
2005 |
|
Slices of Life: Blueprints of the Self in Painting, Austrian Cultural Forum, New York, NY |
|
|
2004 |
|
Situation, Klemens Gasser & Tanja Grunert Inc., New York (solo) |
|
|
2004 |
|
X rays, Mario Diacono at Ars Libri, Boston, Massachusetts (solo) |
|
|
2004 |
|
Central Station: La Collection Harald Falckenberg, La Maison Rouge, Paris |
|
|
2004 |
|
Portraits, Esso Gallery, New York |
|
|
2003 |
|
Klemens Gasser & Tanja Grunert, Inc., New York (solo) |
|
|
2003 |
|
After Matisse Picasso, P.S.1, New York |
|
|
2002 |
|
The Reality of Shadows, Locks Gallery, Philadelphia (solo) |
|
|
2001 |
|
The Tipping Point, Locks Gallery, Philadelphia |
|
|
2001 |
|
Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York |
|
|
2000 |
|
Abstraction, Robert Kidd Gallery, Birmingham, MI |
|
|
2000 |
|
Gardens of Pleasure, John Michael Kohler Arts Center, Sheboygan, WI |
|
|
1998 |
|
Equilibrium of the Senses, Nohra Haime Gallery, New York, NY |
|
|
1998 |
|
Robert Miller Gallery, New York, NY (solo) |
|
|
1997 |
|
Dorothy Blau Gallery, Bay Harbor Islands, FL (solo) |
|
|
1997 |
|
Drawings and Paintings, Wooster Gardens, New York, NY |
|
|
1996 |
|
Scratch, Thread Waxing Space, New York, NY |
|
|
1995 |
|
P.S. 122 Gallery, New York, NY (with Robert Miller) |
|
|
1994 |
|
Tom Tavelli Gallery, Aspen, CO (with John Torreano) |
|
|
1994 |
|
Painting After Nature Center of Contemporary Art, North Miami |
|
|
1994 |
|
FL Reverence, 313 Gallery, New York, NY |
|
|
1992 |
|
The Midtown Flower Show, Midtown Payson Gallery, New York traveled to the Portland Museum of Art, Portland, ME |
|
|
1992 |
|
Pictures to Prove to It, 313 Gallery, New York, NY |
|
|
1992 |
|
Éby foul subtraction (The AIDS Body Bag Project), Jersey City State College, Jersey City, NJ |
|
|
1985 |
|
Corporate Lobby: Art for the Corporate Culture, Mokotoff Gallery, New York |
|
|
1985 |
|
Feminists and Misogynists. . . Together at Last, Center of Contemporary Art, Seattle, WA |
|
|
1985 |
|
Baccanalia, New York Public Library, Tompkins Square Branch, New York New York |
|
|
1985 |
|
Start Again, Ground Zero Gallery, New York |
|
|
1985 |
|
Compunctive Portraits of Joan of Arc, P.P.O.W., New York |
|
|
1985 |
|
Tight As Spring, Semaphore Gallery, Kamikaze Club, New York |
|
|
1985 |
|
American Occult, Kamikaze Club, New York |
|
|
1985 |
|
Not Another Theme Show, Michael Katz Gallery, New York |
|
|
1984 |
|
Racist America, Dramatis Personae Gallery, New York |
|
|
1984 |
|
The East Village Look & Mac220; Again, Frank Bernarducci Gallery at Danceteria Club, New York |
|
|
1984 |
|
New York, Art and Ego, New York Academy of Art, New York |
|
|
2006 |
|
Koerner von Gustorf, Oliver: Die im Dunkeln sieht man doch, Monopol, Februar/März, Nr. 1/2006 |
|
|
2005 |
|
Keller, Maximilian: Galerie Crone, Ena Swansea, Die Welt, Berliner Kunstmarkt, 27.05., S. 38. (2005) |
|
|
2004 |
|
Obrist, Hans Ulrich; Dreyfus, Laurence; Delpeux, Sophie: Central Station, (2004) p.122 |
|
|
2004 |
|
Bellini, Andrea: New York Tales, Flash Art, November – December (2004) pp.106 – 108 |
|
|
2004 |
|
Katz, Alex; Swansea, Ena: Like a Quarter Mile Race - Alex Katz and Ena Swansea in conversation, Parkett No. 72, insert, pp. 8-19. (2004) |
|
|
2004 |
|
Danatt, Adrian: The Feeling of Now, The Art Newspaper, No. 150, September (2004) p. 32 |
|
|
2004 |
|
Cohen, David: An Animated Awkwardness, The New York Sun, September 16, Vol. 120, No. 106, New York. Front page, cont. p. 19. (2004) |
|
|
2004 |
|
O.A.: Dictionary of Painters, Flash Art, July– August (2004) |
|
|
2004 |
|
Kuntz, Melissa: Ena Swansea at Gasser and Grunert, Art in America, January (2004) |
|
|
2003 |
|
Garwood, Deborah: Ena Swansea at Klemens Gasser and Tanja Grunert, Inc artcritical.com, Spring (2003) |
|
|
2003 |
|
Lehrman, Karen: Fall by Ena Swansea, Watercolor, Oct. 15 - Nov. 16 at the New York School of Drawing, Painting, and Sculpture artnet.com (2003) |
|
|
1999 |
|
Katz, Vincent: Art in America NEW YORK: Ena Swansea at Robert Miller. 6/1 (1999) |
|
|
|
|
Schwabsky, Barry: The Triumph of Painting: The Saatchi Gallery |
|
|
|
|
O.A.: Reality of Shadows, Locks Gallery, Philadelphia. With a catalog essay by Carter Ratcliff |
|
|
|