|
|
Mike Kelley Biography
|
 |
 |
|
1976 |
|
BFA, University of Michigan, Ann Arbor, MI
|
|
1978 |
|
MFA, California Institute of the Arts, Valencia, CA
|
|
1997 |
|
Awarded Skowhegan Medal for Mixed Media
|
|
Present |
|
Lives and works in Los Angeles
|
|
|
| Selected Exhibitions |
|
|
|
2008
|
|
The Puppet Show, ICA-Institute of Contemporary Art, Philadelphia, Philadelphia, PA
|
|
2008
|
|
Jesuvian Process, Elizabeth Dee Gallery, New York City, NY
|
|
2007
|
|
Eyes Wide Open - New to the Stedelijk & The Monique Zajfen Collection, Stedelijk Museum Amsterdam, Amsterdam
|
|
2007
|
|
XMAS HYSTERIA, Galleria Emi Fontana, Milan
|
|
2006
|
|
Les artistes américains et le Louvre, La Louvre, Paris, France
|
|
2005
|
|
Galleri Skarstedt, Stockholm, Sweden
|
|
2005
|
|
Day is Done, Gagosian Gallery, New York, NY
|
|
2004
|
|
Mike Kelley: The Uncanny, Tate Liverpool, Liverpool, England; Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria
|
|
2003
|
|
Mike Kelley: Memory Ware, Wood Grain, Carpet, Galleria Emi Fontana, Milan, Italy
|
|
2003
|
|
'Drawings,' Metro Pictures, New York
|
|
2003
|
|
'Capp Street Project: 20th Anniversary Exhibition,' CCAC Wattis Institute for Contemporary Arts, Logan Galleries, California College of Arts and Crafts, San Francisco
|
|
2002
|
|
'Sonic Process,' Centre Georges Pompidou, Paris
|
|
2002
|
|
'The Object Sculpture,' Henry Moore Institute, Leeds, England (cat.)
|
|
2002
|
|
'Video Acts,' P.S.1 Contemporary Art Center, Long Island City, New York (cat.)
|
|
2002
|
|
'Mike Kelley' Selected Works 1982-1990,î Skarstedt Fine Art, New York
|
|
2002
|
|
'Test Room Containing Multiple Stimuli Known to Elicit Curiosity and Manipulatory Responses' Art & Public, Geneva, Switzerland
|
|
2002
|
|
Scene of the Crime, Armand Hammer Museum of Fine Art Los Angeles, CA
|
|
2002
|
|
Black Out, Patrick Painter Inc., Santa Monica, California
|
|
2002
|
|
2002 Biennial Exhibition, Whitney Museum of American Art, New York, New York
|
|
2002
|
|
Brazil Sod and Sodie Sock, Brazil
|
|
2002
|
|
Reversals, Recyclings, Completions, and Late Additions, Metro Pictures,
|
|
2001
|
|
Memory Ware, Jablonka Galerie, Cologne, Germany
|
|
2001
|
|
'Aerodynamic Vertical to Horizontal Shift,' Sperone Jr., Rome
|
|
2001
|
|
'Almost Warm & Fuzzy,' P.S. 1 Contemporary Art Center, Long Island City, New York; Centre Cultural de la FundaciÛ ìla Caixaî, Barcelona (cat.)
|
|
2001
|
|
'Collaborations with Parkett: 1984 to Now,' Museum of Modern Art, New York (cat.)
|
|
2001
|
|
'American Art,' Galerie Rudolfinum, The Centre of Contemporary Art, Prague, Czech Republic (cat.)
|
|
2001
|
|
'Artists Take on Detroit,' The Detroit Institute of Arts, Michigan
|
|
2000
|
|
'Unisex Love Nest,' Galerie Daniel Buchholz, Cologne
|
|
2000
|
|
'Categorical Imperative and Morgue', Van Abbemuseum, Stedelijk, Eindhoven
|
|
1999
|
|
Metro Pictures New York, NY
|
|
1999
|
|
Patrick Painter Incorporated Santa Monica, CA
|
|
1999
|
|
Kunstverein Braunschweig, Germany
|
|
1999
|
|
Mike Kelley: Framed and Framed, Test Room, Sublevel, MAGASIN: Centre National d'Art Contemporain de Grenoble, Grenoble, France
|
|
1999
|
|
...on the sublime..., Rooseum Malmo, Sweden
|
|
1999
|
|
Six Americans, Starstedt Fine Arts New York, NY
|
|
1999
|
|
Drawn by..., Metro Pictures New York, NY
|
|
1999
|
|
Moving Images, Galerie fur Zeitgenossische Kunst, Leipzig Braunschweig, Germany
|
|
1998
|
|
Out of Actions: Between Performance and the Object, 1949-1979 (exh.cat.), Museum of Contemporary Art Los Angeles, CA
|
|
1998
|
|
Out of Actions: Between Performance and the Object, 1949-1979, Museum of Contemporary Art Los Angeles, CA
|
|
1998
|
|
The Poetics Project (with Tony Oursler), Lehmann Maupin New York, NY
|
|
1998
|
|
Presumed Innocence, Anderson Gallery, Virginia Commonwealth University Richmond, VA
|
|
1998
|
|
Emotion, Deichtorhallen Hamburg, Germany
|
|
1998
|
|
LA Times, Palazzo Re Rebaudengo Guarene, Italy
|
|
1998
|
|
Plaisir deplaisir, Musee d'art Contemporain de Bordeaux Bordeaux, France
|
|
1998
|
|
The Poetics Project: 1977-1997 (Barcelona version), Metro Pictures New York, NY
|
|
1998
|
|
The Poetics Project: 1977-1997 (Barcelona version), Lehmann Maupin New York, NY
|
|
1998
|
|
The Poetics Project (Documenta Version) (collaboration with Tony Oursler), Metro Pictures New York, NY
|
|
1998
|
|
Sublevel, Jablonka Galerie Köln, Germany
|
|
1997
|
|
The Poetics Project 1977-1997 (collaboration with Tony Oursler), Documenta X Kassel, Germany
|
|
1997
|
|
Museu D'art Contemporani Barcelona, Spain
|
|
1997
|
|
Center for Contemporary Art Malmo, Sweden
|
|
1997
|
|
Stedelijk Van Abbemuseum Eindhoven, The Netherlands
|
|
1997
|
|
Plato's Cave, Rothko's Chapel, Lincoln's Profile, Wako Works of Art Tokyo, Japan
|
|
1997
|
|
Making it Real (Organized by ICI), The Aldrich Museum of Contemporary Art Ridgefield, CT
|
|
1997
|
|
Educational Complex, Generali Foundation Vienna, Austria
|
|
1997
|
|
Laying Low: Postminimalism/Scatter Art (exh. cat.), Kunstnernes Hus Wergelandsveien, Oslo, Norway
|
|
1997
|
|
The Age of Modernism, Art in the 20th Century (CD-ROM), Zeitgeist-Gesellschaft Berlin, Germany
|
|
1997
|
|
Gothic (exh. cat.), The Institute of Contemporary Art Boston, MA
|
|
1997
|
|
:Engel: Engel, Kunsthalle Wien, Galerie Rudolfinum Prag (exh.cat)
|
|
1997
|
|
Display, The Charlottenborg Exhibition Hall Copenhagen, Denmark
|
|
1997
|
|
Someone else with my fingerprints, David Zwirner New York, NY
|
|
1997
|
|
American Stories: Amidst Displacement and Transformation, Setagaya Art Museum Tokyo, Japan
|
|
1997
|
|
Sunshine & Noir, Louisiana Museum of Modern Art Humlebaek, Denmark
|
|
1997
|
|
The Poetics Project (collaboration with Mike Kelley), Watari-um, the Watari Museum of Contemporary Art Tokyo, Japan
|
|
1996
|
|
Everything that's interesting is new: The Dakis Joannou Collection, Athens School of Fine Arts,
|
|
1996
|
|
L'Informe: le Modernisme a Rebours (exh. cat.), Centre Georges Pompidou National d'Art Moderne, Paris, France
|
|
1996
|
|
DISTEMPER: Dissonant Themes in the Art of the 1990s (exh. cat.), Hirshhorn Museum and Sculpture Garden Washington, D.C.
|
|
1996
|
|
Multiple Pleasure, Tanya Bonakdar Gallery New York, NY
|
|
1996
|
|
Controfigura, Studio Guenzani Milan, Italy
|
|
1996
|
|
L'Informe: le Modernisme a Rebours, Centre Georges Pompidou Musee National d'Art Moderne, Paris, France
|
|
1996
|
|
Art at Home: Ideal Standard Life (exh. cat.), Sprial Garden Tokyo, Japan
|
|
1996
|
|
The Comic Depiction of Sex in American Art, Galerie Im Haus 19, Galerie Andreas Binder Munich, Germany
|
|
1996
|
|
Family Values: American Art in the Eighties and Nineties, (exh. cat.), Hamburg Kunsthalle Hamburg, Germany
|
|
1996
|
|
Playpen & Corpus Delirium, Kunsthalle Zurich Zurich, Switzerland
|
|
1996
|
|
Is It Art, Katonah Museum of Art Katonah, NY
|
|
1996
|
|
a/drift: Scenes From the Penetrable Culture, Bard College Annandale-on-Hudson, NY
|
|
1996
|
|
Shift, Eine Austellung der Neuen Gesellscaft fur Bildende Berlin, Germany
|
|
1996
|
|
Romper Room, Thread Waxing Space New York, NY
|
|
1996
|
|
Land-O-Lakes, Wako Works of Art, Nishi-shinjuku, Shinjuku-ku Tokyo, Japan
|
|
1995
|
|
The Thirteen Seasons (Heavy on the Winter) (exh. cat), Galerie Jablonka Cologne, Germany
|
|
1995
|
|
Missing Time: Works on Paper 1974-1976 Reconsidered, Kestner-Gesellschaft Hannover, Germany
|
|
1995
|
|
Toward a Utopian Arts Complex, Metro Pictures New York, NY
|
|
1995
|
|
In a Different Light, University Art Museum Berkeley, CA
|
| |