Doug Aitken  (American, 1968) 

Doug Aitken (American, b.1968) is a photographer who has worked in several different media, often overlapping and blurring the boundaries between each medium. Born in Redondo Beach, CA, Aitken now lives and works in Los Angeles. He began creating installations in the 1990s, using numerous screens, video feeds, and sounds so that viewers become immersed in an environment that fuses time and space, internal and external, and body and mind. His work has been exhibited worldwide in major institutions including the Centre Georges Pompidou in Paris, and the Whitney Museum of American Art and the Museum of Modern Art in New York. In 1999 Aitken was awarded the International Prize at the Venice Biennale for his eight-screen installation Electric Earth. Aitken’s most recent undertaking is his Sonic Pavilion at the Inhotim Cultural Institute in Brazil, consisting of a mile-deep hole in the earth with built-in speakers that record and amplify the sounds of the earth for viewers listening above. This recent project exemplifies the ways in which his works question how aware viewers are of their surroundings, in an attempt to open up dialogues between viewers, artists, and the spaces they inhabit.

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Doug Aitken, END


Doug Aitken

John Berggruen Gallery
Doug Aitken, Unlimited


Doug Aitken

Galerie Eva Presenhuber
Doug Aitken, Border II (south side), Tijuana, Mexico


Doug Aitken
Border II (south side), Tijuana, Mexico

Galerie Eva Presenhuber
Doug Aitken, No direction home


Doug Aitken
No direction home

Galerie Eva Presenhuber
Doug Aitken, Grounded / Mojave, CA


Doug Aitken
Grounded / Mojave, CA

Galerie Eva Presenhuber
Doug Aitken, Plateau II (ibm/mac)


Doug Aitken
Plateau II (ibm/mac)

Galerie Eva Presenhuber
Doug Aitken, Don't think twice I


Doug Aitken
Don't think twice I

Galerie Eva Presenhuber
Doug Aitken, The moment (installation)


Doug Aitken
The moment (installation)

Galerie Eva Presenhuber
Doug Aitken, 2 disappearing points to 1


Doug Aitken
2 disappearing points to 1

Galerie Eva Presenhuber
Past auction results (107)  View All
Doug Aitken, The Mirror #11 (Rise)


Doug Aitken
The Mirror #11 (Rise), 1998


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Doug Aitken, Untitled (Santa Barbara offshore Platforms) II


Doug Aitken
Untitled (Santa Barbara offshore Platforms) II, 1998


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Doug Aitken, Thaw


Doug Aitken
Thaw, 2001
color film, sound, transferred w/three-channel digital video (projections


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1968   Born in Redondo Beach, CA
1986 - 1987   Marymount College, Palos Verdes, CA
1987 - 1991   Art Center College of Design, BFA, Pasadena, CA
1999   International Prize – Golden Lion, Venice Biennale, Venice
2000   The Larry Aldrich Foundation Award, The Aldrich Museum of Contemporary Art, Connecticut
2007   Preis der deutschen Filmkritik, 3. Kunstfilmbiennale Köln, Germany
  Lives and works in Los Angeles
2011   Victoria Miro Gallery, London, Great Britain (solo)
Between Here and There: Dislocation and Displacement in Contemporary Photography, The MetroplolitanMuseum of Art, New York, NY
Pasajes, Vlajes por el híper-espacio, Laboral, Centro de Arte y Creación Industrial, Gijón, Spain
Let`s Dance, Musée dàrt contemporain du Val-de-Marne, MAC/VAL, Vitry-sur-Seine, France
2010   Höhepunkte der Kölner KunstFilmBiennale, Kunst-Werke Berlin, KW Institute for Contemporary Art, Berlin, Germany
The moment, MATADERO MADRID, Madrid, Spain
México: esperad/inesperado , B.P.S22 , Espace de Création Contemporaine, Charlerol, Mexico
Multiple Pleasure: Functional Objects in Contemporary Art, Tanya Bonakdar, New York City, NY
La trama se complica..., Museo de Arte Contemporáneo de Monterrey MARCO, Monterrey, CA
The Traveling Show, Galeria de Fundaciíon/Coleccion Jumex, Mexico City, Mexico
Regen Projects, Los Angeles, CA (solo)
Julia Stoschek Collection – I want to see how you see, Deichtorhallen Hamburg, Hamburg, Germany
Disquieted, Portland Art Museum, Portland, OR
Hard Targets, Wexner Center for the Arts, Columbus, OH
Neugierig? Kunst des 21. Jahrhunderts aus privaten Sammlungen, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany
2009   Land - Collaborative Exhibition, 101 Exhibit, Miami, FL
Twentysix Gasoline Stations ed altri libiri d`Artista, Una collezioni, Museo Regionale di Messina, Messina, Italy
La Kunstfilmbiennale, Centre Pompidou, France
Mexico: Expected/Unexpected, Collection Isabel and Augustin Coppel, Stedelijk Museum Schiedam,Schiedam, The Netherlands
We Are Sun-kissed and Snow-blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris, France
Sonic Pavallion, Brazil
Regen Projects II, Los Angeles, CA
Electric Earth by Doug Aitken, Cincinnati Art Museum, Cincinnati, OH
Los Angeles Public Domain/Art on the Outside, Los Angeles, CA
Frontier, Rome, Italy
50 Years Guggenheim, Guggenheim Museum, New York, NY
Il Tempo del Postino, Basel, Switzerland
Sites, Whitney Museum of American Art, New York, NY
PastPresentFuture, Bank Austria Kunstforum, Vienna, Austria
Private Universes: Media Work, Dallas Museum of Art, Dallas, TX
La Kunstfilmbiennale, Centre Pompidou, Paris, France
Höhepunkte der Kölner KunstFilmBiennale, Kunst-Werke Berlin, KW Institute for Contemporary Art, Berlin, Germany
Inhotim, Reserva de Agenda, Minas Gerais, Brazil
Life Patterns, Savannah College of Art and Design, Lacoste, France
Wexner Center for the Arts, Columbus, OH
Zwischenzonen, MUMOK, Museum Moderner Kunst, Stiftung Ludwig Wien, La Coleccion Jumex, Wien
Regen Projects, Los Angeles, CA (solo)
Migration (empire), St Louis Art Museum, St Louis, MO (solo)
Photography in the Abstract, Lora Reynold Gallery, Austin, TX
No Sound, Aspen Art Museum, Aspen, CO
2008   Migration, 303 Gallery, New York, NY (solo)
La invención de Io cotidiano, Museo Nacional de Arte, Munal, Mexico City, Mexico
Julia Stoschek Collection, Pinchuk Art Center, Kiev, Ukraine
BesArt – O presente: uma dimensão infinita, Berardo Muesum, Collection of Modern and Contempory Art, Lisbon, Portugal
When It`s a Photograph, Bolsky Gallery at Otis College for Art and Design, Los Angeles, CA
Rock my Religion 1, DA2, Domus Artium 2002, Salamananca, Spain
It`s not only Rock `n`Roll, Baby! BOZAR, Palais des Beaux-Arts/ Paleis voor Schone Kunsten, Brussels, Belgium
It`s not only Rock `n`Roll, Baby! BOZAR, Palais des Beaux-Arts/ Paleis voor Schone Kunsten, Brussels, Belgium
Crossroads, Interfaces between Rock Music and Contemporary Art Festival Internacional de Fotografía de Castilla y León, DA2 Domus Artium 02, Salamanca, Spain
MATRIX/REDUX, Berkeley Art Museum and Pacific Film Archive BAM/PFA, Berkeley, CA
Der grosse Wurf, Faltung in der Gegenwartskunst, Kaiser, Wilhelm Museum, Krefeld, Gemany
St.Moritz Art Masters, St.Moritz, Switzerland (cur.Kunstfilmbiennale Köln), Switzerland
Blasted Allegories. Works from the Ringier Collection, Kunstmuseum Luzern, Luzern, Switzerland
Manchester International Festival, Paris and Manchester (performance), Manchester, Great Britan
303 Gallery, New York, NY (solo)
55th Carnegie International: Life on Mars, Carnegie Museum of Art, Pittsburgh, PA
Elements and Unknowns, Museum of Modern Art, New York, NY
El Mundo del Hielo, EXPO 2008, Zaragoza, Spain
Las Implicacions de la Imagen (The implication of image), MUCA Roma, Museo Universitaro de Ciencias y Arte, Mexico City, Mexico
Expected/Unexpected, La Maison Rouge, Collection Agustin et Isabel Coppel, Mexico, Paris, France
Rhine on the Dnipro, Julia Stoschek Collection, Dusseldorf, Germany
Mouth Open Teeth Showing, Henry Art Gallery, Seattle, WA
Moscow on the Move, Garage Center for Contemporary Culture, Moscow
Galerie Eva Presenhuber, 99¢ Dreams, Zurich (solo)
Kaiser Wilhelm Museum and Museum Haus Lange, Falling into Place, Krefeld, Germany (group)
2007   Museum of Modern Art, Sleepwalkers, New York, NY (solo)
Brave New Year, 303 Gallery, New York, NY
303 Gallery, New York, NY (solo)
Ensemble, ICA, Institute of Cotemporary Art, Philadelphia, PA
Window/Interface, Kemper Art Museum, Washington DC
Silence, Fondazione Sandretto Re Rebaudengo, Torino, Italy
Mapping the City, Stedelijk Museum, Amsterdam, The Netherlands
Disorder in the House, Vanhaerents Art Collection, Brussels, Belgium
Uneasy Angel – Imagining Los Angeles, Sprüth Magers Galerie, Munich, Germany
Jubilee Exhibition, Vnà, House Eva Presenhuber, Switzerland
Il Tempo del Postino, Manchester International Festival/ Opera House, Manchester, Great Britain
The Shadow, Palazzo delle Papesse, Siena, Italy
The Shadow, Compton Verney, Warwickshire, Great Britain
Henry Art Museum, University of Washington, Seattle, WA
Her(His)tory, Museum of Cycladic Art, Athens, Greek
2006   Fuori Pista, Sauze D' Chalet Mollino, Oulz, Italy
Cosmic Wonder, Yerba Buena Center for the Arts, San Fransisco, CA
Beyon Cinema, Hamburger Bahnhof. Museum für Gegenwart, Berlin, Germany
Broad Art Foundation, Santa Monica, CA
Touch My Shadows: New Media from the Goetz Collection in Munich, Center for Contemporary ArtUjazdowski Castle, Warsaw, Poland
Aspen Art Museum, A Photographic Survey, Aspen, CO (solo)
Essex Street Market, Broken Screen Happening, New York, NY (solo)
Red Eye. L. A. Artists from the Rubell Family Collection, Rubell Family Collection, Miami, FL
all hawaii eNtrées / luNar reggae, Irish Museum of Modern Art, Dublin, Ireland
Surprise, Surprise, ICA Institute of Contemporary Arts, London, Grear Britain
Hamburger Bahnhof. Museum für Gegenwart, Beyon Cinema, Berlin, Germany
K-N-O-C-K-O-U-T, The Parrish Art Museum, Southampton, NY (Performance)
MAK Center, Schindler House, Los Angeles, CA (Happening)
2005   Regen Projects, Los Angeles, CA (solo)
Musée d’Art moderne de la Ville de Paris, Couvent des Cordeliers, ULTRAWORLD, Paris (solo)
Museum of Contemporary Art Chicago and Hayward Gallery London, Universal Experience: Art, Life and the Tourist's Eye, Chicago, IL and London, UK
Now’s the time, Kunsthaus Graz, Graz, Austria
Galerie Eva Presenhuber, Sell yourself for nothing, Zurich, Switzerland (solo)
Sammlung Goetz, Doug Aitken – Richard Prince, Munich, Germany
Jump-Cut Nights – Choreographic Structures in Moving images. Part 3: Time images, SK Stiftung Kultur,Cologne, Germany
Glasgow International Festival of Contemporary Visual Art, Glasgow, Great Britain
Skyliner , Art 36. Art Unlimited, Basel, Switzerland
Disorientation – New Ways of Storytelling, Rialto, Amsterdam, The Netherlands
REALIT;-)T, Kulturzentrum Seedamm, , Pfäffikon, Switzerland
2004   Uses of the Image, Malba Coleccion Constantini, , Buenos Aires, Argentina
21st Century Museum of Contemporary Art, Kanazawa, Japan
The Moment is the Moment, Taka Ishi Gallery, Tokyo, Japan
Saudades, Museum Het Domein, Sittard, The Netherlands
Memory and Landscape, La Casa Encendida, Madrid/Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain
Aldrich Museum, Conneticut (solo)
La Caixa Forum, We’re Safe As Long As Everything Is Moving, Barcelona (solo)
Uses of the Image, SchirnKunsthalle, Frankfurt, Germany
Past, Present, Future, Contemporary Art 1950–Present’Art Institute of Chicago, Chicago, IL
Hard Light, PS1, New York, NY
Sala Rekalde, Bilbao, Spain (solo)
2003   I am in you, Henry Art Gallery, Seattle, WA (solo)
Kunsthalle Zürich, Zurich, Switzerland (solo)
Victoria Miro Gallery, London, Great Britain (solo)
World Rush, National Gallery of Victoria, Melbourne, Australia
Defying Gravity: Contemporary Art and Flight, North Carolina Museum of Art, Raleigh, NC
The New Yorkers, Brooklyn Academy of Music, collaboration with Bang on a Can, New York, NY
fast forward, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
Then all the world would be upside down, Tina Kim Fine Art, New York, NY
Site Specific, Museum of Contemporary Art, Chicago, IL
Audiolab 2, Centre Pompidou, collaboration with Steven Roden, Paris, France
Liquid Sea, Museum of Contemporary Art, Sydney, Australia
Eden, La Coleccion Jumex, Mexico
Painting Pictures: Painting and Media in the Digital Age, Kunstmuseum Wolfsberg, Wolfsberg, Austria
Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland
Imperfect Innocence, Contemporary Museum, Baltimore, MD
Spiritus Magasin 3, Stockholm, Sweden
Fondazione Sandretto ReRebaudengo, new ocean, Torino (solo)
2002   Sonic Process, Centre Georges Pompidou, Musée national d'art moderne, Paris, France
Sonic Process, MACBA, Museu d'Art Contemporani de Barcelona, Barcelona, Spain
Museum of Modern Art, New York, NY
Thaw, Art '33, Art Unlimited, Basel, Switzerland
Remix, Tate Liverpool, Liverpool, Great Britain
Hautnah, Die Sammlung Goetz, Villa Stuck, Munich, Germany
Screen Memories, Art Tower Mito, Mito, Sweden
Art Institute of Chicago, Chicago, IL
Doug Aitken, Sharon Lockhart, Galerie Jan Mot, Brussels, Belgium
French Collection, Musée d’art moderne et contemporain, Geneva, Switzerland
New ocean, Kunsthaus Bregenz, Bregenz, Austria (solo)
303 Gallery, New York, NY (solo)
Interiors, The Fabric Workshop and Museum, Philadelphia, PA (solo)
New ocean, Tokyo Opera City Gallery, Tokyo, Japan (solo)
Doug Aitken. Rise, Louisiana Museum of Modern Art, Humlebaek, Denmark (solo)
Doug Aitken. Rise, Magasin-Centre National D’Art Contemporain de Grenoble, Grenoble, France (solo)
2001   New ocean, Serpentine Gallery, London, Great Britain (solo)
Metallic sleep, Kunstmuseum Wolfsburg, Wolfsburg, Germany (solo)
I AM IN YOU, KW Institute for Contemporary Art, Berlin, Germany (solo)
Urban Pornography, Artist’s Space, New York, NY
Media Connection, Palazzo delle Esposizioni, cur. by Gianni Romano, Rome, Italy
Form Follows Fiction, Castello di Rivoli, Museo dArte Contemporanea, Rivoli/Turin, Italy
ARS 01. Unfolding perspectives, The Museum of Contemporary Art Kiasma, Helsinki, Finland
Media Connection, Palazzo delle Esposizioni, cur. by Gianni Romano, Rome, Italy
Collaborations With Parkett: 1984 to NOW, Museum of Modern Art, New York, NY
The Dark, Kunstmuseum Wolfsburg, Wolfsburg, Germany
Let's Entertain. Life's Guilty Pleasures, Miami Art Museum, cur. Philippe Vergne, Miami, FL
Moving Pictures, Fotografie und Film in der zeitgenössischen Kunst. 5. Internationale Foto -Triennale,Esslingen 2001'Villa Merkel, Esslingen, Germany
Juni 2001. Fotografie. Video. Mixed Media, DaimlerChrysler Contemporary, Haus Huth, Berlin, Germany
Ohne Zögern – Without Hesitation. Die Sammlung Olbricht Teil 2. The Olbricht Collection Part 2, Neues Museum Weserburg Bremen & Gesellschaft für Aktuelle Kunst, Bremen, Germany
Let's Entertain. Life's Guilty Pleasures, Kunstmuseum Wolfsburg, cur. Philippe Vergne, Wolfsburg, Germany
Jumex Collection, Mexico City
2000   Whitney Biennial, Whitney Museum of American Art, New York, NY
Hypermental. Wahnhafte Wirklichkeit 1950–2000. Von Salvador Dali bis Jeff Koons, Kunsthaus Zürich, cur. by Bice Curiger, Zurich, Switzerland
Au-delà du spectacle, Musée National d'Art Moderne, Centre Pompidou, Paris, France
Speed of Vision. On the Construction and Perception of Time in Video Art, Pittsburgh Center for the Arts, cur. Matthew Yokobosky, Pittsburgh, PA
Let's Entertain. Life's Guilty Pleasures, Walker Art Center, cur. Philippe Vergne, Minneapolis, MN
Let's Entertain. Life's Guilty Pleasures,Portland Art Museum, cur. Philippe Vergne, Portland, OR
Speed of Vision. On the Construction and Perception of Time in Video Art, Aldrich Museum of Contemporary Art, cur. Matthew Yokobosky, Ridgefield, CT
Biennale of Sydney, Museum of Contemporary Art, Sydney, Australia
Raw, Victoria Miro Gallery, London, Great Britain
Arco 2000, , cur. Francesco Bonami, Madrid
Future Identities: Reflections from a Collection, The Museum of Contemporary Art, Works from the Angel Collection: Doug Aitken/electric earth’, Nagoya, Japan
Flight Patterns, Museum of Contemporary Art, Los Angeles, CA
Glass Horizon, Wiener Secession, Vienna, Austria (solo)
Taka Ishii Gallery, Tokyo, Japan (solo)
Matrix 185/Into the Sun, University of California, Berkeley Art Museum, Berkeley, CA
Concentrations 33: Doug Aitken, Diamond Sea, Dallas Museum of Art, Dallas, TX
I AM IN YOU, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland
1999   I Love New York, Crossover of Contemporary Art’Museum Ludwig, Cologne, Germany
Victoria Miro Gallery, London, Great Britain (solo)
Doug Lawing Gallery, Houston, TX (solo)
Pitti Discovery series, Pitti Immagine, Florence, Italy (curated by Francesco Bonami) (solo)
Lannan Foundation, Santa Fe, NM (solo)
dAPERTutto , Venice Biennale, Venice, Italy
From Film, Victoria Miro Gallery, London, Great Britain
Two doors – True Value, Galerie Mai 36, Zurich, Switzerland
Video Cult/ures, Zentrum für Kunst und Medientechnoloige, Karlsruhe, Germany
EXTRAetORDINAIRE, Le Printemps de Cahors, cur. Christine Macel, Saint-Cloud, FL
Natural Order, Edmonton Art Gallery, cur. Catherine Crowston, Alberta, Canada
Clues. An open Scenario Exhibition, Monte Video, cur. Luca Cerizza, Marieke van Hal, Amsterdam, The Netherlands
I Love New York, Crossover of Contemporary Art’Museum Ludwig, Cologne, Germany
1998   303 Gallery, New York, NY (solo)
Diamond Sea, Jiri Svestka Gallery, Prague, Czech Republic (solo)
Taka Ishii Gallery, Tokyo, Japan (solo)
Gallery Side Two, Tokyo, Japan (solo)
1997   303 Gallery, New York, NY (solo)
1996   Taka Ishii Gallery, Tokyo, Japan (solo)
1994   Pasco Art Center, Holiday, FL (solo)
303 Gallery, New York, NY (solo)
1993   Dawin, AC Project Room, New York, NY
Breathing the Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland
Imperfect Innocence, Contemporary Museum, Baltimore, MD
Spiritus, Magasin 3, Stockholm, Sweden
AC Project Room, New York, NY (solo)
1992   Art Institute of Chicago, IL
Sonic Process, MACBA, Barcelona, Spain and Centre Pompidou, Paris, France
Screen Memories, Contemporary Art Center, Art Tower Mito, Japan
remix, Tate Gallery, Liverpool, UK
  FAIF Collection, Zurich, Switzerland
2008    Lund, Holger, Doug Aitken, in: Holzwarth, Hans Werner (ed.): Art Now, Vol.3, Köln, 2008, p. 24
2008    Aspen Art Museum (ed.), Doug Aitken. 99¢ Dreams, Aspen
2008    Ruf, Beatrix (ed.), Blasted Allegories. Works from the Ringier Collection, Zurich
2008    Völzke, Daniel, Knitter, Kniffe, Knicke in Krefelder Kunsthäusern, in: Monopol, no. 3, March 2008, p. 97
2007    Cash, Stephanie, A Night in the Life, in: Art in America, April 2007, p. 105/106
2007    Marin, Courtney J., Doug Aitken: Sleepwalkers, in: Flash Art, March/April
2007    Golden, Thelma, Doug Aitken, in: Interview, February 2007, p. 82
2007    The Museum of Modern Art (ed.): Doug Aitken, sleepwalkers, New York
2007    Vanderbilt, Tom, City of Glass, in: Artforum, New York, January 2007, pp. 45-46
2007    Myers,Terry R., Sharing City Secrets at MoMA, in: Art Review, January 2007, p. 69-73
2007    Zeitz, Lisa, Wo die Bilder fliegen lernen: Nach Einbruch der Dunkelheit lässt Doug Aitken an de Fassade des Museums of Modern Art in New York im Januar die „Sleepwalkers“ tanzen, in: Monopol, no. 1, January 2007, p. 106-109
2006    Doug Aitken, in: frame – the state of art, no. 16/17, March/April 2006, p. 73
2006    Schwerfel, Heinz Peter, Ein Surfer durch Licht und Zeit, in: art. Das Kunstmagazin, Hamburg, January – March 2006
2006    Doug Aitken (portfolio), in: M mouvement l'indisciplinaire des arts vivants, no. 38, Paris, January – March 2006
2006    Eichler, Dominic, Universal Experience, in : Frieze, London, January/February 2006, pp. 146-147
2006    Sandback, Fred, Doug Aitken. Signs of Time, in: art press. La révue de l'art contemporaine, no. 319, Paris, January 2006
2005    Schönwald, Cédric, Ultraworld, in: Art 21, December 2005 – January 2006
2005    Miles, Christopher, Doug Aitken. Regen Projects, in: Artforum, December 2005, p. 285
2005    Ramade, Bénédicte, L'ultramonde de Doug Aitken, in: L'Oeil, Paris, December 2005
2005    Baron, Marie-Guy, En symbiose avec Doug Aitken, in: Le Figaro, Paris, December 27, 2005
2005    Bellet, Harry, Pris au piège des vidéos de Doug Aitken, in: Le Monde, Paris, December 26, 2005
2004    Smith, Roberta, ''Summertime at P.S. 1: Where Opposites Like Hands On/Hand Off Attract'', The New York Times, July 16
2004    Cornell, Lauren, ''Hard Light'', Review, Time Out New York, August 5-12
2004    Doug Aitken talks to Ed Ruscha, ''Earth is the Alien Planet'', frieze
2004    Bergstein, Yael, ''Bice Curiger on the Hypermental and Georgia O'Keefe'', studio: israeli art magazine, issue 151, march, p.32-39
2004    '' Broken Screen'', project for Artforum, Nov 2004 p. 194-201
2004    “Landscape and Memory”, curated by Alicia Chillida, La Casa Encendida, Madrid, Spain, pp 248-251
2003    “Installations II l’empire des sens”, Niicholas de Oliveira, Nicola Oxley, and Michael Petry, Thames & Hudson, Paris, France, p.68, 77
2003    “Defying Gravity”, text by Linda Johnson Dougherty, North Carolina Museum of Art, p.66-67
2003    “Kino und Kunst”, text by Heinz Peter Schwerfel, Germany
2003    “Spiritus”, Magasin 3 Stockholm Konsthall, Stockholm, Sweden
2003    “Imperfect Innocence: The Debra and Dennis Scholl Collection”, Contemporary Museum, Baltimore, Maryland and the Palm Beach Institute of Contemporary Art, Lake Worth, Florida
2003    ''Focus Video and Film'', FlashArt, Jan-Feb, Vol.XXXVI, No.228, p.88
2003    Willis, Holly, ''I am always moving'', res, vol.6, no. 3, 36
2003    Newhall, Edith, Artnews, May, vol. 102, number 5, p.159
2003    Eleey, Peter, frieze, January February, issue 72, p.93
2003    Sumpter, Helen, ''Doug Aitken'', Time Out London, November 19-26
2003    Smee, Sebastian, ''Mesmerising Visions'', Daily Telegraph, October 29
2003    Smithson, Helen, ''Visual essay on our state of alienation'', Hampstead and Highgate Express, November 7
2003    Boncossa, Ilaria, ''A Shifting Breakfast'',label, #9, spring, p.092-097
2003    Tegeder, Dannielle, Bomb, Spring Issue Number 83, p.44-46
2002    Renard, Emilie, ''Critics£¾¦ Picks'',, review
2002    Griffin, Tim, review, Artforum, December, p.137
2002    Honigman, Ana Finel, review, contemporary, November, p.85
2002    Heartney, Eleanor, review, Art in America, November, p. 155-6
2002    Sculpture, October, Vol. 21 No.8, p. 16
2002    Halle, Howard, review, Time Out NY, October 10-17, Is. 367
2002    Kastner, Jeffrey, ''No Labels, No Boundaries: An Artist of the Moment'', Arts&Leisure, The New York Times, October 7p. 36-7
2002    Kihm, Christophe, ''Gestures and Territies'', art press, September, No. 282, p. 46-50
2002    Smith, Roberta, review, The New York Times, October 18
2002    Photo, ''Goings On About Town'', The New Yorker , October 14-21 review, The New Yorker, October 7, p. 23
2002    Griffin, Tim, ''Doug Aitken'', Index Magazine, September/October, p.40
2002    Newhall, Edith, ''Too Much Information'', New York Magazine, Sept. 9. Vol. 35, No. 30, p.70
2002    Res, September/October, p.22
2002    Withers, Rachel, review, tema celeste, january/february, Issue 89, p.74
2002    Art Now, edited by Uta Grosenick & Byrhard Riemschneifer, Taschen,p. 16
2002    Firstenberg, Lauri, ''Urban Pornographic'', make, London, special edition 92, p.9
2002    Morton, Tom, review, Modern Painters, Winter, Vol 14, No.4, p.102-3
2002    “Screen Memories”, Contemporary Art Center, Art Tower Mito, Japan, (exh. cat)
2001    “Hypermental Rampant Reality 1950-2000 from Salvador Dali to Jeff Koons”, curated by Brice Curiger, Kunsthaus Zurich, Zurich, Switzerland, pp. 124, 141
2001    “Form Follows Fiction”, curated by Jeffrey Deitch, Castello di Rivoli,, (exh. cat)
2001    “Fresh Cream, Contemporary Art in Culture”, Phaidon Press, pp. 58-63
2001    “Flight Patterns”, Museum of Contemporary Art, Los Angeles, CA, (exh. cat)
2001    “The 2000 Biennial Exhibition”. Whitney Museum of American Art, New York
2001    Let’s Entertain: Life’s Guilty Pleasures”, curated by Philippe Vergne, Walker Art Center, Minneapolis, MN, pp. 210-11
2001    “Speed of Vision: On the Construction and Perception of Time in Video Art, curated by Matthew Yokobosky, The Aldrich Museum of Contemporary Art, p. 26
2001    “Crossing Boundaries 2000”, The Danish Film Institute, Denmark, p. 54
2001    “Video Vibe: Arte, Musica e Video in Giran Bretagna”, Cristiana Perrella e Daniela Cascella, The British School at Rome, Italy, p. 64
2001    “Biennale of Sydney 2000”, pp. 32-33
2001    Poschardt, Ulf, “Surfen statt Zappen”, Welt Am Sonntag, February 11
2001    Pardo, Patrick, “The Politics of Landscape”, NYArts, Vol. 6, No. 2, February 2001, p.75
2001    Jothady, Manish, “Reisen in den Inner Space”, Frame, vol. 5, Jan-Feb, pp. 67-73
2001    Romano, Gianni, “Secession”, review, Flash Art, January - February, Vol. XXXIV, No. 216, pp. 121-122
2001    Surborg, Jorn, ''Uberraschende Ansichten urbaner Landschaften'', Wolfsburger Kurier, February 18
2001    Franke, Anselm, ''Doug Aitken: Videos als raumfullendes Gebilde'', Wolfsburger Allgemeine Zeitung, February 16
2001    ''Los Angeles leuchtet ¡V Wolfsburg zeigt Werke von Doug Aitken'', Neue Presse, Hannover, February 16
2001    Nehring, Lydia, ''Elektrische Liebeserklarung?!'', Berliner Morgenpost, February 15
2001    review, Zitty, February 22, 2001
2001    Buhr, Elke, ''Der perfekte Moment'', Frankfurter Rundschau, February 21, 2001
2001    Hilgenstock, Andrea, ''Gigi in der Geisterstadt'', Berliner Morgenpost, February 20
2001    Kuhn, Nicola, ''Wusten der Grossstadt'', Der Tagesspiegel, February 20, 2001
2001    Fricke, Harald, ''Leben unter dem Stroboskop'', Die Tageszeitung
2001    Kuhn, Nicola, ''Der Rap der Grossstadt'', Potsdamer Neueste Nachrichten, February 19, 2001
2001    Glueck, Grace, ''Connecticut Covers 3 Centuries Lightly: Aldrich Museum'', The New York Times, Friday, July 21
2001    Guzik, Jon Alain, ''Calm, Cool, and Collected'', Soma, Vol. 15.4, May/June, pp. 43-45
2001    Fuchs, Christian and Petra Erdmann, ''Crossing All Over'', Ahead, 1. pp. 64-65
2001    Vogel, Sabine V. ''Die Welt im Zwichenraum, Zu Doug Aitken's Videoinstallationen'', Kunst-Bulletin, April. p. 12-17
2001    Spinelli, Claudia, ''Mediale Entgrenzung: Der Videokunstler Doug Aitken in Wolfsburg'', Neue Zurcher Zeitung, Zurich, no. 96, April 26, 2001, p.65
2001    Ramonet, Ignacio, ''Heller Wahn'', Le Monde diplomatique, April, p.1, Germany
2001    ''Berlin's Best'', Der Tagesspiegel, March 23, 2001
2001    ''Berlin's Best'', Der Tagesspiegel, March 16, 2001
2001    review, Flyer, Nr. 137, March 5 £¾V 18, 2001
2001    ''Berlin's Best'', Der Tagesspiegel, March 9, 2001
2001    Glueck, Grace, ''Connecticut Covers 3 Centuries Lightly: Aldrich Museum'', The New York Times, Friday, July 21
2001    Hemming, Sarah, preview, The Daily Express, London, October 5
2001    Guzik, Jon Alain, ''Video Art: A Primer'', SOMA, October, Vol. 15.8, P. 43-46
2001    Reust, Hans-Rudolf, ''Hypermental; Kunsthaus Zürich'', (review), Artforum International, Summer, Vol. 34, No. 10, p. 193-4
2001    book review, ''Diamond Sea'',tema celeste, May/June,Vol. XVIII, No.85, p. 20
2001    ''Diamond Sea'', Mined Field, p. 408-415
2001    Firstenberg, Lauri, ''Visualizing the Contemporary Vernacular: The Photograph of Doug Aitken'', Camera Austria, 74, pp. 6, 17, cover
2001    Spiegl, Andreas, ''Doug Aitken: Wiener Secession, Wien'', Camera Austria International, Graz/A, no. 73, p. 78-9, ill.
2001    Franke, Anselm, ''Doug Aitken. Variiert in seinen Installationen. Ensembles von film, Video, Foto, Architektur, und sound'', KW Magazine, Berlin, no.01/01, p. 86-7 (english translation p. 78)
2001    ''Doug Aitken'', Die Tageszeitung/ Sonderbeilage Kunstmuseum Wolfsburg, March 2001
2001    Busing, Nicole & Klaas, Heiko, ''Zuckungen in der Endlossschleife'', Saarbrucker Zeitung, March 9, 2001
2001    Wahjudi, Claudia, ''Frau ohne Eigenschaften'', Zitty, Nr. 6, March 8 £¾V 21, 2001
2001    Walder, Gabriela, ''Der GroƒÒstadtnomade von Los Angeles'', Die Welt, March 8, Ebeling, Knut, £¾¡±Parabeln der Unbehaustbeit£¾¨, Berliner Zeitung, March 6, 2001
2001    Stoeber, Michael, ''Die Unsicherheit aller Verhaltnisse'', Hannoversche Allgemeine Zeitung, March 5, 2001
2001    ''Highlights der Woche'', Stern, March 1, 2001
2001    ''Berlin'', Frankfurter Allgemeine Zeitung, February 28, 2001
2001    Hilgenstock, Andrea, ''Der Poet unter den Videokunstlern'', Die Rheinpfalz Ludwigschafen Rundschau, February 26, 2001
2001    Wulffen, Thomas, ''Amor vacui'', Frankfurter Allgemeine Zeitung, February 26, £¾¡±Netzwerk£¾¨, Zitty, February 22, 2001
2001    mos, ''Medium als Message'', Der Tagesspiegel, February 22, 2001
2001    Kent, Sarah, ''Living in Oblivion'', Time Out London, October 24-31, p.60
2001    Ratnam, Niru, ''The Man Who Fell to Earth'', The Face, London, November
2001    Guzik, Jon Alain, ''A Twilight of Perfection'', Dazed & Confused, London, Winter, Narcism Issue, p. 130-9
2001    Buck, Louise, ''Quick Flicks'', Vogue, October, Vol. 167, No. 2439, p. 91-2
2001    Cork, Richard, ''Flood Warnings'', review, The Times, London, October 17, London, UK
2001    Lack, Jessica, review, The Guardian, London, October 13
2001    Lubbock, Tom, ''Best Shows in London'', The Independent, London, October 13th.
2001    ''Richard Cork's choice: Doug Aitken'', The Times, London, October 1
2001    Sumpter, Helen, Hot Tickets, London, October 12
2001    Bishop, Claire, (review), The Evening Standard, London, October 11
2001    Mitchell, Stephen, ''Going out'', The Evening Standard, London, October 11
2001    Chapman, Peter, The Independent, London, October 6
2000    Bonetti, David, “Bay City Best”, San Francisco Examiner Magazine, July 9
2000    Guthmann, Edward, “India’s Bollywood’ Inspires Video Artist”, San Francisco Chronicle, July 18, pp. E1-E5
2000    Tsering, Lisa, “Into the Sun: Impressions of the Bollywood Dream Machine”, India West, July 21
2000    Helfand, Glen, “Access Bollywood”, The San Francisco Bay Guardian”, July 26 - August 1
2000    Bonnetti, David, “BAM installation examines film”, San Francisco Examiner, August 25
2000    Baker, Kenneth, “The Fantasy World of Bollywood: Video artist explores mystique of movies”, San Francisco Chronicle, July 12
2000    Bonami, Francesco, “Liquid Time”, Parkett, Issue 57, pp. 29-32
2000    Roberts, James, “Omega Man, Parkett, Issue 57, pp. 22-23
2000    vanAssche, Christina, “The “Stalker” of the Fin de Siécle”, Parkett, Issue 57, p.54-58
2000    Fuchs, Christian and Petra Erdamann, “How to Disappear Completely: Doug Aitken”, Ahead, January, page 64 -5
2000    Anton, Saul, “Dead Meat: From Aitken to Barney through Hitchcock”, Fiction: or Other Accounts of Photography, Dazibao, Montreal, Canada, November, p. 47-55
2000    Vogel, Sabine B., Frankurter Allgemeine, November 7, p. 23
2000    Secession, February, Cover + pp. 8-9
2000    Aitken, Doug, “Horse’s Mouth -- reader’s tips complied by Laura Mauk”, Bookforum, Vol. 7, Issue 4, Winter, p.44
2000    “Turbulence; Blackout; movement; Breath In; Weak Link; Mirror”, Blind Spot, Issue 16
2000    Martin, Frank Edgerton, “That’s Entertainment, Let’s Entertain Life’s Guilty Pleasures, Portland Art Museum,Architecture, August, p. 63
2000    Feinstein, Roni, “Museum of Contemporary Art”, Art in America, p. 44
2000    Anton, Saul, “A Thousand Words: Doug Aitken Talks about Electric Earth”, Artforum, May, pp. 160-161
2000    Rubinstein, Raphael, “Regional Hopes & Recycled Tropes”, Art in America, July
2000    Anton, Saul, “Doug Aitken New York”, Res, October
2000    Gerstler, Amy, “Man in Motion: The Video Nomad Goes Home”, November, No. 186, Los Angeles Magazine, November, pp. 122-27
2000    Willis, Holly, “Signal To Noise, Doug Aitken’s Blow Debris”, LA Weekly, December pp. 8-14
2000    Myers, Holly, “Horizons, Art Photography (mostly) at MOCA and the Getty”, LA Weekly
2000    Pagel, David, “Flight Patterns Ventures Far”, Calendar Arts and Entertainment, Thursday, November 23, p. 63
2000    Muchnic, Suzanne, “She’s Trying to Reorient LA’s Compass'', Art and Architecture, December
2000    Bonetti, David, “dark views of battered landscape in LA show”, San Francisco Examiner, Thursday, November 16
2000    Verkoeper, Ute, “I Am In You”, Springerin, Ausstellungen
2000    Bronson, AA, “Doug Aitken, Glass Horizon, These Restless Minds, Wiener Secession'', Association of Visual Artists, Wednesday, January 3
2000    Dusini, Mathias, “Netzhaut unter Strom”, Falter Vienna, no. 43, October 27
2000    Mittwoch, “Kunst-Szenen, Audiovisuelle Poesis - Doug Aitken”, Neus Zurcher Zeltung, Zurich, no. 166, July 19
2000    Grzonka, Patricia Von, “Clever & Smart, Kunst, p. 182
2000    Kalmar, Stefan, Access/Excess, The Face, p. 190
2000    Steininger, Florain, “Wuste gegen Urbanitat, Die Presse, Doug Aitken, Glass Horizon”, Vienna, October 25
2000    Mittringer, Marku, “Hyperaktive Stagnation, Doug Aitken hat in der Secession”, Der Standard, Vienna, October 21
2000    Auritipp, “Die tollen Lockvogel”, Zurich: TA Media AG, June 16-22, p. 64
2000    Talkington, Amy, “Ausstellungsempfehlung, Doug Aitken”, Seccession, Wien, Portfolio, Newsletter, Vienna, no. 2, p. 14
2000    Golonu, Berin, “Previews”, Artweek, July/August
2000    Calendar/Critics Choice, San Francisco Bay Guardian, July 15
2000    McKenna, Kristine, “ Biennial Man”, LA Weekly, March 17-23
2000    Ruhm, Constanze, “Planet of the Scapes”, Style and the Family Tunes, Germany, April/May, Issue 30 pp. 34-39
2000    Birnbaum, Daniel, “i am in you”, review, Artforum, December, pp. 126
2000    Halle, Howard, “2000 and None: The Whitney Blows the Franchise”, Time Out New York, no 237, April 6-13, p. 72
2000    “Very New Art”, Bijutsu Techo, Japan, No. 782, January
2000    Artbyte, cover photo, Vol. 3, No. 2, July-August
2000    Wei, Lily, “2000 Biennial Exhibition”, review, Artnews, Vol. 99, No. 5, May, p. 225
2000    Paini, Dominique, “Le Retour du Flâneur”, Artpress, Paris, no. 255, March, p. 33
2000    Rush, Michael, “New Media Rampant, Art in America, July, p. 41
2000    “Doug Aitken”, Brutus, Japan
2000    “Gallery Side 2”, review, Bijutsu Techo, Japan, Vol. 51, No. 774, August, p. 21
2000    “Very New Art 2000”, Bijutsu Techo, Japan, pp. 9-12
2000    Adams, Mark, “Accelerating Art: Aitken, ‘I am a Bullet’ ”, Rolling Stone, September 14, p. 105
2000    “Super-flat landscape”, Bijutsu Techo, Japan, September, cover, pp. 18-29
2000    Grabner, Michelle, Let’s Entertain, Walker Arts Center, review, frieze, Issue 54, Sept-Oct, pp. 125-26.
2000    Green, Charles, “The Biennale of Sydney 2000”, review, Artforum, September, p.186-87
2000    Withers, Rachel, “Fall Preview: Guy Wired”, Artforum, September, p. 78
2000    “No-one needs to say sorry”, The Sydney Morning Herald, Fri., May 26, p. 19
2000    Smee, Sebastian, “Video Drills the Rodeo Star”, The Sydney Morning Herald, July 8
2000    Genocchio, Benjamin, The Australian, May 26
2000    “Visual Arts: A Fresh Perspective”, Sydney Scope Magazine, June 6
2000    “Art Showcase: Doug Aitken”, Zoo, London, January, Is. 4, p. 158-9