|
|
|
|
|
|
Boris Mikhailov Biography
|
|
|
|
|
|
|
|
|
|
|
|
1938
|
|
Born in Kharkov (former USSR)
|
|
|
1994
|
|
Light Work grant, Artist-in-Residence program, Syracuse University, NY, USA
|
|
|
1996
|
|
Coutts Contemporary Art Foundation Award, Zürich, Switzerland
|
|
|
1996
|
|
Awarded Landeskulturzentrum grant, Salzau, Germany
|
|
|
1998 - 1999
|
|
Albert Renger-Patzsch Award, a support for European Photographic book projects by the Dietrich Oppenberg Foundation, Museum Folkwang, Essen, Germany
|
|
|
1998 - 1999
|
|
Stipendium Landeshauptstadt München, Kulturreferat, Germany
|
|
|
1998 - 1999
|
|
DAAD grant (Deutscher Akademischer Austauschdienst), Berlin, Germany
|
|
|
2001
|
|
Kraszna-Krausz Book Award for the best books on photography, London, England
|
|
|
2001
|
|
Citybank Private Bank Photography Prize, London, England
|
|
|
2001
|
|
Visiting lecturer, Department of Visual and Enviromental Studies, Harvard University, Cambridge, MA
|
|
|
2001
|
|
Le prix du Livre de Photographie des Recontres Internationales de la Photographie d’Arles 2000, Arles, France
|
|
|
2001
|
|
Hasselblad Foundation International Award in Photography, Gothenburg, Sweden
|
|
|
2002 - 2003
|
|
Guest lecturer, The Academy of Visual Art, Leipzig, Germany
|
|
|
2003
|
|
General Satellite corporation art prize for a contribution to the development of the contemporary Russian art, Moscow
|
|
|
2012
|
|
Spectrum Preis der Stiftung Niedersachsen, Hannover, Germany
|
|
|
|
|
Lives and works in Berlin and Kharkov
|
|
|
2012 - 2013 |
|
Shanghai Biennale |
|
|
2012 - 2013 |
|
Everything was Moving: Photography from the 60s and 70s, Barbican London, UK |
|
|
2012 |
|
Arsenale 2012 The Frist Kyiv International Biennial of Contemporary Art, Mystetskyi Arsenal, Kiev, Ukraine (solo) |
|
|
2012 |
|
Time is out of joint. Fotografien 1966 – 2011, Berlinische Galerie, Berlin (solo) |
|
|
2010 |
|
Realismus – das Abenteuer der Wirklichkeit. Courbet – Hopper – Gursky, Kunsthalle Emden, Emden, Germany |
|
|
2009 - 2010 |
|
1989. Ende der Geschichte oder Beginn der Zukunft?, Kunsthalle Wien, Vienna, Austria (solo) |
|
|
2009 - 2010 |
|
1989. Ende der Geschichte oder Beginn der Zukunft?, Villa Schöningen, Potsdam, Germany |
|
|
2009 |
|
Boris Mikhailov. Dusk, DEWEER gallery, Otegem, Belgium (solo) |
|
|
2008 |
|
The Wedding, Sprovieri Progetti, London, UK |
|
|
2008 |
|
Glück - Welches Glück, Deutsches Hygiene-Museum Dresden, Dresden, Germany |
|
|
2007 |
|
Biennale di Venezia, Ukrainian Pavilion |
|
|
2007 |
|
Yesterday, Kunst Meran im Haus der Sparkasse, Meran, Italy (solo) |
|
|
2007 |
|
Look at me I look at Water, Sprengelmuseum Hannover, Germany (solo) |
|
|
2007 |
|
Hot + Bothered: Looking at the Landscape/Thinking about the World, Pace/MacGill Gallery, New York, USA |
|
|
2007 |
|
What does the jellyfish want?, Museum Ludwig, Cologne, Germany |
|
|
2007 |
|
Der Kontrakt des Fotografen, Museum Morsbroich, Leverkusen, Germany |
|
|
2007 |
|
Banzai!, Galerie Barbara Weiss, Berlin, Germany (solo) |
|
|
2007 |
|
Barbara Gross Galerie, Munich, Germany (solo) |
|
|
2006 |
|
Yesterday’s Sandwich, Shugoarts, Tokyo, Japan (solo) |
|
|
2006 |
|
Der Kontrakt des Fotografen, Akademie der Künste, Berlin, Germany |
|
|
2006 |
|
Twilight-Photography in the Magic Hour, Victoria and Albert Museum, London, UK |
|
|
2006 |
|
Die Schönheit der Chance, Institut für moderne Kunst, Nuremberg, Germany |
|
|
2006 |
|
In the Face of History, European Photographers in the 20th Century, Barbican Art Gallery, London, UK |
|
|
2006 |
|
Berlin-Tokyo/Tokyo-Berlin. Die Kunst zweier Städte, Neue Nationalgalerie, Berlin, Germany |
|
|
2006 |
|
Toucher l’indicible, Centre régional d’art contemporain, Languedoc-Roussillon, France |
|
|
2006 |
|
Tokyo-Berlin/Berlin-Tokyo, Mori Art Museum, Roppongi Hills, Tokyo, Japan |
|
|
2005 |
|
Circa Berlin, Nikolaj Contemporary Art Center, Copenhagen, Denmark |
|
|
2005 |
|
Motor Blues, Fotografien aus der Schenkung AutroWerke von BMW Financial Services, Museum der bildenden Künste Leipzig, Germany |
|
|
2005 |
|
Information/Transformation, Extra City Center for Contemporary Art, Antwerp, Belgium |
|
|
2005 |
|
Zeit Raum Bild – 10 Jahre Dokumentarfotografie, Kulturforum, Berlin, Germany (solo) |
|
|
2005 |
|
Look at me I look at Water, If I were a German, I am not I, Suzanne Tarasiève, Paris, France (solo) |
|
|
2005 |
|
Butterbrot, Galerie Ilka Bree, Bordeaux, France (solo) |
|
|
2005 |
|
Welt – Bilder, Helmhaus Zürich, Zurich, switzerland |
|
|
2005 |
|
Institute for the Humanities, University of Michigan, Ann Arbor, USA (solo) |
|
|
2005 |
|
Look at me I look at Water, Centre de la Photographie, Geneva, Switzerland (solo) |
|
|
2005 |
|
Rundlederwelten, Martin Gropius Bau, Berlin, Germany |
|
|
2004 |
|
Privatisierungen. Zeitgenössische Kunst aus Osteuropa, KW Institute for Contemporary Art, Berlin, Germany |
|
|
2004 |
|
In the Street, Galerie Barbara Weiss, Berlin, Germany (solo) |
|
|
2004 |
|
Institute of Contemporary Art, Boston, MA, USA (solo) |
|
|
2004 |
|
Boris Mikhailov, fotografies 60's-2003, Institut de Cultura de Barcelona, Spain (cat.) (solo) |
|
|
2004 |
|
Testimony of the negative, Centrum Sztuki Wspolczesnej Zamek, Poland (solo) |
|
|
2004 |
|
Verbal photography: Ilya Kabakov and Boris Mikhailov, Museum Serralves, Porto, Portugal (cat.) |
|
|
2004 |
|
Verworpenen en Zondaskinderen, De Hallen Harlem |
|
|
2004 |
|
Social Creatures. How Body becomes Art / Soziale Kreaturen. Wie Körper Kunst wird, Sprengel Museum Hannover, Germany |
|
|
2004 |
|
Berlin-Moskau / Moskau-Berlin 1950-2000, Staatliche Tretjakow-Galerie, Moscow, Russia |
|
|
2004 |
|
The Beauty of Darkness, Reflex Modern Art Gallery, Amsterdam, Netherlands |
|
|
2004 |
|
Photo Exhibition, Barbara Gross Galerie, Munich, Germany |
|
|
2004 |
|
Fotografia Verbal: Ilya Kabakov, Boris Mikhailov, Museuserralves, Museu de Arte Contamporanea, Porto, Portugal |
|
|
2004 |
|
Channel Zero, Netherlands Media Arts Institute/Montevideo TBA, Amsterdam, Netherlands |
|
|
2004 |
|
Dorf in die Metropole - Rohkunstbau in Berlin, Studio 1, Künstlerhaus Bethanien, Berlin, Germany |
|
|
2004 |
|
Architektur der Obdachlosigkeit. Biss zu Gast in der Berlinischen Galerie, Berlinische Galerie |
|
|
2004 |
|
Palau de la Virreina, Barcelona, Spain (solo) |
|
|
2004 |
|
TV-Mania, Kunstverein Arnsberg, Germany (solo) |
|
|
2004 |
|
Galeria Helga de Alvear, Madrid, Spain (solo) |
|
|
2003 |
|
Berlin-Moscow-Berlin, Museum Martin-Gropius-Bau, Berlin, Germany |
|
|
2003 |
|
Boris Mikhailov: Private Freuden, lastende Langeweile, öffentlicher Zerfall - ne Retrospektive, Fotomuseum Winterthur, Winterthur, Switzerland (solo) |
|
|
2003 |
|
Cambrige Album, Duke University, USA (solo) |
|
|
2003 |
|
Cruel + Tender, The Real in the Twentieth-Century Photograph, Tate Modern, London, UK |
|
|
2003 |
|
Traumfabrik Kommunismus, Schirn Kunsthalle, Frankfurt, Germany |
|
|
2003 |
|
Architektur der Obdachlosigkeit, Pinakothek der Moderne, Munich, Germany |
|
|
2002 |
|
The Insulted and the Injured, Pace/MacGill Gallery, New York, USA (solo) |
|
|
2001 |
|
Haus der Kulturen der Welt, Berlin, Germany (solo) |
|
|
2001 |
|
Autowerke, BMW Collaction, Franz Hals Museum, Haarlem, The Netherlands |
|
|
2001 |
|
From the 60s until now..., Museum of Modern Art, New York |
|
|
2000 |
|
How you look at it. Fotografien des 20. Jahrhunderts, Sprengel Museum, Hannover; Städelsches Kunstinstitut, Frankfurt/Main, Germany |
|
|
2000 |
|
Boris Mikhailov. 2000 Hasselblad Award Winner, Hasselblad Center, Gothenburg, Sweden (solo) |
|
|
2000 |
|
Boris Mikhailov, The Photographers Gallery, London, UK (solo) |
|
|
2000 |
|
Dvir Gallery, Tel Aviv, Israel (solo) |
|
|
2000 |
|
Barbara Gross Gallery, Munich, Germany (solo) |
|
|
2000 |
|
12th Biennale of Sydney, Sydney, Australia (cat.) |
|
|
1999 |
|
Global Conceptualism. Points of Origin, 1950-1980s, Queens Museum of Art, New York, NY, USA (cat.), travelling to Walker Art Center, Minneapolis, USA |
|
|
1999 |
|
Boris Mikhailov, Fondacione Querini Stampalia, Venice, Italy (solo) |
|
|
1999 |
|
Boris Mikhailov, Centre National de la Photographie, Paris (solo) |
|
|
1998 |
|
Boris Mikhailov, Stedelijk Museum, Amsterdam (solo) |
|
|
1998 |
|
Boris Mikhailov. Les Misérables (About the world), Sprengel Museum, Hannover, Germany; (cat.) |
|
|
1997 |
|
Photomania, DAAD Gallery, Berlin, Germany (solo) |
|
|
1996 |
|
Boris Mikhailov A Retrospective, SCCA, Soros Center of Contemporary Art, Kiev, Ukraine |
|
|
1996 |
|
Boris Mikhailov, Kunsthalle Zürich (solo) |
|
|
1995 |
|
Boris Mikhailov, Portikus, Frankfurt am Main (solo) |
|
|
1995 |
|
After the Fall, The Institute of Contemporary Art, Philadelphia, PA, USA (solo) |
|
|
1995 |
|
Currents ’95 - Familiar Places, The Institute of Contemporary Art, Boston, MA, USA |
|
|
1994 |
|
Perspectief Photografic Center, Rotterdam, The Netherlands (solo) |
|
|
1993 |
|
New Photography 9, The Museum of Modern Art, New York, NY, USA |
|
|
1992 |
|
Boris Mikhailov: Works form 1970-1991, Forum Stadtpark, Graz, Austria (solo) |
|
|
1991 |
|
Carnegie International, The Carnegie Museum, Pittsburgh, PA, USA |
|
|
1990 |
|
Museum of Contemporary Art, Tel Aviv, Israel (solo) |
|
|
1990 |
|
The Missing Picture, Alternative Contemporary Photography from the Soviet Union, List Visual Arts Center, MIT, Cambridge, MA, USA |
|
|
2007 |
|
Christine Meffert, Boris Mikhailov, Die Zeit-Zeitmagazin Leben, Nr. 41, Oktober 4, 2007 |
|
|
2007 |
|
Boris Mikhailov: A simple question a simple answer, Gomma Magazine, Vol. 3, p.99, 117-119 |
|
|
2007 |
|
Boris Mikhailov: Yesterday’s Sandwich and Other Life Stories, Bijutsu Shuppan-Sha, Vol. 3, Nr. 892, 3/2007, p.131-140 |
|
|
2007 |
|
Boris Mikhailov – Suzi et cetera, Verlag der Buchhandlung Walther König, Cologne |
|
|
2006 |
|
Brian Dillon, All too human, Humanism-What on earth is it?, Art Review, Nr. 4, October, p. 102 |
|
|
2006 |
|
Joanna Pitman, When the night comes falling, The Times, October 11 |
|
|
2006 |
|
When Sky was Sea-1998-2005, exhibition catalogue, Galerie der Stadt Schwaz, Schlebrügge.Editor, Vienna |
|
|
2006 |
|
Berlin-Tokyo / Tokyo-Berlin: Die Kunst zweier Städte, Neue Nationalgalerie, Berlin, Hatje Cantz, Ostfildern-Ruit, exhibition catalogue |
|
|
2005 |
|
Ruedi Schorno, Das Gesicht der Armut-Boris Mikhailov „Case History“, Kunst 21, Das Magazin für zeitgenössische Kunst, No. 9, October |
|
|
2005 |
|
Boris Mikhailov, Il Teatro dell‘Arte, Villa Manin Centro D‘Arte Contemporanea, p. 178-179 |
|
|
2004 |
|
Larissa Harris: Boris Mikhailov. Institute of Contemporary Art, Boston, Artforum International, December, p. 199-200 |
|
|
2004 |
|
Katrin Wittneven: Straßenkunst. Der Fotograf Boris Mikhailov zeigt Berlin als Niemandsland, Der Tages-spiegel, May 9, p. 29 |
|
|
2004 |
|
Boris Mikhailov. Look at Me I Look at Water. Or Perversion of Repose, Göttingen 2004 |
|
|
2003 |
|
Boris Mikhailov. A Retrospective, exhibition catalogue, Fotomuseum Winterthur/Scalo |
|
|
2003 |
|
Berlin-Moskau / Moskau-Berlin 1950-2000, exhibition catalogue, Martin-Gropius Bau, Berlin,Nicolai Verlag |
|
|
2002 |
|
Boris Mikhailov. Salt Lake, Pace/Mac Gill Gallery, Göttingen, published by Steidl |
|
|
2002 |
|
Peter Herbstreuth: Pfeffer im Minztee. Unser Mann im Sperrgebiet: Boris Mikhailov bei Barbara Weiss, Der Tagesspiegel, March 16 , p. 25 |
|
|
2002 |
|
Brigitte Werneburg: TV Today, die Tageszeitung, No. 29, January 26/27, p. 36 |
|
|
2000 |
|
Boris Mikhailov. The Hasselblad Award 2000, ed. by Gunilla Knape, essay by Boris Groys, Gothenburg |
|
|
2000 |
|
How you look at it. Photographs of the 20th Century, London |
|
|
1999 |
|
Boris Mikhailov - Case History, Zurich, Berlin, New York |
|
|
|