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1964
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Born in Pittsburgh, USA
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1986
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Edinboro University, Edinboro, PA, B.F.A.
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Lives and works in Stockertown, PA
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2007 |
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One to the other, Hosfelt Gallery, New York, NY (solo) |
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2006 |
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Hosfelt Gallery, New York, NY, Recent Sculptures Related Paintings (solo) |
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2005 |
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The Aldrich Contemporary Art Museum, Ridgefield, CT, Scoping the Stack (solo) |
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2005 |
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The Weatherspoon Museum, Greensboro, NC |
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2005 |
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The Mattress Factory, Pittsburgh, PA, Things with Wings |
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2005 |
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27 Correspondence, Mattres Factory, Pittsburg, PA (solo) |
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2005 |
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Je ne regrette rien, Studio la Città, Verona, Italy |
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2004 |
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Challenged Orizons, Gallery 31 North, Glen Gardner, NJ |
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2004 |
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Germantown Accademy Arts Center, Fort Washington, PA |
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2004 |
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Painting Project, The Sagamore Hotel, Miami, FL |
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2004 |
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Painting that Paint Themselves, Kresge Art Museum, East Lansing, Michigan |
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2004 |
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Things with wings, The Mattress Factory, Pittsburg, PA (solo) |
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2004 |
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The Weatherspoon Museum, Greensboro, NC (solo) |
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2004 |
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Scoping the Stack, The Aldrich Contemporary Art Museum, Ridgefield, CT (solo) |
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2003 |
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Galleria Otto, Bologna, Italy (solo) |
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2003 |
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Gallery 88, New York, NY |
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2003 |
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Gallery Artists Group Exibitit, Marcel sitcoske Gallery, San Francisco, CA |
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2002 |
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Officina America, Galleria d’Arte Moderna, Bologna; Museo di San Domenico, Imola; Ex-pescheria, Cesena; Palazzo dell’Arengo, Rimini, Italy (cat.) |
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2002 |
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Stark Gallery, New York, NY (solo) |
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2002 |
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New Works, Marcel Sitcoske Gallery, San Francisco, CA (solo) |
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2001 |
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Haines Gallery, San Francisco (solo) |
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2001 |
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Kidspace, MASS MOCA, Massachusetts (solo) |
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2001 |
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New Prints 2001, International Print Center, New York |
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2001 |
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Lafayette Faculty Exhibition, Grossman Gallery, Lafayette College, Easton |
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2001 |
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Exploring the interior, Galerie Lucien Durand Le Gaillard Paris, France (solo) |
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2001 |
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New Works, Galerie Schroeder Köln, Germany (solo) |
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2001 |
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Marks That Make Themselves, Lafayette College Easton, PA, USA (solo) |
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2000 |
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Life Cycles, Suoth Eastern Center for Contemporary Arts Winston-Salem, NC |
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2000 |
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The Use of Evidence, Gorney Bravin + Lee New York, NY, USA |
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2000 |
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Panza di Biumo Collection, American Academy, Rome, Italy, “Works from the 80’s and 90’s,” March |
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2000 |
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Galerie Lucien Durand Le Gaillard, Paris, France, Carte blanche à Hélène de Franchis, 30 ans de galerie Studio La Città, Verona, Italy, February- March |
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1999 |
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Gallery Artists, Gorney Bravin + Lee New York, NY, USA |
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1999 |
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Morbida Quiete e La Notte, Studio La Città Verona, Italy |
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1999 |
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Abstract Painting Once removed, Kemper Museum of Contemporary Art Kansas City, MO, USA |
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1998 |
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Abstract Painting Once Removed, Contemporary Art Museum Houston, TX, USA |
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1998 |
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Bravin Post Lee Gallery New York, NY, USA |
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1998 |
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Landscape & Memory, Haines Gallery San Francisco, CA, USA |
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1998 |
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Interior Landscapes from the collection of Cliff Diver, Delaware Art Museum Wilmington, DE, USA |
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1998 |
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Haines Gallery San Francisco, CA, USA |
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1998 |
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Studio La Città Verona, Italy |
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1998 |
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Galerie Schroeder Köln, Germany |
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1997 |
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Studio La Città Verona, Italy |
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1997 |
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Haines Gallery San Francisco, CA, USA (solo) |
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1997 |
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Guerlain Foundation Les Mesnuls, France |
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1996 |
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Collezione Panza di Biumo, Palazzo delle Albere, Trento |
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1996 |
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Bravin Post Lee, New York, NY (solo) |
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1995 |
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Studio la Città, Verona, catalogo con testo di Luigi Meneghelli (solo) |
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1994 |
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Bravin Post Lee, New York (solo) |
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1994 |
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Tom Solomon's Garage, Los Angeles, CA (solo) |
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1994 |
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Inner Circle, Tom Solomon's Garage, Los Angeles, CA |
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1994 |
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Critical Mass, Yale University, New Haven; D.A.R.E., Dallas (1995), a cura di Charles Long |
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1994 |
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Possible Things, Bardamu Gallery, New York, a cura di Vik Muniz |
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1994 |
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60 Drawings from Art Hotel, The Drawing Room, Amsterdam |
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1993 |
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Between, John Post Lee Gallery, New York |
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1993 |
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Painting as Paradigm, Stark Gallery, New York, NY |
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1993 |
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John Post Lee Gallery, New York, NY (solo) |
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1993 |
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Studio la Città, Verona, a cura di Anthony Iannacci, catalogo (solo) |
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1993 |
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Major Medical, City Without Walls, Newark |
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1993 |
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Hyper-Cathexis, Stux Gallery, New York, NY |
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1993 |
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Windows and Doors, Holly Solomon Gallery, New York |
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1992 |
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10 Steps, Horodner Romley Gallery, a cura di Saul Ostrow, New York, NY |
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1992 |
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Collector's Choice, Ruth Vered Gallery, East Hampton, New York, NY |
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1992 |
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The Hole Is Part of the Sum, Michael Klein Gallery, New York, NY |
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1992 |
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New Address, Muranushi-Lederman, New York, NY |
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1992 |
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Galerie Nova, Pontresina (solo) |
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1992 |
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Thomas Solomon's Garage, Los Angeles, CA (solo) |
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1991 |
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Benefit Show, Sculpture Center, New York, NY |
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1991 |
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James Hyde, Emil Lukas, Vik Muniz, Mendelson Gallery, Pittsburgh Casual Ceremony, White Columns, New York, NY |
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1991 |
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Ornament, John Post Lee Gallery, New York, NY |
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1991 |
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Small Works, 80 Washington Square East Gallery, New York, NY Works on Paper, Paula Allen Gallery, New York, NY |
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1991 |
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A Question of Painting, Hallwalls Contemporary Arts Center, Buffalo |
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1991 |
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Benefit Show, White Columns, New York, NY |
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1990 |
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Althea Viafora Gallery, New York, NY (solo) |
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1989 |
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Mendelson Gallery, Pittsburgh (solo) |
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1989 |
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Selection 46, Drawing Center, New York, NY |
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1988 |
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Mendelson Gallery, Pittsburgh |
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1988 |
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Pinta Galleria d'Arte Contemporanea, Genova (solo) |
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1987 |
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Mendelson Gallery, Pittsburgh (solo) |
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1987 |
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Pinta Galleria d'Arte Contemporanea, Genova |
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1987 |
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New Attitudes: Recent Pennsylvania Abstraction, Southern Allegheny Museum, Pittsburgh |
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1987 |
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Pittsburgh Now: 8 Artists, Three Rivers Arts and Carnegie Museum, Pittsburgh, a cura di John Caldwell |
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1986 |
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Mendelson Gallery, Pittsburgh (solo) |
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1985 |
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Spring Exhibition, Erie Art Museum |
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2002 |
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“White on White”, Italian Vogue March Issue |
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2001 |
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Karen Gardner, “Emil Lukas, Moment of Process”, Massachusetts Museum of Contemporary Art |
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2000 |
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Ken Johnson, “Emil Lukas: The Use of Evidence”, The New York Times, 16 June |
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2000 |
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Kim Levin, “Emil Lukas”, Art Review, The Village Voice, 21 June |
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2000 |
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Silvia Castello, “Sentieri Collezione”, Art Review, October |
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1999 |
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Luigi Meneghelli, “Esempi di arte intimista”, L’Arena, November 29 |
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1999 |
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Kenneth Baker, “Emil Lukas’ Pull- Apart Art”, San Francisco Chronicle, 27 February |
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1999 |
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David Bonetti, Gallery Watch, San Francisco Examiner |
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1998 |
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Luigi Meneghelli, “Scultura come libro aperto”, L’Arena, May 21 |
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1998 |
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Luigi Meneghelli, Flash Art Italia, Estate, n° 211 |
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1998 |
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Mario Bretoni, “Lo spazio-tempo dell’artista-collezionista”, catalogue of the show, Studio la Città, Verona |
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1998 |
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Dana Friis-Hansen, “Abstract Painting, Once Removed”, catalogue of show, Contemporary Art Museum of Houston, Texas; Kemper Museum of Contemporary Art, Kansas City |
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1997 |
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David Bonetti, “Biological approach to art”, San Francisco Examiner, February 28 |
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1997 |
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Kenneth Baker, Art News, May |
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1995 |
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Luigi Meneghelli, “Un labirinto di stratificazioni”, L’Arena, April 23 |
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1995 |
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Luigi Meneghelli, Tema Celeste, Summer, n. 52 |
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1995 |
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Stefania Michelato, Flash Art Italia, giugno/luglio, n. 192 |
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1995 |
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Kenneth Baker, “Things Up at Haines”, San Francisco Chronicle, September 16 |
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1995 |
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Luigi Meneghelli, "Emil Lukas", catalogue, Studio la Città, Verona |
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1994 |
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Angela Choon, "Openings: Art that Springs from New Terrain", Art & Antiques, May |
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1994 |
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Susan Kandel, "Lukas' Alternative Scenario Playhouse", The L.A. Times, Friday, May 27 |
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1994 |
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Peter Frank, "Picks of the week", Calendar, May |
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1994 |
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Kim Levin, "Voice choice: Emil Lukas", The Village Voice, December 6 |
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1993 |
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Keith Seward, review, Artforum, May |
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1993 |
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Kim Levin, “Voice Choice: Emil Lukas”, The Village Voice, February 17 |
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1993 |
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Stella Lohaus, review, Forum International, Spring |
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1993 |
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Stella Lohaus, review, Titolo, Winter Anthony Iannacci, "Luca Caccioni/Emil Lukas", catalogue, Studio la Città, Verona |
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1993 |
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Piero Deggiovanni, "Luca Caccioni/Emil Lukas", Tema Celeste, November |
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1993 |
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Luigi Meneghelli, "Alle sorgenti misteriose dell'arte", L'Arena, Monday, October 11 |
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1993 |
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Enzo Santese, “Luca Caccioni/Emil Lukas”, Titolo, Winter |
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1992 |
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Roberta Smith, "Casual Ceremony", The New York Times, January 3 |
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1992 |
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"Skulpturen und Arbeiten auf Papier", Engadiner-Post, March |
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1992 |
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Gisela Kuoni, "Emil Lukas, die Entstehung einer Ausstellung", Sundneu Zeitung, March |
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1992 |
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Susan Kandel, "Unravelling a Mystery at Thomas Solomon's Garage", The L.A. Times, June 25 |
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1992 |
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Gretchen Faust, review of "Casual Ceremony", Arts Magazine, March |
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1992 |
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"Fabulierende Vielschiehtigkeit Auusstellungen", Bundner Galerien, March |
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1992 |
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Phyllis Braff, "7 Artists with Bright Futures", The New York Times, September |
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1988 |
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Viana Conti, "Emil Lukas", catalogue, Galleria Pinta, Genova |
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