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Beatriz Milhazes Biography
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1960
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Nasceu no [ Born in ] Rio de Janeiro, Brasil
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1978 - 1981
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Curso de Comunicação Social SACHA
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1980 - 1982
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Escola de Artes Visuais do Parque Lage, Rio de Janeiro, Brasil
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1986 - 1996
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Taught and coordinated activities at the School of Visual Arts, Lage Park, Rio de Janeiro, Brazil
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1986 - 2001
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Set design for Companhia Márcia Milhazes Dança Contemporânea
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Vive no [ Lives and Works in ] Rio de Janeiro, Brasil
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2013 |
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Back Home, Paço Imperial, Rio de Janeiro; traveling to Museum Oscar Niemeyer (MON), Curitiba (solo) |
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2012 |
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Gravuras- Acervo Pinacoteca do Estado de São Paulo, CAIXA Cultural, Rio de Janeiro |
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2012 |
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Panamericano, Beatriz Milhazes - Pinturas 1999 - 2012, MALBA-Fundacion Costantini, Buenos Aires (solo) |
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2012 |
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Mulheres nas coleções João Sattamini e MAC de Niterói, Museu de Arte Contemporânea de Niterói, Niterói, Rio de Janeiro |
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2012 |
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Gravura Brasileira no acervo da Pinacoteca de São Paulo - 100 Anos de História, Pinacoteca do Estado de São Paulo, São Paulo |
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2012 |
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Joaillier des Arts, Fondation Cartier pour l’Art Contemporain, Paris |
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2012 |
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Beatriz Milhazes, Fundação Calouste Gulbenkians, Lisboa |
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2012 |
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Eco Art, Centro Municipal de Cultura Dr. Henrique Ordovás Filho, Caxias do Sul |
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2011 |
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Mathématiques, un dépaysement soudain, Fondation Cartier pour l’Art Contemporain, Paris |
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2011 |
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Vestígios de Brasilidade, Santander Cultural, Recife |
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2011 |
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A Giant by Thine Own Nature, IVAM - Institut Valencià d'Art Modern, Valencia |
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2011 |
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Mulheres, Artistas e Brasileiras, Palácio do Planalto, Praça dos Três Poderes |
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2011 |
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Whitechapel Gallery, The Gallery at Windsor, Vero Beach (solo) |
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2011 |
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Galerie Max Hetzler, Berlin (solo) |
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2011 |
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Fondation Beyeler, Basel (solo) |
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2010 |
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Stephen Friedman Gallery, London (solo) |
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2010 |
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40, Texas Gallery, Houston TX |
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2010 |
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Banners of Persuasion. Demons, Yarns & Tales: Tapestries by Contemporary Artists, James Cohan Gallery, New York |
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2009 |
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When Lives Become Form, Museum of Contemporary Art, Tokyo, Japan |
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2009 |
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Fondation Cartier, Paris, France (solo) |
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2008 |
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James Cohan Gallery, New York, NY (solo) |
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2008 |
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Retrospective, Pinacoteca do Estacao, Sao Paolo, Brazil (solo) |
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2008 |
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Prospect .1 New Orleans, New Orleans, LA, curated by Dan Cameron |
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2008 |
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Marty Walker Gallery, Dallas, TX |
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2008 |
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"The Tropics. Views from the Middle of the Globe," Martin Gropius Bau, Berlin, Germany |
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2007 |
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Galerie Fortes Vilaca, Sao Paolo, Brasil (solo) |
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2007 |
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Itaú Cultural, Sáo Paulo, Brazil, “Itaú Contemporâneo – Arte no Brasil de 1981 a 2006 |
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2007 |
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Museum of Modern Art, New York, What is Painting? Contemporary Art from the Collection |
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2007 |
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Instituto Tome Ohtake, Sáo Paulo, Brazil, 80/90 Modernos Pós Modernos, etc. |
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2007 |
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Mid-America Arts Alliance, Kansas City, Missouri, “Cardinal Points/Puntos Cardinales: A Survey of Contemporary Latino and Latin American Art from the Sprint Nextel Art Collection |
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2007 |
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Paço Imperial, do Instituto do Patrimônio Histórico e Artístico Nacional – IPHAN |
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2007 |
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Ministério da Cultura, “Exposição Comemorativa de 70 Anos do IPHAN” |
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2007 |
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James Cohan Gallery, New York, NY, Beatriz Milhazes, New Prints (solo) |
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2007 |
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Pinacoteca do Estado de São Paulo, Brazil (November) (solo) |
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2006 |
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Domaine de Kerguéhennec, Centre d’Art Contemporain, Bignan, France, Dear Friends |
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2006 |
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Shanghai Biennale, Shanghai Art Museum, Shanghai |
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2006 |
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Southeastern Center for Contemporary Art, Winston-Salem, NC, POPulence |
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2006 |
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San Francisco Museum of Art, San Francisco, CA, Betweeen Art and Life: The Contemporary Painting and Sculpture Collection |
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2006 |
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Centro Cultural do Santander Banespa, Rio de Janeiro, Brazil, É HOJE na Arte Brasiliera Contemporânea” curated by Gilberto Chateaubriand |
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2006 |
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Museu de Arte Moderna de São Paulo- Grande Sala, SP, Brazil, Sem Título, 2006 |
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2006 |
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Comodato Eduardo Brandão e Jan Fjeld |
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2006 |
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Museum of Modern Art, New York, NY, Since 2000: Printmaking Now |
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2006 |
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Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York, Off the Shelf: New forms in Contemporary Artists’ Books |
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2006 |
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Los Usos de la Pintura II, Espacio 1414, San Juan, Puerto Rico |
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2006 |
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Beatriz Milhazes, Galerie Max Hetzler, Berlin-Mitte, Germany |
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2006 |
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Galerie Max Hetzler, Berlin, Germany (solo) |
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2006 |
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Espacio 1414, San Juan, Puerto Rico (solo) |
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2006 |
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Espacio 1414, San Juan, Puerto Rico, “Los Usos de la Pintura II”, curated by Julieta Gonzalez |
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2005 |
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Peace and Love, commissioned by Platform for Art, Gloucester Road Tube |
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2005 |
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Joa, Stephen Friedman Gallery, London, UK |
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2005 |
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Barbara Krakow Gallery, Boston, MA, Print Publisher’s Spotlight: Durham Press |
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2005 |
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Museu de Arte da Pampulha, Mezanino out/nov Belo Horizonte MG, Brazil, Lagoa (solo) |
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2005 |
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POPulence, Blaffer Gallery – The Art Museum of The University of Houston, Texas, USA |
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2005 |
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Flower Myth - Van Gogh to Jeff Koons, Foundation Beyeler, Basel, Suíça |
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2005 |
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Stephen Friedman Gallery, Londres, GB (solo) |
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2004 |
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Meu Prazer, Galeria Fortes Vilaça, São Paulo, Brasil (solo) |
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2004 |
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Gávea, Projeto Brasil 40º , Desenho para a fachada da loja de departamentos Selfridges & Co, Manchester, GB |
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2004 |
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Moma at el Museo -Latin American and Caribbean art from the Collection of the Museum of Modern Art, El Museo del Bairro, Nova York, USA |
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2004 |
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XXVI Bienal Internacional de São Paulo, São Paulo, Brasil |
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2004 |
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The Encounters in the 21st Century: Polyphony - Emerging Resonances, 21st Century Museum of Contemporary Art, Kanazawa, Japão |
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2004 |
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Ice Hot Recent Painting from the Scharpff Collection, Hamburger Kunstalle, Staatsgalerie Stuttgart, Hamburg Germany |
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2004 |
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Estratégias Barrocas – Arte Contemporânea Brasileira, Centro Cultural Metropolitano de Quito, Equador |
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2004 |
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Natureza-Morta/Still Life, Julho a Novembro de 2004 curadoria Kátia Canton, Galeria de Arte do Centro Cultural SESI, São Paulo |
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2004 |
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Polyphony: Emerging Resonances, 21st Century Museum of Contemporary Art, |
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2004 |
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The Flower as Image, Louisiana Museum of Modern Art, Humlebæk, Denmark |
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2004 |
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Galeria Fortes Vilaca, Sao Paulo, Brazil, “Meu Prazer” (solo) |
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2004 |
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James Cohan Gallery, New York, NY, “Summertime” (solo) |
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2004 |
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Flower as Image-From Monett to Jeff Koons; Louisiana Museum, Dinamark |
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2003 |
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Pavilhão Brasileiro [ Brazilian Pavilion ] L Biennale Internazionale d’ Arte, Veneza, Itália |
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2003 |
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Centre d’Art Contemporain, Bignan, France, Domaine de Kerguehennec (solo) |
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2003 |
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Beatriz Milhazes, Domaine de Kerguéhennec-Centre d'Art Contemporain, Bignan, França (solo) |
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2003 |
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Galerie Max Hetzler, Berlin, Alemanha (solo) |
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2002 |
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Stephen Friedman Gallery, London, GB (solo) |
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2002 |
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Mares do Sul, Centro Cultural Banco do Brasil, Rio de Janeiro, Brasil (solo) |
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2002 |
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Artist’s Book Project, Museum of Modern Art, New York, EUA (solo) |
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2002 |
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Urgent painting, Musee d'Art Moderne de La Ville de Paris, France |
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2001 |
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Hybrids, Tate Liverpool, UK |
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2001 |
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Viva a Arte Brasileira, Museu de Arte Moderna do Rio de Janeiro, Brazil |
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2001 |
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Museo Rufino Tamayo, Mexico City, Mexico |
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2001 |
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Galeria Elba Benitez, Madrid, Spain (solo) |
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2001 |
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Galeria Pedro Cera, Lisbon, Portugal (solo) |
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2001 |
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Ikon Gallery, Birmingham, GB (solo) |
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2001 |
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Birmingham Museum of Art, Alabama, EUA (solo) |
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2000 |
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Galeria Camargo Vilaça, São Paulo, Brasil (solo) |
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2000 |
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Edward Thorp Gallery, New York, NY (solo) |
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2000 |
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Projects 70, Museum of Modern Art, New York, USA |
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2000 |
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Faicciones, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain |
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1999 |
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Transvanguarda Latino Americana, Culturguest, Lisbon, Portugal |
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1999 |
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Stephen Friedman Gallery, London, England (solo) |
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1998 |
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Anna Niemeyer, Rio de Janeiro, Brazil (solo) |
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1998 |
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Galerie Nathalie Obadia, Paris, France (solo) |
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1998 |
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Paço Imperial, Rio de Janeiro, Brazil (solo) |
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1998 |
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XXIV Bienal Internacional de São Paulo, São Paulo, Brazil |
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1998 |
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Biennale of Sydney, Sydney, Australia |
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1997 |
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Decorative Strategies, Center for Curatorial Studies Bard College, Annandale-on-Hudson, New York, USA |
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1997 |
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Group Show, Kunstmuseum, Heidenheim, Germany |
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1997 |
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Abstract Painting, Once Removed, Contemporary Arts Museum, Houston, USA |
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1997 |
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Museo Alfredo Andersen, Curitiba, Brazil, “Beatriz Milhazes, 1989/1993” (solo) |
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1997 |
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Edward Thorp Gallery, New York, NY (solo) |
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1996 |
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Edward Thorp Gallery, New York, NY (solo) |
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1996 |
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Theories of the Decorative, Baumgarther Galleries Inc., Washington DC, USA; travelling to |
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1996 |
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Centro de Artes Calouste Gulbenkian, Rio de Janeiro, Brazil |
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1996 |
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Galeria Camargo Vilaça, São Paulo, Brazil, catalogue (solo) |
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1995 |
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Projecto Finep, Paço Imperial, Rio de Janeiro, Brazil |
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1995 |
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"Carnegie International," The Carnegie Museum of Art, Pittsburgh, PA |
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1995 |
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Dorothy Goldeen Gallery, Los Angeles, CA (solo) |
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1994 |
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Ana Maria Niemayer Galeria, Rio de Janeiro, Brazil (solo) |
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1993 |
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Galeria Camargo Vilaça, São Paulo, Brazil, catalogue (solo) |
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1991 |
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Subdistrito Comercial de Arte, São Paulo, Brazil, catalogue (solo) |
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1990 |
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Galeria Saramenha, Rio de Janeiro, Brazil (solo) |
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1989 |
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Pasárgada Arte Contemporânea, Recife, Brazil (solo) |
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1989 |
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Bienal International de Cuencas, Cuencas, Ecuador |
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1988 |
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Galeria Suzana Sassoum, São Paulo, Brazil (solo) |
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1987 |
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Galeria Cesar Ache, Rio de Janeiro, Brazil, catalogue (solo) |
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1985 |
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Galeria Cesar Ache, Rio de Janeiro, Brazil (solo) |
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Selected Public Collections |
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The Carnegie Museum of Art, Pittsburgh
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Worcester Art Museum, Massachussetts
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Birmingham Museum of Art, Birmingham
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Museo TB A21. Thyssen- Bornemisza Art Contemporary, Vienna
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Museo Nacional Centro de Arte Reina Sofia, Madrid
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Fundacion La Caixa, Barcelona
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21st Century Museum of Contemporary Art, Kanazawa
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Deutsche Bank Collection, Berlin
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Museu de Arte Moderna, Rio de Janeiro
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Museu de Arte Contemporânea de Niterói, Rio de Janeiro
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Museu de Belas Artes de Caracas, Caracas
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Museu de Arte Moderna, São Paulo
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Coleção Banco Itaú, São Paulo
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Salomon R. Guggenheim Museum, New York
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The Museum of Modern Art, New York
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The Metropolitain Museum of Art, New York
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The Bohan Foundation, New York
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2006 |
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Sur La Terre, “Beatriz Milhazes; Une peinture libre, rythmée et audacieuse,” Summer 2006, no.18. p. 92-95 |
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2006 |
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Vogue, “Kurvenstars,” Bernd Skupin, May (German edition) p. 189 |
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2006 |
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Elle Décor, “Beatriz Milhazes,” David Colman, April, v. 17, no. 3, p. 62-64 |
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2006 |
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Istoe, “A pintora braslieira do MoMA e da Copa; Beatriz Milhazes vende obra para museu dos EUA e faz cartaz do mundial,” Celina Cortes, April |
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2005 |
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Modern Painters, “Dark Side of the Bloom,” Martin Herbert, December 2005-2006 p 78-81 |
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2005 |
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Jungle Drums #31, “How Beautiful,” Tutu Lombardi, December 2005-January 2006 p 10 |
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2005 |
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Guardian Guide, “Beatriz Milhazes,” Jessica Lack, Nov. 26- Dec. 2, p 36 |
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2005 |
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Time Out London, “Beatriz Milhazes,” Stephen Friedman, 7-14 December 2005, p 48 |
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2005 |
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Art News, “Reviews: New York,” James Cohan, February, p. 133-134 |
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2005 |
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Metro, “Peace and Love on Platform,” Nov. 24 2005, p 52 |
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2004 |
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KASA- Decoracao e design, “Belas Artes,” Luiz Claudo Rodrigues, Vol 2, No. 13 p 82 |
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2004 |
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Jornal Folha de Sao Paulo, “A Geometria que Explode o Quadrado e o Circulo,” Luiz Roberto Goncalves, Sunday, May 2 |
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2004 |
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Jornal do Brasil, “A Cores do Brasil Rumo ao Japao,” Gilbert de Abreu, Vol B, No. 4, March 31 |
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2004 |
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Gazeta Mercantil, “A Herdeira das Coler de Tarsila,” Elaine Bittencourt, weekend issue, No. 6, April 24-25 |
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2004 |
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Jornal O Globo, “Arcevo do MOMA mostra Como os EUA Veem a Arte Latino- Americana,” Helena Celestino, Vol 2, No. 6, March 26 |
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2004 |
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Art on Paper, “Graphic Exuberance- Beatriz Milhazes, Copacabana,” Vol 8 No. 3, January/February, p 32-33 |
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2004 |
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Valor, “Prazeres da Arte,” Leila Gouvea, weekend issue, April 16-18 |
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2004 |
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O Estado de Sao Paulo, “A Vertiginosa Pintura de Beatriz Milhazes,” Maria Hirszman, Vol 2, No. 2, p 8, April 19 |
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2004 |
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Revista Epoca, “Colecionadora de Imagens,” Beatriz Velloso, April 19, No. 309, pp 110- 111 |
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2003 |
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Vogue Brasil, “Cores, Nomes,” Celso Fioravante, No. 304, p 180-183 |
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2003 |
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The New York Times Magazine, “Footnotes- Resources, References, and Back Story Behind the Story,” Horacio Silva, March 9, Section 6, p 62 |
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2002 |
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Artforum, “Beatriz Milhazes,” Michael Archer, preview, Semtember, XLI, No. 1, p 84 |
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2002 |
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Flash Art News, “Just What is it Makes Today’s Paris so Different, so Appealing?” Pascal Beausse, March/April |
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2002 |
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Time Out, “Beatriz Milhazes- Stephen Friedman West End,” Mark Godfrey, May 1-8 |
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2002 |
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The New York Times- Art Guide, “Polly Apfelbaum and Beatriz Milhazes,” April 26, E 34 |
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2002 |
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The New Yorker, “Polly Apfelbaum and Beatriz Milhazes,” May 13 |
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2002 |
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Vitamin P : New perspetive in painting, Meghan Dailey, « Beatriz Milhazes », Phaidon Press, London |
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2002 |
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Urgent Painting, essai de Patricia Falguières : « 134 vues du monde » ; Julia Garimorth : « Images peintes / Images mécanique » ; et Paulo Herkenhoff : « Entretien avec Julia Garimorth » ; Musée d’art moderne de la Ville de Paris |
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2001 |
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F(ri)cciones-Versiones del Sur, Adriano Pedosa et Ivo Mesquita, Museo Nacional Centro de Arte reina Sofia, Madrid |
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2001 |
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Beatriz Milhazes, essai de Paulo Herkenhoff : « Beartriz Milhazes, The Brazilian Trove », introduction de simon Wallis, David Ryam : « Hybrid », Tate Liverpool |
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2001 |
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Beatriz Milhazes, essai de David Moos : »La leçon de peinture », Ikon Gallery, Birningham, U.S.A. |
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2001 |
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Espelho Cego, essai de Dan Cameron : »Vislumbres de encantamento » et Marcia Fortes : « O espelho cego », Paço Imperial, Rio de Janeiro and Museu de Arte Moderna, Sao Paulo |
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2001 |
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Art in America, “Beatriz Milhazes at Edward Thorp,” Carl Littie, May, p 171 |
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2001 |
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Art Review, “State of Art,” Lucy Spriggs, June, p 59 |
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2001 |
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ArtForum, “Beatriz Milhazes,” Philip Auslander, November p 149-150 |
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National Museum of Women in the Arts, Washington, D.C. "UltraModern: The Art of contemporary Brasil" |
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