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1973
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Born in Ithaca, New York, USA
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1994 - 1995
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Tompkins Cortland Community College
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1998
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School of the Visual Arts, New York, B.F.A
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2000
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Columbia University, New York, M.F.A
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Currently lives and works in New York, USA
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2006 MY MIRRORS Are PAINTED BLACK For You, Bortolami Dayan, New York, USA
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2003 Trans-national Monster League, Derek Eller Gallery, New York, USA
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2001 Dear Dead Person, Momenta Art, Brooklyn, USA
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1999 ZERO Neiman Center for Print Sudies, Columbia University, New York, USA
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1998 Fearless Vampire Killer, ABC No Rio, New York, USA
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2000 Rema Hort Mann Foundation Grant
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Frank Cohen MOCA Manchester, Manchester, UK
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Migros Museum für Gegenwartskunst, Zurich, Switzerland
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Musée d’Art Moderne et Contemporain, Geneva, Switzerland
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Museum of Contemporary Art, Los Angeles, USA
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Museum of Modern Art, New York, USA
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OverHolland Collection, Amsterdam, Netherlands
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The Saatchi Collection, London, UK
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The Solomon R. Guggenheim Museum, New York, USA
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Frederick R. Weisman Art Foundation, Los Angeles, USA
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Whitney Museum of American Art, New York, USA
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2009 |
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La Conservera, New Contemporary Art Centre, Murcia, Spain |
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2008 |
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Sack of Bones, Asia Song Society, New York, USA |
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2008 |
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Extra-Light, Point Ephemere, Paris, France |
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2008 |
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Maureen Paley, London, UK (solo) |
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2008 |
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Galerie Rodolphe Janssen, Brussels, Belgium (solo) |
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2008 |
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Focus: Banks Violette, Museum of Modern Art, Fort Worth, Texas, USA (solo) |
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2007 |
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Gladstone Gallery and Team Gallery, New York, USA (solo) |
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2007 |
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Bergen Kunsthall, Bergen, Norway (solo) |
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2007 |
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Galerie Thaddaeus Ropac, Salzburg, Austria (solo) |
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2007 |
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Collection Show, Migros Museum für Gegenwartskunst, Zurich, Switzerland |
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2007 |
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Disorder in the House, Vanhaerents Art Collection, Brussels, Belgium |
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2007 |
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The Eclectic Eye, Contemporary Art Center, New Orleans, USA |
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2007 |
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When We Build Let Us Think That We Build Forever, Baltic Centre for Contemporary Art, Newcastle, UK |
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2007 |
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My Sweet Sixteen Party, Galerie Rodolphe Janssen, Brussels, Belgium |
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2007 |
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The Shapes of Space, Solomon R. Guggenheim Museum, New York, USA |
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2007 |
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U.S.A. Today, The State Hermitage Museum, St. Petersburg, Russia |
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2007 |
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Bastard Creature, Palais de Tokyo, Paris, France |
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2007 |
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LAST ATTRACTION NEXT EXIT, Max Wigram Temporary Exhibition Space, London, UK |
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2006 |
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Cosmic Wonder, Yerba Buena Center for the Arts, San Francisco, USA (curated by Betty Nguyen) |
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2006 |
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Trial Balloons, MUSAC, Museo de Arte Contemporáneo de Castilla y León, Leon |
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2006 |
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Spain (curated by Agustin Pérez Rubio, Octavio Zaya, Yuko Hasegawa) |
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2006 |
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gallery.sora, Tokyo, Japan (with Gardar Eide Einarsson) |
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2006 |
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Standard, Oslo, Norway (solo) |
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2006 |
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Maureen Paley, London, UK (solo) |
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2006 |
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Youth of Today, Schirn Kunsthalle Frankfurt, Frankfurt, Germany |
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2006 |
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DARK, Museum Boijmans van Beuningen, Rotterdam, Netherlands |
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2006 |
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I Love My Scene: Scene One, Mary Boone, New York, USA |
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2006 |
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The Image Is Gone, Galerie Lisa Ruyter, Vienna, Austria |
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2006 |
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The Monty Hall Problem, Blum & Poe, Los Angeles, USA |
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2006 |
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While Interwoven Echoes Drip into a Hybrid Body, Migros Museum für Gegenwartskunst, Zürich, Switzerland |
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2006 |
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U.S.A. Today, Royal Academy, London, UK |
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2005 |
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Thank You for the Music, Sprüth Magers Projekte, Münich, Germany |
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2005 |
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Blankness is Not a Void, Standard, Oslo, Norway |
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2005 |
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on black wings / six-channel bleed, Galerie Rodolphe Janssen, Brussels, Belgium (solo) |
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2005 |
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Untitled, The Whitney Museum of American Art, New York, USA (solo) |
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2005 |
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Mitchell Algus Gallery, New York, USA (with Walter Redinger) |
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2005 |
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Bridge Freezes Before Road, Barbara Gladstone Gallery, New York, USA |
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2005 |
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La Beauté de l’Enfer: works on paper, Galerie Rodolphe Janssen, Brussels, Belgium |
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2005 |
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Greater New York, P.S.1, New York, USA |
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2005 |
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Suburbia, Galerie Lisa Ruyter, Vienna, Austria |
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2004 |
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MW Projects, London, UK (with Nigel Shafran) |
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2004 |
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Penteholocaust / The Sixty-Sided Stone of the Androgyne, Peres Projects, Los Angeles, USA (with Matt Greene) |
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2004 |
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The Black Album, Maureen Paley, London, UK |
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2004 |
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The Ice Age, Team Gallery, New York, USA |
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2004 |
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Beginning Here: 101 Ways, Visual Arts Gallery, New York, USA |
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2004 |
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Art and Illusion: Selections from the Frederick R. Weisman Foundation, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, USA |
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2004 |
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Power, Corruption and Lies, Roth Horowitz, New York, USA |
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2004 |
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Noctambule, alternative space, Paris, France (under the auspices of D’Amelio Terras Gallery, New York) |
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2004 |
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The Whitney Biennial, The Whitney Museum of American Art, New York, USA |
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2004 |
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Scream, touring exhibition: Anton Kern Gallery, New York & Moore Space, Miami, USA |
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2003 |
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Kult 48 Klubhouse, Deitch Projects, Brooklyn, USA |
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2003 |
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Enquiry into those Kinds of Distress which excite agreeable Sensations (1773): Slater Bradley & Banks Violette, Team Gallery, New York, USA |
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2003 |
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Flesh and Blood, Michael Steinberg, New York, USA |
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2003 |
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A Matter of Facts, Nicole Klagsbrun Gallery, New York, USA (curated by Clarissa Dalrymple) |
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2003 |
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Back in Black, Cohan Leslie and Browne, New York, USA |
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2003 |
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Melvins, Anton Kern Gallery, New York, USA |
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2003 |
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The Return of the Creature (The Continuing Saga of Elementalism, … Conceptual Practice and Romanticism After Robert Smithson, … New Quasi-Cinemas, … and Post-Punk Existentialism), Künstlerhaus Palais Thurn und Taxis Gartnerhaus, Bregenz, Austria |
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2002 |
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Arroyo Grande, 7.22.95, Team Gallery, New York, USA (solo) |
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2001 |
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Dirty Deeds Done Dirt Cheap, Contemporary Arts Center, Atlanta, USA |
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2001 |
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Ghost Stories, Sandroni-Rey Gallery, Venice, Los Angeles, USA |
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2001 |
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Learned America , P.P.O.W., New York, USA |
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2001 |
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Diversity Plus: Emerging Artists in a Rapid World Visual Arts Museum, New York, USA |
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2000 |
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Summer with Friends, Team, New York, USA |
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2000 |
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Team Gallery, New York, USA (solo) |
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2000 |
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Two Friends and So On, Andrew Kreps Gallery, New York, USA |
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2000 |
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Columbia University M.F.A. Exhibition, alternative space, Brooklyn, USA |
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1999 |
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Rachel Lowther and Banks Violette, Momenta Art, Brooklyn, USA |
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1998 |
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Group Show, Visual Arts Gallery, New York, USA |
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1997 |
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Group Show Visual Arts Gallery, New York, USA |
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1997 |
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MX Group Show, Lower East Side Community Center, New York, USA |
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2008 |
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Sherwin, Skye, New Trends in Art: Black on Black, Art Review, January 2008, pp.63-69 |
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2008 |
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The new destination, Harper’s Bazaar, November 2008, p.197 |
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2008 |
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Westcott, James, Banks Violette, artreview.com, 15th September 2008 |
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2008 |
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Banks Violette, Pluk, October 2008, p.30 |
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2008 |
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Behrman, Pryle, Banks Violette, Galleries, October 2008, p.16 |
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2008 |
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Bollen, Christopher, 15 For 09: Banks Violette, Interview Magazine, December 2008, p.160 |
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2008 |
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Brealey, Louise, Second Coming, Wonderland, October 2008, p.64 |
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2008 |
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Critic’s choice: Galleries, Time Out, 11 September 2008, p.61 |
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2008 |
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Falconer, Morgan, Banks Violette, Art World, October 2008, pp.76-79 |
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2008 |
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Gavin, Francesca, The Art of Fear, Dazed and Confused, October 2008, pp. 154-161 |
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2008 |
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Lau, Charlene K., Banks Violette, www.akimbo.biz, 9 October 2008 |
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2008 |
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Potts, Rachel, Art and music now, Garageland, issue 7, 2008 |
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2007 |
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Bell, Natalie, Banks Violette, Art Papers, November 2007, p.72 |
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2007 |
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Bryant, Eric, Banks Violette, Artnews, October 2007, p.215 |
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2007 |
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Fox, Dan, USA Today, Frieze, March 2007, p.183 |
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2007 |
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Koh, Terence and Violette, Banks, Two of a Kind, Flash Art, May 2007, pp.112- 116 |
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2007 |
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Kunitz, Daniel, The Man in Black, The Village Voice, 18 July 2007, p.50 |
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2007 |
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Morris, Jane, Maureen Paley: Gallery Profile, Art World, December 2007, pp.52- 55 |
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2007 |
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Pollack, Barbara, Banks Violette, Time Out New York, p.64 |
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2007 |
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Yablonsky, Linda, Scene and Herd: Banks Holiday, artforum.com, 06 July 2007 |
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2007 |
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Rosenburg, Karen, Renouncing the Dark Arts, New York, 2 July 2007 |
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2007 |
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Saltz, Jerry, Theory of the Market, Flash Art, March 2007, pp.90-93 |
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2007 |
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Stern, Steven. Banks Violette, Frieze, September 2007, p.184 |
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2007 |
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Vogel, Carol, Néo-Factory, Vogue Hommes, Autumn 2007, pp.232-235 |
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2007 |
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Wilson, Michael, Banks Violette, Artforum, September 2007, p.466 |
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2006 |
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Abbott, Jeremy, blackened is the end winter it will send, i-D, June - July 2006, p128-133 |
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2006 |
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Bernays, Ueli, Nostalgische Anklange - ironische Untertone, Neue Züricher Zeitung, 04 February 2006 |
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2006 |
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Corris, Michael, America Rising, Art Monthly, November 2006, pp.1-3 |
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2006 |
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Davies, Lillian, Manifest Destiny, Untitled, No. 38, June 2006, p38-41 |
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2006 |
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Ellis, Patricia, Catching up with Charles (Saatchi), Flash Art, October 2006, pp.64-67 |
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2006 |
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Ellis, Patricia, Banks Violette, USA Today, Saatchi Gallery, p.370-377 |
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2006 |
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Ellis, Patricia, Catching up with Charles (Saatchi), Flash Art, October 2006, p.64.67 |
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2006 |
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Gronlund, Melissa, David Altmejd: Art Star, ID, May 2006, p62 |
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2006 |
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Homes, A.M., The Way They Work, Vanity Fair, December 2006, p.354-357 |
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2006 |
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Kuni, Verena, While Interwoven Echoes Drip into Hybrid Body - An Exhibition about sound, performance and sculpture..., Kunstbulletin, March 2006 |
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2006 |
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Kopsa, Maxine, Elegant Bareness: Bank Violette’s Death Metal, Metropolis M, October / November 2006, p101&102 |
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2006 |
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Needham, Alex, Art: Banks Violette, i-D, June - July 2006, p170-171 |
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2006 |
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Needham, Alex, kill to get the money, i-D, September 2006, p188-191 |
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2006 |
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Nunez-Fernandez, Lupe, Banks Violette at Maureen Paley, Saatchi Gallery.com, 03 June 2006 |
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2006 |
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Octavia, Zaya, Banks Violette, Trial Balloons, MUSAC, May 2006, p53 |
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2006 |
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Pouncey, Edwin, Banks Violette/Sunn O))), Wire, August 2006, p.73 |
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2006 |
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Rinderknecht, Martin, Sie verfechten das Verflechten, Züritipp, January 2006 |
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2006 |
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Searle, Adrian, Schlock and awe, The Guardian, October 5, 2006 |
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2006 |
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Smith, Maggie, (editor), the new art, Rachmaninoff’s, 2006, p 13 |
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2006 |
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Spiegler, Marc, Market Trends: American Renaissance, The Art Newspaper, International Edition, 14 June 2006 |
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2006 |
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Stewart, Christabel, Blog: transmissions: Droning on, www.showstudio.com, 3 August 2006 |
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2006 |
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Sumpter, Helen, Banks Violette, Time Out London, 05 July 2006, p39 |
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2006 |
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Turner, Luke, Arts: Salt of the Sunn, Stool Pigeon, No. 007, June 2006, p36&37 |
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2006 |
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Umar, Saheer, Banks, Violette, Tokion, June 2006, p122 |
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2006 |
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W, M, Kunst fur alle Sinne, Migros Magazin, January 2006 |
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2006 |
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Wilson, Michael, Subculture Capital, artforum.com, 06 June 2006 |
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2006 |
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Banks Violette, Studio, August 2006, p 52-53 |
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2006 |
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Banks Violette: Maureen Paley, Kultureflash, 14 June 2006 |
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2006 |
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Books, Wallpaper, April 2006 |
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2006 |
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Exhibitions: Pick of the Week, The Guardian Guide, 24-30 June 2006, p37 |
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2006 |
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Heady Metal, New York Times Magazine, 28 May 2006, p30-35 |
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2006 |
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Migros Museum, Tema Celeste, March 2006 |
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2006 |
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News, Rock-A-Rolla, Issue 4, July/August 2006, p5 |
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2006 |
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Studio: Israeli Art magazine, Issue 166, August – September 2006, p52&53 |
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2006 |
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Top 100 Artists, Flash Art, October 2006, pp.68-69 |
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2005 |
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Art: Banks Violette, Kultureflash, July 2005 |
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2005 |
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Barliant, Claire, Banks Violette: Whitney Museum of American Art, Artforum, October 2005, p 273 |
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2005 |
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Momin, Shamin M., Banks Violette, Whitney Museum of Modern Art |
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2005 |
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Castro, Jan Garden, Conversations with Ghosts: Banks Violette, Sculpture, December 2005, p 18-9 |
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2005 |
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Cohen, Michael, Whitney Museum of American Art - Banks Violette, Flash Art, October 2005, p 76 |
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2005 |
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Cohen, Michael J., Banks Violette: Cryptologist, Spike, Issue 5, 2005, p cover, 36-45 |
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2005 |
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Colman, David, A Southern Gothic Memento Mori, The New York Times, 7 August 2005, p 8 |
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2005 |
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Cotter, Holland, Fanciful to Figurative to Wryly Inscrutable, The New York Times, 2005, p E29, 31 |
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2005 |
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Cotter, Holland, Walter Redinger, Banks Violette, The New York Times, 2005, E36 |
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2005 |
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Davis, Ben, Ultra Violette, artnet.com, 4 August 2005 |
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2005 |
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Dexter, Emma, Vitamin D – New Perspectives in Drawing, Phaidon, 2005 |
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2005 |
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Egan, Maura, School of Goul, The New York Times Men’s Style Magazine, Fall 2005, p 76 |
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2005 |
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Ekroth, Power, Blankness Is Not a Void, artforum.com, 7 December |
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2005 |
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Gural, Natasha, Whitney Museum commissions first solo museum exhibition…, newsday.com, 3 June 2005 |
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2005 |
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Jones, Jonathan, The Black Album, The Guardian, 10 January 2005 |
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2005 |
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Jones, Kristin M., Bridge Freezes Before Road, Frieze, October, p 217-8 |
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2005 |
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Kennedy, Randy, Master of the Dark Arts, The New York Times, 15 May 2005, p 1, 30 |
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2005 |
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Kimmelman, Michael, Youth and the Market: Love at First Sight, The New York Times, 18 March 2005, p 99.E37, 39 |
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2005 |
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Kley, Elisabeth, Burnt Churches and Salt Pillars, New York Press, 7 June 2005, p 26 |
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2005 |
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Lafuente, Pablo, Display - Recent installation photographs from London galleries and venues, Rachmaninoff’s , 2005, p18 |
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2005 |
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O'Reilly, Sally, The Black Album, Time Out London, 12-19 January 2005 |
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2005 |
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Rimanelli, David, Greater New York 2005, ArtForum, May 2005, p 239-240 |
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2005 |
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Saltz, Jerry, Lesser New York, Village Voice, 28 March 2005, p 77 |
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2005 |
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Smith, Roberta, Banks Violette, The New York Times, 1 July 2005, p 8 |
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2005 |
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Smith, Roberta, Spotting an Aesthetic Dispute and Embracing All Sides, The New York Times, 17 December 2005 |
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2005 |
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Sonnernborn, Katie Stone, Displaced Histories: The Art of Banks Violette, The Brooklyn Rail, September 2005, p 10 |
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2005 |
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T, R, Vitamin D, State of Art, September 2005 |
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2005 |
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Thornton, Sarah, The Power 100, Art Review, November 2005, p101 |
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2005 |
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Violette, Banks, Glisten Up, The New York Times Style Magazine, Fall 2005, p 74, 211 |
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2004 |
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Bankowsky, Jack, Many Happy Returns: This is Today, Artforum, May 2004, p 160-171, 233 |
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2004 |
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Caniglia, Julie, American Splendor, Travel + Leisure, March 2004, p60 |
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2004 |
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Corread, Stephane, Noctambule Spectral et Decale, Beaux Arts, June 2004, p 35-36 |
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2004 |
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DeBeer, Sue, Artists on artists: Banks Violette, Bomb, Summer 2004, p 52-53 |
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2004 |
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Dunn, Melissa, Whitney Biennial 2004: A Good-Looking Corpse, Flash Art, May-June 2004, p 63, 80 |
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2004 |
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Garrett, Craig, Noctambule, Flash Art, October 2004, p 60 |
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2004 |
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Heartney, Eleanor, The well-tempered Biennial, Art in America, June-July, p 71-77 |
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2004 |
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Johnson, Ken, Art in Review: ‘Scream’, The New York Times, 13 February 2004, p 36 |
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2004 |
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Kimmelman, Michael, Touching All Bases At The Biennial, The New York Times, 12 March 2004, p E27, 38 |
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2004 |
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Lee, Chris, Death Becomes Them, Blackbook, Fall 2004, p 190-192 |
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2004 |
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Placek, Matthu, Death becomes him, Art Review, 2004 |
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2004 |
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Rawsthorn, Alice, A Gothic Romance, Pop, Issue 9, p 222-229 |
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2004 |
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Rosenberg, Karen, Biennial Favorites, New York, 1 March 2004, p37-41 |
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2004 |
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Rothkopf, Scott, Many Happy Returns: Subject Matters, Artforum, May 2004, p 176-177, 233 |
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2004 |
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Saltz, Jerry, Modern Gothic, Village Voice, 4-10 February 2004, p 86 |
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2004 |
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Slimane, Hedi, Ritual, Dazed & Confused, August 2004, p 91, 96 |
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2004 |
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Slimane, Hedi, Interview with Banks Violette, Doingbird, Issue 8, 2004, p 80-83 |
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2004 |
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Tumlir, Jan, My Pop: Banks Violette, Artforum, October 2004, p 86 |
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2004 |
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Violette, Banks, Whitney Bound, V Magazine, Spring 2004 |
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2004 |
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Violette, Banks, Top Ten, Artforum, January 2004, p 48 |
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2003 |
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Cohen, Michael, The New Gothic, Flash Art International, July 2003, p 108-110 |
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2003 |
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Harris, Jane, Review of ‘An Enquiry…’, Time Out New York, October 2003, p 63 |
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2003 |
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Iles, Chrissie, Best of 2003, Artforum, December 2003, p 122-123 |
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2003 |
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Pearson, Jesse, I do this, I do that, The personality artist and heavy metal Dandyism, Parkett, 2003 |
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2003 |
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Schwendener, Martha, Review of ‘Back in Black’, Time Out New York, 31 July 2003, p 53 |
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2003 |
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Wysong, Brennen, Fiend Club, Flyer, June 2003 |
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2003 |
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Unicorns are dead, Vice, 2003 |
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2002 |
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Honigman, Ana Finel. Review, Time Out New York, 25 July 2002, p54 |
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2002 |
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Johnson, Ken, Art In Review: 'Banks Violette' The New York Times, 2 August 2002, p 33 |
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2002 |
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Jones, Jonathan, Stop Spreading the News, The Guardian, 28 August 2002 |
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2002 |
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Levin, Kim. Voice Choice, The Village Voice, 30 July 2002, p 96 |
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2002 |
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MacKenzie, Michael A. Banks Violette: Investigations into Alienation, Visual Arts Journal, Summer 2002, p 10-11 |
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2002 |
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Worth, Alexi. Art Choice, The New Yorker, 19 August 2002, p 38 |
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