|
|
Alfredo Jaar Biography
|
 |
 |
|
1979 |
|
Degree from the Instituto Chileno Norteamericano de Cultura
|
|
1981 |
|
Universidad de Chile
|
|
1985 |
|
New York State Council of the Arts Grant
|
|
1985 |
|
Guggenheim Fellowship
|
|
|
|
He holds the Winton Chair of Liberal Arts at the University of Minnesota, Minneapolis
|
|
|
| Selected Exhibitions |
|
|
|
2009
|
|
“For You,” Daros Latinamerica, Zurich, Switzerland
|
|
2009
|
|
“New Acquisitions 2007-2008,” Louisiana Museum of Modern Art, Humlebæk, Denmark
|
|
2009
|
|
“Continental Rifts: Contemporary Time-Based Works of Africa,” Fowler Museum at UCLA, Los Angeles, California
|
|
2009
|
|
“Aletheia - Positions in Contemporary Photography,” Art Museum Meilahti, Helsinki, Finland
|
|
2009
|
|
The Sound of Silence, Galerie Lelong, New York, New York (solo)
|
|
2008
|
|
Alfredo Jaar: it is difficult, Hangar Bicocca, Milan, Italy (solo)
|
|
2008
|
|
Politics of the Image, South London Gallery, London, United Kingdom (solo)
|
|
2008
|
|
"Framing and Being Framed: The Uses of Documentary Photography," Center for the Arts, Wesleyan University, Middletown, Connecticut
|
|
2008
|
|
Memories for Tomorrow: Works from the UBS Art Collection, Shanghai Art Museum, Shanghai, China
|
|
2008
|
|
Cancelled, Erased & Removed, Sean Kelly Gallery, New York, New York
|
|
2008
|
|
The Rencontres Internationales, Paris/Berlin/Madrid Presented by the Complejo El Aguila, Museo Nacional Centro de Reina Sofia, Instituto Cervantes, Auditorio del Ministerio de Cultura, and Filmoteca Espanola
|
|
2008
|
|
Africa On: Beecroft, Jaar, Kentridge, Lia Rumma, Milan, Italy
|
|
2008
|
|
Arte ‚ Vida: Actions by Artists of the Americas, 1960-2000, El Museo del Barrio, New York, New York
|
|
2008
|
|
Pictures in Series, Fisher Landau Center for Art, Long Island City, New York
|
|
2008
|
|
"No Es Neutrala – Daros Latinamerica Collection,” Tabakalera, Donostia-San Sebastian, Spain
|
|
2008
|
|
MATRIX/REDUX, Berkeley Art Museum and Pacific Film Archive BAM/PFA, Berkeley, CA, USA
|
|
2008
|
|
Arte Vida: Actions By Artists Of The Americas, 1960-2000, El Museo del Barrio, New York City, NY, USA
|
|
2008
|
|
It is difficult, Hangar Bicocca, Milan, Italy
|
|
2008
|
|
Politics of the Image, South London Gallery, London, England
|
|
2008
|
|
You Complete Me, Western Bridge, Seatle, WA, USA
|
|
2008
|
|
TRANSactions: Contemporary Latin American and Latino Art, Sheldon Memorial Art Gallery, Lincoln, NE, USA
|
|
2008
|
|
TRANSactions, Weatherspoon Art Museum, Greensboro, NC, USA
|
|
2008
|
|
TRANSactions, The High Museum of Art, Atlanta, GA, USA
|
|
2008
|
|
HeartQuake, Museum on the Seam, Jerusalem
|
|
2008
|
|
That Was Then...This Is Now, P.S.1 Contemporary Art Center, Long Island, USA
|
|
2008
|
|
Die lucky Bush, MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp, Belgium
|
|
2008
|
|
Alfredo Jaar: Let One Hundred Flowers Bloom, SLG South London Gallery, London, England
|
|
2007
|
|
SWITCHER SEX: Video Works and Photography from the Teutloff Collection, Slought Foundation, Philadelphia, PA, USA
|
|
2007
|
|
Equatorial Rhythms, Stenersenmuseet, Oslo, Norway
|
|
2007
|
|
Existencias, Musac - Museo de Arte Contemporáneo de Castilla y León, Léon, Spain
|
|
2007
|
|
Kopf an Kopf - Serielle Porträtfotografie, Kunsthalle Tübingen, Tübingen, Germany
|
|
2007
|
|
Art Protects, Yvon Lambert - Paris, Paris, France
|
|
2007
|
|
To be Continued... , Magasin 3 Stockholm Konsthall, Stockholm, Sweden
|
|
2007
|
|
AfterShock: Conflict, Violence and Resolution, Sainsbury Centre for Visual Arts, Norwich, England
|
|
2007
|
|
The Hours: Visual art of contemporary latinamerican art, Museum of Contemporary Art Sydney, Sydney, NSW, Australia
|
|
2007
|
|
La Presencia - The Presence of Latin American Art in California Collections" Molaa Museum of Latin American Art, Long Beach, CA, USA
|
|
2007
|
|
8th Sharjah Biennial, Sharjah International Art Biennial, Sharjah, UAE
|
|
2007
|
|
System error - War is a force that gives us meaning, Palazzo delle Papesse - Centro Arte Contemporanea, Siena, Italy
|
|
2007
|
|
La politique des images, Musée cantonal des Beaux-Arts de Lausanne (solo)
|
|
2007
|
|
Ezra and Cecile Zilkha Gallery, Center for the Arts at Wesleyan University, Middletown, Connecticut (solo)
|
|
2007
|
|
“La Politique des Images,” Musée Cantonal des Beaux-Arts Lausanne, Lausanne, Switzerland (solo)
|
|
2007
|
|
“New Perspectives in Latin American Art, 1930 – 2006: Prints, Photographs, and Media Works,” Museum of Modern Art, New York, New York
|
|
2007
|
|
“Power of 10: Gifts of Honor of Miami Art Museum’s 10th Anniversary,” Miami Art Museum, Miami Florida
|
|
2007
|
|
“Existencias,” MUSAC Museo de Arte Contemporaneo de Castilla y Leon, Leon, Spain
|
|
2007
|
|
“Afterglow,” Galerie Pfriem, Organized by Savannah College of Art and Design, Lacoste, France
|
|
2007
|
|
“Check List Luanda Pop,” African Pavilion, 52nd International Art Exhibition, Venice Biennale, Venice, Italy
|
|
2007
|
|
“Constructing A Poetic Universe: The Diane and Bruce Halle Collection of Latin American Art,” Museum of Fine Arts Houston, Houston, Texas
|
|
2007
|
|
“Private/Corporate IV: The Lekha and Anupam Poddar Collection in dialogue with the DaimlerChrysler Collection,” Haus Huth, Berlin, Germany
|
|
2007
|
|
Scenes and Sequences: Peter Blum Edition, New York – A Selection from 1980 to 2006,” Aargauer Kunst Haus, Aarau, Switzerland
|
|
2007
|
|
“Turbulence: 3rd Auckland Triennial,” Auckland, New Zealand
|
|
2006
|
|
Selected Works, Retrospective, Fundación Telefonica and Gallery Gabriela Mistral, Santiago de Chile, Chile (solo)
|
|
2006
|
|
Outside Europe, Aus der Sammlung DaimlerChrysler, DaimlerChrysler Contemporary, Berlin
|
|
2006
|
|
Beautiful Suffering: Photography and the Traffic in Pain, Williams College Museum of Art, Williamstown, USA
|
|
2006
|
|
The Great Wall 2006, 200 Künstler aus 100 Nationen treffen sich an der Großen Mauer in China, ART + PROJECT Consulting GmbH, Hamburg, Germany
|
|
2006
|
|
Brighton Photo Biennial, The Sound of Silence, 2006, UK
|
|
2006
|
|
Sevilla Biennial, GEOGRAPHY= WAR, 1991, Sevilla, Spain
|
|
2006
|
|
Canary Islands Biennial, Tenerife, Spain
|
|
2006
|
|
Muxima, Galerie Lelong, New York (solo)
|
|
2005
|
|
The Fluidity of Time: Selections from the MCA Collection, Museum of Contemporary Art, Chicago, Illinois
|
|
2005
|
|
The Hours: Visual Arts of Contemporary Latin America, Irish Museum of Modern Art, Dublin, Ireland
|
|
2005
|
|
Emergencies, Museo de Arte Contemporáneo de Castilla y León, Spain
|
|
2005
|
|
Alfredo Jaar: The Eyes of Gutete Emerita, Museum of Fine Arts, Houston, Texas (solo)
|
|
2005
|
|
At the Mercy of Others: The Politics of Care, Whitney Museum of American Art, New York
|
|
2005
|
|
Muxima, Grand Arts Gallery, Kansas City, Missouri
|
|
2005
|
|
Marking Time / Moving Images, Miami Art Museum, Florida
|
|
2005
|
|
Figuratively Speaking: Selections from the Permanent Collection, Miami Art Museum, Florida
|
|
2005
|
|
Fotografia! Arte 2005: Latin American Photography, Tampa Museum of Art, Florida
|
|
2005
|
|
Images of Time and Place: Contemporary Views of Landscape, Elaine L. Jacob Gallery, Wayne State University, Detroit, Michigan
|
|
2005
|
|
Alfredo Jaar: Let One Hundred Flowers Bloom, Museo dfArte Contemporanea Roma, Rome, Italy
|
|
2005
|
|
Alfredo Jaar: The Ashes of Gramsci, Studio Stefania Miscetti, Rome, Italy
|
|
2005
|
|
Points of View: Landscape and Photography, Galerie Lelong, New York
|
|
2005
|
|
MACRO, Museum of Contemporary Art, Rome (solo)
|
|
2004
|
|
Alfredo Jaar Todo el Dolor del Mundo, Centro Portugues de Fotographia, Porto (solo)
|
|
2004
|
|
About Face: Photographic Portraits from the Collection, Art Institute of Chicago, Chicago, Illinois
|
|
2004
|
|
Art by MacArthur Fellows, Carl Solway Gallery, Cincinnati, Ohio
|
|
2004
|
|
Some Things Happening, Herron School of Art & Design, Indianapolis, Indiana
|
|
2004
|
|
Images of Time and Place: Contemporary Views of Landscape, Lehman College Art Gallery, City University of New York, Bronx, New York
|
|
2003
|
|
Transferts, Palais des Beaux-Arts
|
|
2003
|
|
Upon Reflectionc., Sean Kelly Gallery, New York
|
|
2003
|
|
Human Condition/Global Position: 4 Contemporary Chilean Artists, Founder's Gallery, The Sheldon Art Galleries, St. Louis, Missouri
|
|
2003
|
|
Sanctuary: Contemporary Art and Human Rights, Gallery of Modern Art, Glasgow
|
|
2003
|
|
Witnessing to Silence: Art and Human Rights, Australian National University; traveled to National Institute of the Arts; Canberra Contemporary Art Space; National Museum of Australia
|
|
2003
|
|
Six Seconds, Galerie Thomas Schulte, Berlin
|
|
2002
|
|
History Now, Liljevalch Konsthall, Stockholm
|
|
2002
|
|
Baltic Art Center, Visby
|
|
2002
|
|
Conceptes de lfespai, Fundacion Joan Miro, Barcelona
|
|
2002
|
|
Refuge, Henie Onstad Kunstsenter
|
|
2002
|
|
Aquaria, Landesgalerie am Oberoesterreichischen Landesmuseum, Linz, traveled to Kunstsammlungen Chemnitz
|
|
2002
|
|
Documenta 11, Kassel, June 8 – September 15, 2002
|
|
2001
|
|
'Alfredo Jaar: Let There Be Light' Badischer Kunstverein, Karlsruhe
|
|
2001
|
|
'Alfredo Jaar: Clouds/Recent Projects' Badischer Kunstverein, Karlsruhe
|
|
2001
|
|
Voir Ne Pas Voir La Guerre, Musée d fHistoire Contemporaine, Invalides, La Defense, Paris
|
|
2001
|
|
Badischer Kunstverein, Karlsruhe
|
|
2001
|
|
Public Project for Fukuroi, Japan
|
|
2001
|
|
Nauman Kruger Jaar, Daros Exhibitions, Zurich
|
|
2001
|
|
The Gift. Generous Offerings, Threatening Hospitality, Palazzo delle Papesse, Siena
|
|
2001
|
|
O Espiritu da Nossa Epoca, Museo de Arte Moderna, Sao Paulo
|
|
2001
|
|
El Final del Eclipse, Fundacion Telefonica, Madrid
|
|
2000
|
|
Versiones del Sur: Más allá del Documento, Museo Nacional Centro de Arte Reina Sofia, Madrid
|
|
2000
|
|
'Alfredo Jaar: Waiting' University Art Gallery, San Diego State University, California
|
|
2000
|
|
'Alfredo Jaar: It is difficult' Hosfelt Gallery, San Francisco, California
|
|
2000
|
|
'Alfredo Jaar: New Works' Kenji Taki Gallery, Nagoya and Tokyo, Japan
|
|
2000
|
|
'FaceON' Site Gallery, Sheffield
|
|
2000
|
|
Photography Now, Contemporary Art Center, New Orleans
|
|
2000
|
|
Bluer, Carrie Secrist Gallery, Chicago
|
|
2000
|
|
SCULPTography, Galerie Lelong, New York
|
|
2000
|
|
Frames of Reference From Object to Subject, Center for the Arts, Ezra and Cecile Zilkha Gallery, Wesleyan University, Connecticut
|
|
2000
|
|
Public Project for Public Safety, Skoghall
|
|
2000
|
|
Public Project for Echigo-Tsumari Triennial, Niigata
|
|
2000
|
|
Public Project for inSITE2000, Tijuana-San Diego
|
|
2000
|
|
Todd Hosfelt Gallery, San Francisco
|
|
2000
|
|
Art + Public, Geneva
|
|
2000
|
|
Kenji Taki Gallery, Tokyo
|
|
2000
|
|
Kenji Taki Gallery, Nagoya
|
|
2000
|
|
Kalmar Konstmuseum, Kalmar
|
|
2000
|
|
Emergencia, Public Library, Umea
|
|
2000
|
|
International Museum of the Red Cross, Geneva
|
|
1999
|
|
Public Project for Mois de la Photo, Montreal
|
|
1999
|
|
MIT List Visual Arts Center, Cambridge
|
|
1999
|
|
Public Project for Sant Boi, Barcelona
|
|
1999
|
|
Public Project for Wereldwijd, Antwerp
|
|
1999
|
|
Museum of Art, Fort Lauderdale
|
|
1999
|
|
'Alfredo Jaar Lament of the Images' MIT List Visual Arts Center, Jan 15-March 28; traveled to Museum of Art Fort Lauderdale, May 22- August 22
|
|
1998
|
|
The Edge of Awareness, PS1, New York
|
|
1998
|
|
Centre d'Art Santa Monica, Barcelona
|
|
1998
|
|
Galerie Lelong, New York solo
|
|
1998
|
|
Centre dfArt Santa Monica, Barcelona
|
|
1998
|
|
Public Project for Stockholm 98, Cultural Capital of Europe
|
|
1998
|
|
Stedelijk Museum Het Domein, Sittard
|
|
1998
|
|
Galerie Lelong, New York
|
|
1998
|
|
Koldo Mitxelena, San Sebastian
|
|
1998
|
|
Do all oceans have walls?, Gesellschaft fuer Aktuelle Kunst, Bremen
|
|
1998
|
|
The edge of awareness, World Health Organisation, Geneva
|
|
1998
|
|
Photography as Concept, 4International Foto-Triennale, Esslingen
|
|
1998
|
|
Waterproof, Centro Cultural de Belem, Expo 98, Lisbon
|
|
1998
|
|
Crossings, National Gallery of Canada, Ottawa
|
|
1997
|
|
Galerie Grita Insam, Vienna
|
|
1997
|
|
Todd Hosfelt Gallery, San Francisco
|
|
1997
|
|
Galeria Oliva Arauna, Madrid
|
|
1997
|
|
Galerie Franck + Schulte, Berlin
|
|
1997
|
|
The Light Factory, Charlotte
|
|
1997
|
|
The Johannesburg Biennale
|
|
1997
|
|
American Stories, Setagaya Museum, Tokyo
|
|
1997
|
|
Absolute Landscape, Yokohama Museum of Art
|
|
1997
|
|
The Crystal Stopper, Lehman Maupin Gallery, New York
|
|
1997
|
|
Freeze Frame, Galerie Grita Insam, Vienna
|
|
1997
|
|
The Rwanda Project, Galerie Thomas Schulte, Berlin
|
|
1997
|
|
The Johannesburg Biennale
|
|
1996
|
|
Cuarta Pared, Museo del Oeste, Caracas
|
|
1996
|
|
Islands, National Gallery of Australia, Canberra
|
|
1996
|
|
The Luminous Image, The Alternative Museum, New York
|
|
1996
|
|
Mach / Onmacht, MUHKA, Antwerp
|
|
1996
|
|
Public Project for the University of Washington, Seattle
|
|
1996
|
|
City Gallery of Contemporary Art, Raleigh
|
|
1996
|
|
SHIFT, Haus der Kulturen der Welt, Berlin
|
|
1996
|
|
Printemps de Cahors, Cahors
|
|
1996
|
|
Happy End, Kunsthalle Dusseldorf
|
|
1995
|
|
The Istanbul Biennale
|
|
1995
|
|
The Kwangju Biennale/u>
|
|
1993
|
|
Latin American Artists of the XX Century, Museum of Modern Art, New York
|
|
1993
|
|
Das Pergamon Projekt, Galerie Thomas Schulte, Berlin
|
|
1992
|
|
The New Museum of Contemporary Art, New York
|
|
1992
|
|
Whitechapel Art Gallery, London
|
|
1992
|
|
The Museum of Contemporary Art, Chicago
|
|
1991
|
|
The Hirshhorn Museum, Washington D.C.
|
|
1990
|
|
Sydney Biennale, Sydney
|
|
1990
|
|
La Jolla Museum of Contemporary Art
|
|
1989
|
|
The Brooklyn Museum, New York
|
|
1989
|
|
Magiciens de la Terre, Musee National dfArt Moderne, Centre Georges Pompidou, Paris
|
|
1988
|
|
Institute of Contemporary Art, Philadephia
|
|
1987
|
|
Sao Paulo Biennale, Sao Paulo
|
|
1986
|
|
Aperto, Venice Biennale
|
|
1985
|
|
Grey Art Gallery, New York
|
|
1984
|
|
Art & Ideology, The New Museum of Contemporary Art, New York
|
|
1983
|
|
In/Out: Four Projects by Chilean Artists, Washington Project for the Arts, Washington, D.C.
|
|
1982
|
|
12eme Biennale de Paris
|
|
1979
|
|
Galeria CAL, Santiago
|
|
|
| Literature |
|
|
|
2007
|
|
Alfredo Jaar. La politique des images, Musée cantonal des Beaux-Arts de Lausanne, Switzerland, cat. 2007, with texts by Catherine Lepdor, Georges Didi-Huberman, Jacques Rancière and Griselda Pollock
|
|
2007
|
|
Strauss, Daniel Levy, Adriana Valdès, Pablo Chiuminatto, Rodrigo Zúniga, Sandra Accatino, Bruno Cuneo and Ana María Risco, "A critical week in Chile", in: The Brooklyn Rail, New York, February 2007, pg. 60-63
|
|
2006
|
|
Valdés, Adriana (ed.), Jaar SCL 2006, Fundación Telefónica et Galería Mistral, Santiago, ACTAR, Barcelona 2006, with texts by Sandra Accatino, Pablo Chiuminatto, Bruno Cuneo, Ana María Risco, Adriana Valdés, Rodrigo Zúniga
|
|
2006
|
|
Muxima, Grand Arts, Kansas City 2005, with a text by Patricia C. Phillips
|
|
2005
|
|
Alfredo Jaar. The Fire This Time: Public Interventions 1979 – 2005, Charta, Milan 2005, with texts by Mary Jane Jacob, Nancy Princenthal
|
|
2005
|
|
Alfredo Jaar, Museo d’Arte Contemporanea Roma, MACRO & Electra, Milan 2005, with texts by Gianni Vattimo, Pier Paolo Pasolini, Jeff Derksen & Neil Smith, Dobrila Denegri
|
|
2005
|
|
Alfredo Jaar, Anna Baneri, Roberto Pinto & Ramon Prat (éds.), Alfredo Jaar. The Aesthetics of Resistance, ACTAR, Barcelona 2005, with texts by Emanuela De Cecco, Roberto Pinto, Annie Ratti, Gianni Vattimo
|
|
2003
|
|
Sundell, Margaret. "Alfredo Jaar", Artforum , January
|
|
2003
|
|
Wei, Lilly. "Alfredo Jaar", ARTnews , February
|
|
2003
|
|
Athanassopoulos, Vangelis. "Alfredo Jaar: Une autre version de l'invisible", artpress Hors Série , June
|
|
2003
|
|
Heartney, Eleanor. "Is the Body More Beautiful When It's Dead?", The New York Times ,June 1
|
|
2003
|
|
Hüster, Wiebke. "Nur zwölf Bilder übergab Alfredo Jaar", Frankfurter Allgemeine Zeitung , April 7
|
|
2003
|
|
Jonsson, Stefan. "Pax Americana forblindar", Dagens Nyheter: Kultur , March 10
|
|
2003
|
|
Knott, Marie-Luise. "Das Ruanda-Projekt", Le Monde Diplomatique , June
|
|
2003
|
|
Levi-Strauss, David. "A Sea of Griefs is Not a Proscenium", Essay in Between The Eyes, Essays on Photography and Politics, New York: Aperture
|
|
2003
|
|
Lundström, Jan-Erik. "Alfredo Jaar: Bilders klagan", Paletten 249/250
|
|
2003
|
|
Maderuelo, Javier. "El poder de la imágenes", El País , June 7
|
|
2003
|
|
Muteba Luntumbue, Toma. "Transferts Critical Cartography", essay in Transferts exhibition catalogue, Palais des Beaux-Arts de Bruxelles, Brussels
|
|
2003
|
|
Samaniego, Fernando. "El Artista Alfredo Jaar explora en una instalación los límites entre imagen y poder", El País , May 22
|
|
|
|
|
|