|
|
Karen Kilimnik Biography
|
 |
 |
|
1955 |
|
Born in Philadelphia, PA
|
|
1974 - 1976 |
|
Temple University, Philadelphia, PA
|
|
|
|
Lives and works in Philadelphia
|
|
 |
| Selected Exhibitions |
 |
 |
|
2008
|
|
Museum of Contemporary Art, Chicago (solo)
|
|
2007 - 2008
|
|
Galerie Sprüth Magers, Cologne (solo)
|
|
2007
|
|
Galerie Sprüth Magers, London (solo)
|
|
2007
|
|
Brave New Year, 303 Gallery, New York
|
|
2007
|
|
Old School, Hauser & Wirth Colnaghi, London; Zwirner & Wirth, New York
|
|
2007
|
|
Le Consortium, Dijon (solo)
|
|
2007
|
|
Serpentine Gallery, London (solo)
|
|
2007
|
|
ICA, Institute of Contemporay Art, Philadelphia (solo)
|
|
2007
|
|
Museum of Contemporary Art, Chicago (solo)
|
|
2007
|
|
Aspen Art Museum, Aspen (solo)
|
|
2006
|
|
Defamation of Character, P.S.1 MoMa, New York
|
|
2006
|
|
Singapore Art Museum, All the Best – The Deutsche Bank Collection and Zaha Hadid, Singapore
|
|
2006
|
|
Ausstellungshalle zeitgenössische Kunst Münster, Face to Face, Münster
|
|
2006
|
|
Musée d'Art Moderne de la Ville de Paris-MAM/ARC, Paris, France (solo)
|
|
2006
|
|
A broken Arm, 303 Gallery, New York (solo)
|
|
2005
|
|
Face to Face, Ausstellungshalle zeitgenössische Kunst Münster, Germany
|
|
2005
|
|
Fondazione Bevilacqua La Masa, Venice, Italy (solo)
|
|
2005
|
|
Kirschgarten Basel Historisches Museum, Basel, Switzerland (solo)
|
|
2005
|
|
Goetz meets Falckenberg, Sammlung Falckenberg, Hamburg, Germany
|
|
2005
|
|
Schönheit der Malerei, Städtische Galerie Delmenhorst, Germany
|
|
2005
|
|
Ideal Worlds: New Romanticism in Contemporary Art, Schirn Kunsthalle, Frankfurt, Germany
|
|
2005
|
|
Udomsak Krisanamis, Gallery Side 2, Tokyo, Japan
|
|
2005
|
|
Museum of Modern Art, ’Drawing from the Modern 1975–2005’, New York
|
|
2005
|
|
Hotel Sezz, Chambres à Part, Paris
|
|
2004
|
|
The Mutter Museum, 9 Mutter XX04, Philadelphia, PA
|
|
2004
|
|
Beauty Matter, Tina Kim Fine Art, New York
|
|
2004
|
|
American Idyll, Greene Naftali Gallery, New York
|
|
2004
|
|
Now is a good time, Andrean Rosen Gallery, New York
|
|
2004
|
|
The Big Nothing, Institute of Contemporary Art, Philadelphia, PA
|
|
2004
|
|
Hamburg Kennedy Photographs, Scalo Project Space, New York
|
|
2004
|
|
Galerie Eva Presenhuber AG, Zurich, Switzerland (solo)
|
|
2004
|
|
Hayden-Zimmer, Salzburg, Galerie Sprüth Magers, Munich, Germany (solo)
|
|
2004
|
|
Galerie Sprüth Magers Lee, Salzburg, Austria (solo)
|
|
2003
|
|
Galerie Sprüth Magers, Munich, Germany (solo)
|
|
2003
|
|
Never mind your step, Kunsthalle Palazzo, Liestal/Basel, Switzerland
|
|
2003
|
|
20th Anniversary Show“, Galerie Sprüth Magers, Köln
|
|
2003
|
|
girls don't cry, Parco Museum, Japan
|
|
2003
|
|
The 20th Anniversary show, Monika Sprüth Philomene Magers, Munich, Germany
|
|
2003
|
|
Interview with painting, Fondazione Bevilacqua La Masa, Venice, Italy
|
|
2003
|
|
Within Hours We Would be in the Middle of Nowhere, 303 Gallery, New York, NY
|
|
2003
|
|
The breathing Water, Galerie Eva Presenhuber, Zürich, Switzerland
|
|
2003
|
|
Game over, Grimm/Rosenfeld, Munich, Germany
|
|
2003
|
|
Shadow and Light, Galerie Sprüth Magers Lee Salzburg, Austria
|
|
2002
|
|
Die Wohltat der Kunst, Sammlung Goetz, Munich, Germany
|
|
2002
|
|
Go Figure, curated by Michael Steinberg and Stefan Stoyanov, Luxe Gallery, New York, NY
|
|
2002
|
|
Cassett, Neel, Kilimnik; Painted Faces, College of Art Design, Philadelphia, PA, USA
|
|
2002
|
|
Reflexions, curated by Monika Sprüth, Galerie Sprueth Magers, Munich, Germany
|
|
2002
|
|
It's Unfair!, Museum De Paviljoens, Almere, Netherlands
|
|
2002
|
|
Fairy Battle, Irish Museum of Modern Art, Dublin, Ireland (solo)
|
|
2002
|
|
Il Capricorno, Venice, Italy (solo)
|
|
2002
|
|
303 Gallery, New York, NY (solo)
|
|
2002
|
|
Galerie Hauser & Wirth & Presenhuber, Zürich, Switzerland (solo)
|
|
2002
|
|
Drawings for the ARMORY, 303 Gallery, New York (solo)
|
|
2001
|
|
Gallery Side 2, Tokyo, Japan (solo)
|
|
2001
|
|
303 Gallery, New York, NY (solo)
|
|
2001
|
|
The Mistery of Painting, Sammlung Goetz, Munich, Germany
|
|
2001
|
|
Conceptual Realism, Rosenwald-Wolf Gallery, The University of Arts, Philadelphia, PA, USA
|
|
2001
|
|
Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, England
|
|
2001
|
|
Collaboration with Parkett: 1984 to NOW, Museum of Modern Art, NY
|
|
2001
|
|
Die Wohltat der Kunst, (from the Goetz collection), Staatliche Kunsthalle Baden-Baden, Germany
|
|
2001
|
|
Musée d´art moderne et contemporain, Geneva, Switzerland
|
|
2000
|
|
Emily Tsiongou Gallery, London, UK, (solo)
|
|
2000
|
|
Drawings 2000, Barbara Gladstone Gallery, New York
|
|
2000
|
|
Drawing on the Figure: Works on Paper of the 1990s from the Manilow Collection, curated by Staci Boris, Museum of Contemporary Art, Chicago, USA
|
|
2000
|
|
Calendar 2000, curated by Eileen Cohen and Amada Cruz, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY
|
|
2000
|
|
Giuseppe Gabellone, Fondazione Sandretto Re Rwbaudengo per l’Arte
|
|
2000
|
|
Emily Tsingou Gallery, London, England (solo)
|
|
2000
|
|
Galerie Sprüth Magers, Munich, Germany (solo)
|
|
2000
|
|
Bonner Kunstverein, Bonn, Germany (solo)
|
|
2000
|
|
South London Gallery, London, England (solo)
|
|
2000
|
|
Kunstverein Wolfsburg e.V., Wolfsburg, Germany (solo)
|
|
2000
|
|
Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland (solo)
|
|
2000
|
|
Nassau County Museum of Art, NY (solo)
|
|
1999
|
|
Rebecca Camhi Gallery, Athens, Greece (solo)
|
|
1999
|
|
Gallery Side 2, Tokyo, Japan (solo)
|
|
1999
|
|
303 Gallery, New York, NY (solo)
|
|
1999
|
|
Galerie Ghislaine Hussenot, Paris, France (solo)
|
|
1999
|
|
Spellbound, Karyn Lovegrove Gallery, Los Angeles, CA
|
|
1999
|
|
Heaven, Kunsthalle Dusseldorf, Germany
|
|
1999
|
|
Draw, Emily Tsingou Gallery, London, England
|
|
1999
|
|
horseplay, Real Art Ways, Hartford, CT
|
|
1999
|
|
Parkett. Un musée en appartement, Centre d’Art Contemporain, Geneva, Switzerland
|
|
1999
|
|
Panel Discussion, Real Art Ways, Hartford, CT
|
|
1999
|
|
Kunstverein Gallery, Wolfsburg, Germany
|
|
1999
|
|
After Photography, Museum of Modern Art, New York, NY
|
|
1999
|
|
Free Coke, Greene Naftali Gallery, New York, NY
|
|
1998
|
|
drawings, James Graham & Sons, New York, NY
|
|
1998
|
|
Hungry Ghosts, The Douglas Hyde Gallery, Dublin, Ireland
|
|
1998
|
|
Minis, Midis & Maxis, Berufsvereinigung der bildenden Künste Vararlbergs, Künstlerhaus, Palais Thurn und Taxis, Bregenz, Austria
|
|
1998
|
|
Surfing the Surface, dfn gallery, New York, NY
|
|
1998
|
|
Tip of the Iceberg, Dorfman Projects and Art Resources Transfer, New York, NY
|
|
1998
|
|
Presumed Innocence, curated by Jean Crutchfield, Anderson Gallery, Richmond, VA Presumed Innocence, curated by Jean Crutchfield, Contemporary Arts Center, Cincinnati, Ohio
|
|
1998
|
|
En qué estás pensando?, Galeria Joan Prats, Barcelona, Spain
|
|
1998
|
|
The Sound of One Hand, curated by Collier Schorr, Apex Art C.P., New York, NY
|
|
1998
|
|
Roommates, curated by Corinne Groot and Rob van de Ven, Museum van Loon, Amsterdam, Netherlands
|
|
1998
|
|
Super Freaks, Greene Naftali Gallery, New York, NY
|
|
1998
|
|
Exterminating Angel, curated by Joshua Decter, Galerie Ghislaine Hussenot, Paris, France
|
|
1998
|
|
H & R Projects, Brussels, Belgium (solo)
|
|
1998
|
|
Emily Tsingou Gallery, London, England (solo)
|
|
1998
|
|
Galerie Ghislaine Hussenot, Paris, France (solo)
|
|
1998
|
|
The Next Word, curated by Johanna Drucker, Neuberger Museum of Art, Purchase, NY
|
|
1998
|
|
Accelerator, Southampton City Art Gallery, Southampton, and Arnolfini Gallery, Bristol, UK
|
|
1998
|
|
Critical Elegance, Deurle, Gent, Brussels
|
|
1997
|
|
Belladonna, curated by Emma Dexter and Kate Bush, ICA, London, U.K.
|
|
1997
|
|
Karen Kilimnik, Nicole Eisenman, Raymond Pettibon, Galerie Rudiger Schottle, Munich, Germany
|
|
1997
|
|
Art on Paper, curated by Amy Cappellazzo, Weatherspoon Art Gallery, Greensboro, NC
|
|
1997
|
|
Landscape U.S.A., Bronwyn Keenan, New York, NY
|
|
1997
|
|
303 Gallery, New York, NY, (solo)
|
|
1997
|
|
Kunsthalle Zurich, Switzerland, (solo)
|
|
1996
|
|
Galleria Il Capricorno, Venice, Italy, (solo)
|
|
1996
|
|
Rebecca M. Camhi Gallery, Athens, Greece, (solo)
|
|
1996
|
|
Transmission Gallery, Glasgow, Scotland, (solo)
|
|
1996
|
|
Karen Kilimnik and Yoshitomo Nara, Johnen & Schottle, Cologne, Germany
|
|
1996
|
|
a/drift: Scenes From the Penetrable Culture, curated by Joshua Dector, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY
|
|
1996
|
|
Nirvana: Capitalism and the Consumed Image, Center of Contemporary Art, Seattle, WA
|
|
1996
|
|
Slight, Norwich Gallery, Norwich School of Art and Design, UK
|
|
1996
|
|
Ideal Standard Life, Spiral/Wacoal Art Center, Tokyo, Japan
|
|
1996
|
|
Baby Generation, Parco Gallery, Tokyo, Japan
|
|
1996
|
|
Push-Ups, The Factory, Athens Fine Art School, Athens, Greece
|
|
1996
|
|
Currents in Contemporary Art, Christie's East, New York, NY
|
|
1995
|
|
Autour de Roger Vivier, Enrico Navarra, Paris, France
|
|
1995
|
|
Saturday Night Fever, curated by Michael Cohen and Cathrine Liu, Tom Solomon's Garage, Los Angeles, CA
|
|
1995
|
|
303 Gallery, New York, NY, (solo)
|
|
1995
|
|
Jack Hanley Gallery, San Francisco, CA, (solo)
|
|
1995
|
|
Center for Contemporary Gravure, Geneva, Switzerland, (solo)
|
|
1995
|
|
Galerie Walcheturm, Zurich, Switzerland, (solo)
|
|
1995
|
|
Galerie Jennifer Flay, Paris, France, (solo)
|
|
1995
|
|
Galerie Metropol, Vienna, Austria, (solo)
|
|
1995
|
|
Ynglingagatan 1, Stockholm, Sweden1992, (solo)
|
|
1994
|
|
White Cube, London, U.K., (solo)
|
|
1994
|
|
Galleria Il Capricorno, Venice, Italy, (solo)
|
|
1994
|
|
Modulo Centro Difusor de Arte, Lisboa, Portugal, (solo)
|
|
1994
|
|
Snow Job, Forde, Geneva, Switzerland
|
|
1994
|
|
Carmago Villaqua, Sao Paulo, Brazil
|
|
1994
|
|
Portraits, Janice Guy, New York, NY
|
|
1994
|
|
6th Semaine Internationale de Video, , Geneva, Switzerland
|
|
1994
|
|
Desire, DIFFA, Visionaire, Charles Cowels Gallery, New York, NY
|
|
1994
|
|
Face-Off, The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, PA
|
|
1994
|
|
Hellraiser, Comune di Mote Carasso, Monte Carasso, Italy
|
|
1994
|
|
Audience 0.01, curated by Helena Kontova, Flash Art Museum, Italy
|
|
1994
|
|
Reflex, curated by Martin Prinzhorn, Wiener Secession, Vienna, Austria
|
|
1993
|
|
Über Leben, Bonner Kunstverein, Bonn, Germany
|
|
1993
|
|
Restaurant, organised by Marc Jancou, La Bocca, 59, Monmatre, Paris, France
|
|
1993
|
|
The Art of Language, Kunsthalle, Vienna, Austria
|
|
1993
|
|
Frankfurter Kunstverein, Frankfurt, Germany
|
|
1993
|
|
Bloom Gallery, curated by Corinne Groot, Amsterdam, The Netherlands
|
|
1993
|
|
Eau de Cologne 1983 - 1993, Galerie Monika Sprüth, Cologne, Germany
|
|
1993
|
|
Just What Is It That Makes Today's Homes So Different, So Appealing?, Galerie Jennifer, Flay, Paris, France
|
|
1993
|
|
Galerie Walcheturm, Zurich, Switzerland
|
|
1993
|
|
Le Principe de Realite, Villa Arson, Nice, France
|
|
1993
|
|
Stoned, curated by Veralyn Behenna and Rick Pirro, Ruth Bloom Gallery, Santa Monica, CA
|
|
1993
|
|
Informationsdienst, Art Acker, Berlin, Germany
|
|
1993
|
|
Travelogue-Reisetagebuch, curated by Jackie McCallister, Hochschule für Angewandte Kunst in Wien, Vienna, Austria
|
|
1993
|
|
Spielhölle, curated by Kasper Konig and Robert Fleck, Grazer Kunstverein, Graz, Austria
|
|
1993
|
|
Privacy, curated by Gianni Romano, Documentario, Milano, Italy
|
|
1993
|
|
Whitney Biennial, Whitney Museum of American Art, New York, NY
|
|
1993
|
|
303 Gallery, New York, NY, (solo)
|
|
1993
|
|
Galerie Marc Jancou, Zurich, Switzerland, (solo)
|
|
1993
|
|
Studio Lapeyre, Milan, Italy, (solo)
|
|
1992
|
|
Galerie Jennifer Flay, Paris, France, (solo)
|
|
1992
|
|
Galerie Esther Schipper, Cologne, Germany, (solo)
|
|
1992
|
|
Galerie Gisela Capitain, Cologne, Germany
|
|
1992
|
|
Galerie Ballgasse, Vienna, Austria
|
|
1992
|
|
Spielhölle, curated by Kasper König and Robert Fleck, Akademie der Künste und Wissenschaften, Frankfurt, Germany
|
|
1992
|
|
Under 30, Galerie Metropol, Vienna, Austria
|
|
1992
|
|
Through the Viewfinder, Stichting de Appel, Amsterdam, Holland
|
|
1992
|
|
Translations, curated by Kim Levin, Center for Contemporary Art, Ujazdowski Castle, Warsaw, Poland
|
|
1992
|
|
LifeSize, Centro per l'Arte Contemporanea Luigi Pecci, Museo d'Arte Contemporanea, Prato, Italy
|
|
1992
|
|
Post-Human, curated by Jeffrey Deitch, FAE Musee D'Art Contemporain, Lausanne, Switzerland
|
|
1992
|
|
Castello di Rivoli, Museo d'Arte, Contemporanea, Rivoli, Italy
|
|
1992
|
|
Deste Foundation for Contemporary Art, Athens, Greece
|
|
1992
|
|
Tatoo Collection, Air de Paris, Paris, France
|
|
1992
|
|
Molteplici Culture, curated by Liam Gilllick, , Rome, Italy
|
|
1992
|
|
True Stories, ICA, London, U.K.
|
|
1992
|
|
Are You A Boy, Or Are You A Girl?, curated by Cary Leibowitz, Real Artways, Hartford, CT
|
|
1992
|
|
The Real Thin, New York, NY
|
|
1992
|
|
Video project - 12 weeks, 12 artists, Dooley le Cappelaine, New York, NY
|
|
1992
|
|
Deichtorhallen Hamburg, Hamburg, Germany
|
|
1992
|
|
Works on Paper, Luhring Augustine Gallery, New York, NY
|
|
1992
|
|
New Work by Gallery Artists, 303 Gallery, New York, NY
|
|
1992
|
|
Karen Kilimnik, Raymond Pettibon, & Allen Ruppersberg, 303 Gallery, New York, NY
|
|
1992
|
|
The Store, Richard/Bennett Gallery, Los Angeles, CA
|
|
1991
|
|
Gulliver's Travels, Galerie Sophia Ungers, Cologne, Germany
|
|
1991
|
|
Home For June, Contemporary Theatre & Art, 44 Walker St., New York, NY
|
|
1991
|
|
No Man's Time, Villa Arson, Nice, France
|
|
1991
|
|
When Objects Dream And Talk In Their Sleep, Jack Tilton Gallery, New York, NY
|
|
1991
|
|
Karen Kilimnik, Liz Larner, Collier Schorr, Anne Walsh, Richard Kuhlenschmidt Gallery, Santa Monica, CA
|
|
1991
|
|
Just What Is It That Makes Today's Homes So Different, So Appealing?, curated by Dan Cameron, The Hyde Collection, Glens Falls, NY
|
|
1991
|
|
Louder, curated by Kathryn Hixon, Gallery 400, University of Illinois, Chicago, IL
|
|
1991
|
|
Plastic Fantastic Lover (object a), curated by Catherine Liu, Blum Helman Warehouse, New York, NY
|
|
1991
|
|
John Armleder Stand, Basel Art Fair, Switzerland
|
|
1991
|
|
Residue Politics, Beaver College Art Gallery, Glenside, PA
|
|
1991
|
|
Xmas Show, Air de Paris, Nice, France
|
|
1991
|
|
303 Gallery, New York, NY
|
|
1990
|
|
Karen Kilimnik, Sue Williams, Gavin Brown, 303 Gallery, New York, NY
|
|
1990
|
|
Stuttering, curated by Vic Muniz, Stux Gallery, New York, NY
|
|
1990
|
|
Work in Progress? Work?, Andrea Rosen Gallery, New York, NY
|
|
1990
|
|
American Fine Arts Co., New York, NY
|
|
1990
|
|
Nicole Klagsbrun Gallery, New York, NY
|
|
1986
|
|
Nexus Foundation for Today's Art, , Philadelphia, PA
|
|
 |
| Literature |
 |
 |
|
2005
|
|
Steiner, Shep, Karen Kilimnik – Haus zum Kirschgarten, in: Canadian Art,
|
|
2005
|
|
Rothkopf, Scott, Palazzo Intrigue’, in: Artforum, September 2005, pp.259–260
|
|
2005
|
|
Troncy, Eric, Il était une fois..., Numéro, No. 66, September 2005, pp. 290-295
|
|
2005
|
|
Müller, Hans-Joachim, Kostümprobe in der Ahnengalerie. Karen Kilimnik im Haus zum Kirschgarten, in: BAZ, Wochenagenda, 26.5.05
|
|
2005
|
|
Thüring, Reto, Bürgerliches Ambiente hinterfragt. Karen Kilimnik im Haus zum Kirschgarten, in: BZ, Kultur, p. 6., 19.5.05
|
|
2005
|
|
Karen Kilimnik, Fondazione Bevilacqua la Masa, Studio Camuffo, 2005
|
|
2005
|
|
Karen Kilimnik im Haus zum Kirschgarten, Edition Patrick Frey, 2005
|
|
2005
|
|
Ideal Worlds: New Romanticism in Contemporary Art, Schirnkunsthalle Frankfurt, essay by Barbara Hess, pp. 167–275
|
|
2004
|
|
Baumann, Daniel, Karen Kilimnik, Spike: Art Quarerly, No. 2. Wien: Gutenberg Druck GmbH, 2004, pp. 50–57
|
|
2004
|
|
Stern, Steven, The uses of enchantment. Steven Stern on Karan Kilimnik, in: Frieze, March 2004, p.66–71
|
|
 |
|
|
|