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1970
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Born in Lusaka, Zambia
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1992
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BA, (Hons) University of Brighton
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1997
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MA, Photography, Royal College of Art, London
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1997
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Live Art Travel & Research Fund, Arts Council of England
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2002
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Research Fellowship, Henry Moore Institute
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2003
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Artist's residency, BBC
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2004
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IASPIS fellowship, Stockholm
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2007
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Sharjah Biennale residency, United Arab Emirates
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2010 |
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Yesterday Will be Better- Taking Memory into the Future, Aargauer Kunsthaus, Aarau, Switzerland |
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2010 |
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The Philosophy of Money, curated by Miguel Amado, Lisbon City Museum, Lisbon, Portugal |
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2010 |
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Midway Contemporary Art June Film Series, curated by Jonathan Thomas, Midway Contemporary Art, Minneapolis, MN |
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2010 |
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Permanent Mimesis, curated by Alessandro Rabottini, Galleria Civica dʼArte Moderna e Contemporanea, Turin, Italy |
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2010 |
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The Perfect Exhibition, Part Two: Artists that Reflect Mechanisms of the Art Market in their Work, Heidelberger Kunstverein, Heidelberg, Germany |
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2010 |
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Wouldnʼt a Title Just Make it Worse?, Central Reservation, Bristol, UK |
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2010 |
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Yesterday Will Be Better, Aargauer Kunsthaus, Aarau, Switzerland |
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2010 |
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Mimesi Permanente, curated by Alessandro Rabottini, GAM Underground Project, Torino, Italy |
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2010 |
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Permanent Reception, curated by Clemens von Wedemeyer, Galerie Nächst St.Stephan, Vienna |
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2010 |
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Reprise, Paula Cooper Gallery, New York, NY |
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2010 |
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The Talent Show, Walker Art Center, Minneapolis, MN |
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2010 |
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Sculpture Center Lucky Draw 2010, Sculpture Center, Long Island City, NY |
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2010 |
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Corporate Everything, Centre dʼArt De Fribourg Kunsthalle Freiburg, Germany |
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2010 |
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Atopia: Art and City in the 21st Century, Centre de Cultura Contemporània de Barcelona (CCCB), Barcelona, Spain |
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2010 |
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FALL OUT – art, desire and disengagement, curated by Mads Damsbo and Merete Jankowski, Gl Holtegaard, Denmark, and Malmö Kunsthal, Sweden |
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2009 |
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Die Welt als Buhne (World as Stage), curated by Solvej Ovesen, NBK, Berlin |
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2009 |
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Hypnotic Show, curated by Raimundas Malasaukas, LABOR, Mexico City, Mexico |
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2009 |
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Hypnotic Show, Kadist Art Foundation, Paris, France |
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2009 |
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Impossible Exchange, Frieze Projects, Frieze Art Fair 2009, curated by Miguel Amado and Filipa Oliviera, London, England |
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2009 |
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Carey Young: Uncertain Contracts, Rhode Island School of Design, Providence, RI (solo) |
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2009 |
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Feedforward: The Angel of History, Laboral Art Center, Gijón, curated by Christiane Paul and Steve Deitz |
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2009 |
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Void of Memory, Kimusa/ArtSonje Centre, Seoul |
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2009 |
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Deceitful Moon, The Hayward Project Space, London, England |
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2009 |
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Pattern Recognition, City Gallery, Leicester, England |
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2009 |
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Commentary, Paula Cooper Gallery, New York, NY |
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2009 |
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Feedforward: The Angel of History, Laboral Art Center, Gijon, curated by Christiane Paul and Steve Deitz |
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2009 |
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The Space of the Work and the Place of the Object Sculpture Center, New York |
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2009 |
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Counter Offer The Power Plant, Toronto, Canada (solo) |
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2009 |
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Speech Acts Contemporary Art Museum Saint Louis, Saint Louis, MO (solo) |
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2008 |
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Mutual Release, Thomas Dane Project Space, London, UK (solo) |
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2008 |
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Speechcraft, Creative Time, New York Bar Association, New York, NY (performance) (solo) |
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2008 |
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Soft Manipulation, or Who’s Afraid of the New Now? Casino Luxembourg, Luxembourg, curated by Maria Lind, Enrico Lunghi and Zoltan Eric & tour to Stiftelsen 3, 14, Bergen, Norway |
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2008 |
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Objects of Value curated by Rene Morales, Miami Art Museum, Miami, FL |
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2008 |
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Getting Even: Oppositions and Dialogues in Contemporary Art, Lewis Glucksman Gallery, University College Cork, Cork, Ireland |
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2008 |
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Open Video Series #7, curated by Peter Garfield, CRG Gallery, New York, NY |
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2008 |
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Electioneering Fort Worth Contemporary Arts, Fort Worth, TX |
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2008 |
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Better being a virus than catching a cold Mains d’Oeuvres, Paris, France |
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2008 |
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Business As Usual Museum of Contemporary Art Detroit, Detroit, Michigan |
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2007 |
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The Dotted Line, curated by Colby Chamberlain, BRIC Rotunda Gallery, Brooklyn, NY |
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2007 |
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No, Future, Bloomberg Space, London, England |
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2007 |
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If/Then, Paula Cooper Gallery, New York, NY (solo) |
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2007 |
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Speechcraft, Modern Art Oxford, London, England (performance) (solo) |
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2007 |
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Consideration, Midway Contemporary Art, Minneapolis (solo) |
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2006 |
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Image Transfer, Production as Process, Umea Art Academy (solo) |
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2006 |
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E-flux Video Rental, PiST, Istanbul and tour |
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2006 |
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How to Improve the World, Hayward Gallery, London, England |
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2005 |
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British Art Show 6, Baltic, Newcastle, Cornerhouse, Manchester, Nottingham Castle, Nottingham, Spike Island at A-Bond Warehouse, Bristol |
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2005 |
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Tirana Biennal, Tirana |
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2005 |
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Consideration, Paula Cooper Gallery, New York (part of Performa05 Biennal curated by RoseLee Goldberg) (solo) |
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2005 |
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Disclaimer, IBID Projects, London (solo) |
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2005 |
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Carey Young, Trafo Gallery, Budapest (solo) |
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2004 |
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Disclaimer, Henry Moore Institute, Leeds (solo) |
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2004 |
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I Believe in You, web and mobile phone project, launched at Tate Britain (solo) |
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2004 |
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Carey Young, Index, Stockholm (solo) |
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2004 |
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I am not a feminist. I am normal., Austrian Cultural Institute, London, England |
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2004 |
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Black Friday, Galerie Kamm, Berlin, Germany |
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2002 - 2004 |
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Viral Marketing, Kunstverein München,various works created within or in relation to the Kunstverein’s marketing structure (solo) |
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2003 |
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A Short History of Performance - Part II, Whitechapel Gallery, London, England |
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2003 |
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Electric Earth, State Russian Museum (St Petersburg) & tour; curated by the British Council |
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2003 |
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Carey Young, IBID Projects, Vilnius (solo) |
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2002 |
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The Passions of the Good Citizen, apex art, New York (curated by Heather Felty) |
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2002 |
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Exchange and Transform (Arbeitstitel), Kunstverein Munich |
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2001 - 2002 |
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Business as Usual, John Hansard Gallery, Southampton, Angel Row, Nottingham; Firstsite, Colchester (curated and organised by Film & Video Umbrella) (solo) |
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2001 |
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My Megastore, site-specific works at Virgin Megastore, London, England (solo) |
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2001 |
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Ausgetraumt (Without Dreams), Secession, Vienna (curated by Kathrin Rhomberg) |
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2001 |
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Look Out: Artists’ Reactions to Contemporary Social and Political Events, curated by Peter Kennard, Pitshanger Manor, London, England |
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2000 |
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Nothing Ventured, fig-1, London, England (solo) |
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2000 |
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Media Art 2000, Metropolitan Museum of Modern Art, Seoul Biennale, Seoul (curated by Jeremy Millar & Barbara London) |
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2000 |
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Continuum001, Centre for Contemporary Art, Glasgow (curated by Rebecca Gordon Nesbitt) |
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1999 |
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EXIT, Art & Cinema at the End of the Century, Chisenhale Gallery, London, England |
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1999 |
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CRASH!, Institute of Contemporary Art, London, England |
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1997 |
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Zones of Disturbance / Zonen der Ver-Storung, Marieninstitut, Graz, as part of Steirisher Herbst (curated by Silvia Eiblmayr) |
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1995 |
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Stream, with Sophy Rickett & Rut Blees Luxemburg, plummet, London, England |
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