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2012 |
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The Shaping of New Visions: Photography, Film, Photobook, Museum of Modern Art, New York, NY |
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2011 |
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Under the Big Black Sun: California Art 1974 – 1981, LA MoCA (Museum of Contemporary Art), Los Angeles, CA |
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2011 |
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Los Angeles Goes Live: Los Angeles Performance Art, 1970 – 1983, LACE (Los Angeles Contemporary Exhibitions), Los Angeles, CA |
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2011 |
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Singular Visions, Whitney Museum of American Art, New York, NY |
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2011 |
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Rene Magritte – Pleasure Principle, Tate Liverpool, Liverpool, UK |
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2011 |
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Heroines, Museo Thyssen-Bornemisza, Madrid, Spain |
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2010 |
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The Original Copy: Photography of Sculpture, 1839 to Today, Museum of Modern Art, New York, NY |
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2009 |
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Classical Frieze. Los Angeles County Museum of Art. Los Angeles, CA |
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2009 |
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Drawings. Galerie Erna Hecey. Brussels, Belgium |
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2009 |
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San Diego and the Origins of Conceptual Art in California. Culver City, CA |
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2008 |
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Martian Museum of Terrestrial Art, Barbican Art Gallery, London, United Kingdom |
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2008 |
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Person of Crowd: The Contemporary Art of Flânerie, Neuberger Museum of Art, Purchase College, Purchase, NY, USA |
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2008 |
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Helen’s Odyssey, Ronald Feldman Fine Arts, New York, NY |
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2008 |
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Eleanor Antin: Historical Takes, San Diego Museum of Art, San Diego, CA |
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2007 |
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WACK!: Art and the Feminist Revolution, Museum of Contemporary Art, CA; National Museum of Women’s Arts, Washington DC; P.S.1 Contemporary Arts Center, Long Island City, NY; Vancouver Art Gallery, Vancouver |
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2007 |
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Identity Theft: Eleanor Antin, Lynn Hershman, and Suzy Lake, 1972-78, Santa Monica Museum of Art Santa Monica, CA |
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2007 |
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documenta 12, Kassel, Germany |
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2007 |
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Held Together With Water. Art from the Verbund Collection, MAK, Vienna, Austria (cat.) |
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2006 |
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Renegades: 25 years of performance at Exit Art, Exit Art, New York, NY, USA |
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2006 |
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Los Angeles 1955-1985, Centre Pompidou, Paris, France |
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2006 |
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100 Boots Erna Hecey Gallery Brussels, Belgium |
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2005 |
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Roman Allegories: Ronald Feldman Fine Arts, New York, NY |
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2005 |
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Tracking and Tracing: Contemporary Acquisitions 2000-2005, San Diego Museum of Art, San Diego, CA, USA, December 17, 2005 - July 9, 2006. |
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2005 |
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At the Mercy of Others: The Politics of Care, Whitney Museum of American Art, New York, NY, USA, May 18 – June 25, 2005. |
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2004 |
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How do we want to be governed?, Miami Art Central, Miami, FL, USA, November 29, 2004 – January 30, 2005. (Catalogue) |
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2004 |
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Beyond Geometry: Los Angeles County Museum of Art, Los Angeles, CA |
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2002 |
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The Last Night of Rasputin (performance with film); Sydney Opera House, Sydney, Australia |
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2002 |
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The Last Days of Pompeii: Marella Arte Contemporanea Milan, Italy |
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2002 |
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Biennale of Sydney 2002: The World May Be Fantastic Sydney, Australia |
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2002 |
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Tableaux Vivants – The Art of ‘Living Pictures’ in Photography, Film, and Video Kunsthalle Wein Vienna, Austria |
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2001 |
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Eleanor Antin: Real Time Streaming, Cornerhouse, Manchester, England and travel |
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2000 |
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Eleanor Antin: A Retrospective, Washington University |
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2000 |
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The Wounded Diva: Hysteria, Body and Technology in the 20th Century, Kunstverein Munich, Germany |
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1999 |
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The American Century: Art and Culture, 1900-2000, Whitney Museum of American Art New York, NY |
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1999 |
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Eleanor Antin Retrospective, Los Angeles County Museum of Art Los Angeles, CA |
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1998 |
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Out of Actions: Between Performance and the Object, 1949-1979, Museum of Contemporary Art Los Angeles, CA |
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1998 |
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A View from the Vaults: Recent Video Acquisitions, Museum of Modern Art, New York, NY, USA |
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1997 |
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Eleanor Antin: Selections from the Angel of Mercy, Whitney Museum of American Art New York, NY |
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1996 |
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Eleanor Antin: Ghosts, Southeastern Center for Contemporary Art Winston-Salem, NC |
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1996 |
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1965-1975: Recosidering the Object of Art, The Museum of Contemporary Art, Los Angeles, CA |
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1995 |
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Minetta Lane-A Ghost Story, Santa Monica Museum of Art Santa Monica, CA |
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1993 |
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From the Inside Out: Eight Contemporary Artists, The Jewish Museum, New York, NY |
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1992 |
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The Man Without a World (feature film), Berlin International Film Festival, Berlin, Germany |
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1992 |
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Proof: Los Angeles Art and the Photograph 1960-1980, Laguna Art Museum, Laguna Beach, CA, USA; and travel to: De Cordova Museum, Lincoln, MA, USA; Friends of Photography, Ansel Adams Center, San Francisco, CA, USA; Montgomery Museum of Art, Montgomery, AL, USA; Tampa Museum of Art, Tampa, FL, USA; Des Moines Art Center, Des Moines, IA, USA. |
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1991 |
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Challenging Myths: Five Contemporary Artists, Cunningham Gallery, Bakersfield Museum of Art, Bakersfield, CA, USA, April 1991. |
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1991 |
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The Man Without a World, San Diego Museum of Contemporary Art, La Jolla, CA, USA, and travel to: major film festivals around the world, commercially distributed in the United States and sold to German ZDF Cable Television for programming in Germany, Austria, and Switzerland (solo) |
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1989 |
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Retrospective of Photographic Works, Artemisia, Chicago, IL, USA (solo) |
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1989 |
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Biennale Exhibition, Whitney Museum of American Art New York, NY |
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1988 |
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Loves of a Ballerina, MAG Galleries, Los Angeles, CA, USA (Filmic installation) (solo) |
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1987 |
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Fabrications- Staged, Altered, and Appropriated Photographs: International Center for Photography, New York, NY and travel |
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1985 |
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Signs of the Times, Some Recuuring Motifs in Twentieth Century Photography, San Francisco Museum of Modern Art San Francisco, CA |
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1983 |
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El Desdichado, Ronald Feldman Fine Arts, New York, NY, USA (El Desdichado) (solo) |
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1983 |
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Recollections of my Life with Diaghilev, Tortue Gallery, Los Angeles, CA, USA (Recollections of my Life with Diaghilev) (solo) |
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1981 |
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Other Realities: Installations for Performance, Contemporary Arts Museum, Houston, TX |
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1978 |
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The Ballerina, Whitney Museum of American Art New York, NY |
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1977 |
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La Jolla Museum of Contemporary Art, La Jolla, CA, The Angel of Mercy, 1977. |
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1976 |
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Venice Biennale: opening night performance of The Battle of the Bluffs, Venice, Italy |
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1975 |
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Video Art U.S.: Sao Paolo Biennale, Sao Paolo, Brazil |
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1973 |
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100 BOOTS, Museum of Modern Art, New York, NY |
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1971 |
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Art Systems, Museum of Modern Art of Buenos Aires, Buenos Aires, Argentina |
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1971 |
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Envois, Biennale de Paris, Paris, France |
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1971 |
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Experiment 2, Midland Group Gallery, Nottingham, United Kingdom |
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1971 |
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Image Bank Post Card Show, University of British Columbia, Vancouver B.C., Canada |
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1970 |
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2.972.453., Centro de Arte y Comunicacion (CAYC), Buenos Aires, Argentina (Catalogue) |
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1969 |
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Language 3: Dwan Gallery, New York, NY |
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1968 |
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Long Island University, Brooklyn, NY, USA (solo) |
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2010 |
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Artforum “Philadelphia ‘Dance with Camera’ Institute of Contemporary Art” Johanna Burton |
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2010 |
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Flash Art “Painting, Performance, Masquerade” Catherine Wood |
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2009 |
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N.paradoxa 24 “Tableaux Vivants, Dying Empires: Eleanor Antin’s The Last Days of Pompeii, Roman Allegories and Helen’s Odyssey” Lisa E. Bloom |
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2008 |
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Historical Takes: Eleanor Antin. New York, NY: Prestel/San Diego, CA: San Diego Museum of Art |
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2006 |
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A Companion to Contemporary Art Since 1945. Edited by Amelia Jones. Malden, MA, Blackwell Publishing Ltd., 2006. |
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2006 |
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Acting the Part:Photography as Theatre. Lori Pauli editor. London, England: Merrel Publishers, 2006. |
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2003 |
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Archetypen: Zum Verhältnis von Gegenwartskunst und Antike. Essay by Martin Hoch Leitner. Linz, Austria: Landes Musseen, 2003. |
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2003 |
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Art: 21 “Art in the Twenty-First Century” (Season two), PBS television documentary |
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2001 |
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Art and Feminism. Edited by Helena Reckitt. Survey by Peggy Phelan. New York, NY: Phaidon Press, 2001. |
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2001 |
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Antin, Eleanor. The Freebooters (illustrated children’s book), not yet published. |
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2000 |
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Antin, Eleanor. “Bad Song,” Art Issues CD, “Song Poems.” |
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2000 |
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Art in America "Getting Into Character" Leah Ollman |
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1999 |
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New York Times "As a Feminist, a King; as a Ballerina, a Klutz" Vicki Goldberg |
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1999 |
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Los Angeles Times "Picturing the Concept" Christoopher Knight |
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1999 |
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"100 Boots" Essays by Henry Sayre and Eleanor Antin. Running Press |
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1999 |
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The American Century: Art & Culture 1950-2000. Essay by Lisa Phillips. New York, NY: Whitney Museum of American Art & W.W. Norton, 1999. |
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1996 |
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MIllenium Film Journal "Constructing Loss: Film and Presence in the Work of Eleanor Antin" Ellen Zweig |
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1995 |
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Antin, Eleanor. The Eleanora Antinova Plays (part of the New Theatre and Performance Series). Los Angeles, CA: Sun & Moon, 1995. |
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1994 |
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Altered Egos. Santa Monica, CA: Santa Monica Museum of Art, 1994. |
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1983 |
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"Being Antinova: Eleanor Antin", Los Angeles, CA: Astro Artz Press |
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1983 |
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"Eleanor Antin Essays" by Howard Fox and Lisa Bloom, Los Angeles, CA: Los Angeles County Museum of Art |
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1981 |
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Alternatives in Retrospect. New York, NY: The New Museum, 1981. |
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1979 |
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Arts Magazie, “Life/Art/Life: Quentin Crisp and Eleanor Antin: Notes on Performance in the Seventies”, John R. Clarke |
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1977 |
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"Angel of Mercy" Essays by Crary and Levin. La Jolla, CA: La Jolla Museum of Contemporary Art |
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