|
|
|
2007 |
|
For a Special Place: Documents and Works from the Generali Foundation Collection, Austrian Cultural Forum, New York |
|
|
2007 |
|
What do I, as an artist, provide? Mildred Lane Kemper Art Museum, St. Louis |
|
|
2007 |
|
Vanhaerents Art Collection, Brussels |
|
|
2007 |
|
Into Me / Out of Me, KW Institute for Contemporary Art, Berlin |
|
|
2007 |
|
Mildred Lane Kemper Art Museum, St. Louis (solo) |
|
|
2007 |
|
Friedrich Petzel Gallery, New York (solo) |
|
|
2007 |
|
Make Your Own Life: Artists In and Out of Cologne, Henry Art Gallery, Washington State |
|
|
2006 |
|
Hot/Cold – Summer Loving, Zacheta National Gallery of Art, Warsaw |
|
|
2006 |
|
Into Me / Out of Me, P.S. 1 - MoMA, New York |
|
|
2006 |
|
Make Your Own Life: Artists In and Out of Cologne, Institute of Contemporary Art, University of Pennsylvania, Philadelphia |
|
|
2006 |
|
Heard Not Seen, Orchard, New York |
|
|
2006 |
|
Make Your Own Life: Artists In and Out of Cologne, The Power Plant, Toronto |
|
|
2006 |
|
Into Me / Out of Me, KW Institute for Contemporary Art, Berlin |
|
|
2005 |
|
General Idea: Rethinking Conceptual Art, CCA Wattis Institute for Contemporary Arts, San Francisco |
|
|
2005 |
|
History of Disappearance: Live Art from New York 1975-Present, BALTIC, Newcastle |
|
|
2005 |
|
This Colony, Kunstfort bij Vijfhuizen, the Netherlands |
|
|
2005 |
|
Official Welcome, Los Angeles Museum of Contemporary Art (solo) |
|
|
2005 |
|
Official Welcome, Dia:Chelsea, New York (solo) |
|
|
2005 |
|
Official Welcome, Museum Moderner Kunst, Vienna (solo) |
|
|
2005 |
|
Galeria Brancolini Grimaldi, Rome and Florence (solo) |
|
|
2005 |
|
Official Welcome, BALTIC, Newcastle, in conjunction with “History of Disappearance: Live Art from New York 1975-Present” (solo) |
|
|
2005 |
|
May I Help You, Orchard, New York (solo) |
|
|
2005 |
|
Framing Exposure: Process and Politics, Institute of Contemporary Art, Philadelphia |
|
|
2005 |
|
Occupying Space / Wasting Time: Sammlung Generali Foundation, Haus der Kunst, Munich |
|
|
2005 |
|
Madonna, Kunsthaus, Dresden |
|
|
2005 |
|
What Business Are You In?, The Atlanta Contemporary Art Center, Atlanta |
|
|
2005 |
|
Life, Once More, Witte de With, Rotterdam |
|
|
2005 |
|
Photography, Video, Mixed Media II, DaimlerChrysler Contemporary, Berlin |
|
|
2004 |
|
Somewhere, Everywhere, Nowhere, The Fruitmarket Gallery, Edinburgh |
|
|
2004 |
|
Collected Views from East or West and West or East, Generali Foundation, Vienna |
|
|
2004 |
|
Tierras en tránsito, El Museo Tamayo, Mexico City |
|
|
2004 |
|
Systemstörung, Edith-Ruß-Haus für Medienkunst, Oldenburg |
|
|
2004 |
|
Funky Lessons, curated by Joerg Heiser, Buero Friedrich, Berlin; Atelier Augarten Centre for Contemporay Art, Vienna |
|
|
2004 |
|
Body Display, Secession, Vienna |
|
|
2004 |
|
Karneval-Carnaval, Centro Cultural Banco do Brasil, Rio de Janeiro |
|
|
2004 |
|
Made in Mexico, Institute of Contemporary Art, Boston; UCLA Hammer Museum, Los Angeles |
|
|
2003 |
|
A Short History of Performance Art - Part II, Whitechapel Art Gallery, London |
|
|
2003 |
|
Image Stream, Wexner Center for the Arts, The Ohio State University |
|
|
2003 |
|
Official Welcome, Miami, sponsored by Creative Time in conjunction with Art Basel Miami Beach (solo) |
|
|
2003 |
|
Official Welcome, Whitechapel Art Gallery, London, in conjunction with "A Short History of Performance Art, Part II" (solo) |
|
|
2003 |
|
Andrea Fraser, Works: 1984 to 2003, Kunstverein, Hamburg (solo) |
|
|
2002 |
|
Exhibition, Morris and Helen Belkin Art Gallery, University of British Columbia, Vancouver (solo) |
|
|
2002 |
|
Arma Virumqe Cano, American Fine Arts, Co., New York (solo) |
|
|
2002 |
|
Okonomien der Zeit, Museum Ludwig, Cologne; Akademie der Künste, Berlin; Migros Museum fur Gegenwartskunst, Zürich |
|
|
2002 |
|
Shoot the Singer, Institute of Contemporary Art, University of Philadelphia, Philadelphia |
|
|
2002 |
|
Não é cinema, não é video e nem é Televisão, Capacete entretenimentos, Festival do Rio BR 2002, Instituto Brasileiro de Audiovisual, Escola de Cinema Darcy Ribeiro, Rio de Janeiro |
|
|
2002 |
|
Exposition d’art contemporain, Biennale de Gonesse, Val d’Oise |
|
|
2002 |
|
En Route, Serpentine Gallery, London |
|
|
2000 - 2002 |
|
El Museo, an unrealized project for Basque television developed with Consonni, Bilbao (solo) |
|
|
2001 |
|
Official Welcome, The MICA Foundation, New York (solo) |
|
|
2001 |
|
Kunst muß hängen (Art Must Hang), Galerie Christian Nagel, Cologne (solo) |
|
|
2001 |
|
SIGHT/SITE: Objects Subject to Change, Institute of Contemporary Art, University of Philadelphia |
|
|
2001 |
|
Visual Worlds, The Richard L. Nelson Gallery and Fine Arts Collection, University of California, Davis |
|
|
2001 |
|
Antagonisms, Museu d’Art Contemporani, Barcelona |
|
|
2000 |
|
Moving, Hamburger Kunsthalle, Hamburg |
|
|
|