|
|
Alfredo Jaar Biography
|
 |
 |
|
1979 |
|
Degree from the Instituto Chileno Norteamericano de Cultura
|
|
1981 |
|
Universidad de Chile
|
|
1985 |
|
New York State Council of the Arts Grant
|
|
1985 |
|
Guggenheim Fellowship
|
|
|
|
He holds the Winton Chair of Liberal Arts at the University of Minnesota, Minneapolis
|
|
 |
| Selected Exhibitions |
 |
 |
|
2012 - 2013
|
|
Bilderbedarf. Braucht Gesellschaft Kunst?, Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany
|
|
2012 - 2013
|
|
This Will Have Been: Art, Love & Politics, Museum of Contemporary Art, Institute of Contemporary Art, Boston, MA, USA
|
|
2012
|
|
Transformed Visions: Tate Modern Collection Displays, Tate Modern, London, UK
|
|
2012
|
|
Regarding Warhol. Sixty Artists, Fifty Years, The Metropolitan Museum of Art, New York, NY, USA
|
|
2012
|
|
The Kochi Muziris Biennale, Kochi, India
|
|
2012
|
|
A Generous Medium. Photography at Wellesley 1972-2012, Davis Museum at Wellesley College, Wellesley, MA, USA
|
|
2012
|
|
Landslide: Impertinence - Resistance - Survival, Musée Ianchelevici, La Louvière, Belgium
|
|
2012
|
|
The way it is - Eine Ästhetik des Widerstands | An Aesthetics of Resistance, NGBK Neue Gesellschaft für Bildende Kunst, Berlin / Berlinische Galerie, Berlin / Alte Nationalgalerie, Berlin, Germany (solo)
|
|
2012
|
|
Let there be light, Espace Culturel ING, Brussels, Belgium (solo)
|
|
2012
|
|
Public Intervention, Guernica, Spain, to commemorate the 75th anniversary of the Bombing / 2012 European City of Culture, Guimarães, Portugal (solo)
|
|
2012
|
|
Status - 24 Dokumente von heute, Fotomuseum Winterthur, Winterthur, Switzerland
|
|
2012
|
|
Intense Proximity - La Triennale de Paris, Palais de Tokyo, Paris, France
|
|
2012
|
|
Bild-Gegen-Bild, Haus der Kunst, Munich, Germany
|
|
2012
|
|
Border Crossing, Kunsthalle Brandts, Odense, Denmark
|
|
2012
|
|
KULTUR=KAPITAL, Galerie Thomas Schulte, Berlin, Germany
|
|
2012
|
|
Tranformed Visions - Tate Modern Collection Displays, Tate Modern, London, England
|
|
2012
|
|
The Story Tellers, The Stenersen Museum, Oslo, Norway
|
|
2012
|
|
Newtopia - The State of Human Rights, Mechelen, Belgium
|
|
2012
|
|
Fünf Wolken, Kunstverein Arnsberg, Arnsberg, Germany (solo)
|
|
2012
|
|
Glissement de terrain, Lanchelevici Museum, La Louviere, France (September 21 to December 23, 2012)
|
|
2011
|
|
Distant Star: an exhibition organized around the writings of Roberto Bolaño, Regen Projects, Los Angeles California. Travelling to kurimanzutto, Mexico City, Mexico
|
|
2011
|
|
Marx Lounge, Stedelijk Museum, Amsterdam, The Netherlands (solo)
|
|
2011
|
|
Marx Lounge, El Centro Andaluz de Arte Contemporáneo, Seville, Spain (solo)
|
|
2011
|
|
The Sound of Silence, École nationale supérieure des beaux-arts de Paris, Paris, France (solo)
|
|
2011
|
|
Three Women, Kamel Mennour, Paris, France (solo)
|
|
2011
|
|
Déja – The Collection on Display, Musée d’art Contemporain de Montreal, Montreal, Canada
|
|
2011
|
|
Contemporary Art Archipelago, Turku Archipelgo, Finland
|
|
2011
|
|
Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York, New York
|
|
2011
|
|
ARS 11, Kiasma Museum of Contemporary Art, Finland
|
|
2011
|
|
Plot for a Biennial, Sharjah Art Foundation, Sharjah, United Arab Emirates
|
|
2011
|
|
Without Reality There is No Utopia, Centro Andaluz de Arte Contemporaneo, Seville, Spain
|
|
2011
|
|
Museo Berardo, PhotoEspaña, Lisbon, Portugal
|
|
2011
|
|
Fotográfica 2011, Bogotá, Colombia
|
|
2011
|
|
Seeing is Believing, KW Institute for Contemporary Art, Berlin
|
|
2011
|
|
Interventions in the Landscape, Galerie Lelong, New York, New York
|
|
2010 - 2011
|
|
MAXXI National Museum of XXI Century Arts, Rome, Italy
|
|
2010 - 2011
|
|
29th Biennial of Sao Paulo, Brasil
|
|
2010 - 2011
|
|
Spazio: Dalle collezioni di arte e architettura del MAXXI, MAXXI National Museum of XXI Century Arts, Rome, Italy
|
|
2010
|
|
Bienal de Sao Paulo, Sao Paulo, Brazil
|
|
2010
|
|
Márgenes de silencio, Colección Helga de Alvear, Centro de Artes Visuales Fundación Helga de Alvear, Caceres, Spain
|
|
2010
|
|
8 Fotografías 4 continentes, Hotel París Diputación de Huelva, Festival de Fotografía de Huelva, Huelva, Spain
|
|
2010
|
|
Grande hazaña con muertos, Fundación Rafael Boti, Cordoba, Spain
|
|
2010
|
|
Undercurrents: Experimental Ecosystems in Recent Art, The Kitchen, New York, New York
|
|
2010
|
|
The Flower of May, Gwangju Museum of Art, Gwangju, South Korea
|
|
2010
|
|
Rewind: 1970s to 1990s Works from the MCA Collection, Museum of Contemporary Art Chicago, Chicago, Illinois
|
|
2010
|
|
PRESS ART, Kunstmuseum St. Gallen, St. Gallen, Switzerland
|
|
2010
|
|
Hope! Une exposition d’art contemporain sur l’Espoir, Palais des arts et du festival, Dinard, France
|
|
2010
|
|
Colección Norte de Arte Contemporáneo del Gobierno de Cantabria, Biblioteca Central y Archivo Histórico de Cantabria, Santander, Spain
|
|
2010
|
|
Disturbed Silence – Silence Disturbed, Duffel, Belgium
|
|
2010
|
|
Artefact 2010: On Gaps and Silent Documents, STUK kunstencentrum, Leuven, Belgium
|
|
2010
|
|
We Wish To Inform You That We Didn't Know, Contemporary Art Galleries, University of Connecticut, Storrs, Connecticut (solo)
|
|
2010
|
|
Touched, 6th Liverpool Biennial, Liverpool, United Kingdom
|
|
2010
|
|
DISLOCACION, National Council of Culture and the Arts, exhibited at various sites in Santiago, Chile. Traveled to Kunstmuseum Bern, Switzerland
|
|
2010
|
|
The Crude and the Rare, The Cooper Union, New York, New York
|
|
2010
|
|
The Fifth Genre: Considering the Contemporary Still Life, Galerie Lelong, New York, New York
|
|
2010
|
|
All That Is Solid Melts Into Air, Museo Coleccao Berardo, Lisbon, Portugal
|
|
2010
|
|
The Philosophy of Money, Lisbon City Museum, Portugal
|
|
2010
|
|
100 Acres, The Virginia B. Fairbanks Art & Nature Park, Indianapolis Museum of Art, Indianapolis, Indiana
|
|
2010
|
|
Space, MAXXI Museo Nazionale Delle Arte Del XXI Secolo, Rome, Italy
|
|
2010
|
|
Critical Fetishes. Residues of General Economy, Centro de Arte Dos de Mayo, Madrid, Spain
|
|
2010
|
|
The Sound of Silence, Galería Oliva Arauna, Madrid, Spain (solo)
|
|
2009
|
|
For You, Daros Latinamerica, Zurich, Switzerland
|
|
2009
|
|
New Acquisitions 2007-2008, Louisiana Museum of Modern Art, Humlebæk, Denmark
|
|
2009
|
|
Continental Rifts: Contemporary Time-Based Works of Africa, Fowler Museum at UCLA, Los Angeles, California
|
|
2009
|
|
Aletheia - Positions in Contemporary Photography, Art Museum Meilahti, Helsinki, Finland
|
|
2009
|
|
The Sound of Silence, Galerie Lelong, New York, New York (solo)
|
|
2009
|
|
¿Sin límites? 2003-2010, Museo de Bellas Artes de Santander, Santander, Spain
|
|
2009
|
|
The ashes of Passolini, Sculpture Internacional Rotterdam, Holland
|
|
2009
|
|
The Spaces of the Image, Le Mois de la Photo, Montreal, Canada
|
|
2009
|
|
Third Moscow Biennale, The Garage, Center of Contemporary Culture, Moscow, Russia
|
|
2009
|
|
Cream, International Festival for Arts and Media, Yokohama, Japan
|
|
2009
|
|
Paisatges Creuats, Es Baluard, Museu d'Art Modern i Contemporani de Palma, Mallorca, Spain “Against Exclusion,” Third Biennial of Contemporary Art, The Garage, Center for Contemporary Culture, Moscow, Russia
|
|
2009
|
|
North Looks South: Building the Latin American Art Collection, Museum of Fine Arts, Houston, Texas
|
|
2009
|
|
The Fear Society / Pabellon de la Urgencia, Arsenale Novissimo, Project by the Region of Murcia, collateral event of the 53rd International Art Exhibition - Venice Biennale, Venice, Italy
|
|
2009
|
|
Back to Earth: Revisiting Magiciens de la Terre, Fleisher/Ollman Gallery, Philadelphia, Pennsylvania
|
|
2009
|
|
World Images 3, Helmhaus, Zurich, Switzerland
|
|
2009
|
|
100 Years (version #2, ps1, nov 2009), P.S.1 Contemporary Art Center, Long Island City, New York
|
|
2009
|
|
Compassion, Union Theological Seminary, New York, New York
|
|
2009
|
|
For the use of those who see, KW Institute for Contemporary Art, Berlin, Germany
|
|
2009
|
|
Prospects: An Exploration of Mining, The Sun Valley Center for the Arts, Ketchum, Idaho
|
|
2009
|
|
On the Margins of Art. Creation and Political Engagement, Museu d’Art Contemporani de Barcelona, Spain
|
|
2009
|
|
Sightings: Searching for the Truth, Guangzhou Photo Biennial, Guangzhou, China
|
|
2009
|
|
Contemporary Video Art, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania
|
|
2008
|
|
It is difficult, Hangar Bicocca, Milan, Italy (solo)
|
|
2008
|
|
Politics of the Image, South London Gallery, London, United Kingdom (solo)
|
|
2008
|
|
Framing and Being Framed: The Uses of Documentary Photography, Center for the Arts, Wesleyan University, Middletown, Connecticut
|
|
2008
|
|
Memories for Tomorrow: Works from the UBS Art Collection, Shanghai Art Museum, Shanghai, China
|
|
2008
|
|
Cancelled, Erased & Removed, Sean Kelly Gallery, New York, New York
|
|
2008
|
|
The Rencontres Internationales, Paris/Berlin/Madrid Presented by the Complejo El Aguila, Museo Nacional Centro de Reina Sofia, Instituto Cervantes, Auditorio del Ministerio de Cultura, and Filmoteca Espanola
|
|
2008
|
|
Africa On: Beecroft, Jaar, Kentridge, Lia Rumma, Milan, Italy
|
|
2008
|
|
Arte ‚ Vida: Actions by Artists of the Americas, 1960-2000, El Museo del Barrio, New York, New York
|
|
2008
|
|
Pictures in Series, Fisher Landau Center for Art, Long Island City, New York
|
|
2008
|
|
No Es Neutrala – Daros Latinamerica Collection, Tabakalera, Donostia-San Sebastian, Spain
|
|
2008
|
|
MATRIX/REDUX, Berkeley Art Museum and Pacific Film Archive BAM/PFA, Berkeley, CA, USA
|
|
2008
|
|
Arte Vida: Actions By Artists Of The Americas, 1960-2000, El Museo del Barrio, New York City, NY, USA
|
|
2008
|
|
It is difficult, Hangar Bicocca, Milan, Italy
|
|
2008
|
|
Politics of the Image, South London Gallery, London, England
|
|
2008
|
|
You Complete Me, Western Bridge, Seatle, WA, USA
|
|
2008
|
|
TRANSactions: Contemporary Latin American and Latino Art, Sheldon Memorial Art Gallery, Lincoln, NE, USA
|
|
2008
|
|
TRANSactions, Weatherspoon Art Museum, Greensboro, NC, USA
|
|
2008
|
|
TRANSactions, The High Museum of Art, Atlanta, GA, USA
|
|
2008
|
|
HeartQuake, Museum on the Seam, Jerusalem
|
|
2008
|
|
That Was Then...This Is Now, P.S.1 Contemporary Art Center, Long Island, USA
|
|
2008
|
|
Die lucky Bush, MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp, Belgium
|
|
2008
|
|
Let One Hundred Flowers Bloom, SLG South London Gallery, London, England
|
|
2007
|
|
SWITCHER SEX: Video Works and Photography from the Teutloff Collection, Slought Foundation, Philadelphia, PA, USA
|
|
2007
|
|
Equatorial Rhythms, Stenersenmuseet, Oslo, Norway
|
|
2007
|
|
Existencias, Musac - Museo de Arte Contemporáneo de Castilla y León, Léon, Spain
|
|
2007
|
|
Kopf an Kopf - Serielle Porträtfotografie, Kunsthalle Tübingen, Tübingen, Germany
|
|
2007
|
|
Art Protects, Yvon Lambert - Paris, Paris, France
|
|
2007
|
|
To be Continued... , Magasin 3 Stockholm Konsthall, Stockholm, Sweden
|
|
2007
|
|
AfterShock: Conflict, Violence and Resolution, Sainsbury Centre for Visual Arts, Norwich, England
|
|
2007
|
|
The Hours: Visual art of contemporary latinamerican art, Museum of Contemporary Art Sydney, Sydney, NSW, Australia
|
|
2007
|
|
La Presencia - The Presence of Latin American Art in California Collections, Molaa Museum of Latin American Art, Long Beach, CA, USA
|
|
2007
|
|
8th Sharjah Biennial, Sharjah International Art Biennial, Sharjah, UAE
|
|
2007
|
|
System error - War is a force that gives us meaning, Palazzo delle Papesse - Centro Arte Contemporanea, Siena, Italy (group)
|
|
2007
|
|
Ezra and Cecile Zilkha Gallery, Center for the Arts at Wesleyan University, Middletown, Connecticut (solo)
|
|
2007
|
|
La Politique des Images, Musée Cantonal des Beaux-Arts Lausanne, Lausanne, Switzerland (solo)
|
|
2007
|
|
New Perspectives in Latin American Art, 1930 – 2006: Prints, Photographs, and Media Works, Museum of Modern Art, New York, New York
|
|
2007
|
|
Power of 10: Gifts of Honor of Miami Art Museum’s 10th Anniversary, Miami Art Museum, Miami Florida
|
|
2007
|
|
Existencias, MUSAC Museo de Arte Contemporaneo de Castilla y Leon, Leon, Spain
|
|
2007
|
|
Afterglow, Galerie Pfriem, Organized by Savannah College of Art and Design, Lacoste, France
|
|
2007
|
|
Check List Luanda Pop, African Pavilion, 52nd International Art Exhibition, Venice Biennale, Venice, Italy
|
|
2007
|
|
Constructing A Poetic Universe: The Diane and Bruce Halle Collection of Latin American Art, Museum of Fine Arts Houston, Houston, Texas
|
|
2007
|
|
Private/Corporate IV: The Lekha and Anupam Poddar Collection in dialogue with the DaimlerChrysler Collection, Haus Huth, Berlin, Germany
|
|
2007
|
|
Scenes and Sequences: Peter Blum Edition, New York – A Selection from 1980 to 2006, Aargauer Kunst Haus, Aarau, Switzerland
|
|
2007
|
|
Turbulence: 3rd Auckland Triennial, Auckland, New Zealand
|
|
2007
|
|
2+2=22, Exposición Colectiva Oliva Arauna, Madrid, Spain (group)
|
|
2007
|
|
Informacion contra informacion, CGCA, Santiago de Compostela, Spain (group)
|
|
2007
|
|
Bienal de Venecia, Pabellón de África, Arsenale, Italy
|
|
2007
|
|
Secuencias, Arte Contemporáneo en las colecciones públicas de Extremadura, MEIAC, Spain (group)
|
|
2007
|
|
Groscope, Hirshhorn Museum, Washington D.C., USA
|
|
2006
|
|
Trienal de Luanda, Angola
|
|
2006
|
|
Muxima, Galería Oliva Arauna, Madrid, Spain
|
|
2006
|
|
La estética de la resistencia, Taller en Can Xalant, Mataró, Spain
|
|
2006
|
|
Muxima showing: Museo Reina Sofia de Madrid, Centro KRTU- Fundació Antoni Tàpies de Barcelona y en la exposición colectiva, Conjonctions, Mille et trois plateaux, Fondamco et Musée d´art moderne et contemporain de Geneva.
|
|
2006
|
|
La Visión Impura: Fondos de la Colección Permanente, Museo Reina Sofía, Madrid, Spain
|
|
2006
|
|
Muxima, Galerie Lelong, New York (solo)
|
|
2006
|
|
Selected Works, Retrospective, Fundación Telefonica and Gallery Gabriela Mistral, Santiago de Chile, Chile (solo)
|
|
2006
|
|
Outside Europe, Aus der Sammlung DaimlerChrysler, DaimlerChrysler Contemporary, Berlin
|
|
2006
|
|
Beautiful Suffering: Photography and the Traffic in Pain, Williams College Museum of Art, Williamstown, USA
|
|
2006
|
|
The Great Wall 2006, 200 Künstler aus 100 Nationen treffen sich an der Großen Mauer in China, ART + PROJECT Consulting GmbH, Hamburg, Germany
|
|
2006
|
|
Brighton Photo Biennial, The Sound of Silence, 2006, UK
|
|
2006
|
|
Sevilla Biennial, GEOGRAPHY= WAR, 1991, Sevilla, Spain
|
|
2006
|
|
Canary Islands Biennial, Tenerife, Spain
|
|
2005
|
|
MACRO, Museum of Contemporary Art, Rome (solo)
|
|
2005
|
|
The Fluidity of Time: Selections from the MCA Collection, Museum of Contemporary Art, Chicago, Illinois
|
|
2005
|
|
The Hours: Visual Arts of Contemporary Latin America, Irish Museum of Modern Art, Dublin, Ireland
|
|
2005
|
|
Emergencies, Museo de Arte Contemporáneo de Castilla y León, Spain
|
|
2005
|
|
The Eyes of Gutete Emerita, Museum of Fine Arts, Houston, Texas (solo)
|
|
2005
|
|
At the Mercy of Others: The Politics of Care, Whitney Museum of American Art, New York
|
|
2005
|
|
Muxima, Grand Arts Gallery, Kansas City, Missouri
|
|
2005
|
|
Marking Time / Moving Images, Miami Art Museum, Florida
|
|
2005
|
|
Figuratively Speaking: Selections from the Permanent Collection, Miami Art Museum, Florida
|
|
2005
|
|
Fotografia! Arte 2005: Latin American Photography, Tampa Museum of Art, Florida
|
|
2005
|
|
Images of Time and Place: Contemporary Views of Landscape, Elaine L. Jacob Gallery, Wayne State University, Detroit, Michigan
|
|
2005
|
|
Let One Hundred Flowers Bloom, Museo dfArte Contemporanea Roma, Rome, Italy
|
|
2005
|
|
The Ashes of Gramsci, Studio Stefania Miscetti, Rome, Italy
|
|
2005
|
|
Points of View: Landscape and Photography, Galerie Lelong, New York
|
|
2005
|
|
Workshop and exhibition, CAAM, Centro Atlántico de Arte Moderno, Sala San Antonio Abad, Las Palmas de Gran Canarias, Spain
|
|
2005
|
|
Laocoonte Devorado. ARTIUM- Vitoria, Spain
|
|
2005
|
|
Die Zehn Gebote, Des Deutschen Hygiene-Museums - Dresden, Galerie Fotohof – Salzburg, Austria
|
|
2004
|
|
About Face: Photographic Portraits from the Collection, Art Institute of Chicago, Chicago, Illinois
|
|
2004
|
|
Art by MacArthur Fellows, Carl Solway Gallery, Cincinnati, Ohio
|
|
2004
|
|
Some Things Happening, Herron School of Art & Design, Indianapolis, Indiana
|
|
2004
|
|
Images of Time and Place: Contemporary Views of Landscape, Lehman College Art Gallery, City University of New York, Bronx, New York
|
|
2004
|
|
Exposición Colectiva, Galería Oliva Arauna, Madrid, Spain
|
|
2004
|
|
En Guerra, CCCB, Barcelona, Spain
|
|
2004
|
|
Paisaje y Memoria, La Casa Encendida, Madrid, Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spain
|
|
2004
|
|
Todo el Dolor del Mundo, Centro Portugues de Fotographia, Porto (solo)
|
|
2003
|
|
Six Seconds, Galerie Thomas Schulte, Berlin
|
|
2003
|
|
Transferts, Palais des Beaux-Arts
|
|
2003
|
|
Upon Reflectionc., Sean Kelly Gallery, New York
|
|
2003
|
|
Human Condition/Global Position: 4 Contemporary Chilean Artists, Founder's Gallery, The Sheldon Art Galleries, St. Louis, Missouri
|
|
2003
|
|
Sanctuary: Contemporary Art and Human Rights, Gallery of Modern Art, Glasgow
|
|
2003
|
|
Witnessing to Silence: Art and Human Rights, Australian National University; traveled to National Institute of the Arts; Canberra Contemporary Art Space; National Museum of Australia
|
|
2003
|
|
Museo de Museos, 25 Museos de Arte Contemporáneo en la España de la Constitución, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
|
|
2003
|
|
El Lamento de las Imágenes, Galería Oliva Arauna, Madrid, Spain
|
|
2002
|
|
El Final del Eclipse. M.E.I.A.C., Badajoz, Spain
|
|
2002
|
|
History Now, Liljevalch Konsthall, Stockholm
|
|
2002
|
|
Baltic Art Center, Visby
|
|
2002
|
|
Conceptes de l'espai, Fundacion Joan Miro, Barcelona
|
|
2002
|
|
Refuge, Henie Onstad Kunstsenter
|
|
2002
|
|
Aquaria, Landesgalerie am Oberoesterreichischen Landesmuseum, Linz, traveled to Kunstsammlungen Chemnitz
|
|
2002
|
|
Documenta 11, Kassel, June 8 – September 15, 2002
|
|
2001
|
|
Let There Be Light, Badischer Kunstverein, Karlsruhe
|
|
2001
|
|
Clouds/Recent Projects, Badischer Kunstverein, Karlsruhe
|
|
2001
|
|
Voir Ne Pas Voir La Guerre, Musée d'Histoire Contemporaine, Invalides, La Defense, Paris
|
|
2001
|
|
Badischer Kunstverein, Karlsruhe
|
|
2001
|
|
Public Project for Fukuroi, Japan
|
|
2001
|
|
Nauman Kruger Jaar, Daros Exhibitions, Zurich
|
|
2001
|
|
The Gift. Generous Offerings, Threatening Hospitality, Palazzo delle Papesse, Siena
|
|
2001
|
|
O Espiritu da Nossa Epoca, Museo de Arte Moderna, Sao Paulo
|
|
2001
|
|
El Final del Eclipse, Fundacion Telefonica, Madrid
|
|
2001
|
|
Diputación de Granada, Granada, Spain
|
|
2001
|
|
Ayuntamiento de Santa Fé, Granada, Spain
|
|
2001
|
|
Instituto de América, Granada, Spain
|
|
2000
|
|
Versiones del Sur: Más allá del Documento, Museo Nacional Centro de Arte Reina Sofia, Madrid
|
|
2000
|
|
Waiting, University Art Gallery, San Diego State University, California
|
|
2000
|
|
It is difficult, Hosfelt Gallery, San Francisco, California
|
|
2000
|
|
New Works, Kenji Taki Gallery, Nagoya and Tokyo, Japan
|
|
2000
|
|
FaceON, Site Gallery, Sheffield
|
|
2000
|
|
Photography Now, Contemporary Art Center, New Orleans
|
|
2000
|
|
Bluer, Carrie Secrist Gallery, Chicago
|
|
2000
|
|
SCULPTography, Galerie Lelong, New York
|
|
2000
|
|
Frames of Reference From Object to Subject, Center for the Arts, Ezra and Cecile Zilkha Gallery, Wesleyan University, Connecticut
|
|
2000
|
|
Public Project for Public Safety, Skoghall, Sweden
|
|
2000
|
|
Public Project for Echigo-Tsumari Triennial, Niigata, Japan
|
|
2000
|
|
Public Project for inSITE2000, Tijuana-San Diego, Mexico
|
|
2000
|
|
Todd Hosfelt Gallery, San Francisco
|
|
2000
|
|
Art + Public, Geneva, Switzerland
|
|
2000
|
|
Kenji Taki Gallery, Tokyo
|
|
2000
|
|
Kenji Taki Gallery, Nagoya
|
|
2000
|
|
Kalmar Konstmuseum, Kalmar
|
|
2000
|
|
Emergencia, Public Library, Umea, Sweden
|
|
2000
|
|
BildMuseet, Umea, Sweden
|
|
2000
|
|
International Museum of the Red Cross, Geneva, Switzerland
|
|
1999
|
|
Public Project for Mois de la Photo, Montreal, Canada
|
|
1999
|
|
MIT List Visual Arts Center, Cambridge
|
|
1999
|
|
Public Project for Sant Boi, Barcelona, Spain
|
|
1999
|
|
Public Project for Wereldwijd, Antwerp, Belgium
|
|
1999
|
|
Museum of Art, Fort Lauderdale
|
|
1999
|
|
Lament of the Images, MIT List Visual Arts Center, Jan 15-March 28; traveled to Museum of Art Fort Lauderdale, May 22- August 22
|
|
1999
|
|
Denuncies Palma Dotze, Villafranca del Penedés, Barcelona, Spain
|
|
1998
|
|
Escenarios de Conflicto en ,Espejismos de la Postfotografía al Ciberespacio, Fundación La Caixa, Barcelona, Spain
|
|
1998
|
|
The Edge of Awareness, PS1, New York
|
|
1998
|
|
Hágase la luz, Centre d'Art Santa Monica, Barcelona
|
|
1998
|
|
Galerie Lelong, New York (solo)
|
|
1998
|
|
Public Project for Stockholm 98, Cultural Capital of Europe, Sweden
|
|
1998
|
|
Stedelijk Museum Het Domein, Sittard, The Netherlands
|
|
1998
|
|
Galerie Lelong, New York
|
|
1998
|
|
Hágase la luz Proyecto Ruanda 1994- 1998, Koldo Mitxelena, San Sebastian, Spain
|
|
1998
|
|
Do all oceans have walls?, Gesellschaft fuer Aktuelle Kunst, Bremen, Germany
|
|
1998
|
|
The edge of awareness, World Health Organisation, Geneva
|
|
1998
|
|
Photography as Concept, 4International Foto-Triennale, Esslingen, Germany
|
|
1998
|
|
Waterproof, Centro Cultural de Belem, Expo 98, Lisbon
|
|
1998
|
|
Crossings, National Gallery of Canada, Ottawa
|
|
1997
|
|
Galerie Grita Insam, Vienna
|
|
1997
|
|
Todd Hosfelt Gallery, San Francisco
|
|
1997
|
|
El silencio de Nduwayezu, Galería Oliva Arauna, Madrid, Spain
|
|
1997
|
|
Galerie Franck + Schulte, Berlin
|
|
1997
|
|
Let There Be Light, The Light Factory, Charlotte, North Caroline, USA
|
|
1997
|
|
The Johannesburg Biennale, South Africa
|
|
1997
|
|
American Stories, Setagaya Museum, Tokyo, Japan
|
|
1997
|
|
Contemporary Photography, Absolute Landscape-Between Illusion and Reality, Yokohama Museum of Art, Japan
|
|
1997
|
|
The Crystal Stopper, Lehman Maupin Gallery, New York
|
|
1997
|
|
Freeze Frame, Galerie Grita Insam, Vienna
|
|
1997
|
|
The Rwanda Project, Galerie Thomas Schulte, Berlin
|
|
1997
|
|
The Johannesburg Biennale
|
|
1997
|
|
Transformación Villa Iris, Fundación Marcelino Botín, Santander, Spain
|
|
1996
|
|
Encontros de Fotografía. Coimbra, Portugal
|
|
1996
|
|
Billeder pa Billeder, Portalen i Greve, Copenaghen, Denmark
|
|
1996
|
|
VII Fotobienal Vigo ’96, Vigo, Spain
|
|
1996
|
|
Cuarta Pared, Museo del Oeste, Caracas, Venezuela
|
|
1996
|
|
Thinking Print, MOMA, New York, USA
|
|
1996
|
|
Match on Match, MUHKA, Amberes, Denmark
|
|
1996
|
|
Walk on the Soho side, The Soho Arts Festival, New York, USA
|
|
1996
|
|
Aux Limites de la Photographie, Santiago de Chile, Chile, Buenos Aires, Argentina
|
|
1996
|
|
Cuarta Pared, Museo del Oeste, Caracas
|
|
1996
|
|
Islands, National Gallery of Australia, Canberra
|
|
1996
|
|
The Luminous Image, The Alternative Museum of New York, Campus of the University of Washington, Seattle, City Gallery of Contemporary Art, Raleigh, USA
|
|
1996
|
|
Mach / Onmacht, MUHKA, Antwerp
|
|
1996
|
|
Public Project for the University of Washington, Seattle
|
|
1996
|
|
City Gallery of Contemporary Art, Raleigh
|
|
1996
|
|
SHIFT, Haus der Kulturen der Welt, Berlin
|
|
1996
|
|
Printemps de Cahors, Cahors
|
|
1996
|
|
Happy End, Kunsthalle Dusseldorf, Germany
|
|
1995
|
|
The Kwangju Biennale, South Korea
|
|
1995
|
|
The Istanbul Biennale, Estambul, Turkey
|
|
1995
|
|
Ars 95 Museum of Contemporary Art, Helsinki, Finland
|
|
1995
|
|
Our Century Ludwig Museum, Colonia, Germany
|
|
1995
|
|
Dialogues de Paix Palais des Nations, Geneve, Switzerland
|
|
1995
|
|
The Spirit of Hiroshima and After Museum of Contemporary Art Hiroshima, Japan
|
|
1995
|
|
Real Pictures Museum of Contemporary Photography, Chicago, USA
|
|
1994
|
|
Ante América Center for the Arts Yerba Buena Garden, San Francisco, USA
|
|
1994
|
|
Translucent Writings The Neuberger Museum, Purchase, New York, USA
|
|
1994
|
|
Equal Rights and Justice High Museum of Art, Atlanta, USA
|
|
1994
|
|
Cuarta Pared Museo del Oeste, Caracas, Venezuela
|
|
1994
|
|
Public Interventions, Institute of Contemporary Art, Boston, USA
|
|
1994
|
|
Frankfurter Kunstverein, Frankfurt, Germany
|
|
1994
|
|
Europa o la Dificultad de la Historia IFA, Stuttgart, Germany
|
|
1994
|
|
Galería Oliva Arauna, Madrid, Spain
|
|
1994
|
|
Fotografiska Museet and Moderna Museet, Stockholm, Sweden
|
|
1993
|
|
Fading en New Images of the World, Louisiana Museum of Modern Art, Humlabaek, Denmark
|
|
1993
|
|
Repetition in Prospect ’93, Frankfurter Kunstverein and Kunsthalle – Frankfurt, Germany
|
|
1993
|
|
Blow Up, Latin Américan Artists of the Twentieth Century, Museum of Modern Art, New York
|
|
1993
|
|
(Un)Framed, Tramway, Glasgow, United Kingdom
|
|
1993
|
|
Gesellchaft fur Aktuelle Kunst, Bremen, Germany
|
|
1993
|
|
Center for the Fine Arts, Miami, USA
|
|
1993
|
|
Latin American Artists of the XX Century, Museum of Modern Art, New York
|
|
1993
|
|
Das Pergamon Projekt, Galerie Thomas Schulte, Berlin
|
|
1992
|
|
1+1+1: Works by Alfredo Jaar, The New Museum of Contemporary Art, New York
|
|
1992
|
|
Whitechapel Art Gallery, London
|
|
1992
|
|
Geography = War, The Museum of Contemporary Art, Chicago
|
|
1992
|
|
The Conference in Arte Amazonas, Museu de Arte Moderna, Rio de Janeiro, Brasil
|
|
1992
|
|
Je Me Souviens en Pour la Suite du Monde, Musee d’ Art Contemporain de Montreal, Canada
|
|
1992
|
|
The Pergamon Project Pergamon Museum, Berlin, Germany
|
|
1992
|
|
Rafael, Manuel y los otros, Torre de la Santa Cruz, Cádiz y Pabellón de Andalucía, Expo ’92, Sevilla, Spain
|
|
1992
|
|
Galerie Frank + Schulte, Berlin, Germany
|
|
1991
|
|
Geography = War Joint ,Virginia Museum of Fine Arts and the Anderson Gallery, Virginia Commonwealth University, Richmond, USA
|
|
1991
|
|
The Way it Was in Heimat, Wewerka & Weiss Gallerie, Berlin, Germany
|
|
1991
|
|
Terra Non Descoperta, Galería Oliva Arauna, Madrid, Spain
|
|
1991
|
|
MVSEVM, The Hirshhorn Museum and Sculpture Garden, Washington D.C., USA
|
|
1990
|
|
Spheres of Influence, Sydney Biennale, Australia
|
|
1990
|
|
La Jolla Museum of Contemporary Art
|
|
1990
|
|
Alfredo Jaar, San Diego Museum of Contemporary Art, California; Travelling exhibition to San José Museum of Art, California; Seattle Art Museum, Washington; Caenegie Mellon Art Gallery, Pittsburgh, Pennsylvania; (1991) Laumeier Sculpture Park, St. Louis, Missouri, USA
|
|
1990
|
|
El día que me quieras en To Be And Not To Be, Centro de Arte Santa Mónica, Barcelona, Spain
|
|
1990
|
|
New Work: A new Generation, San Francisco Museum of Modern Art, California, USA
|
|
1989
|
|
Paysage L’ Arche de la Fraternité, La Défense, Paris
|
|
1989
|
|
La Geographie ca sert, d’ abord, à faire la Guerre in Magiciens de la terre, Musée National d’ Art Moderne, Centre Georges Pompidou and la Grande halle, La Villette Paris, France
|
|
1989
|
|
Ils I’ ont tant aimée, la révolution in Images Critiques, Musée d’ Art Moderne de la Ville de Paris, Paris
|
|
1989
|
|
Out of Balance, Prospect Photographie, Frankfurter Kunstverein, Frankfurt, Germany
|
|
1989
|
|
The Booth en the Photography of Invention: American Pictures of the 1980s. National Museum of Américan Art, Washington, D.C; Traveling exhibition to Museum of Contemporary Art, Chicago; Walkel Art Center, Mineapolis, Minnesota, USA
|
|
1989
|
|
The Fire Nex Time, The Brooklyn Museum, New York
|
|
1988
|
|
Public Project Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA
|
|
1988
|
|
Presi X Incantamento, Padiglione d’ Art Contemporanea, Milan, Italy
|
|
1988
|
|
Committed to Print, The Museum of Modern Art, New York
|
|
1987
|
|
1+1+1, Documenta 8, Museum Fridericianum, Kassel, Germany
|
|
1987
|
|
Learning to Play, 19 Biennal de Sao Paulo, Brazil
|
|
1987
|
|
Frame of mind, Grey Art Gallery and Study Center, New York; University, New York
|
|
1987
|
|
A Logo for América Spectacolor Lightboard, One Times Square, New York,
|
|
1986
|
|
Gold in the Morning in Aperto, Bienal de Venecia, Venice, Italy
|
|
1986
|
|
Rushes Spring Street Subway Statio, New York
|
|
1985
|
|
Installation Projects: 1980-1985, Grey Art Gallery and Study Center, New York University, New York
|
|
1985
|
|
Between Science and Fiction in 18e Bienal Internacional de Sao Paulo, Brazil
|
|
 |
 |
 |
|
|
| Literature |
 |
 |
|
2007
|
|
Alfredo Jaar. La politique des images, Musée cantonal des Beaux-Arts de Lausanne, Switzerland, cat. 2007, with texts by Catherine Lepdor, Georges Didi-Huberman, Jacques Rancière and Griselda Pollock
|
|
2007
|
|
Strauss, Daniel Levy, Adriana Valdès, Pablo Chiuminatto, Rodrigo Zúniga, Sandra Accatino, Bruno Cuneo and Ana María Risco, "A critical week in Chile", in: The Brooklyn Rail, New York, February 2007, pg. 60-63
|
|
2006
|
|
Valdés, Adriana (ed.), Jaar SCL 2006, Fundación Telefónica et Galería Mistral, Santiago, ACTAR, Barcelona 2006, with texts by Sandra Accatino, Pablo Chiuminatto, Bruno Cuneo, Ana María Risco, Adriana Valdés, Rodrigo Zúniga
|
|
2006
|
|
Muxima, Grand Arts, Kansas City 2005, with a text by Patricia C. Phillips
|
|
2005
|
|
Alfredo Jaar. The Fire This Time: Public Interventions 1979 – 2005, Charta, Milan 2005, with texts by Mary Jane Jacob, Nancy Princenthal
|
|
2005
|
|
Alfredo Jaar, Museo d’Arte Contemporanea Roma, MACRO & Electra, Milan 2005, with texts by Gianni Vattimo, Pier Paolo Pasolini, Jeff Derksen & Neil Smith, Dobrila Denegri
|
|
2005
|
|
Alfredo Jaar, Anna Baneri, Roberto Pinto & Ramon Prat (éds.), Alfredo Jaar. The Aesthetics of Resistance, ACTAR, Barcelona 2005, with texts by Emanuela De Cecco, Roberto Pinto, Annie Ratti, Gianni Vattimo
|
|
2003
|
|
Sundell, Margaret. "Alfredo Jaar", Artforum , January
|
|
2003
|
|
Wei, Lilly. "Alfredo Jaar", ARTnews , February
|
|
2003
|
|
Athanassopoulos, Vangelis. "Alfredo Jaar: Une autre version de l'invisible", artpress Hors Série , June
|
|
2003
|
|
Heartney, Eleanor. "Is the Body More Beautiful When It's Dead?", The New York Times ,June 1
|
|
2003
|
|
Hüster, Wiebke. "Nur zwölf Bilder übergab Alfredo Jaar", Frankfurter Allgemeine Zeitung , April 7
|
|
2003
|
|
Jonsson, Stefan. "Pax Americana forblindar", Dagens Nyheter: Kultur , March 10
|
|
2003
|
|
Knott, Marie-Luise. "Das Ruanda-Projekt", Le Monde Diplomatique , June
|
|
2003
|
|
Levi-Strauss, David. "A Sea of Griefs is Not a Proscenium", Essay in Between The Eyes, Essays on Photography and Politics, New York: Aperture
|
|
2003
|
|
Lundström, Jan-Erik. "Alfredo Jaar: Bilders klagan", Paletten 249/250
|
|
2003
|
|
Maderuelo, Javier. "El poder de la imágenes", El País , June 7
|
|
2003
|
|
Muteba Luntumbue, Toma. "Transferts Critical Cartography", essay in Transferts exhibition catalogue, Palais des Beaux-Arts de Bruxelles, Brussels
|
|
2003
|
|
Samaniego, Fernando. "El Artista Alfredo Jaar explora en una instalación los límites entre imagen y poder", El País , May 22
|
|
 |
|