The Shaping of New Visions: Photography, Film, Photobook, Museum of Modern Art, New York, NY
Under the Big Black Sun: California Art 1974 – 1981, LA MoCA (Museum of Contemporary Art), Los Angeles, CA
Los Angeles Goes Live: Los Angeles Performance Art, 1970 – 1983, LACE (Los Angeles Contemporary Exhibitions), Los Angeles, CA
Singular Visions, Whitney Museum of American Art, New York, NY
Rene Magritte – Pleasure Principle, Tate Liverpool, Liverpool, UK
Heroines, Museo Thyssen-Bornemisza, Madrid, Spain
The Original Copy: Photography of Sculpture, 1839 to Today, Museum of Modern Art, New York, NY
Classical Frieze. Los Angeles County Museum of Art. Los Angeles, CA
Drawings. Galerie Erna Hecey. Brussels, Belgium
San Diego and the Origins of Conceptual Art in California. Culver City, CA
Martian Museum of Terrestrial Art, Barbican Art Gallery, London, United Kingdom
Person of Crowd: The Contemporary Art of Flânerie, Neuberger Museum of Art, Purchase College, Purchase, NY, USA
Helen’s Odyssey, Ronald Feldman Fine Arts, New York, NY
Eleanor Antin: Historical Takes, San Diego Museum of Art, San Diego, CA
WACK!: Art and the Feminist Revolution, Museum of Contemporary Art, CA; National Museum of Women’s Arts, Washington DC; P.S.1 Contemporary Arts Center, Long Island City, NY; Vancouver Art Gallery, Vancouver
Identity Theft: Eleanor Antin, Lynn Hershman, and Suzy Lake, 1972-78, Santa Monica Museum of Art Santa Monica, CA
documenta 12, Kassel, Germany
Held Together With Water. Art from the Verbund Collection, MAK, Vienna, Austria (cat.)
Renegades: 25 years of performance at Exit Art, Exit Art, New York, NY, USA
Los Angeles 1955-1985, Centre Pompidou, Paris, France
100 Boots Erna Hecey Gallery Brussels, Belgium
Roman Allegories: Ronald Feldman Fine Arts, New York, NY
Tracking and Tracing: Contemporary Acquisitions 2000-2005, San Diego Museum of Art, San Diego, CA, USA, December 17, 2005 - July 9, 2006.
At the Mercy of Others: The Politics of Care, Whitney Museum of American Art, New York, NY, USA, May 18 – June 25, 2005.
How do we want to be governed?, Miami Art Central, Miami, FL, USA, November 29, 2004 – January 30, 2005. (Catalogue)
Beyond Geometry: Los Angeles County Museum of Art, Los Angeles, CA
The Last Night of Rasputin (performance with film); Sydney Opera House, Sydney, Australia
The Last Days of Pompeii: Marella Arte Contemporanea Milan, Italy
Biennale of Sydney 2002: The World May Be Fantastic Sydney, Australia
Tableaux Vivants – The Art of ‘Living Pictures’ in Photography, Film, and Video Kunsthalle Wein Vienna, Austria
Eleanor Antin: Real Time Streaming, Cornerhouse, Manchester, England and travel
Eleanor Antin: A Retrospective, Washington University
The Wounded Diva: Hysteria, Body and Technology in the 20th Century, Kunstverein Munich, Germany
The American Century: Art and Culture, 1900-2000, Whitney Museum of American Art New York, NY
Eleanor Antin Retrospective, Los Angeles County Museum of Art Los Angeles, CA
Out of Actions: Between Performance and the Object, 1949-1979, Museum of Contemporary Art Los Angeles, CA
A View from the Vaults: Recent Video Acquisitions, Museum of Modern Art, New York, NY, USA
Eleanor Antin: Selections from the Angel of Mercy, Whitney Museum of American Art New York, NY
Eleanor Antin: Ghosts, Southeastern Center for Contemporary Art Winston-Salem, NC
1965-1975: Recosidering the Object of Art, The Museum of Contemporary Art, Los Angeles, CA
Minetta Lane-A Ghost Story, Santa Monica Museum of Art Santa Monica, CA
From the Inside Out: Eight Contemporary Artists, The Jewish Museum, New York, NY
The Man Without a World (feature film), Berlin International Film Festival, Berlin, Germany
Proof: Los Angeles Art and the Photograph 1960-1980, Laguna Art Museum, Laguna Beach, CA, USA; and travel to: De Cordova Museum, Lincoln, MA, USA; Friends of Photography, Ansel Adams Center, San Francisco, CA, USA; Montgomery Museum of Art, Montgomery, AL, USA; Tampa Museum of Art, Tampa, FL, USA; Des Moines Art Center, Des Moines, IA, USA.
Challenging Myths: Five Contemporary Artists, Cunningham Gallery, Bakersfield Museum of Art, Bakersfield, CA, USA, April 1991.
The Man Without a World, San Diego Museum of Contemporary Art, La Jolla, CA, USA, and travel to: major film festivals around the world, commercially distributed in the United States and sold to German ZDF Cable Television for programming in Germany, Austria, and Switzerland (solo)
Retrospective of Photographic Works, Artemisia, Chicago, IL, USA (solo)
Biennale Exhibition, Whitney Museum of American Art New York, NY
Loves of a Ballerina, MAG Galleries, Los Angeles, CA, USA (Filmic installation) (solo)
Fabrications- Staged, Altered, and Appropriated Photographs: International Center for Photography, New York, NY and travel
Signs of the Times, Some Recuuring Motifs in Twentieth Century Photography, San Francisco Museum of Modern Art San Francisco, CA
El Desdichado, Ronald Feldman Fine Arts, New York, NY, USA (El Desdichado) (solo)
Recollections of my Life with Diaghilev, Tortue Gallery, Los Angeles, CA, USA (Recollections of my Life with Diaghilev) (solo)
Other Realities: Installations for Performance, Contemporary Arts Museum, Houston, TX
The Ballerina, Whitney Museum of American Art New York, NY
La Jolla Museum of Contemporary Art, La Jolla, CA,
The Angel of Mercy,
Venice Biennale: opening night performance of The Battle of the Bluffs, Venice, Italy
Video Art U.S.: Sao Paolo Biennale, Sao Paolo, Brazil
100 BOOTS, Museum of Modern Art, New York, NY
Art Systems, Museum of Modern Art of Buenos Aires, Buenos Aires, Argentina
Envois, Biennale de Paris, Paris, France
Experiment 2, Midland Group Gallery, Nottingham, United Kingdom
Image Bank Post Card Show, University of British Columbia, Vancouver B.C., Canada
2.972.453., Centro de Arte y Comunicacion (CAYC), Buenos Aires, Argentina (Catalogue)
Language 3: Dwan Gallery, New York, NY
Long Island University, Brooklyn, NY, USA (solo)
Artforum “Philadelphia ‘Dance with Camera’ Institute of Contemporary Art” Johanna Burton
Flash Art “Painting, Performance, Masquerade” Catherine Wood
N.paradoxa 24 “Tableaux Vivants, Dying Empires: Eleanor Antin’s The Last Days of Pompeii, Roman Allegories and Helen’s Odyssey” Lisa E. Bloom
Historical Takes: Eleanor Antin. New York, NY: Prestel/San Diego, CA: San Diego Museum of Art
A Companion to Contemporary Art Since 1945. Edited by Amelia Jones. Malden, MA, Blackwell Publishing Ltd., 2006.
Acting the Part:Photography as Theatre. Lori Pauli editor. London, England: Merrel Publishers, 2006.
Archetypen: Zum Verhältnis von Gegenwartskunst und Antike. Essay by Martin Hoch Leitner. Linz, Austria: Landes Musseen, 2003.
Art: 21 “Art in the Twenty-First Century” (Season two), PBS television documentary
Art and Feminism. Edited by Helena Reckitt. Survey by Peggy Phelan. New York, NY: Phaidon Press, 2001.
Antin, Eleanor. The Freebooters (illustrated children’s book), not yet published.
Antin, Eleanor. “Bad Song,” Art Issues CD, “Song Poems.”
Art in America "Getting Into Character" Leah Ollman
New York Times "As a Feminist, a King; as a Ballerina, a Klutz" Vicki Goldberg
Los Angeles Times "Picturing the Concept" Christoopher Knight
"100 Boots" Essays by Henry Sayre and Eleanor Antin. Running Press
The American Century: Art & Culture 1950-2000. Essay by Lisa Phillips. New York, NY: Whitney Museum of American Art & W.W. Norton, 1999.
MIllenium Film Journal "Constructing Loss: Film and Presence in the Work of Eleanor Antin" Ellen Zweig
Antin, Eleanor. The Eleanora Antinova Plays (part of the New Theatre and Performance Series). Los Angeles, CA: Sun & Moon, 1995.
Altered Egos. Santa Monica, CA: Santa Monica Museum of Art, 1994.
"Being Antinova: Eleanor Antin", Los Angeles, CA: Astro Artz Press
"Eleanor Antin Essays" by Howard Fox and Lisa Bloom, Los Angeles, CA: Los Angeles County Museum of Art
Alternatives in Retrospect. New York, NY: The New Museum, 1981.
Arts Magazie, “Life/Art/Life: Quentin Crisp and Eleanor Antin: Notes on Performance in the Seventies”, John R. Clarke
"Angel of Mercy" Essays by Crary and Levin. La Jolla, CA: La Jolla Museum of Contemporary Art
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