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Angus Fairhurst Biography
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1966
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Born in Kent, England
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1985 - 1986
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Canterbury Art College, Kent
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1986 - 1989
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Goldsmith’s College, London
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2009 |
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Passports. In Viaggio Con l'Arte, Milan, Italy |
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2009 |
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In Between the Lines: Recent British Drawings, Trinity Contemporary, London, UK Time OutBeijing Video art festival, Beijing, touring to Shanghai, Hong Kong, Kuala Lumpur, Singapore, Bangalore, Mumbai, Dubai and Tokyo |
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2009 |
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Contemporary Eye: Material Matters, Pallant House Gallery, Chichester, UK |
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2009 |
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Vlassis Caniaris. In Contrapunto, National Bank of Greece Cultural Foundation, MIET, Athens, Greece |
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2009 |
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Nudes, Galeria Fortes Vilaca, Sao Paulo, Brazil |
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2009 |
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Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, Museum of Modern Art, New York (NY), USA |
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2009 |
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Waddesdon Manor, Buckinghamshire, UK (solo) |
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2009 |
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Angus Fairhurst, Arnolfini, Bristol, UK (solo) |
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2008 |
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Angus Fairhurst, Sadie Coles HQ, London, UK (solo) |
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2008 |
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Sterling Stuff, Kings Palace Gallery, London, UK |
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2008 |
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You dig the Tunnel, I’ll Hide the Soil, White Cube Hoxton, London, UK |
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2006 |
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Prints, Sadie Coles HQ, London, UK |
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2006 |
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Implosion: 10th Anniversary Exhibition, Anton Kern Gallery, New York (NY), USA |
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2006 |
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Dada’s Boys, The Fruitmarket Gallery, Edinburgh, Scotland, UK |
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2006 |
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In the darkest hour there may be light: Works from Damien Hirst's Murderme Collection, Serpentine Gallery, London, UK |
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2006 |
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All the Best: The Deutsche Bank Collection & Zaha Hadid, Singapore Art Museum, Singapore, China (cat.) |
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2006 |
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Under Construction, THE SHORE INSTITUTE OF THE CONTEMPORARY ARTS, curated by Barbara MacAdam, Long Branch, NJ |
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2006 |
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Dark, MUSEUM BOIJMANS VAN BEUNINGEN, Rotterdam, The Netherlands |
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2006 |
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Survivor, Bortolami Dayan, New York |
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2006 |
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Gegenstände/Handlungsformen, Badischer Kunstverein, Karlsruhe |
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2006 |
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Big City Lab, 11. Artforum Berlin |
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2006 |
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Nothing But Pleasure, BAWAG Foundation, Vienna |
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2006 |
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Prints, Sadie Coles HQ, London |
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2006 |
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Grimm Fine Art, Amsterdam (solo) |
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2006 |
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Unwit, Paul Kasmin Gallery, New York (solo) |
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2005 |
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Notnot, Vacio 9, Madrid (solo) |
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2005 |
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Bazar de Verão, Galeria Fortes Vilaça, São Paolo, Brazil |
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2005 |
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Cross Section, Paul Kasmin Gallery, New York |
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2005 |
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Threshold, MW Projects, London |
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2005 |
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Notnot, GALLERY VACIO 9, Madrid, Spain (solo) |
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2005 |
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Threshold, MAX WIGRAM GALLERY, London |
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2005 |
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Vertigo, SUDELEY CASTLE, Winchcombe, Gloucestershire, England |
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2005 |
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Y[oung] B[ritish] A[rtists] Criss-Crossed, GALLERI KAARE BERNSTEN, Oslo |
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2005 |
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Out of the Melting Pot, DEXIA BANQUE INTERNATIONALE À LUXEMBOURG, Luxembourg |
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2005 |
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Nieuwe Edities, Grimm Fine Art, Amsterdam, The Netherlands |
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2005 |
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Looking at Words, Andrea Rosen Gallery, New York (NY), USA |
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2004 |
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Summer Exhibition, ROYAL ACADEMY, London |
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2004 |
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Collage, BLOOMBERG SPACE, London |
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2004 |
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Incommunicado, CITY ART CENTRE, Edinburgh |
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2004 |
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57th Aldeburgh Festival, Contemporary British Sculpture at Snape (Angus Fairhurst, Damien Hirst, Sarah Lucas), SNAPE, England |
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2004 |
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Unwork, CONTEMPORARY FINE ARTS, Berlin, Germany (solo) |
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2004 |
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Dysuniversal, GEORG KARGL, Vienna, Austria (solo) |
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2004 |
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Drunkenmasters (Angus Fairhurst, Liam Gillick, Cerith Wyn Evans), GALERIA FORTES VILACA, São Paolo, Brazil (solo) |
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2004 |
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In-A-Gadda-Da-Vida, TATE BRITAIN (with Sarah Lucas and Damien Hirst), London, England (solo) |
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2004 |
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Contemporary Fine Arts, Berlin (solo) |
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2004 |
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Georg Kargl, Vienna (solo) |
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2003 |
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Trickfilm, BUCHMANN GALERIE, Cologne |
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2003 |
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Sterling Stuff: Fifty Sculptors, SIGURJON OLAFSSON MUSEUM, Reykjavik and ROYAL ACADEMY OF ARTS, London |
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2003 |
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In Retrospect: Thirty Sculptors, GALLERY PANGOLIN, Chalford, England |
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2002 |
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Sterling Stuff: Fifty Sculptors, GALLERY PANGOLIN, Chalford, England |
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2002 |
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Generator, SPACEX GALLERY, Exeter, England |
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2002 |
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Iconoclast: Beyond the Image Wars, ZKM, Karlsruhe, Germany |
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2002 |
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Why Bother?, The Burger King Exhibition, BURGER KING, London |
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2002 |
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Man in the Middle, SAMMLUNG DEUTSCHE BANK, Frankfurt am Main, Germany |
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2002 |
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The Unblinking Eye: Lens-based work from the IMMA Collection, IRISH MUSEUM OF MODERN ART, Dublin |
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2002 |
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Alphadelta Gallery – Artio Gallery, Athens, Greece (solo) |
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2001 |
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This Does Not Last More Than One Second, Spacex Gallery, Exeter (solo) |
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2001 |
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Angus Fairhurst More or Less, China Art Objects Gallery, Los Angeles (solo) |
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2001 |
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This Does Not Last More Than Ten Seconds, Kunsthalle St Gallen, Switzerland (solo) |
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2001 |
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This Does Not Last More Than One Second, SPACEX GALLERY, Exeter, England (solo) |
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2001 |
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More or Less Angus Fairhurst, SADIE COLES HQ, London, England (solo) |
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2001 |
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Casino 2001, S.M.A.K. Gent, Belgium |
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2001 |
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Open Plan P3 – The Marathon, ALPHADELTA GALLERY – ARTIO GALLERY, (curated by Sofia and Dimitria Vamiali), Athens, Greece |
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2001 |
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Animations, P.S.1 CONTEMPORARY ART CENTER, New York |
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2001 |
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Alternative Currents, THE MAC, MCKINNEY AVENUE CONTEMPORARY, Texas |
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2001 |
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Century City: Art and Culture in the Modern Metropolis, TATE MODERN, London |
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2001 |
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Lens and Paper – the Beauty of Intimacy, GEMEENTEMUSEUM, THE HAGUE and tour to STAATLICHE KUNSTHALLE BADEN-BADEN and MUSEUM HAUS AM WALDSEE, Berlin |
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2001 |
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KUNSTHALLE, St. Gallen, Switzerland (PERFORMANCE) |
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2001 |
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EXETER, Phoenix (PERFORMANCE) |
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2000 |
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Apocalypse, THE ROYAL ACADEMY, London |
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2000 |
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Video-vibe, BRITISH SCHOOL IN ROME, Italy |
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2000 |
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00, BARBARA GLADSTONE GALLERY, New York |
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2000 |
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Body Beautiful, GALERIE JENNIFER FLAY, Paris |
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2000 |
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Puerile 69: Angus Fairhurst, Michael Landy, Sarah Lucas, Gillian Wearing, THE LIVING ART MUSEUM, Reykjavik |
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2000 |
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About Collage, TATE LIVERPOOL, Liverpool, England |
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2000 |
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Sanssouci Oder: Die Kunst Der Entsorgung, BADISCHER KUNSTVEREIN, Karlsruhe, Germany |
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2000 |
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The Anagrammatical Body, ZKM CENTRE FOR MEDIA ART AND TECHNOLOGY, Karlsruhe, Germany |
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2000 |
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Sex and the British, GALERIE THADDEAUS ROPAC, Salzburg, Austria and Paris |
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2000 |
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Hoxton HQ, SADIE COLES HQ AT HOXTON HOUSE, London |
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2000 |
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Psycho, Art and Anatomy, ANNE FAGGIONATO, London |
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200 |
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More or Less Angus Fairhurst, Sadie Coles HQ, London (solo) |
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1999 |
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The Trouble with Comedy, CONTEMPORARY FINE ARTS, Berlin Art Fair, Berlin, Germany (solo) |
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1999 |
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The Foundation, URSULA BLICKLE STIFTUNG, Kraichtal, Germany and KUNSTHALLE ST. GALLEN, St. Gallen, Switzerland (solo) |
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1999 |
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Art Lovers, LIVERPOOL BIENNIAL, Liverpool, England |
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1999 |
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Gallery Swap, SADIE COLES HQ AT CONTEMPORARY FINE ARTS, Berlin |
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1999 |
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The Anagrammatical Body, NEUE LANDESMUSEUM, Graz, Austria |
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1999 |
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Lowest Expectations, THE SCALA, London (PERFORMANCE) |
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1999 |
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Lowest Expectations, BRITISH COUNCIL, Cologne, Germany (PERFORMANCE) |
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1999 |
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Lower Expectations, URSULA BICKLE STIFUNG, Kraichtal, Germany (PERFORMANCE) |
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1998 |
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Low Expectations, BUROFRIEDRICH, Berlin (PERFORMANCE) |
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1998 |
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Low Expectations, FLEX, Vienna (PERFORMANCE) |
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1998 |
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Thinking Aloud, KETTLE’S YARD, Cambridge and tour to CAMDEN ARTS CENTRE, London |
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1998 |
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Maximum Diversity, GALERIE KRINZINGER IN DEN BENGER FABRIK BREGENEZAND ATELIERHAUS DER AKADEMIE DER BILDENDEN KUNSTE, Vienna |
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1998 |
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Crossings, KUNST ZUM HOREN UND SEHEN, Kunsthalle, Vienna (touring exhibition) |
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1998 |
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The Missing Link, SADIE COLES HQ, London, England (solo) |
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1998 |
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Standing Stock Still, ANTON KERN GALLERY, New York (solo) |
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1998 |
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Odd-Bod Photography (with Sarah Lucas), SADIE COLES HQ, London and KOLNISCHER KUNSTVEREIN, Cologne, Germany (solo) |
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1997 |
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Stand Still and Rot, CONTEMPORARY FINE ARTS, Berlin (solo) |
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1997 |
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Dimensions Variable, BRITISH COUNCIL, touring exhibition |
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1997 |
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Package Holiday, HYDRA WORKSHOPS, Hydra, Greece |
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1997 |
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Painting, Photography, Drawing, ANTON KERN GALLERY, New York |
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1997 |
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Contemporary British Drawings, SANDRA GERING GALLERY, New York and GALERIE PAUL ANDRIESSE, Amsterdam |
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1997 |
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Other Men’s Flowers, THE BRITISH SCHOOL IN ROME, Italy |
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1997 |
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From Figure to Object, KARSTEN SCHUBERT LTD. and FRITH STREET GALLERY, London |
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1997 |
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Top Ten Expectations, ICA, London (PERFORMANCE) |
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1997 |
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Low Expectations, CABLE FACTORY, Helsinki (PERFORMANCE) |
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1996 |
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Plastic, ARNOLFINI GALLERY, Bristol and tour to WALSALL MUSEUM AND ART GALLERY, Walsall, England |
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1996 |
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Full House, KUNSTMUSEUM, Wolfsburg, Germany |
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1996 |
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Domestic Violence, RHONA HOFFMANN GALLERY, Chicago |
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1996 |
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A Small Shifting Sphere of Serious Culture, ICA, London and tour (video programme) |
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1996 |
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Other Men’s Flowers, AUREL SCHEIBLER, Cologne, Germany |
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1996 |
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Low Expectations, DEAN STREET, London (PERFORMANCE) |
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1996 |
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Lexopewctations, ANTON KERN GALLERY, New York (PERFORMANCE) |
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1996 |
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Low Lower Lowest, JAY JOPLING/WHITE CUBE, London (solo) |
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1996 |
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The Artist Has Left, (with Lothar Hempel) ANTON KERN GALLERY, New York (solo) |
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1996 |
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A Cheap and Ill-fitting Relationship, PAUL ANDRIESSE GALLERY, Amsterdam (solo) |
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1996 |
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A False Dawn On The Road To Personal And Artistic Freedoms, RIDINGHOUSE EDITIONS, London (solo) |
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1995 |
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Low Expectations, BRIXTON ACADEMY, London (PERFORMANCE) |
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1995 |
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Low Expectations, 56A CLERKENWELL ROAD, London (PERFORMANCE) |
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1995 |
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Brilliant! New Art From London, WALKER ART CENTRE, Minneapolis, touring to CONTEMPORARY ART MUSEUM, Houston |
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1995 |
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Corpus Delicti, PORTALEN, Copenhagen |
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1994 |
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Karaoke Football, PORTIKUS NO 58, Frankfurt am Main, Germany |
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1994 |
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Some Went Mad, Some Ran Away, SERPENTINE GALLERY, London, touring to NORDIC ARTS CENTRE, Helsinki; Kunstverein, Hanover, Germany; MUSEUM OF CONTEMPORARY ART, Chicago |
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1994 |
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Not Self Portrait, KARSTEN SCHUBERT LTD., London |
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1994 |
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Gallery Connections, KARSTEN SCHUBERT LTD., London (solo) |
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1994 |
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Drawings and Cartoons, 71 HARTHAM ROAD, London (solo) |
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1993 |
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All Evidence of Man Removed, KARSTEN SCHUBERT LTD., London (solo) |
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1993 |
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Privacy, OPOS, Milan, Italy |
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1993 |
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Other Men’s Flowers, FACTUAL NONSENSE, London |
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1992 |
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Twenty Fragile Pieces, GALERIE ANALIX, Geneva, Switzerland |
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1992 |
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Etats Specifiques, MUSÉE DES BEAUX ARTS, Le Havre, France |
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1992 |
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Mat Collishaw, Angus Fairhurst, Abigail Lane, VIAFARINI, Milan, Italy |
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1992 |
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Man Abandoned by Space, GALERIE ANALIX, Geneva, Switzerland (solo) |
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1991 |
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Some Went Mad, Some Ran Away, KARSETN SCHUBERT LTD., London (solo) |
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1991 |
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Gambler, BUILDING ONE, London |
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1991 |
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Modern Medicine, BUILSING ONE, London |
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1990 |
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You in Mind, KARSTEN SCHUBERT LTD., London (solo) |
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1988 |
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Freeze, PLA BUILDING, London |
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Collections
Tate, London, UK
Walker Art Centre, Minneapolis (MI), USA
Simmons & Simmons, London, UK
European Parliament EVN Austria
Government Art Collection, London, UK
Celebrity Cruises |
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2006 |
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Survivor, Bortolami Dayan, New York, 2006 |
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2006 |
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David Hopkins, Dada’s Boys, Edinburgh: The Fruitmarket Gallery, 2006 |
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2006 |
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Sari Carel, New York Critics Picks, Artforum, Mai 2006 |
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2005 |
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Jennifer Allen, Angus Fairhurst / Contemporary Fine Arts, Artforum, Febuar 2005 |
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2005 |
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Visionaire 46: Uncensored by Mario Testino, New York: Visionaire Publishing, 2005 |
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2005 |
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Y[oung] B[ritish] A[rtists] Criss-Crossed, Oslo: Kaare Bernsten Galleri, 2005 |
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2005 |
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Out of the Melting Pot, Luxembourg: Dexia, Banque Internationale à Luxembourg, 2005 |
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2004 |
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In-A-Gadda-Da-Vida, London: Tate Britain / Tate Publishing |
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2004 |
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Jones, Dafydd, In-A-Gadda-Da-Vida, ARTREVIEW, April |
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2004 |
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Renton, Andrew, There is life after Hoxton, EVENING STANDARD, Jan 6 |
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2004 |
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Haw, Alex, London: Bloomberg Space, CONTEMPORARY, no. 63 |
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2004 |
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Gronlund, Melissa, Tate Britain: In-A-Gadda-Da-Vida, CONTEMPORARY, no. 63 |
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2004 |
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Furness, Rosalind, In-A-Gadda-Da-Vida, MODERN PAINTERS, Summer |
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2004 |
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Reynolds, Nigel, A six-legged calf in paradise, THE TELEGRAPH, March 3 |
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2004 |
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Kent, Sarah, The Eden Project, TIME OUT, Feb. 25-March 3 |
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2004 |
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Katrin Wittneven, Augensterne, Tagesspiegel, 4. Dezember 2004, S. 49. |
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2004 |
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Stripped Bare: The Body Revealed in Contemporary Art, London: Merrell Publishers |
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2004 |
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Summer Exhibition, London: Royal Academy |
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2004 |
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Waldemar Januszczak, The rot of ages, The Sunday Times, 7. März 2004 |
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2004 |
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Richard Dyer, Angus Fairhurst, Damien Hirst, Sarah Lucas: In-A-Gadda-Da-Vida, Contemporary, no. 61, März 2004 |
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2003 |
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Andrew Hale, (Interview) ‘The Art of Fragility’, GQ |
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2003 |
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Proof of Principle, Arnhem, Netherlands: Akzo Nobel Art Foundation |
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2003 |
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In Retrospect: Thirty Sculptors, Chalford, England: Gallery Pangolin |
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2002 |
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Biesenbach, Klaus, Animations, New York: P.S.1 Contemporary Arts Centre, Dutch Magazine (ill) |
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2002 |
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Man in the Middle, Germany: Sammlung Deutsche Bank |
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2002 |
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Sterling Stuff, Chalford, England: Gallery Pangolin |
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2002 |
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Falconer, Morgan and Pablo Lafuente, Art Rocks! The Group Show, ARTREVIEW, Vol. LIII, May |
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2002 |
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Generator, FLUX, Issue 33, October-November |
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2001 |
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Balth, Carel, Lens and Paper – the Beauty of Intimacy, Gemeentemuseum, The Hague |
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2001 |
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Strauss, Dorothea, This Does Not Last More Than Ten Seconds, Kunsthalle St.Gallen, Switzerland (cat.). |
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2001 |
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Kertess, Klaus, 00, Barbara Gladstone Gallery, New York |
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2001 |
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Artists Project, Exquisite Corpse, Tate, The Art Magazine, Issue 26, Autumn |
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2001 |
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Malik, S & D. & S. Vamiali, Open Plan P3; The Marathon, Athens. (cat.) |
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2001 |
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Herbert, Martin, Review, TIME OUT, LONDON, March 28 – April 4 |
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2001 |
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Hackworth, Nick, Less is Less—More or Less, EVENING STANDARD, March 23 |
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2001 |
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Bussel, David, Art School Rock, I-D MAGAZINE, April |
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2001 |
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Testino, DUTCH MAGAZINE, #34, July/August |
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2001 |
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Art Athina 2001, GALLERY GUIDE: ATHENS, Autumn/Winter |
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2000 |
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Shone, Richard, Puerile 69: Angus Fairhurst, Michael Landy, Sarah Lucas, Gillian Wearing, Reykjavik: The Living Art Museum |
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2000 |
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Perrella, Cristiana and Daniela Cascella, Video-vibe – art music and video in Britain, Rome: British School in Rome |
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2000 |
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Psycho, Art and anatomy, London: Anne Faggianato (cat.) |
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2000 |
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Stepken, Angelika, Sanssouci Oder: Die Kunst Der Entsorgung, Karlsruhe, Germany: Badischer Kunstverein (cat.) |
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2000 |
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Rosenthal, Norman, Sex and the British, Salzburg, Austria: Galerie Thaddeaus Ropac (cat.) |
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1999 |
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Stallabrass, Julian, High Art Lite, London: Verso Books |
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1999 |
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Wiebel, Peter and Christina Steinle, The Anagrammatical Body, Graz, Austria Neu Galerie am Landesmuseum Joanneum (cat.) |
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1999 |
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Dwiezor, Yilmaz, Angus Cook, Jorg Heiser, Dorothea Strauss, Angus Fairhurst, Kraichtal, Germany: Ursula Blickle Stiftung (cat.) |
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1999 |
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Lewisohn, Cedar, Art and Rock Stars, From White Cube to Gold Disk, FLASH ART, March-April |
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1999 |
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Gibbons, Fiachra, Sensation’s over, now it’s Apocalypse, THE GUARDIAN, May 3 |
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1999 |
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Artists Portfolio, POP, # 01, Autumn/Winter |
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1998 |
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Guha, Tania, Angus Fairhurst, TIME OUT LONDON, November 16 |
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1998 |
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Sanders, Mark, No Sex Please We’re British, DAZED AND CONFUSED MAGAZINE, October |
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1998 |
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Wentworth, Richard, Thinking Aloud, London: SBC National Touring Exhibitions (cat.) |
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1998 |
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Aliaga, Juan Vicente, Angus Fairhurst/Sarah Lucas, ARTFORUM, Sept. |
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1998 |
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Buck, Louisa, Moving Targets: A User’s Guide to British Art Now, London: Tate Gallery Publishing |
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1998 |
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Maximum Diversity, Vienna: Galerie Krinzinger in der Benger Fabrik, Bregenez and Academy of Arts (cat.) |
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1998 |
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Self Portraits, Rotterdam, Netherlands: Caldic Collection (cat.) |
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1998 |
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Arning, Bill, Standing Stock Still, TIME OUT (NEW YORK), June 11 |
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1997 |
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Dimensions Variable, London: The British Council (cat.) |
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1997 |
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Package Holiday, London: Sadie Coles HQ / Hydra, Greece: Hydra Workshops (cat.) |
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1996 |
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A False Dawn On The Road To Personal And Artistic Freedoms, London: Ridinghouse Editions |
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1996 |
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Cummings, Neil, Plastic, Bristol, England: Arnolfini Gallery (cat) |
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1996 |
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Angus Fairhurst and Gary Hume, Arena |
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1996 |
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Contemporary British Art in Print, Edinburgh: Scottish National Gallery for Modern Art and Paragon Press (cat.) |
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1996 |
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Avgikos, Jan, Angus Fairhurst and Lothar Hempel, ARTFORUM, No. 36, February |
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1996 |
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Bussel, David, First Expectations, FRIEZE January/February |
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1996 |
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Harris, Mark, Angus Fairhurst, ART MONTHLY, No. 202, December |
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1996 |
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Sound and Vision, THE ART NEWSPAPER, No. 64, November |
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1996 |
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Art, ‘New Haven, Connecticut, ART NEWS, Vol. 95, March |
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1995 |
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Brilliant! New Art from London, Minneapolis (MN): Walker Art Centre (cat.) |
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1995 |
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Christiansen, Torben, Andrew Renton, Corpus Delicti, Copenhagen: Portalen (cat.) |
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1994 |
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Muir, Gregor, Angus Fairhurst, FRIEZE, Summer |
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1993 |
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Archer, Michael, Art Schubert Ltd, ARTFORUM, Vol. 32, December |
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1993 |
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Romano, Gianni, Privacy, Milan: Opos (cat.) |
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1992 |
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Angus Fairhurst, Geneva, Switzerland: Galerie Analix (cat.) |
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1992 |
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Romano, Gianni, Twenty Fragile Pieces, Geneva, Switzerland: Galerie Analix (cat.) |
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1991 |
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Gillick, Liam and Andrew Renton, Technique Anglaise, London: Thames and Hudson |
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1991 |
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Man Abandoned by Colour, (artist’s project), FRIEZE, pilot issue |
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1990 |
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Gillick, Liam, Gambler, London: Building One (cat.) |
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1990 |
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Fairhurst, Angus, Modern Medicine, London: Building One (cat.) |
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1990 |
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Renton, Andrew, Modern Medicine, FLASH ART INTERNATIONAL, Summer |
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1990 |
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It’s A Maggot Farm, ARTSCRIBE, November/December |
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1988 |
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Jeffrey, Ian, Freeze, London: PLA Building (cat.) |
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