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1979
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National Endowment for the Arts
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1986
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New York Council of the Arts
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1997
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Pollack-Krasner Grant
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BFA Kutztown State University, PA
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MFA Tyler School of Art, Temple University
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Collection: Museum of Modern Art, NY
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Collection: The Guggenheim Museum, NY
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Collection: Whitney Museum of American Art, NY
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2006 |
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Rosenbaum Contemporary, Boca Raton, FL (solo) |
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2004 |
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Studio Trisorio, Rome (solo) |
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2004 |
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Studio Trisorio, Naples (solo) |
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2003 |
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Gallery Park Ryu-Sook, Seoul (solo) |
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2003 |
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Galerie Hans Mayer, Dusseldorf (solo) |
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2001 |
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Fourteen Stations, Tony Shafrazi Gallery, New York (solo) |
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2001 |
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New Works, Galerie Hans Mayer, Berlin (solo) |
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2000 |
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Selected works 1970-1999, John Gibson Gallery, New York (solo) |
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2000 |
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Critic as Grist, curated by Michael Portnoy and Marianne Vitale, White Box Gallery, NY |
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2000 |
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Narrative, Studio G7, Bologna |
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2000 |
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Sammlung Hoffman, Berlin |
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2000 |
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Daimler-Benz collection, Berlin |
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1999 |
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Sammlung Falckenberg Museum de bildenden Kunst, Leipzig |
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1999 |
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17 Contemporary Artists from America, Italy and Mexico, The Menile Collection, TX |
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1999 |
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Heroines and Heros, Cynthia Broan Gallery, New York |
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1999 |
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Americans in France, The Fish Market, Perpignan |
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1999 |
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Anouk Tache and Carole Levy Gallery, Brussels (solo) |
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1998 |
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Fotoz, Siqueiros Koll Gallery, Los Angeles |
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1998 |
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Project Plans, John Gibson Gallery, New York |
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1998 |
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Galerie Hans Mayer, Dusseldorf (solo) |
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1998 |
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Galerie Milano, Milan (solo) |
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1998 |
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Galeria Trisorio, Naples (solo) |
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1997 |
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John Gibson Gallery, New York (solo) |
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1996 |
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Ace Gallery, Los Angeles (solo) |
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1995 |
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Five Easy Pieces, Ace Gallery, New York (solo) |
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2000 |
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Bill Beckley, 'Sticky Sublime', Introduction for Sticky Sublime, Allworth Press, and the School of Visual Arts, New York |
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2000 |
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Bill Beckley, 'All Names Have Been Changed to Protect the Innocent', Afterward of Dialectic of Decadence by Donald Kuspit, Allworth Press, NY |
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1999 |
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Bill Beckley, 'Sublimitas Mobilist', Introduction to Beauty and the Contemporary Sublime by Jeremy Gilbert-Rolfe, Allworth Press, and the School of Visual Arts, NY, |
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1999 |
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Bill Beckley, 'Doubting Thomas', Introduction to Sculpture in the Ager of Doubt by Thomas McEvilley, Allworth Press, and the School of Visual Arts, NY |
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1998 |
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Tony Godfrey, Conceptual Art, Phaidon Press, London |
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1998 |
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Bill Beckley, 'The Beginning of the Art World', Introduction to The End of the Art World by Robert C. Morgan, Allworth Press, and the School of Visual Arts, New York |
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1997 |
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Bill Beckley, 'Generosity and the Black Swan', Introduction to Uncontrollable Beauty (Edited by Bill Beckley), Allworth Press, and the School of Visual Arts, NY |
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