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1972
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Born in Stamford, Connecticut, USA
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1993
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BA, Columbia University, USA
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1997
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MFA, Goldsmiths College, London, UK
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2012 |
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Les Maitres du Desordre, Musée des Arts Premiers, quai Branly, Paris, France (solo) |
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2010 |
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Rotwand Gallery, Zurich, Switzerland (solo) |
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2010 |
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Alon Segev Gallery, Tel Aviv, Israel (solo) |
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2009 |
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Compass in Hand, MOMA, New York, NY |
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2009 |
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Keeper of Light, Sandroni.Rey, Los Angeles, CA, USA |
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2009 |
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Access All Areas, Galerie Max Hetzler, Berlin |
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2009 |
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Elles@centrepompidou. Women artists in the collections of the National Modern Art Museum Centre Pompidou, Paris |
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2009 |
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27 dessins pour le plaisir, Galerie de France, Salon du Dessin, Paris |
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2009 |
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History of Violence, Haifa Museum of Art, Tel Aviv, Israel |
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2009 |
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The Cunt Show, Galerie Kewenig, Cologne, Germany |
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2008 - 2009 |
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Diana und Aktaion. Der verbotene Blick auf die Nacktheit, Stiftung Museum Kunst Palast, Düsseldorf, Germany |
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2008 |
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Galerie Gasser & Grunert, New York, USA (solo) |
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2008 |
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Geschlossene Gesellschaft, KW Kunst-Werke Berlin, Germany |
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2007 |
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Chloe Piene and William de Kooning, curated by Klaus Ottman, Locks Gallery, Philadelphia, USA |
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2007 |
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Chloe Piene and Jeppe Hein, Le Musée des Beaux-Arts, Nimes, France |
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2007 |
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Between the Two Deaths, curated by Felix Ensslin and Ellen Blumenstein, ZKM, Karlsruhe, Germany |
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2007 |
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Haifa Museum of Contemporary Art, curated by Hadas Maor, Haifa, Israel |
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2007 |
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Galerie Barbara Thumm, Berlin (solo) |
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2007 |
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Witte de With, Rotterdam, Netherlands (solo) |
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2007 |
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Klemens Gasser & Tanja Grunert, Inc., New York, USA (solo) |
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2007 |
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Alon Segev Gallery, Tel Aviv, Israel (solo) |
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2006 |
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I walk the lines, Galerie Barbara Thumm, Berlin, Germany |
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2006 |
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Street: Behind the Cliché, Witte de With, Rotterdamm, Netherlands |
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2006 |
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Nouvelle fabriques d‘images et de sons, Frac Limousin, Limoges, France |
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2006 |
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This is Not a Love Song, Susanne Vielmetter Los Angeles Projects, Culver City, CA, USA |
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2006 |
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Streams of Story, Tramway, Glasgow, UK |
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2006 |
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Cluster, Participant Inc., New York, NY, USA |
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2006 |
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ARS 06, Kiasma, Helsinki, Finland |
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2005 |
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DRAWING, Sandroni Rey, Los Angeles, CA, USA (solo) |
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2005 |
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VIDEO, Sandroni Rey, Los Angeles, CA, USA (solo) |
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2005 |
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Galerie Nathalie Obadia, Paris, France (solo) |
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2005 |
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Mario Diacono, Boston, MA, USA (solo) |
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2005 |
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Vita Kuben, curated by Annee Olofsson, Umea, Sweden (solo) |
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2005 |
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Masculinities, Neuer Berliner Kunstverein, Berlin, Germany |
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2005 |
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Printemps de Toulouse Festival, Vertiges, Musée des Abattoirs, Toulouse, France |
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2005 |
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Drawings, Musée St. Etienne, St. Etienne, France |
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2005 |
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No Ordinary Sanctity, DeutsheBank and Thaddeus Ropac, Salzburg, Austria |
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2005 |
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Old and New Dreams, Artprojx, London, UK |
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2005 |
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Split Subjects, De Appel, Amsterdam, Netherlands |
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2005 |
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Getting Emotional, Institute of Contemporary Art, Boston, USA |
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2005 |
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Créatures Hybrids et Mysterieuses, Musée des Beaux Arts de Rouen, France |
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2005 |
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Works on Paper, Galerie Max Hetzler, Berlin, Germany |
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2005 |
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Contemporary Erotic Drawing, Aldrich Museum, Ridgefield, Conneticut, USA |
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2005 |
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Will Boys Be Boys?, Museum of Contemporary Art, Denver, CO, USA |
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2005 |
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CAMH, Houston, TX, and Salinas Art Center, Salinas, KS, USA |
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2005 |
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Galerie Thaddaeus Ropac, Salzburg, Austria (solo) |
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2004 |
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Whitney Biennial, Whitney Museum of American Art, New York, NY, USA |
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2004 |
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Klemens Gasser & Tanja Grunert, Inc., New York, NY, USA (solo) |
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2004 |
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Kunsthalle Bern, Bern, Switzerland (solo) |
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2004 |
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Noctambule, Fondation Dosne - Bibliotheque Thiers, Paris, France |
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2003 |
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Lust and Leisure, Voges and Diesen, Frankfurt, Germany |
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2003 |
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Losing It, Fenton Arts Gallery, Cork, Ireland |
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2003 |
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Klemens Gasser & Tanja Grunert, Inc., New York, NY, USA (solo) |
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2002 |
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Inside the Whale, Klemens Gasser & Tanja Grunert, Inc., New York, USA |
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2001 |
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Legitimate Theatre, Los Angeles County Museum of Art, Los Angeles, USA |
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2001 |
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Profounders Gallery, Helsinki, Finland (solo) |
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2000 |
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Helsinki City Art Museum, Helsinki, Finland (solo) |
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2000 |
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Magazin4, Bregenz, Austria (solo) |
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2000 |
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Marianne Boesky Gallery, New York, USA (solo) |
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2000 |
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New Video, Barbara Gross Galerie, Munich, Germany |
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2009 |
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Compass in Hand. Selections from the Judith Rothschild Foundation Contemporary Drawings Collections, Steve Pulimood, Art in America International review, 26. Mai 2009 |
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2009 |
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Compass in Hand: MoMA Pushes the Envelope in Works on Paper, Roberta Smith,The New York Times, April 24, 2009, Seite C27 |
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2009 |
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Diaries of a Young Artist, Shelly Bancroft, Peter Nesbett, Rebecca Sears, New York 2009 |
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2009 |
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Gothic: The Evolution of a Dark Aesthetic, by Catherine Spooner, Kim Newman, Gilda Williams and Mick Mercer, Carlton Books, London, 2009 |
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2008 |
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Chloe Piene‘s new Skullptures, a Review by Tim Maul, Afterart New, July 11 |
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2008 |
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Chloe Piene, Review by Anne Doran, Time Out New York, June 4 |
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2008 |
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Guter Geschmack ist langweilig, Gunnar Luetzow, Berliner Morgenpost, 26. September 2008, Seite 22 |
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2008 |
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Geballte Entladung, Kurators Liebling von Ina Lockhart, Financial Times Deutschland, Freitag, 26. September 2008, Seite 32 |
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2007 |
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Chloe Piene (exh.cat.), with essay „At hand“ by Barry Schwabsky, Carré d’Art - Musée d’Art Contemporain de Nîmes |
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2007 |
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artnet, „Vom Abgrundtief Anderen - Chloe Piene bei Barbara Thumm, Berlin“, by Anne Haun, 20 November |
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2007 |
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Berliner Zeitung, „Allein im Wald“, by Dominikus Müller, November 20, N. 271 p. 21 |
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2007 |
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Der Tod und das Mädchen” artist portrait by Oliver Koerner von Gustorf, Monopol Magazine, Nr. 11/2007, November |
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2007 |
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Hellbound, Edited by Francesca Gavin, Laurence King Publishing, London |
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2007 |
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Frozen Tears III, Edited by John Russel, Central Books, London |
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2007 |
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Style Magazine Berlin, “Chloe Piene” by Marcus Woeller, p. 125, March |
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2007 |
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Spike Art Quarterly, Review, “Chloe Piene at the Witte de With” by Ines Gebetsroither, pp. 90 - 91, May |
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2007 |
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Ice Cream: Contemporary Art and Culture, Phaidon Press |
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2007 |
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Les Cahiers du Musée national d’art moderne, Centre Georges Pompidou, Paris, Summer |
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2007 |
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Harvard Review #32, Cambridge |
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2007 |
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Philadelphia Weekly, “Double Exposure” by Carmen Winant, January 31 |
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2007 |
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Haaretz, “The American Nightmare” by Smadar Sheffi, January 24 |
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2007 |
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Haaretz, “Desire Strong as Death” by Uzi Zur, January 23 |
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2007 |
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Time Out Tel Aviv, “ Thuggery ” by Lea Abir, January 12 |
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2007 |
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Between two deaths (exh.cat.), Ellen Blumenstein and Felix Ensslin (Eds.), ZKM Karlsruhe and Hatje Cantz Verlag, Ostfildern, 2007 |
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2006 |
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ARTnews, The Big Draw, by Hilarie M. Sheets, pp. 98-103, January 2006 |
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2006 |
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Phonecall, by Chloe Piene, One Star Press, Paris, January 2006 |
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2006 |
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ARTnet Magazin, “Provocative Realism” by Donald Kuspit, December 18 |
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2006 |
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ARTnews, “Making Skin Crawl” by Hilarie M. Sheets, pp. 102, 104,September |
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2006 |
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ID Magazine, “Chloe Piene: Bite the Bullet ” by Melissa Gronlund, p. 36, June/July |
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2005 |
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Art press, Chloe Piene, Review by Jean-Pierre Criqui, June 2005 |
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2005 |
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Artdaily.com, Contemporary Erotic Drawing at The Aldrich, June 8, 2005 |
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2005 |
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Le Monde, Les Corps Déchirés de Chloe Piene, by Philippe Dagen, April 30, 2005 |
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2005 |
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Egon Schiele, Statement by Chloe Piene, Neue Galerie, New York, 2005 |
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2005 |
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Walker Museum of Contemporary Art, Catalog of Collection and New Acquisitions, 2005 |
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2005 |
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Rocky Mountain News, Personal Experience Filters Boys, by Voelz Chandler, February 18, 2005 |
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2005 |
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Vitamin D, Essay on Chloe Piene by Barry Schwabsky, Phaidon Press, 2005 |
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2005 |
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Houston Press, Hot Ass Art, by Steven Devadanam, January 27, 2005 |
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2005 |
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The Boston Globe, Sweet Emotion, July 12, 2005 |
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2005 |
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La Liberation, Toulouse Art-Corps, by Brigitte Ollier, September 27, 2005 |
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2004 |
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New York Magazine, Show and Tell, p. 136, November 29, 2004 |
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2004 |
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Saint Louis Times, Art‘s Really Big Show, by David Bonetti, May 2, 2004 |
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2004 |
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Arte, Alla Biennale del Whitney: Torna la Pittura, by Renato Diez, pp.104-111, April 2004 |
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2004 |
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Neue Zürcher Zeitung, Die neue Bescheidenheitm, by Andrea Köhler, March 25, 2004 |
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2004 |
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The New York Times, Art That Speaks To You. Literally., by Roberta Smith, Arts p. 30, March 7, 2004 |
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2003 |
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Art in America, Review, Chloe Piene, by Nancy Princenthal, pp. 91 - 92, July 2003 |
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2003 |
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Art Press, News, Chloe Piene, by Charles-Arthur Boyer, pp. 68 - 69, June 2003 |
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2002 |
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MAKE Magazine, Interview with Lisa Prior, pp. 36 - 37, Special Edition #92, 2002 |
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2001 |
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Helsinki Sanomat, Kalevala on Voimakas ja Brutaali, by Leena Honkavaara, May 5, 2001 |
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2001 |
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Los Angeles Times, A Poignant Intersection of Fantasy and Reality, by David Pagel, May 29, 2001 |
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2000 |
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Vorarlberger Nachrichten, Crashkurs für Selbstdarsteller, May 3, 2000 |
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2000 |
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Hufvudstadsbladet, Focus på psyket, by Maria Hirvi, June 1, 2000 |
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