|
|
Alan Michael Biography
|
 |
 |
|
1992 - 1996 |
|
BA Fine Art, Duncan of Jordanstone College of Art, Dundee
|
|
1997 |
|
Study exchange with Hunter College MFA Programme, New York
|
|
1996 - 1998 |
|
MA Fine Art, Glasgow School of Art
|
|
1998 |
|
Artist Residency at Asterides – Systeme Friche, Marseilles, France
|
|
|
|
Lives and works in Glasgow
|
|
|
| Selected Exhibitions |
|
|
|
2009
|
|
The Associates, DCA, Dundee
|
|
2008
|
|
Sphinxx, Curated by Alexis Vaillant, Stuart Shave/Modern Art, London
|
|
2008
|
|
Legende, Domain of Chamarande, Chamarande, France
|
|
2008
|
|
Ritual in the Dark, Collaboration with Stephen Sutcliffe, Hotel Gallery, London
|
|
2008
|
|
Mood: Casual, Art Now, Tate Britain, London (solo)
|
|
2008
|
|
Talbot Rice Gallery, Edinburgh (solo)
|
|
2007
|
|
Decamp, David Kordansky Gallery, LA (solo)
|
|
2007
|
|
Space To Squabble, Galerie Micky Schubert, Berlin (solo)
|
|
2006
|
|
The Tate Triennial 2006, New British Art, Tate Britain, London
|
|
2006
|
|
The Figs Play Fox Dead, David Kordansky Gallery, Los Angeles
|
|
2006
|
|
If it didn’t exist you’d have to invent it: a partial Showroom history, The Showroom, London
|
|
2005
|
|
Stuart Shave/Modern Art, London (solo)
|
|
2005
|
|
The Invention of Birth Control, Sorcha Dallas, Glasgow (solo)
|
|
2005
|
|
Jaybird, Galleria Zero, Milan
|
|
2004
|
|
The Fee of Angels, Man in the Holocene, London
|
|
2004
|
|
Eye of The Needle, Roberts & Tilton Gallery, Los Angeles
|
|
2004
|
|
Year Zero, Northern Gallery of Contemporary Art, Sunderland
|
|
2004
|
|
Trailer, Man in the Holocene, London
|
|
2004
|
|
Souvenir, HOTEL, London
|
|
2004
|
|
Gertcha, Michael Wilkinson’s, Glasgow
|
|
2004
|
|
Synth, Kunstraum b/2, Leipzig, Germany
|
|
2004
|
|
Haute Street, Galerie Diana Stigter, Amsterdam, Netherlands
|
|
2003
|
|
Burlesque Schematic, HOTEL, London (solo)
|
|
2003
|
|
The Moment of Fiction, Duncan of Jordanstone College of Art, Dundee
|
|
2003
|
|
Put out more Flags (curated by Christabel Stewart), Sutton Lane, London
|
|
2003
|
|
This has reached the limit conditions of its own rhetoric, with Joanne Tatham and Tom O’Sullivan, The Modern Institute, Glasgow
|
|
2003
|
|
Minerals In The Water, Dirk Bell, Kate Davis and Alan Michael, The Changing Room, Stirling
|
|
2002
|
|
Entwistle, London (solo)
|
|
2002
|
|
Damage (with works by William Copley), Transmission Gallery, Glasgow (solo)
|
|
2002
|
|
Hero, St. Mary’s Cathedral, Glasgow
|
|
2002
|
|
Alan Michael, Vangelis Vlahos, Els Hanappe Underground, Athens, Greece
|
|
2002
|
|
Jean-Luc Blanc, Alan Michael, Galerie Giti Nourbakhsch, Berlin
|
|
2002
|
|
Gwang Ju Biennial with Transmission Gallery, Gwang Ju, South Korea
|
|
2002
|
|
Half the World Away, Halls Walls CCA, Buffalo (NY), USA
|
|
2001
|
|
Stray Show, Seventhreesplit, Chicago, USA
|
|
2001
|
|
Here And Now: Scottish Art 1990-2001, Dundee Contemporary Arts, Dundee
|
|
2001
|
|
Antarctica, Entwistle, London
|
|
2001
|
|
Angel Dust, Intermedia, Glasgow
|
|
2001
|
|
Record Collection, VTO Gallery, London and Forde Gallery, Geneva, Switzerland
|
|
2001
|
|
Glasgow Art Fair 2001 with Charisma/DBF and Transmission Gallery
|
|
2001
|
|
Brown Field, curated by Rob Tufnell, Market, Glasgow
|
|
2001
|
|
British Mythic, cover artwork for contemporary culture publication
|
|
2000
|
|
Panache, Keith Farquhar, Lucy McKenzie and Alan Michael, Els Hanappe Underground, Athens, Greece
|
|
2000
|
|
Red Marauder, Tramway, Glasgow
|
|
2000
|
|
John I’m Only Dancing, Collective Gallery, Edinburgh
|
|
2000
|
|
Die Gefahr Im Jazz, Deutsch Britische Freundschaft, Berlin
|
|
2000
|
|
Focus on the Fear, On Destruction, Power, Death, Venetia Kapernekas Fine Art Inc., New York
|
|
2000
|
|
Sweet Dreams, Exedra, Hilversum, Netherlands
|
|
1999
|
|
Glasgow Project Room, Glasgow (solo)
|
|
1999
|
|
Misty In Roots, curated by Alex Frost and Alan Michael, including Duncan Campbell, Lorin Davies, Howard Fried, Ewan Imrie, Lucy McKenzie, Fly Gallery, Glasgow
|
|
1999
|
|
Museum Magogo, Glasgow Project Room and PB Gallery, Melbourne, Australia
|
|
1999
|
|
Accelerated Learning, Duncan of Jordanstone College of Art, Dundee
|
|
1999
|
|
The Black Diamond no.1, Artist’s pages published during the Liverpool Biennial
|
|
1999
|
|
White Bear ZZ with Scott Myles, Hayley Tompkins, Sue Tompkins, 78 Roslea Drive, Glasgow
|
|
1999
|
|
You Are Very Important, with Alex Frost, Collective Gallery, Edinburgh
|
|
1999
|
|
Shake The Disease, curated by Lucy McKenzie, Duncan of Jordanstone College of Art, Dundee
|
|
1999
|
|
Horseriding, Painting and Lovemaking, Deutsch Britische Freundschaft, London
|
|
1998
|
|
Mountain Madness, Glasgow Project Room, Glasgow
|
|
1998
|
|
Slipstream, curated by Francis McKee and Toby Webster, Centre for Contemporary Arts, Glasgow
|
|
1998
|
|
Fan of Exaggeration, La Cie La Compagnie, Marseilles, France
|
|
1998
|
|
Family Credit, Collective Gallery, Edinburgh
|
|
1998
|
|
Add Night to Night, The Showroom, London
|
|
1998
|
|
Crystal State part of ‘Artranspennine 98, Three Month Gallery, Liverpool
|
|
1998
|
|
Longsight, Benefit Office, Manchester
|
|
1998
|
|
Toga, Assembly Gallery, Glasgow School of Art
|
|
1997
|
|
Olympic Village, Transmission Gallery, Glasgow
|
|
1997
|
|
Tutor With An Idea, Three Month Gallery, Liverpool
|
|
1997
|
|
Suburban Affair, Newport-on-Tay, Fife
|
|
|
|
|
|
|
| Literature |
|
|
|
2005
|
|
Lewisohn, Cedar, Alan Michael, in Map issue 4, Winter issue, p. 64
|
|
2005
|
|
Herbert, Martin, The Fee of Angels, in Time Out London, January 12-19, p. 58
|
|
2004
|
|
Morton, Tom. Alan Michael, frieze, issue 84, June/July/August, p. 96-99, cover
|
|
2003
|
|
Pethick, Emily. Put Out More Flags, Artforum.com, ‘Critics Picks’, July
|
|
2003
|
|
Honigman, Ana Finel. Alan Michael, Time Out London, May 28 – June 4, p. 54
|
|
2003
|
|
Lowndes, Sarah. Dirk Bell, Kate Davis and Alan Michael, frieze issue 74, April, p. 112
|
|
2003
|
|
Tufnell, Rob. Made In Scotland, Tema Celeste, January/February, p. 45
|
|
2001
|
|
Lowndes, Sarah. Brownfield, Untitled, Summer, p. 32
|
|
2001
|
|
Falconer, Morgan. Antarctica, What’s On London, July 18-25, p. 24
|
|
2001
|
|
Gazzola, Alex. Antarctica at Entwistle, Lam Magazine, July 9, p. 28
|
|
2001
|
|
Ratnam, Niru. If You’re Feeling Sinister, The Face, July, p. 153
|
|
2000
|
|
Mahoney, Elisabeth. Red Marauder, The Guardian, October 9, p. 21
|
|
1999
|
|
Herbert, Martin. Horseriding, Painting and Lovemaking, Time Out London, February 10-17, p. 50
|
|
1998
|
|
Caussat, Pascale. Divers Lieux: Automme-hive, Artpress, March, p. 78
|
|
1998
|
|
Burrows, David. Olympic Village, Art Monthly, February, p. 33
|
|
1998
|
|
Findlay, Judith. Suburban Affair, Flash Art, January – February, p. 66
|
|
|
|