|
|
Adam Ross Biography
|
 |
 |
|
1962 |
|
Born in Los Angeles, CA
|
|
1984 |
|
BA, University of California Santa Barbara, CA
|
|
1988 |
|
Fellowship Skowhegan School of Painting and Sculpture, Skowhegan, ME
|
|
1989 |
|
MFA, University of California Santa Barbara, CA
|
|
|
|
Currently lives and works in Los Angeles, CA
|
|
|
|
William Dole Fellowship University of California, Santa Barbara, CA
|
|
|
|
Research Grant University of California, Santa Barbara, CA
|
|
|
| Selected Exhibitions |
|
|
|
2010
|
|
Hales Gallery, London, UK (solo)
|
|
2009
|
|
Angles Gallery, Santa Monica, CA, Walking on Water (solo)
|
|
2009
|
|
Obsession for Collection-A Selection of Works From the Lodeveans Collection Summerfield Gallery, University of Gloucestershire, Cheltennham, UK, curated by Bob Davison and Stuart Evans
|
|
2008
|
|
Teaching and Old Dog New Tricks, Den Frie Udstillingsbygning, Copenhagen, Denmark, organized by Ivan Anderson, Lars Christenson, Nils Erik Gjerdevik, Jonas Hvid Sondergaard and Troels Aagaard in collaboration with Tine Colstrup (catalog)
|
|
2008
|
|
Susanne Vielmetter Los Angeles Projects, Culver City, CA, Utopias, with Robert Olsen (solo)
|
|
2007
|
|
Galerie Jean-Luc et Takako Richard, Paris, France, Le Fin du Monde (solo)
|
|
2007
|
|
The Expanded Painting Show, M*A*S*H* Miami Venue, Miami, FL, curated by Paco Barragan and Nina Arias (catalog)
|
|
2007
|
|
MAD LOVE, Young Art in Danish Private Collections, Arken Museum, Copenhagen, Denmark, catalog
|
|
2007
|
|
The End Begins, The Lodeveans Collection, The Hospital, London, UK, curated by Gill Hedley
|
|
2007
|
|
Endless Western Sunset , Leo Castelli Gallery, New York, NY, curated by Michael Duncan (brochure)
|
|
2007
|
|
Benjamin Edwards, Adam Ross, Galerie Jean-Luc & Takako Richard, Paris
|
|
2006
|
|
Numark Gallery, Washington, DC
|
|
2006
|
|
Any Human There?, Galerie Jean-Luc & Takako Richard, Paris
|
|
2004
|
|
art.fair, Art Frankfurt, Art Rotterdam, Galerie Jean-Luc & Takako Richard, Cologne, Germany,Frankfurt, Germany,Rotterdam, The Netherlands
|
|
2003
|
|
Then and Forever Now, Museum of Contemporary Art, San Diego, CA -solo
Image (in) ing Architecture, University of Connecticut Gallery of Art, Stamford, CT
Out of Site : Fictional Architectural Space, The Henry Art Gallery, University of Washington, Seattle, WA
|
|
2002
|
|
21 Paintings from L.A., Robert V. Fulton Art Museum at California State University, San Bernardino, CA
Out of Site : Fictional Architectural Space, The New Museum of Contemporary Art, New York, NY
L.A. On My Mind : Recent Acquisitions from MOCA’s Collection, The Museum of Contemporary Art Los Angeles, Los Angeles, CA
|
|
2001
|
|
010101 : Art in Technological Times, San Francisco Museum of Modern Art, San Francisco, CA
|
|
2000
|
|
Selections from the Permanent Collection, Orange County Museum of Art, Newport Beach, CA
Shifting Ground : Transformed Views of the American Landscape, Henry Art Gallery, University of Washington, Seattle WA
The Next Wave : New Painting in Southern California, California Center for the Arts, Escondido, CA
|
|
1999
|
|
Millenium, Tate New York, NY
Caren Golden Fine Art New York, NY
Another Country: The Constructed Landscape, Curated by Augus, Lawrence Rubin Greenberg Van Doren Fine Art New York, NY
Sci-Fi, Curated by Jack , Nevada Institute for Contemporary Art Las Vegas, NV
|
|
1998
|
|
A Sequence of Images Derived from Ideas of Architecture, Loneliness, & Time, Shoshana Wayne Gallery Santa Monica, CA
|
|
1997
|
|
New Work: Drawings Today, San Francisco Museum of Modern Art San Francisco, CA
Art on Paper, Curated by Amy C, Weatherspoon Art Gallery Greensboro, NC
Quartzose, Curated by Micha, Galleri Tommy Lund Odense, Denmark
Spot Making Sense, Curated by David, Grand Arts Kansas City, MO
|
|
1996 - 1997
|
|
Pure Bliss (Catalogue), Los Angeles Contemporary Exhibitions Los Angeles, CA
|
|
1996
|
|
Science Fiction, Shoshana Wayne Gallery Santa Monica, CA
|
|
1995
|
|
Works for a Funhouse, E.S. Vandam New York, NY
|
|
1994
|
|
All We Are is All We Are, Sue Spaid Fine Art Los Angeles, CA
Pen and Ink, Curated by Micha, Contemporary Arts Forum Santa Barbara, CA
Le Temps d'un Dessin (Catalogue), Organized by Phi, Galerie de L'ecole des Beaux-Arts de Loriet, Loriet, Morbihan, France
All That Emerges, Emerges (Part 2), Santa Monica Museum of Art Santa Monica, CA
|
|
1993
|
|
Peculiar Paintings (2nd version), The Metropolitan Momentary Contemporary Museum Los Angeles, CA
|
|
1992
|
|
Paintings, Dorothy Goldeen Gallery Santa Monica, CA
|
|
1991
|
|
The Map Drawings, The Guest Room Los Angeles, CA
The Spiritual Landscape, Biota Gallery Los Angeles, CA
|
|
1990
|
|
Paintings, Dorothy Goldeen Gallery Santa Monica, CA
|
|
1989
|
|
Fresh Visions I, Dorothy Goldeen Gallery Santa Monica, CA
Paintings, Outer Space Gallery Santa Barbara, CA
|
|
|
|
|
|
|
| Literature |
|
|
|
2003
|
|
Schwabsky, Barry, Adam Ross, Coll. Painters of the 21st century, Galerie Jean-Luc & Takako Richard, 2003
|
|
2003
|
|
Kamps, Toby. Then and Forever Now, San Diego Museum of Contemporary Art, brochure essay, 2003
|
|
2002
|
|
Ellegood, Anne. Out of Site, Fictional Architectural Spaces, Out of Site Calatog, New Museum of Contemporary Art
|
|
2002
|
|
Barragan, Paco. El Arte Que Viene, The Art to Come, Subastas Siglo XXL, 2002, p. 254
|
|
2002
|
|
Miles, Christopher and Gobel, James. A Conversation About Twenty One Painters, 21 paintings From LA,catalog, Robert V. Fullerton Art Museum, Cal. State Univ., San Bernardino, 2002
|
|
2002
|
|
Sanders, Joel. Out of Site, Fictional Architectural Spaces ; New Museum of Contemporary Art, ARTFORUM, Nov. 2002, p.182
|
|
2001
|
|
Meyer, James. Best of 2001 : Technomania, ARTFORUM, Dec., 2001, pp. 106-107
|
|
2001
|
|
Hoptman, Laura. The Shape of Things to Come : Art and Science Fiction, FLASH ART, Jan.-Feb., 2001, pp. 86-89
|
|
1999
|
|
Schwabsky, Barry. Adam Ross, ARTFORUM, Sept., 1999, p. 166-67
|
|
|
|