|
|
Daniel Davidson Biography
|
 |
 |
|
1965 |
|
Born in San Francisco, Lives and works in Brooklyn, NY
|
|
1988 |
|
Sobel Scholarship, San Francisco Art Institute
|
|
1990 |
|
B.F.A. San Francisco Art Institute
|
|
1990 |
|
The Robert Howe Fletcher Cup, San Francisco Art Institute
|
|
1993 |
|
The Institute for Contemporary Art, P.S. 1, National and International Studio Program, New York
|
|
1993 |
|
Marie Walsh Sharpe Art Foundation, Studio Space Program, New York
|
|
1994 |
|
Rome Prize in Visual Arts, American Academy in Rome
|
|
|
| Selected Exhibitions |
|
|
|
2011
|
|
Mars Seeks Answers, Mulherin & Pollard, New York, New York
|
|
2011
|
|
Stop and Go, The Glasshouse, Tel Aviv, Israel,
|
|
2011
|
|
Stop and Go, Hallwalls Contemporary Art Center, Buffalo, NY
|
|
2011
|
|
Fat Fingers, Mulherin Pollard, New York (solo)
|
|
2010
|
|
Friends & Family, Mulherin Pollard Projects, New York
|
|
2010
|
|
Playlist, Postmasters, New York, Curated by Paddy Johnson and Steven Stern
|
|
2010
|
|
Friends and Family, Mulherin & Pollard, New York, New York
|
|
2010
|
|
Stop and Go, Intersection for the Arts, San Francisco, CA
|
|
2009
|
|
Better Half Educational Alliance, New York, Curated by David Gibson
|
|
2009
|
|
Dime Bag 3, Giant Robot, New York, Curated by Jordin Isip
|
|
2009
|
|
Bad Dreams Starring Good Friends, LUMP, Raleigh NC (solo)
|
|
2009
|
|
Double Stuff Sloan Fine Art, New York (solo)
|
|
2009
|
|
Galerie Magda Danysz, Paris (solo)
|
|
2008
|
|
The Panorama Project 3, Curated by Jordin Isip and Rodger Stevens, Jonathan LeVine Gallery, NewYork
|
|
2008
|
|
(K)NO(W) More Village(Performer) Choreographed by Heather Kravas and Antonija Livingstone, April 4th and 5th, The Kitchen, New York
|
|
2008
|
|
Don't Paint Your Teeth,Curated by Rich Jacobs, Cinders Gallery, Brooklyn
|
|
2008
|
|
I Will Never Lie to My Mother Again, Mogadishni Gallery, Aarhus, Denmark, Curated by Andrew Sendor
|
|
2007
|
|
Loaded, M.Y. Art Prospects, New York, New York , Curated by Tom Snelgrove
|
|
2007
|
|
Pierogi Flatfiling, Artnews Projects, Berlin, curated by Joe Amrhein and Leif Magne Tangen
|
|
2007
|
|
This is Not the Future, Vox Populi, Philadelphia, Pa
|
|
2007
|
|
Galerie Schuster, Frankfurt, Germany (solo)
|
|
2007
|
|
Come One Come All, Third Ward, Brooklyn, New York
|
|
2007
|
|
These Bagels Are Gnarly, Curated by Rich Jacobs , Cinders Gallery, Brooklyn, New York
|
|
2007
|
|
Feed Your Head, Heskin Contemporary,New York,Curated by Andrew Chesler
|
|
2006
|
|
Daniel Davidson, Pierogi, Brooklyn, NY (solo)
|
|
2006
|
|
Bibbidi , Bobbidi , Boo! Kunstverein Bielefeld, Germany, Kunstverein Mannheim, Germany and Cercle Muenster, Luxembourg
|
|
2005
|
|
Reconfigure, Pierogi, Brooklyn, NY
|
|
2005
|
|
NY Loves LV, Dust Gallery,Las Vegas , NV
|
|
2004
|
|
Grotto II, Jessica Murray Projects, Brooklyn, NY
|
|
2004
|
|
The Sixth Annual Altoids Curiously Strong collection, Consolidated Works, Seattle, Arthouse, Austin, Luggage Store Gallery, San Francisco, Pennsylvania Academy of Fine Art, Philadelphia, New Museum of Contemporary Art at the Chelsea Art Museum, New York
|
|
2003
|
|
In Heat, Pierogi, Brooklyn, NY
|
|
2003
|
|
The Burnt Orange Heresy, Space 101, Brooklyn, NY
|
|
2003
|
|
Sweet Tooth , Mixture Gallery, Houston, TX
|
|
2003
|
|
Comic Release, Carnegie Mellon Museum, Pittsburgh, Pa. (with Reed Anderson)
|
|
2002
|
|
The Accelerated Grimace, Daniel Silverstein Gallery, New York, NY
|
|
2002
|
|
Test Kita, Jessica Murray Projects, Brooklyn, NY (solo)
|
|
2002
|
|
Looking For Ed McMann, Galeria Leyendecker, Tenerife, Canary Islands (solo)
|
|
2002
|
|
Grotto, Jessica Murray Projects, Brooklyn, NY
|
|
2002
|
|
Artists to Artists, Ace Gallery, New York, NY
|
|
2002
|
|
Cornucopia, Mafuji Gallery, London, (with Reed Anderson)
|
|
2001
|
|
Collaboratory, Gale Gates, Brooklyn, NY.
|
|
2001
|
|
Bad Touch, Lump Gallery, Raleigh NC., toured to Ukranian Museum of Modern Art, Chicago , Il.,Space 1026, Philadelphia, Pa.
|
|
2000
|
|
Substance, Neo Images, New York, NY.
|
|
2000
|
|
The Freelancer, Soap Box, Brooklyn, NY. (solo)
|
|
1999
|
|
Road Show, DFN Gallery, New York, NY
|
|
1999
|
|
Room With a View Sixth @ Prince, New York, NY
|
|
1999
|
|
5a x 10y, 304.art, New York, NY
|
|
1998
|
|
San Francisco Museum of Modern Art, San Francisco, CA, Art from Around the Bay: Recent Acquisitions *
|
|
1998
|
|
Track 16 Gallery, Los Angeles, CA * (solo)
|
|
1998
|
|
Stephen Wirtz Gallery, San Francisco, CA * (solo)
|
|
1998
|
|
Joseph Helman Gallery, New York, Summer Group Show *
|
|
1998
|
|
Museum of Contemporary Art, San Diego, CA
|
|
1997
|
|
Silverstein Gallery, New York, Prosthetic Garden *
|
|
1997
|
|
Joseph Helman Gallery, New York, Allegory *
|
|
1997
|
|
Joseph Helman Gallery, New York * (solo)
|
|
1997
|
|
SOMA Gallery, La Jolla, CA * (solo)
|
|
1996
|
|
Jeffrey Hartz Gallery, St. Louis, MO * (solo)
|
|
1996
|
|
Joseph Helman Gallery, New York * (solo)
|
|
1996
|
|
Stephen Wirtz Gallery, San Francisco, CA * (solo)
|
|
1996
|
|
Franklin Furnace, New York, In the Flow: Alternate Authoring Strategies *
|
|
1996
|
|
View Room Exhibitions, New York, Far Out *
|
|
1995
|
|
Spaces Gallery, Cleveland, OH, Radical Ink *
|
|
1995
|
|
Palazzo dei Priori, Fermo, Italy, Transformers*
|
|
1995
|
|
Greenville County Museum of Art, Greenville, SC (solo)
|
|
1995
|
|
White Room, White Columns, New York * (solo)
|
|
1994
|
|
Stephen Wirtz Gallery, San Francisco, CA * (solo)
|
|
1994
|
|
Matrix/Berkeley 164, University Art Museum, Berkeley, CA * (solo)
|
|
1994
|
|
Baxter Art Gallery, Maine College of Art, Portland, ME, Drawing to the Nth Degree*
|
|
1993
|
|
The Corcoran Gallery of Art, Washington, DC, 43rd Biennial Exhibition of Contemporary American Painting *
|
|
1993
|
|
Gallery Paule Anglim, San Francisco, CA * (solo)
|
|
1993
|
|
Germans Van Eck, New York * (solo)
|
|
1993
|
|
Louis Stern Fine Art, West Hollywood, CA, Pasted Papers: Collage in the 20th Century *
|
|
1993
|
|
American Academy in Rome, Rome, Italy, Annual Exhibition *
|
|
1992
|
|
Gallery Paule Anglim, San Francisco, CA * (solo)
|
|
1992
|
|
Sonoma State University, University Art Gallery, Rohnert Park, CA, One By Two, Artists In Collaboration*
|
|
1990
|
|
Stephen Wirtz Gallery, San Francisco, CA* (solo)
|
|
|
|
* collaborative work with Drew Beattie 1989 -1998 (solo)
|
|
|
| Selected Public Collections |
|
|
|
|
|
San Francisco Museum of Modern Art, San Francisco , CA
|
|
|
|
Museum of Contemporary Art, San Diego, San Diego, CA
|
|
|
|
Greenville County Museum of Art, Greenville, SC
|
|
|
|
Achenbach Foundation for Graphic Arts, California Palace of the Legion of Honor, San Francisco, CA
|
|
|
|
Berkeley Art Museum, Berkeley, CA
|
|
|
|
University Art Museum, UC Santa Barbara
|
|
|
| Literature |
|
|
|
2007
|
|
Colby Chamberlain, Come One Come All, Artforum online, May 10
|
|
2007
|
|
Walter Robinson, Photo Booths, The New York List, Artnet.com Magazine
|
|
2006
|
|
Marc Valli, Richard Brereton, GRAPHIC 10 – TAKING A LINE FOR A WALK, Magma Books, London. Dec.
|
|
2006
|
|
Nord Wennerstrom, Good Cop, Bad Cop, Artforum online, Nov 2
|
|
2006
|
|
Jessica Dawson.Good Cop /Bad Cop at Project 4 Gallery, The Washington Post, October 28
|
|
2006
|
|
Decadent Freak or Self Reliant American, NY ARTS Magazine, Vol11 no. 9/10
|
|
2006
|
|
Kriston Capps, Good Cop / Bad Cop, Washington City Paper City Lights, October 13
|
|
2006
|
|
Heather Goss, Good Cop /Bad Cop @ Project 4, dcist,November 7
|
|
2006
|
|
Sarah Schmerler, Warning Signs, at Pierogi Gallery, Time Out New York, June 20-27
|
|
2003
|
|
Sarah Schmerler, In Heat, at Perogi Gallery, Time Out New York, July 17-2
|
|
2003
|
|
Sarah Schmerler, Gallery Walk, Art On Paper, January- February
|
|
2003
|
|
Sarah Schmerler, Critic’s Picks, Art On Paper, January- February
|
|
2003
|
|
Jennifer Coates, Daniel Davidson at Jessica Murray Projects, Wburg.com, Autumn
|
|
2002
|
|
Artburgher, Daniel Davidson The Freelancer at Soapbox, Waterfront Week, October
|
|
2002
|
|
Lawrence Rinder, Drew Beattie & Daniel Davidson, Matrix / Berkeley, Twenty Years 1978-1998
|
|
1998
|
|
(exhibition catalogue), Berkeley Art Museum, Berkeley, CA
|
|
1998
|
|
Peter Frank, Beattie & Davidson, Art Pick of the Week, LA Weekly, Vol. 28, June 5
|
|
1998
|
|
Kenneth Baker, Hexagons Create Puzzle at Wirtz, San Francisco Chronicle, February
|
|
|
|