|
|
Cory Arcangel Biography
|
 |
 |
|
1978 |
|
Born Buffalo, New York (USA)
|
|
2000 |
|
BA of Music, Oberlin Conservatory, Oberlin, USA
|
|
2000 |
|
Commission of New Radio and Performing Arts with funding from the Jerome Foundation, USA
|
|
2001 |
|
NYSCA New Media Grant sponsored by Harvestworks Digital Media, USA
|
|
2002 |
|
Artport Gate Page, Whitney Museum of American Art, USA
|
|
2005 |
|
Jury Prize San Simon, New York Underground Film Festival, USA
|
|
2006 |
|
Creative Capital Grant D.I.Y.W.I.K.I., USA
|
|
|
|
Lives and works in New York, USA
|
|
|
|
Fonds Regional d’Art Contemporain Provence-Alpes-Cote d’Azur, Marseille, France
|
|
|
|
Migros Museum für Gegenwartskunst, Zürich, Switzerland
|
|
|
|
Whitney Museum of American Art, New York
|
|
|
|
Museum of Modern Art, New York
|
|
|
|
Miami Museum of American Art, New York
|
|
|
|
Albright Knox Gallery, Buffalo, New York
|
|
|
| Selected Exhibitions |
|
 |
|
2009
|
|
University of Michigan Museum of Art, Ann Arbor, MI, USA (forthcoming December) (solo)
|
|
2009
|
|
Montevideo, Amsterdam, The Netherlands (forthcoming August) (solo)
|
|
2009
|
|
Tracking Traces, Kiasma, Helsinki, Finland (forthcoming August, curated by Leevi Haapala)
|
|
2009
|
|
Pop Music as Subject for Visual Art, Kunsthaus Graz, Austria, (forthcoming, curated by DiedrichDiederischen)
|
|
2009
|
|
Younger than Jesus, New Museum, New York, USA (forthcoming April, curated by LaurenCornell, Massimiliano Gioni and Laura Hoptman)
|
|
2009
|
|
Abstract Cinema and Technology, Museum of Contemporary Art, Miami, FL, USA (forthcomingMarch, curated by Bonnie Clearwater with Kevin Arrow)
|
|
2009
|
|
The First Stop on the Super Highway, Nam June Paik Art Center, GyeonGi, Korea (forthcomingMarch, curated by Tobias Berger)
|
|
2009
|
|
Synthetic, Whitney Museum of American Art, New York, USA (curated by Carter Foster)
|
|
2009
|
|
Saints and Sinners, Rose Art Museum, Brandeis University, Waltham, MA, USA (curated byLaura Hoptman)
|
|
2008
|
|
The Possibility of An Island, Museum of Contemporary Art, Miami, FL, USA
|
|
2008
|
|
Close Encounters- Facing the Future, American University Museum, Washington D.C., USA(curated by Donald Russell and Niels Van Tomme)
|
|
2008
|
|
Occupancy by more than 6’682’685’387 persons is Dangerius and Unlawful- Pierre Bismuthand collaborators, Cosmic Galerie, Paris, France
|
|
2008
|
|
Rock my Religion, Domus Artium O2, Salamanca, Spain (curated by Javier Panera)
|
|
2008
|
|
Sound of Art, Museum der Moderne, Salzburg, Austria
|
|
2008
|
|
Cory Arcangel + Olia Lialina and Dragon Espenschied,, and/ or gallery, Dallas, TX, USA
|
|
2008
|
|
Peer to Peer, Casino Luxembourg – Forum d’art Contemporain, Luxembourg
|
|
2008
|
|
Dennis Hopper and the New Hollywood, Cinématèque française (travelling)Superlight, San Jose Museum of Art, San Jose, CA, USA (curated by Steven Dietz,travelling to MOCA Cleveland)
|
|
2008
|
|
Adult Contemporary, Team Gallery, New York (solo)
|
|
2008
|
|
Galerie Thaddaeus Ropac, Salzburg, Austria (solo)
|
|
2008
|
|
Color Chart, MOMA, New York, USA
|
|
2008
|
|
Popshop, remixing icons of massculture, Mu Foundation, Eindhoven, Netherlands
|
|
2008
|
|
Holy Fire. Art of the Digital Age, iMAL Center for Digital Cultures and Technology, Bruxelles, Belgium
|
|
2007 - 2008
|
|
Northern Gallery for Contemporary Art, Sunderland, UK (forthcoming; touring to Spacex, Exeter, and Castlefield Gallery Manchester, cat.), (solo)
|
|
2007 - 2008
|
|
Max Wigram Gallery, London, UK, (solo)
|
|
2007
|
|
Brändström & Stene, Stockholm, Sweden, (solo)
|
|
2007
|
|
Galerie Guy Bartschi, Geneva, Switzerland, (solo)
|
|
2007
|
|
Galerie Thaddeus Ropac, Salzburg/Paris, (solo)
|
|
2007
|
|
Super Cinema, Solomon R. Guggenheim Museum, New York, USA (forthcoming)
|
|
2007
|
|
Automatic Update, MOMA, New York, USA
|
|
2007
|
|
Collection Part 1, Migros Museum, Zurich
|
|
2006
|
|
Time Frame, P.S.1, New York, USA
|
|
2006
|
|
Action, FRAC PACA, Marseille, France
|
|
2006
|
|
Outside the Box: New Cinematic Experiences, University of Akron, Akron, USA
|
|
2006
|
|
Experiments in Pop, Zentrum Paul Klee, Bern, Switzerland
|
|
2006
|
|
Interrupted, PMK Gallery, Beijing, China
|
|
2006
|
|
Bucolia, Galerie Thaddaeus Ropac, Salzburg, Austria
|
|
2006
|
|
Collateral: When Art Looks at Cinema, Hangar Bicocca, Milan, Italy
|
|
2006
|
|
Virginia Commonwealth University, Richmond Virginia, USA, (solo)
|
|
2006
|
|
Galerie Thaddaeus Ropac, Paris, France, (solo)
|
|
2006
|
|
Team Gallery, New York, USA, (solo)
|
|
2006
|
|
Pioneering Video Artists, Orange County Museum Of Art, Santa Ana, USA
|
|
2005
|
|
New York Underground Film Festival, Anthology Film Archives, New York, USA
|
|
2005
|
|
International Film Festival, Rotterdam, The Netherlands
|
|
2005
|
|
disassembling 48k, Brändström & Stene, Stockholm, Sweden, (solo)
|
|
2005
|
|
Nerdzone Version 1, Migros Museum, Zurich, Switzerland (cat), (solo)
|
|
2005
|
|
Video Cube, Galerie Thaddaeus Ropac, Salzburg, Austria, (solo)
|
|
2005
|
|
Team Gallery, New York, USA, (solo)
|
|
2005
|
|
Moving Pictures, Dallas Center for Contemporary Art, Dallas, USA
|
|
2005
|
|
Collaborations, The Embassy, Edinburgh, UK
|
|
2005
|
|
Space 1026, Philadelphia, Pennsylvania (collaboration as part of the Beige Programming Ensemble)
|
|
2005
|
|
The Early Show, White Columns, New York, USA
|
|
2005
|
|
Carnegie Museum of Art, Pittsburgh, USA
|
|
2005
|
|
Artbase, New Museum of Contemporary Art, New York, USA
|
|
2005
|
|
Vox, centre de l’image contemporaine, Montreal, Canada
|
|
2005
|
|
Start Kapital, Standard, Oslo, Norway
|
|
2005
|
|
Greater New York, P.S.1, New York, USA (cat.)
|
|
2005
|
|
Growing up absurd, Herbert Read Gallery, Kent Institute of Art and Design, Canterbury, UK
|
|
2005
|
|
Cory Arcangel/Paperrad Project, Deitch Projects, New York, USA
|
|
2005
|
|
Summer Party Jam, Wood Street Galleries, Pittsburgh, Pennsylvania, USA
|
|
2005
|
|
Low level All Stars (performance program co-curated with RSG), Deitch Projects, NY, USA
|
|
2004
|
|
The Infinite Fill Group Show, Foxy Productions, New York, USA
|
|
2004
|
|
Welcome to the infinite fill zone, FACT, Liverpool, UK, (solo)
|
|
2004
|
|
LISTE (under the auspices of Team Gallery), Basel, Switzerland (cat), (solo)
|
|
2004
|
|
Database Imaginary, The Banff Centre, Alberta, Canada
|
|
2004
|
|
Expander, Royal Academy of Art at 6 Burlington Gardens, London, UK
|
|
2004
|
|
The New York/Liverpool Project, The Liverpool Biennial, Liverpool, UK (cat.)
|
|
2004
|
|
Pattern Playback, The Moore Space, Miami, FL, Florida
|
|
2004
|
|
The Whitney Biennial, The Whitney Museum of American Art, New York, NY, USA (cat.)
|
|
2004
|
|
Seeing Double: Emulation in Theory and Practice, Solomon R. Guggenheim Museum, New York, USA
|
|
2004
|
|
New York Underground Film Festival, Anthology Film Archives, New York, USA
|
|
2004
|
|
Premieres, The Museum Of Modern Art, New York, USA
|
|
2004
|
|
International Film Festival, Rotterdam, The Netherlands
|
|
2004
|
|
Art Plus Dance, Whitechapel Gallery, London, UK
|
|
2004
|
|
Pics ‘n Clips, Arthouse, Austin, Texas, USA
|
|
2003
|
|
Killer Instinct, New Museum of Contemporary Art, New York, USA
|
|
2003
|
|
Throwback, Team Gallery, New York, USA
|
|
2003
|
|
Blinky, Foxy Productions, Brooklyn, USA
|
|
2003
|
|
New York Underground Film Festival, Anthology Film Archives, New York, USA
|
|
2003
|
|
Blinky, Tate Britain, London, UK
|
|
2003
|
|
Game Engine, New York Video Festival, New York, USA
|
|
2003
|
|
Art Basel Miami Beach, Miami, Florida, USA
|
|
2003
|
|
Another Bad Creation, Deitch Projects, NY, USA
|
|
2003
|
|
Psych-Out 2k3 (co-curated with Seth Price), Anthology Film Archives/NYUFF, NY, USA
|
|
2002
|
|
Digital Media, American Museum of the Moving Image, New York, USA
|
|
2002
|
|
Unknown Pleasures, Daniel Reich Gallery, New York, USA
|
|
2002
|
|
Rodney Graham Film Program, Whitechapel Gallery, London, UK
|
|
2002
|
|
New York Underground Film Festival, Anthology Film Archives, New York, USA
|
|
2001
|
|
Interface: Exploring Possibilities, Fassbender Gallery, Chicago, USA
|
|
|
|
|
|
|
| Literature |
|
|
|
2009
|
|
Cory Arcangel / Shana Moulton / Jessica and Jacob Ciocci (Paper Rad) / Ryan Trecartin & Lizzie Fitch, Migros Museum, Zurich, Switzerland
|
|
2009
|
|
Tracking Traces, Kiasma, Helsinki, Finland (forthcoming August, curated by Leevi Haapala)
|
|
2009
|
|
Pop Music as Subject for Visual Art, Kunsthaus Graz, Austria, (forthcoming, curated by Diedrich Diederischen)
|
|
2009
|
|
Younger than Jesus, New Museum, New York, USA curated by Lauren Cornell, Massimiliano Gioni and Laura Hoptman
|
|
2009
|
|
Abstract Cinema and Technology, Museum of Contemporary Art, Miami, FL, USA (forthcoming March, curated by Bonnie Clearwater with Kevin Arrow)
|
|
2009
|
|
The First Stop on the Super Highway, Nam June Paik Art Center, GyeonGi, Korea (forthcoming March, curated by Tobias Berger)
|
|
2009
|
|
Synthetic, Whitney Museum of American Art, New York, USA (curated by Carter Foster)
|
|
2009
|
|
Saints and Sinners, Rose Art Museum, Brandeis University, Waltham, MA, USA (curated by Laura Hoptman)
|
|
2009
|
|
University of Michigan Museum of Art, Ann Arbor, MI, USA (forthcoming December) (solo)
|
|
2009
|
|
Montevideo, Amsterdam, The Netherlands (forthcoming August) (solo)
|
|
2008
|
|
Galerie Thaddaeus Ropac, Salzburg, Austria(solo)
|
|
2008
|
|
Adult Contemporary, Team Gallery, New York\(solo)
|
|
2008
|
|
The Possibility of An Island, Museum of Contemporary Art, Miami, FL, USA
|
|
2008
|
|
Close Encounters- Facing the Future, American University Museum, Washington D.C., USA (curated by Donald Russell and Niels Van Tomme)
|
|
2008
|
|
Occupancy by more than 6’682’685’387 persons is Dangerius and Unlawful- Pierre Bismuth and collaborators, Cosmic Galerie, Paris, France
|
|
2008
|
|
Rock my Religion, Domus Artium O2, Salamanca, Spain (curated by Javier Panera)
|
|
2008
|
|
Sound of Art, Museum der Moderne, Salzburg, Austria
|
|
2008
|
|
Cory Arcangel + Olia Lialina and Dragon Espenschied,, and/ or gallery, Dallas, TX, USA
|
|
2008
|
|
Dennis Hopper and the New Hollywood, Cinématèque française (travelling)
|
|
2008
|
|
Superlight, San Jose Museum of Art, San Jose, CA, USA (curated by Steven Dietz, travelling to MOCA Cleveland)
|
|
2008
|
|
Color Chart, MOMA, New York, USA (curated by Ann Temkin, traveling to Tate Liverpool, with catalogue)
|
|
2008
|
|
Peer to Peer, Casino Luxembourg – Forum d’art Contemporain, Luxembourg
|
|
2008
|
|
Popshop, remixing icons of massculture, Mu Foundation, Eindhoven, Netherlands
|
|
2008
|
|
Holy Fire. Art of the Digital Age, iMAL Center for Digital Cultures and Technology, Bruxelles, Belgium
|
|
2007
|
|
Super Cinema, Solomon R. Guggenheim Museum, New York, USA
|
|
2007
|
|
Automatic Update, MOMA, New York, USA
|
|
2007
|
|
Collection Part 1, Migros Museum, Zurich
|
|
2007
|
|
Max Wigram Gallery, London, UK
|
|
2007
|
|
Northern Gallery for Contemporary Art, Sunderland, UK (touring to Spacex, Exeter, and Castlefield Gallery Manchester, cat.)
|
|
2007
|
|
Brändström & Stene, Stockholm, Sweden
|
|
2007
|
|
Galerie Guy Bartschi, Geneva, Switzerland
|
|
2007
|
|
Galerie Thaddeus Ropac, Salzburg/Paris
|
|
2006
|
|
Roberta Smith, Turning Games Into a New Kind of Art, The New York Times, January 21, p.B9.
|
|
2006
|
|
Barbara London, Best of 2006 Film (8 BIT), Artforum, Dec, p. 58
|
|
2006
|
|
Julia Cosgrove, Digital Underground, ReadyMade, June/July, pp. 62-65
|
|
2006
|
|
Susan Corrigan, Cory Arcangel: Fallen from Grace, i-D, June, p.36
|
|
2006
|
|
Mark Tribe, Cory Arcangel: An Interview, UOVO, Issue 11, pp.252-63
|
|
2006
|
|
Sophie, Fels, “Time Frame”, TimeOut NY, September, 7-13, p.147
|
|
2006
|
|
Marc Speigler, Game Art, Departures, May/June
|
|
2006
|
|
Emily Weiner, Motivational Speaker, TimeOut NY, May 18-24, p.80
|
|
2006
|
|
Nicolas Trembley, L’ange Techno, Numero, Spring, pp.38-40
|
|
2006
|
|
Anne Dugan, The air we breathe: Cory Arcangel, Code, Winter, pp.12-15
|
|
2006
|
|
Stephanie Murg, Walking the Green Carpet, ArtNews, February
|
|
2005
|
|
Gair Boase, Future Greats 2005, Art Review, London, December Issue, pp. 66-70
|
|
2005
|
|
Nick Stillman, Cory Arcangel Hack Man, Flash Art International, issue XXXVIII, May-June, pp. 116-117
|
|
2005
|
|
Brian Sholis, Cory Arcangel: Team Gallery/Cory Arcangel/Paper Rad: Deitch Projects, Artforum, April, p190-1
|
|
2005
|
|
Roberta Smith, Last Chance: Cory Arcangel, The New York Times, February 11, E28
|
|
2005
|
|
Roberta Smith, Cory Arcangel/Cory Arcangel and Paper Rad, The New York Times, February 4, E39
|
|
2005
|
|
Charlie Finch, The Museum Comes to Us: Art in 2050, Artnet.com, February 3 Martha Schwendener, Cory Arcangel & Beige, TimeOut, February 3-9, p 60
|
|
2005
|
|
Danielle Nussbaum, hacker's delight, Nylon, February, p 89
|
|
2005
|
|
Nick Stillman, Critics’ Picks: Cory Arcangel, Artforum.com, January 21
|
|
2005
|
|
Caitlin Jones, “My Art World Is Bigger Than Yours”, The Believer, December/January, P.3- 12
|
|
2005
|
|
Mark Stevens, “Best Emerging Artist: Cory Arcangel”, New York, December 19, p.59- 60
|
|
2005
|
|
Roberta Fallon, “Screen Play”, Philadelphia Weekly, December 17
|
|
2005
|
|
Arne Ehmann, “Cory Arcangel: Historische Compuiertechnologie”, PARNASS, September – October, p. 140 - 1
|
|
2005
|
|
Sarah Valdez, “Open Source Art”, Art in America, September, p. 146, 175
|
|
2005
|
|
Sarah Boxer, “Web Works That Insist on Your Full Attention,” The New York Times, June 28, p E1, E7
|
|
2005
|
|
Kimberly Chun, “Fault-line Transmissions,” San Francisco Bay Guardian, May 11-17
|
|
2005
|
|
Daniel Perlin, “Technarchy,” XLR8R, May, p.60 - 5
|
|
2005
|
|
Eli Sudbrack, “Assume Vivid Astro Focus and Cory Arcangel,” Tokion, March/April, p. 56- 7
|
|
2005
|
|
Paul Underwood, “Joysticking it to the Man”, Spin, March, p.39
|
|
2004
|
|
Ed Halter, Midtown Rushes: Premieres, Village Voice, November 17-23, p 60
|
|
2004
|
|
Sarah Valdez, Last Night, An Artist Saved My Life, Paper, November, p 62-4
|
|
2004
|
|
Sarah Douglas, London Letter, Artnet.com, October 27
|
|
2004
|
|
Karen Rosenberg, Last Shot: The Matrix Reloaded, New York, August, p 75-77
|
|
2004
|
|
Kim Levin, The Infinite Fill Group Show, Village Voice, August 18-24, p c46
|
|
2004
|
|
Merrily Kerr, The Infinite Fill Show, TimeOut, August 12-19, p 53 Smith, Roberta, The Infinite Fill Group Show, The New York Times, August 6, E32
|
|
2004
|
|
Roberta Smith, “The Infinite Fill Show”, The New York Times, August 6, p. E32
|
|
2004
|
|
Walter Robinson, Weekend Update, Artnet.com, August 2
|
|
2004
|
|
Lisa Delgado, Cory Arcangel's Pizza Party, Res, July/August
|
|
2004
|
|
Clive Thompson, Pac is Back, New York, July 19, p 48-9.
|
|
2004
|
|
Dominique Moloun, Une Instantane des arts numerique a New York, Images, Issue #5, pp. 88-93
|
|
2004
|
|
Simon Houpt, “FranckenArt: The mix and mash future,” The Globe and Mail, May 14
|
|
2004
|
|
CBS, “What’s Bizarre at the Whitney?”, CBS News Sunday Morning, May2
|
|
2004
|
|
Nick Stillman, 2004 Whitney Biennial, The Brooklyn Rail, April, p16
|
|
2004
|
|
Ben Sisario, Internet Art Survives, but the Boom is Over, The New York Times, March 31, p. 13
|
|
2004
|
|
Ed Halter, Mind the Gap, The Village Voice, March 17-23, p 62
|
|
2004
|
|
Jerry Saltz, The OK Corral, The Village Voice, March 17-23, p 80
|
|
2004
|
|
Michael Kimmelman, Touching All Bases At The Biennial, The New York Times, March 12, p. 38
|
|
2004
|
|
Peter Plagens, Art's 'Star Search, Newsweek, March 22, p 61
|
|
2004
|
|
Matt Wolf, Killer Instinct, Flash Art, March-April, p. 62
|
|
2003
|
|
James Gardner, Art of the game, New York Post, December 22, p 42
|
|
2003
|
|
Deborah Solomon, The 3rd Annual Year in Ideas: Video-Game Art, The New York Times Magazine, December 14, p 105
|
|
2003
|
|
A.O. Scott, Video Artists Escape Hollywood Sensibility to Explore Their Inner Worlds, The New York Times, July 23, E3
|
|
2003
|
|
Marisa S. Olson, Hacktivist: Cory Arcangel, Planet, Spring, p 13
|
|
2003
|
|
Misha Davenport, “Old Chips, but new music”, Cicago Sun-Times, March 23
|
|
2003
|
|
Holland Cotter, “Doing Their Own Thing, Making Art Together,” The New York Times, January 19, p. E1, 36
|
|
2003
|
|
Angela Gunn, “The personal Touch,” Time Out, January 9 – 16, p.44
|
|
2003
|
|
Misha Davenport, Old Chips, but new music, Chicago Sun-Times, March 23
|
|
2003
|
|
Holland Cotter, Doing Their Own Thing, Making Art Together, The New York Times, January 19, p E1, 36
|
|
2003
|
|
Angela Gunn, The Personal Touch, Time Out, January 9-16, p 44
|
|
2002
|
|
Holland Cotter, THE CRITICS/10 MOMENTS, The New York Times, December 29
|
|
2002
|
|
Holland Cotter, A Document made by Paul Thek and Edwin Klein, New York Times, December 20
|
|
2002
|
|
Holland Cotter, Art In Review: 'Unknown Pleasures ‘, The New York Times, May 17
|
|
2002
|
|
Reena Jana, KOPy Cats, Artforum, March
|
|
2002
|
|
3Kyle Gann, Pop Goes the Composer, Village Voice, April 10
|
|
2001
|
|
Vinyl Richie, Make The Music With Your Mouse, Life Sucks Die, Winter, pp. 28-29
|
|
|
|