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1983
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B.A., Yale University, New Haven, Connecticut, USA
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1986
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Skowhegan School of Painting and Sculpture, New York, USA
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1990
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Artist-in-Residence Grant, New York State Council on the Arts
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1991
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Diverse Forms Artists' Projects Grant funded by the National Endowment for the Arts, The Rockefeller Foundation and the Jerome Foundation
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1993
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The Louise Nevelson Award in Art, American Academy of Arts and Letters, New York, USA
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1994
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New York Foundation for the Arts Grant
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1994
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Louis Comfort Tiffany Foundation Award
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1994
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The Korea Arts Foundation of America, Award for the Visual Arts
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1995
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National Endowment for the Arts Award
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1997
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Joan Mitchell Foundation Grant
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1998
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Sirius Arts Centre, Residency Programme, County Cork, Ireland
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2002
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UCROSS, Cal Arts Alpert Residency, Wyoming, USA
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2008
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Alpert Award in the Arts
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Lives and works in New York, USA
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2011 |
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Byron Kim, James Cohan Gallery, New York, USA (solo) |
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2011 |
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Byron Kim, PKM Trinity Gallery, Seoul, Korea (solo) |
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2010 |
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Hard Targets, Wexner Center for the Arts, Columbus, Ohio, US (group) |
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2010 |
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Centennial Celebration of Yi Sang’s Birth, ARCO Art Center, Seoul, Korea |
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2009 |
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Faces & Facts: Korean Contemporary Art in New York, Queens Museum of Art, New York, US (group) |
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2009 |
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The Endless Renaissance, Bass Museum of Art, Miami, US (group) |
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2009 |
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Colour Chart: Reinventing Colour, 1950 to Today, Tate Liverpool, Liverpool, UK (group) |
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2008 |
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7th Gwangju Biennale, Gwangju, Korea (group) |
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2008 |
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Abstract Imagination, PKM Trinity Gallery, Seoul, Korea (group) |
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2008 |
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Irwin’s Disc, The U.N. Building, and Other Paintings, Max Protetch Gallery, New York, US (solo) |
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2008 |
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Color Chart: Reinventing Color, 1950 to Today – MoMA, Museum of Modern Art, New York (group) |
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2008 |
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Patterns for Living, Queens, New York (group) |
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2007 |
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Void in Korean Art, Leeum – Samsung Museum of Art, Seoul (group) |
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2007 |
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Like Color in Pictures, Aspen Art Museum, Aspen, Colorado (group) |
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2007 |
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Not for Sale, P.S. 1 Contemporary Art Center, Long Island, New York (group) |
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2007 |
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Outside the Box, Hosfelt Gallery, San Francisco (group) |
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2007 |
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Unfathom, Max Protetch Gallery, New York, NY |
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2006 |
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Threshold – Byron Kim 1990-2004, Scottsdale Museum of Contemporary Art – SMoCA, Phoenix, Arizona, US (solo) |
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2006 |
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Threshold – Byron Kim 1990-2004, Henry Art Gallery, Seattle, US (solo) |
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2006 |
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Byron Kim, PKM Gallery, Seoul, Korea (solo) |
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2006 |
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Gifts Go in One Direction, Apexart, New York (group) |
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2006 |
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New Now Next, The Contemporary Blanton, Blanton Museum of Art, Austin, Texas (group) |
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2006 |
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Work in Progress, DUMBO Arts Centre, Brooklyn, New York (group) |
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2006 |
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Frontiers – Collecting the Art of Our Time, Worcester Art Museum, Worcester, Massachusetts (group) |
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2006 |
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The Bong Show or This Is Not A Pipe, Leslie Artworks + Projects, New York |
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2004 - 2006 |
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Threshold, Berkeley Art Museum, Berkeley, CA (travels to Samsung Museum of Modern Art, Rodin Gallery, Seoul, Korea; Museum of Contemporary Art San Diego; Weatherspoon Art Museum, University of North Carolina, Greensboro; Henry Art Gallery, University of Washington, Seattle; Scottsdale Museum of Contemporary Art) |
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2005 |
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Oddly Flowing, Max Protetch Gallery, New York |
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2005 |
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Collection Remixed, Bronx Museum of the Arts, New York |
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2004 |
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Specific Objects – The Minimalist Influence, Museum of Contemporary Art San Diego, La Jolla, California |
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2004 |
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Permanent, Hosfelt Gallery, San Francisco, CA, USA (solo) |
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2003 |
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(group)where Better than This Place: Alternative Social Experience in the Spaces of Contemporary |
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2003 |
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Visualizing Identity, Blanton Museum of Art, Austin, Texas |
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2003 |
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Approaching Objects, Whitney Museum of American Art, New York |
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2003 |
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Whiteness, A Wayward Construction, Laguna Art Museum, Laguna Beach, California |
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2002 |
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Family Ties, Peabody Essex Museum, Salem, Massachusetts |
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2002 |
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Mask or Mirror? A Play of Portraits, Worcester Art Museum, Worcester, Massachusetts |
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2002 |
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Group Exhibition, Nicole Klagsburn Gallery, New York |
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2002 |
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Skin, Museé de la Civilisation, Quebec, Canada |
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2001 |
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American Tableaux, Walker Art Center, Minneapolis, MN. |
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2001 |
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Max Protetch Gallery, New York |
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2001 |
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Claude Monet and the Modern Age, Kunsthalle der Hypo-Kulturstiftung, München, Germany (group) |
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2001 |
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And Fondation Beyeler, Riehen, Switzerland (group) |
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2001 |
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Here and Now, Zacheta National Gallery, Warsaw, Poland and Arsenal Gallery, Bialystok, Poland (group) |
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2001 |
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It’s Not What You See: Perverting Minimalism, Reina Sofia, Spain (group) |
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2001 |
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Here and Now, National Gallery, Warsaw, Poland (group) |
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2001 |
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American Tableaux, Walker Art Center, Minneapolis, Minnesota |
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2000 |
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KOREAMERICAKOREA, Artsonje Center, Seoul, Korea and Artsonje Museum, Kyongju, Korea (group) |
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2000 |
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Kwangju Biennale, Kwangju, Korea |
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1999 |
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Drawing for the Present Tense, Parsons School of Design, New York |
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1999 |
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Museum of American Art at Phillip Morris, New York |
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1999 |
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Roche's Point Studies, Max Protetch Gallery, New York, US (solo) |
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1999 |
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Negotiating Small Truths, Blanton Museum, University of Texas at Austin, Texas (group) |
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1999 |
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Between the Unknown Straits - art Now in Japan and Korea, Meguro Museum of Art, Tokyo; travelled to The National Museum of Art, Osaka, and the Korean Culture and Art Foundation, Seoul (group) |
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1999 |
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Waxing Poetic: Encaustic Art in America, Montclair Art Museum, NJ and Knoxville Museum of Art, Tennessee (group) |
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1999 |
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Contemporary Collectors XIV, Museum of Contemporary art San Diego, La Jolla, California (group) |
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1998 |
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Formal Innovations: Reworking Minimalism in the 1990s, University of Michigan Museum of Art, Ann Arbor, Michigan (group) |
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1998 |
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From Here to Eternity: Painting in 1998, Max Protetch Gallery, New York (group) |
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1998 |
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100 Years of Sculpture: From the Pedestal to the Pixel, Walker Art Center, Minneapolis, Minnesota (group) |
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1998 |
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Museum of Contemporary Art, Chicago, IL |
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1998 |
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Byron Kim: Process, Hatton Gallery, Colorado State University, Fort Collins, CO |
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1998 |
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Kiki Smith, Byron Kim, Anne Chu, A/C Project Room, New York |
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1998 |
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Space/Sight/Self, David and Alfred Smart Museum of Art, University of Chicago, IL |
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1997 |
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After the Fall: Aspects of Abstract Painting Since 1970, Snug Harbor Cultural |
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1997 |
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I Wandered Lonely as a Cloud, Max Protetch Gallery, New York |
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1997 |
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T-Race, Randolph Street Gallery, Chicago, Illinois (group) |
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1996 |
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Face to Face: Recent Abstract Painting, List Visual Arts Center, MIT, Cambridge, Massachusetts (group) |
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1996 |
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Screen, Friedrich Petzel Gallery, New York (group) |
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1996 |
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Contemporaneous, Newlyn Art Gallery, Newlyn, Penzance, UK (group) |
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1996 |
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A Glimpse of the Norton Collection As Revealed by Kim Dingle, Site Santa Fe, Santa Fe, New Mexico (group) |
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1996 |
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Grey-Green, Hirshhorn Museum and Sculpture Garden, Washington, D.C. |
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1996 |
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Baumgartner Galleries, Washington, D.C. |
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1996 |
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Dieu Donne Papermill, New York |
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1996 |
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Face Value, Wexner Center, Columbus, OH |
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1996 |
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Works on Paper, Max Protetch Gallery, New York |
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1995 |
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Korea Arts Foundation of America, Los Angeles, US (solo) |
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1995 |
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Kiang Gallery, Atlanta, US (solo) |
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1995 |
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The Figure/ The Body, American Art: 1945-1995, Museum of American Art, Pennsylvania Academy of Fine Art, Philadelphia (group) |
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1995 |
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Art at the Edge: Tampering: Artists & Abstraction Today, High Museum, Atlanta, Georgia (group) |
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1995 |
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Sites of Being, Institute of Contemporary Art, Boston, Massachusetts (group) |
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1995 |
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25 Americans: Painting in the 90s, Milwaukee Art Museum, Milwaukee, Wisconsin (group) |
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1995 |
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Face Value: American Portraits, Parrish Art Museum, NY and Southampton, England (group) |
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1995 |
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Modesty, A Policy: Junge Malerie aus New York, Galerie Sfeir-Semler, Kiel, Germany (group) |
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1995 |
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Works on Paper, Todd Gallery, London (group) |
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1995 |
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Critical Distance: Between Art and Architecture, Neuberger Museum of Art, Purchase College, SUNY, Purchase, New York (group) |
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1994 |
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Pleasant Pebble, The Work Space at Dolgenos, Newman and Cronin, New York (group) |
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1994 |
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Stories, Max Protetch Gallery, New York (group) |
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1994 |
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Practice Ground, Ottawa Art Gallery, Ottawa, Canada (group) |
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1994 |
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Drama, Max Protetch Gallery, New York (group) |
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1994 |
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Matrix 125, Wadsworth Athenaeum Museum of Art, Hartford, Connecticut, US (solo) |
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1994 |
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Galerie Francesca Pia, Berne, Switzerland (solo) |
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1993 |
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Max Protetch Gallery, New York, US (solo) |
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1993 |
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Baumgartner Gallery, Washington, D.C. , US (solo) |
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1993 |
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Byron Kim and Glenn Ligon, AC Project Room, New York, US (solo) |
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1993 |
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New Sculpture: Soft Surfaces, Transamerica Pyramid Lobby Gallery, San Francisco (group) |
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1993 |
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Spheres of Influence: Artists and their Students in the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art at Champion, Stamford, Connecticut (group) |
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1993 |
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Markets of Resistance, White Columns, New York (group) |
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1993 |
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American Academy Invitational, American Academy of Arts and Letters, New York (group) |
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1993 |
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Prospect 1993, Frankfurter Kustverein, Frankfurt, Germany (group) |
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1993 |
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Biennial, Whitney Museum of American Art, New York (group) |
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1993 |
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Skin Deep, New Museum of Contemporary Art, New York (group) |
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1993 |
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1993 Physical Evidence, Bard College, Annandale-on-Hudson, NY and Lehman College Art Gallery, Bronx, New York (group) |
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1992 |
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Max Protetch Gallery, New York, US (solo) |
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1992 |
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Byron Kim and Kiki Smith, A/C Project Room, New York, US (solo) |
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1992 |
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Sleeping with The Enemy: A Theory on the Persistence of Dialects, Four Walls, Brooklyn, New York (group) |
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1992 |
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Contemporary Surfaces, Pamela Auchincloss Gallery, New York (group) |
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1992 |
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Cultural Abstraction, John Good Gallery, New York (group) |
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1992 |
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Seventeen, 500 Greenwich, New York (group) |
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1992 |
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Slow Art, P.S. 1 Museum, Institute of Contemporary Art, Queens, New York (group) |
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1991 |
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Color Theory, SUNY Old Westbury, Long Island, New York (group) |
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1991 |
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Salvage Utopia, AC Project Room, New York (group) |
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1991 |
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The Naked and The Raw, P.S. 122, New York (group) |
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1991 |
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Race and Culture, 494 Gallery and C.C.N.Y. Gallery, New York (group) |
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1990 |
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Micro-Colonization, AC Project Room, New York (group) |
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1990 |
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A Question of Paint, Hallwalls, Buffalo, New York |
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1990 |
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Artists in the Marketplace, The Bronx Museum, Bronx, New York |
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1990 |
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China: June 4, 1989, P.S. 1, Institute of Contemporary Arts, Queens, New York (organized by Asian American Arts Centre) |
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1989 |
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China: June 4, 1989, Blum Helman Warehouse, New York (organized by Asian American Arts Centre) |
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1989 |
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Skowhegan Faculty and Staff Exhibition, Portland Museum of Art, Portland, ME and Colby College Museum of Art, Waterville, Maine |
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1988 |
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34th Annual Juried Exhibition, Art Institute at the San Diego Museum of Art, San Diego, California |
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1988 |
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Yesterday: Reflections on Childhood, Asian American Arts Centre, New York |
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Selected Public Collections |
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Whitney Museum of American Art, New York, USA
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Worcester Art Museum, Worcester, Massachusetts, USA
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Albright-Knox Art Gallery, Buffalo, New York, USA
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Art Institute of Chicago, Chicago, USA
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Berkeley Art Museum, Berkeley, California, USA
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Blanton Museum of Art, Austin, Texas, USA
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Hirshhorn Museum, Washington D.C., USA
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Museum of Contemporary Art, La Jolla, California, USA
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National Gallery of Art, Washington D.C., USA
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Norton Family Collection, Santa Monica, California, USA
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Wadsworth Athenaeum, Hartford, Connecticut, USA
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Walker Art Center, Minneapolis, USA
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