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1987
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B.F.A., Bowling Green State University, Bowling Green, OH
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1992
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M.F.A., California Institute of the Arts, Valencia, CA
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1998
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Nominee, Fondazione Sandretto Re Rebaudengo per l’arte Prize
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1998
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WESTAF/NEA, Regional Fellowship for Visual Arts in Sculpture
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2003
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City of Los Angeles (C.O.L.A.) Fellowship Recipient for Visual Arts
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Born Wilmington, Ohio. Lives and works in Los Angeles, California
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2007 - 2008 |
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“The Weight of Relevance”, The Power Plant, Toronto, CA, curated by Gregory Burke |
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2007 |
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“The Weight of Relevance”, Susanne Vielmetter Los Angeles Projects (solo) |
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2007 |
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“The Weight of Relevance”, Wiener Secession, Vienna, Austria (solo) |
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2007 |
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The Suburban, Oak Park, IL |
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2006 |
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“Nothing is Neutral: Andrea Bowers”, REDCAT, Los Angeles, CA (solo) |
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2006 |
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Halle fuer Kunst, eV, Lüneburg, Germany (solo) |
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2006 |
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“Eulogies to One and Another”, Galerie Praz-Delavallade, Paris, France (solo) |
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2006 |
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Mehdi Chouakri, Berlin, Germany (solo) |
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2006 |
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“particulate matter”, Mills College Art Museum, Oakland, CA “particulate matter”, Mills College Art Museum, Oakland, CA |
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2006 |
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“Human Game”, Fondazione Pitti Discovery, Florence, Italy (curated by Francesco Bonami, Maria Luisa Frisa, and Stefano Tonchi) |
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2006 |
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“Anticipation”, Museum of Contemporary Photography, Chicago, IL (curated by Karen Irvine) |
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2006 |
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“Art for our sake!”, Bard College, Annandale-on-Hudson, NY |
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2006 |
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“Welcome Home”, Sara Meltzer Gallery, New York |
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2006 |
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“Jump Cut—Nights” (a symposium on choreographic structures in moving images) and “Videoperformance—stories told through movement”, Cinema of Museum Ludwig, Cologne (curated by Georg Elben) |
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2006 |
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“particulate matter”, Mills College Art Museum, Oakland, CA (curated by Glen Helfand) |
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2005 - 2006 |
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“Monuments for the USA”, curated by Ralph Rugoff, CCA Wattis Institute for Contemporary Arts, San Francisco, CA, traveling to White Columns, New York |
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2005 - 2006 |
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“Monuments for the USA”, curated by Ralph Rugoff, CCA Wattis Institute for Contemporary Arts, San Francisco, CA, traveling to White Columns, New York |
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2004 - 2006 |
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“100 Artists See God”, curated by John Baldessari and Meg Cranston, The Jewish Museum San Francisco,CA;
Laguna Art Museum, Laguna Beach, CA;
Institute of Contemporary Arts, London, England;
Contemporary Art Center of Virginia, Virginia Beach, VA;
Albright College Freedman Art Gallery, Reading, PA |
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2005 |
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“New Tapestries”, Sara Meltzer Gallery, New York, NY |
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2005 |
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“Culture of Choice”, Van Horn, Düsseldorf, Germany (solo) |
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2005 |
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“REALIT;-)T”, curated by Andreas Meier with Dr. Stephan Urbaschek, Sammlung Goetz, Seedamm Kulturzentrum, Switzerland |
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2005 |
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Estacion Tijuana, Tijuana, Mexico |
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2005 |
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Mary Goldman, Los Angeles, CA |
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2005 |
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“Old News”, curated by Jacob Fabricius, Los Angeles Contemporary Exhibitions Los Angeles, CA |
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2005 |
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“New Tapestries”, Sara Meltzer Gallery, New York, NY |
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2005 |
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“Nonviolent Civil Disobedience Training”, (screening), Kunsthalle Basel, Art/Film, Art/ 36/Basel, Switzerland |
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2005 |
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“Fast Forward”, Media Art From the Goetz Collection, Conde Duque Centro Cultural, Madrid, Spain |
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2004 - 2005 |
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“Dance Dance Revolution”, curated by Matthew Lyons & Lanka Tattersall, The Leroy Neiman Gallery |
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2004 - 2005 |
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“Victory 2004”, Ronald Felman, New York, NY |
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2004 - 2005 |
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“kurzdavordanach”, curated by von Wilhelm Schürmann, Die Photographische Sammlung/ SK Stiftung Kultur, Cologne, Germany |
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2004 |
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“Soft Blockades Part 2”, Magazin 4, Voralberger Kunstverein, Bregenz, Austria (solo) |
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2004 |
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“Soft Blockades”, Mary Goldman Gallery, Los Angeles, CA (solo) |
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2003 - 2004 |
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“Fast Forward”, Media Works from the Goetz Collection between Ethno-Narration and Formal Innovation, ZKM, Karlsruhe, Germany |
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2003 - 2004 |
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“Fast Forward”, Media Works from the Goetz Collection between Ethno-Narration and Formal Innovation, ZKM, Karlsruhe, Germany |
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2003 - 2004 |
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“Fast Forward”, Media Works from the Goetz Collection between Ethno-Narration and Formal Innovation, ZKM, Karlsruhe, Germany |
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2003 |
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“Rendered”, Sara Meltzer Gallery, New York, NY |
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2003 |
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“Yard: An exhibition about the private landscape that surrounds suburban domestic architect”, curated by Robyn Donohue and Alyson Baker, Socrates Sculpture Park, Long Island City, NY |
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2003 |
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“Extended Play: Art Remixing Music”, curated by Simon Rees, Govett-Brewster Art Gallery, New Plymouth, New Zealand |
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2003 |
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“Rendered”, Sara Meltzer Gallery, New York, NY |
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2003 |
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“Yard: An exhibition about the private landscape that surrounds suburban domestic architect”, curated by Robyn Donohue and Alyson Baker, Socrates Sculpture Park, Long Island City, NY |
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2003 |
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“Extended Play: Art Remixing Music”, curated by Simon Rees, Govett-Brewster Art Gallery, New Plymouth, New Zealand |
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2003 |
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“Rendered”, Sara Meltzer Gallery, New York, NY |
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2003 |
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“Magical Politics”, Chouakri Brahms, Berlin, Germany (solo) |
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2002 |
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“Virtual Arena” (catalogue), Sara Meltzer Gallery, New York, NY (solo) |
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2002 |
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“From Mouth to Ear”, Goldman Tevis, Los Angeles, CA (solo) |
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2002 |
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“Time-Share”, Sara Meltzer Gallery, New York, NY |
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2002 |
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“Gallery Group Show”, Goldman Tevis, Los Angeles, CA |
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2002 |
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“Videodrome II”, curated by Dan Cameron, Anne Barlow, Johanna Burton and Anne Ellegood |
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2002 |
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New Museum of Contemporary Art, New York, NY |
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2002 |
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“Time-Share”, Sara Meltzer Gallery, New York, NY |
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2002 |
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“Videodrome II”, curated by Dan Cameron, Anne Barlow, Johanna Burton and Anne Ellegood |
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2002 |
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New Museum of Contemporary Art, New York, NY |
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2002 |
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“Time-Share”, Sara Meltzer Gallery, New York, NY |
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2001 |
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“Everybody Now”, curated by Katy Siegel, The Bertha & Karl Leubsdorf Gallery, Hunter College, New York |
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2001 |
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“Subject Plural” (catalogue), curated by Paola Morsiani, Contemporary Arts Museum, Houston, TX |
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2001 |
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“False Start”, curated by Cecilia Brunson, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY |
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2001 |
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“Everybody Now”, curated by Katy Siegel, The Bertha & Karl Leubsdorf Gallery, Hunter College, New York |
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2001 |
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“False Start”, curated by Cecilia Brunson, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY |
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2001 |
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“Democracy’s Body – Dance Dance Revolution”, Art 32 Basel, Art Statements, Basel, Switzerland, presented by Sara Meltzer Gallery, New York, NY (solo) |
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2000 |
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“Intimate Strangers”, Sara Meltzer Gallery, New York, NY (solo) |
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2000 |
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“Radar Love”, curated by David Pagel, Galleria Marabini, Bologna, Italy |
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2000 |
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“Video Take”, Stuc en Hedendaagse Kunsten, De Openabare Bibliotheek, Leuven, Belgium |
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2000 |
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“Radar Love”, curated by David Pagel, Galleria Marabini, Bologna, Italy |
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2000 |
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“Game On”, curated by Sara Meltzer. Essay by Jenelle Porter and Conny Purtill, Sara Meltzer Gallery, New York, NY |
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1999 |
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“Moving Equilibrium”, Sara Meltzer’s on view, New York, NY (solo) |
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1998 |
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“Spectacular Appearances”, Santa Monica Museum of Art, Santa Monica, CA (solo) |
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1997 |
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Spanish Box, Santa Monica, CA (solo) |
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1994 |
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“Damaged Goods”, Bliss, Pasadena, CA (solo) |
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1993 |
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FOOD HOUSE, Santa Monica, CA. (solo) |
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