|
|
Emily Wardill Biography
|
 |
 |
|
|
|
Lives and works in London, England
|
|
 |
| Selected Exhibitions |
 |
 |
|
2012
|
|
Fulll Firearms, Altman Siegel Gallery, San Francisco, CA (solo)
|
|
2012
|
|
Fulll Firearms, Serpentine Gallery, London, UK (solo)
|
|
2012
|
|
in the x-room, National Gallery of Denmark, Copenhagen (solo)
|
|
2012
|
|
Fulll Firearms, Badischer Kunstverein, Karlsruhe, Germany (solo)
|
|
2012
|
|
The Hands Of A Clock, Even When Out Of Order, Must Know And Let The Dumbest Little Watch Know Where They Stand, Otherwise Neither Is A Dial But Only A White Face With A Trick Mustache, curated by Florence Derieux, FRAC Champagne-Ardenne, Rheims, France (solo)
|
|
2011
|
|
A form is simply something which allows something else to be transported from one site to another, Murray Guy, New York, NY
|
|
2011
|
|
Mirages, Fountains & Dissociative Composition, Catherine Bastide, Brussels, Belgium
|
|
2011
|
|
ILLUMInations, the Venice Biennale, Venice, Italy
|
|
2011
|
|
Sick Serena and Dregs and Wreck and Wreck, Contemporary Art Museum St. Louis, St. Louis, MO (solo)
|
|
2011
|
|
A Different Person, at Badischer Kunstverein, Karlsruhe, Germany
|
|
2010
|
|
Game Keepers without Game, MIT List Visual Arts Center, Cambridge, MA (solo)
|
|
2010
|
|
Game Keepers without Game, STANDARD, Oslo, Norway de Appel, Amsterdam (solo)
|
|
2010
|
|
Futures Generation Art Prize, PinchukArtCentre, Kiev, Ukraine
|
|
2010
|
|
The British Art Show, Heywood Gallery, Tramway, Glasgow, Scotland, The Castle, Nottingham, England
|
|
2010
|
|
Paying A Visit to Mary, The Aldrich Contemporary Art Museum, CT
|
|
2010
|
|
De Appel, Amsterdam (solo)
|
|
2010
|
|
Game Keepers without Game, Spacex Gallery, Exeter (solo)
|
|
2010
|
|
Game Keepers without Game, Showroom, London (solo)
|
|
2010
|
|
Game Keepers without Game, Altman Siegel Gallery, San Francisco (solo)
|
|
2009
|
|
Beating the Bounds, Tate Britain, England
|
|
2009
|
|
The Reach of Realism, MOCA, Miami, FL
|
|
2009
|
|
Oscar Tuazon/Emily Wardill, Basel Premier, Basel, Switzerland
|
|
2009
|
|
Sitting Cinema, Toronto Film Festival, Toronto, Canada
|
|
2008
|
|
Noli Me Legere, Michael Lett, New Zealand
|
|
2008
|
|
The True Artist, Triangle, Marseille, France
|
|
2008
|
|
Park Night, Perfomance, Serpentine Pavillion, London, England
|
|
2008
|
|
Sea Oak/The Diamond (Descartes Daughter)” Follow Fluxus, Nassauischer Kunstverein Wiesbaden Fortescue Avenue, London, England (solo)
|
|
2008
|
|
STANDARD, Oslo, Norway (solo)
|
|
2008
|
|
Word Event, Kunstahalle Basel, Switzerland
|
|
2008
|
|
Whose History? Curated by Ian White, Oberhausen Film Festival, Oberhausen, Germany
|
|
2008
|
|
Reykjavik Experiment Marathon, Curated by Han Ulrich Obrist, Reykjavik, Iceland
|
|
2008
|
|
Neither either nor or Württembergischer, Kunstverein Stuttgart, Germany
|
|
2008
|
|
An Ambiguous Case, Curated by Emily Pethick, MUMOK, Vienna, Austria
|
|
2008
|
|
Ben, Perth Institute for Contemporary Art, Perth, Australia
|
|
2008
|
|
Itchy Park V, One night performance, music, film and video event, Limehouse Town Hall, London, England
|
|
2007
|
|
Sick Serena and Dregs and Wreck and Wreck, ICA, London, England
|
|
2007
|
|
Artprojx, Théâtre Royal de Marrakech, Morocco
|
|
2007
|
|
Ben, Exhibition Programme, Perth Institute for Contemporary Art, Perth, Austrailia
|
|
2007
|
|
Sick Serena and Dregs and Wreck and Wreck, Picture This, Bristol, England (solo)
|
|
2007
|
|
Secs, Fulham Palace, London, England (solo)
|
|
2007
|
|
Ben, Liste, Basel Art Fair, Basel, Switzerland (solo)
|
|
2007
|
|
Film as a Critical Practice, OCA, Oslo, Norway
|
|
2007
|
|
Ballet Mecanique, Curated by Emma Dexter, Timothy Taylor Gallery , London, England
|
|
2007
|
|
London Film Festival , Curated by Mark Webber, London, England
|
|
2007
|
|
Hi Fi, One night screening, Tate Britain, London, England
|
|
2007
|
|
Pastoral, Curated by Michelle Cotton, Whitechapel Art Gallery, London, England
|
|
2007
|
|
Kinomuseum, Curated by Ian White and Emily Pethick, Oberhausen Short Film Festival, Germany
|
|
2007
|
|
Depiction Perversion Repulsion Obsession Subversion, Witte de With, Rotterdam, the Netherland
|
|
2007
|
|
Der Ficker, curated by Franz West, Fortescue Avenue, London, England
|
|
2007
|
|
Inky Toy Affinitas, Cerealart, Philadelphia, PA, Berlin, Germany
|
|
2007
|
|
Itchy Park IVI, Limehouse Town Hall, London, England
|
|
2006
|
|
Basking in what feels like ‘an ocean of grace’, I soon realize that I’m not looking at it, but rather that I AM it, recognizing myself, Fortescue Avenue, London, England (solo)
|
|
2006
|
|
Brown Mountain, Event curated by Sally O Reilly, London, England
|
|
2006
|
|
Skirt, Screening, Hollybush Gardens, London, England
|
|
2006
|
|
Among the Ash Heaps and Millionaires, Ancient & Modern, London, England
|
|
2006
|
|
Norberg-Vastmanland-Bergslagen-Sverige-Skandinavian, Group Exhibition in Norberg , Sweden,
|
|
2006
|
|
Remove Celebrity Centre, curated by Nathaniel Mellors and Dan Fox, Lightbox, Film Exhibition Tate Britain , London
|
|
2006
|
|
High Risk Painting, Northern Gallery for Contemporary Art, Sunderland, England
|
|
2006
|
|
Born Winged Animals and Honey Gatherers of the Soul, with Sterling Ruby, Fortesque Avenue, England
|
|
2006
|
|
Itchy Park III, Limehouse Town Hall, London, England
|
|
2005
|
|
Le Voyage Interieur, curated by Alex Farquarson and Alexie Valliant, Espace Electra, Paris, France
|
|
2005
|
|
Slimvolume, curated by Andrew Hunt, Silverbridge, Galerie Nomadenoase, London, England
|
|
2005
|
|
The Reader’s Wife, Fortesque Avenue, London, England (solo)
|
|
2005
|
|
Itchy Park II, Limehouse Town Hall, London, England
|
|
2004
|
|
Audio Theory, Project by Lali Chetwynd with Jessica Lack and William Hunt, James Porter with words by Emily Wardill, Performance, 1,000,000 MPH Gallery , London, England
|
|
2004
|
|
Feast Against Nature, commissioned by Henry Moore Foundation and Grizedale Arts, Grizedale, Lake District, PS1, NY
|
|
2004
|
|
Itchy Park, Limehouse Town Hall, London, England
|
|
2004
|
|
Like Beads on an Abacus Designed to Calculate Infinity, Curated by Andrew Hunt, Rockwell Institute, London, England
|
|
2003
|
|
Corpa Nova, including Lucy Skaer, Kate Davies and Mark Dean, Spitalfields Square, London, England
|
|
2003
|
|
Group Shows are a Waste of Time, Hoxton Distillery London, England
|
|
2003
|
|
The Royal Road to the Unconscious, The Telephone Repeater Station, Catterick, North Yorkshire, The Freud Museum, London, England
|
|
2003
|
|
A short Hello and a Long Goodbye,” Curated by Klaus Weber, London, Berlin, Los Angeles
|
|
2003
|
|
Bay 67 Installation, Film and video installation including works by Tina Keane and Anna Thew, Notting Hill, London, England
|
|
2000
|
|
Platform Gallery Auction, Platform Gallery, London, England
|
|
2000
|
|
Science Fair, Camden Art Fair, Curated by Sally O’Reilly, Camden Arts Centre, London, England
|
|
2000
|
|
All Teeth and Trousers, Cell Project Space, London, England
|
|
2000
|
|
Atelier Something, Springfield House, London, England
|
|
 |
 |
 |
|
|
|
|
|