Bradley McCallum and Jacqueline Tarry (American)


Born in Buffalo, New York (Jacqueline)
Born in Green Bay, Wisconsin (Bradley)
BA, Philosophy, State University College at Buffalo, Buffalo, NY (Jacqueline)
BFA, Sculpture, Virginia Commonwealth University, Richmond, VA (Bradley)
MFA, Sculpture, Yale University School of Art (Bradley)
Whitney Independent Study Program, New York (Jacqueline)
Rema Hort Mann Fellowship in the Arts, New York, NY
Lambent Fellowship in the Arts, Tides Foundation, New York, NY
Adjunct Professors of Arts and Cultural Management, Pratt Institute, New York, NY
Video Fellowship, New York Foundation for the Arts
Visiting Artists, University of California, Santa Cruz, Santa Cruz, CA
Live and work in New York (Bradley and Jacqueline)


Within Our Gates, Irwin Street Water Tower, Atlanta, Georgia (solo)
The Dark Is Light Enough, Galerie Nordine Zidoun, Paris, France (solo)
Another Country, Kiang Gallery, Atlanta, GA (solo)
Prospect 1 Biennial, New Orleans LA
Sound Off, BRIC Rotunda Gallery, Brooklyn, New York
No Mas Heros, La Coleccion Vlll, Artium, Centro Museo Vasco de Arte Contemporaneo, Vitoria-Gasteiz, Spain
The Other Mainstream II, Arizona State University Art Museum, Tempe, AZ
Group Show, Galerie Nordine Zidoun, Paris, France
Identity, Nichido Contemporary Art, Tokyo, Japan
Subversive Complicity, The LAB, San Francisco, CA
Performed Identity, Kathleen Cullen Fine Arts, New York, NY
I-Dentity: Los Angeles Video Art, University of Missouri – Kansas City Gallery of Art, Kansas City, MO
Taking Shelter, Canazi Gallery, Columbus College of Art & Design, Columbus, OH
Collectors Select, Arlington Arts Center, Arlington VA
Whitewash & Cut, Lisa Dent Gallery, San Francisco, CA (solo)
Bloodlines, Caren Golden Fine Art, New York, NY (solo)
Now, Tomorrow & Forever, Kinkead Contemporary, Los Angeles, CA (solo)
John Q. Public & Citizen Jane: Private Americans in the Political Domain, University Art Gallery, San Diego State University, San Diego, CA
Bearing, The African American Museum in Philadelphia, Philadelphia, PA
Transformer, VCUarts Anderson Gallery, Richmond, VA
50,000 Beds, Real Art Ways, Hartford, CT
Some Kind of Portrait, Marc Selwyn Fine Art, Los Angeles, CA
The New Media Festival ‘07, Hardcore Art Contemporary Space, Miami, FL
A Spectral Image of Self, Newcomb Art Gallery, Tulane University, New Orleans, LA
Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970, Spelman College Museum of Fine Art, Atlanta, GA
Finding Form, Atlanta Contemporary Art Center, Atlanta, GA
Group show, Kiang Gallery, Atlanta, GA
Whitewash, Light Factory, Charlotte, NC (solo)
Cut, Conner Contemporary Art. June
white washed, F-2 Gallery, Beijing, China
Cut, Conner Contemporary Art
Malcolm X and Betty Shabazz Memorial that will be sited on the corner of Malcolm X Blvd and the Northern edge of Central Park
Legacies: Contemporary Artists Reflect on Slavery, New York Historical Society, June
PULSE New York: International Contemporary Art Fair
Endurance, Tokyo Wonder Site, Tokyo, Japan, July 23-August 14
Convergence, International Contemporary Art Exhibition, Beijing, China
The Staged Body, Curator: Andrea Pollan, Curator’s Office, Washington, DC
Otis, Conner Contemporary Art
Civic Endurance, Conner Contemporary Art, October 11 - November 22
The Outlaw Series, Curator: Lisa Kirk, New York, NY, December
Art & Outrage, Curator: Simon Watson, Rober Miller Gallery, New York, NY, June
Silence: New Haven, Artspace at Center Church on the Green, New Haven, CT, October - November
In Cold Blood, Samuel Dorsky Museum of Art, State University of New York at New Paltz, New Paltz, NY, August – September
Collaborative Art Projects 2000, The Bronx Museum of the Arts, Bronx, NY, February - April
Witness: Call Boxes Citywide Installation, ConjunctionArts, New York, NY, October
The Madison Project, Madison Public High Schools, Madison, WI, September
Black and Blue, Zilkha Gallery, Wesleyan University, Wesleyan CT, October - December
Group Show, MoCADA Museum, Brooklyn, NY, October - December
Witness: Perspectives on Police Violence Documents: Public Projects by Bradley McCallum. Cathedral Church of St. John the Divine, New York, NY, November - December


Cotter, Holland. Posing, Speaking, Revealing, The New York Times, August 24, 2005.
Brockington, Horace. “Intentional Distance.” NY Arts Magazine. Jan. Feb. 2005. p. 71.
Demons, T.J., “Bradley McCallum & Jacqueline Tarry, Conner Contemporary Art” Art Forum, Feb 2004 pg 154
Jacobson, Louis “Civic Endurance,” Washington City Paper, 7-13 November 2003
O’Sullivan, Michael “ McCallum, Tarry Take a Stand,” Washington Post, 24 October 2003: WE50
Gedeon, Lucinda H. Ph. D, ed. “Neuberger Museum of Art 2003 Biennal Exhibition of Public Art.” Campus of Purchase. State University of NY. June 22 – Oct. 19 2003
Lewis, Keisha. “ Silent Witnessing: Questioning Sacred Spaces,” NKA: Journal of Contemporary African Art, Spring/Summer 2003, no. 18: 96-97
Ebony, David, “Febs Spurn Police Brutality Art,” Art in America, Feb, 2001
Tyree, Joshua. “After the Violence, Art”, Isthmus, June 16, 2000, 22.
Caroline Figwer, “En Ligne.” Cimaise, December 2007 – February 2008
Catherine Fox, “Visions of Race Vex,” Atlanta Journal-Constitution, April 6, 2008, Review
Susan Richmond, “Bradley McCallum +Jacqueline Tarry,” Art Papers, July/August 2008, Review
Jeremy Abernathy, “McCallum and Tarry: Within Our Gates,” Art Voices, November 2008, Review
Hoffman, Hank, “Inspired Fear”, The New Haven Advocate, September 17, 1998.