|
|
Adam Fuss Biography
|
 |
 |
|
2000 |
|
Sixteenth Annual ICP Infinity Award for Art
|
|
|
|
Lives and works in New York City, USA since 1982
|
|
|
|
Akron Art Museum, Akron, Ohio, USA
|
|
|
|
Albright-Knox, New York, USA
|
|
|
|
Australian National Gallery, Canberra, Australia
|
|
|
|
Chase Manhattan Bank, New York, USA
|
|
|
|
Cincinnati Art Museum, Cincinnati, Ohio, USA
|
|
|
|
Denver Art Museum, Denver, Colorado, USA
|
|
|
|
Fisher Landau Center, Long Island City, New York, USA
|
|
|
|
George Eastman House, Rochester, New York, USA
|
|
|
|
Hallmark Photographic Collection
|
|
|
|
The Henry Art Gallery, Seattle, Washington, USA
|
|
|
|
Los Angeles County Museum of Art, Los Angeles, California, USA
|
|
|
|
The Metropolitan Museum of Art, New York, USA
|
|
|
|
Museum of Modern Art, New York, USA
|
|
|
|
National Gallery of Victoria, Melbourne, Australia
|
|
|
|
U.S. Trust Company, New York, USA
|
|
|
|
Victoria and Albert Museum, London, UK
|
|
|
|
Vienna Moderner Kunst Museum, Vienna, Austria
|
|
|
|
Mr. Paul Walter, New York, USA
|
|
|
|
Mr. Thomas Walther, New York, USA and Germany
|
|
|
|
Whitney Museum of American Art, New York, USA
|
|
|
|
Middlebury College Museum of Art, Middlebury, Vermont, USA
|
|
|
| Selected Exhibitions |
|
|
|
2009
|
|
Galleri S.E, Bergen, Norway (solo)
|
|
2008
|
|
Photo Spirals, Galerie Daniel Blau, Munich, Germany (solo)
|
|
2008
|
|
Adam Fuss, Xavier Hufkens, Brussels (solo)
|
|
2008
|
|
Black and White, Galerie Kaare Berntsen, Oslo, Norway
|
|
2007
|
|
Depth of Field: Modern Photography at the Metropolitan, Metropolitan Museum of Art, New York
|
|
2007
|
|
Alchemy: Twelve contemporary artists exploring the essence of photography, Abbot Hall Art Gallery, Kendal, Cumbria, UK
|
|
2007
|
|
Wallflowers, Danziger Projects, New York, USA
|
|
2007
|
|
Picturing Eden, University of Iowa Museum of Art, Iowa, USA, and traveled to George Eastman House, Rochester, New York, USA
|
|
2006 - 2007
|
|
Nothing and Everything, Fraenkel Gallery, San Francisco, USA
|
|
2006
|
|
Camera Los. das Fotogramm, Museum der Moderne Salzberg Rupertinum, Salzberg, Austria
|
|
2006
|
|
Immaterial World, Stephen Cohen Gallery, New York, USA
|
|
2006
|
|
Adam Fuss: Ark and other works, Xavier Hufkens, Brussels (solo)
|
|
2006
|
|
Adam Fuss, Galeria Leyendecker, Tenerife, Spain (solo)
|
|
2006
|
|
Adam Fuss, Museum of Fort Worth, Fort Worth, Texas, USA (solo)
|
|
2005
|
|
Adam Fuss, Timothy Taylor Gallery, London, UK (solo)
|
|
2005
|
|
Adam Fuss, Fraenkel Gallery, San Francisco (solo)
|
|
2005
|
|
Adam Fuss, Galleri Charlotte Lund, Stockholm (solo)
|
|
2005
|
|
Adam Fuss: Mask, Baldwin Gallery, Aspen, Colorado (solo)
|
|
2005
|
|
Richard Levy Gallery, Albuquerque, New Mexico, USA
|
|
2005
|
|
In the Middle of the Night, 150 Neuewerbungen seit 1996, Kunsthalle Bielefeld, Germany
|
|
2005
|
|
Atelier David Adamson, Maison Européene de la Photographie, Paris, France
|
|
2004
|
|
12 from Cheim & Read, Fay Gold Gallery, Atlanta, Georgia, USA
|
|
2003
|
|
Air, James Cohan Gallery, New York, USA
|
|
2003
|
|
In Your Face, Alan Koppel Gallery, Chicago, Illinois, USA
|
|
2003
|
|
Adam Fuss, Cheim & Read, New York, USA (solo)
|
|
2003
|
|
Adam Fuss: Works 1985-2002, Circular Forms, Kunsthalle Bielefeld, Germany (solo)
|
|
2002
|
|
Adam Fuss: My Ghost, Xavier Hufkens, Brussels, Belgium (solo)
|
|
2002
|
|
Adam Fuss, Foster Gallery, Museum of Fine Arts, Boston; Kunsthalle Bielefeld, Germany (solo)
|
|
2002
|
|
Adam Fuss: Works 1985-2002, Fraenkel Gallery, San Francisco, California, USA (solo)
|
|
2002
|
|
Adam Fuss: My Ghost, Galeria Leyendecker, Santa Cruz de Tenerife, Canary Islands (solo)
|
|
2002
|
|
The Antiquarian Avant-garde, Sarah Morthland Gallery, New York, USA
|
|
2002
|
|
Fiat Lux, Robert Klein Gallery, Boston, Massachusetts, USA
|
|
2002
|
|
Visions of America: Photographs from the Whitney Museum of American Art 1940-2001, Whitney Museum of American Art, New York, USA
|
|
2002
|
|
Art Downtown: New York Painting and Sculpture, Wall Street Rising, New York, USA
|
|
2002
|
|
Childhood: Collection of the National Fund of Modern Art, Paris, Multimedia Art Center, Moscow, Russia
|
|
2001
|
|
Adam Fuss: My Ghost, Fraenkel Gallery, San Francisco, California, USA; Viewing Room, Yotsuya/Yumiko Chiba Associates, Shinjuku-ku, Tokyo, Japan (solo)
|
|
2001
|
|
Adam Fuss, Galerie Karsten Greve, Cologne, Germany (solo)
|
|
2001
|
|
Adam Fuss, Galerie Karsten Greve, Paris, France (solo)
|
|
2001
|
|
Affecting Invention: The Manipulated Photograph, Carrie Secrist Gallery, Chicago, Illinois, USA
|
|
2001
|
|
White Light, University Galleries, Illinois State University, Normal, Illinois; 1926 Exhibition Space, School of Art Institute, Chicago, Illinois, USA
|
|
2001
|
|
The Crafted Image: Nineteenth-Century Techniques in Contemporary Photography, Boston University Art Gallery, Boston, Massachusetts, USA
|
|
2001
|
|
SchattenRisse-Silhouetten and Cutouts, Staedtische Galerie im Lenbachhaus, Munich, Germany
|
|
2001
|
|
Uncommon Threads. Contemporary Artists and Clothing, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, USA
|
|
2001
|
|
Re-Thought and Re-Seen: 21st Century Photographers Using 19th Century Processes, curated by Elizabeth Kirsch, University of Missouri, Kansas City, Missouri, USA
|
|
2001
|
|
Some Options in Abstraction, curated by Klaus Kertess, Carpenter Center for the Visual Arts, Harvard University, Cambridge, Massachusetts, USA
|
|
2001
|
|
Mirror with a Memory: The American Daguerrotype, curated by Keith Davis, Atkins Museum of Art, Kansas City, Missouri, USA
|
|
2001
|
|
Ten Photographers, Galleri K, Oslo, Norway
|
|
2000 - 2001
|
|
Beyond Borders, Coninx Museum, Zurich, Switzerland
|
|
2000 - 2001
|
|
Chorus of Light: Photographs from the Collection of Sir Elton John, High Museum of Art, Atlanta, Georgia, USA
|
|
2000 - 2001
|
|
Abstrakte Fotografie, Kunsthalle Bielefeld, Germany
|
|
2000 - 2001
|
|
Innoculated Time, Magnetoscopio P.V. Com Ltda / Casa de Cultura Solar dos Oitis, Rio de Janeiro, Brazil
|
|
1999 - 2001
|
|
This is not a Photograph, Pace University Gallery, New York; University Art Gallery, University of California at San Diego; Bayly Art Museum, University of Virginia, Charlottesville, Virginia; George Eastman House, Rochester, New York, USA
|
|
2000
|
|
Déjŕ vu: Reworking the Past, Katonah Museum of Art, Katonah, New York, USA
|
|
2000
|
|
Photography About Photography, Andrew Kreps Gallery, New York, USA
|
|
2000
|
|
Fluid Flow, James Graham & Sons, New York, USA
|
|
2000
|
|
Peter Hay Halpert Gallery, New York, USA
|
|
2000
|
|
Grace, curated by Bill Hunt of Ricco/Maresca, The Center for Photography at Woodstock, New York, USA
|
|
2000
|
|
Adam Fuss, Galerie Karsten Greve, Milan, Italy (solo)
|
|
2000
|
|
Adam Fuss, Martin Browne Gallery, Sydney, Australia (solo)
|
|
2000
|
|
Adam Fuss: My Ghost, Galeri Charlotte Lund, Stockholm, Sweden (solo)
|
|
1999 - 2000
|
|
Tomorrow Land, Alan Koppel Gallery, Chicago, Illinois, USA
|
|
1999 - 2000
|
|
I’m Not Here: Constructing Identity at the Turn of the Century, Susquehanna Art Museum, Harrisburg, Pennsylvania, USA
|
|
1999
|
|
Adam Fuss: My Ghost, Cheim & Read, New York, USA (solo)
|
|
1999
|
|
Adam Fuss: Details of Love, Xavier Hufkens, Brussels, Belgium (solo)
|
|
1999
|
|
Adam Fuss, FotoMuseum, Winterthur, Switzerland; Umea, Sweden (solo)
|
|
1999
|
|
The Big Picture: Large-Format Photography, Middlebury College, Museum of Art, Middlebury, Vermont, USA
|
|
1999
|
|
Through the Looking Glass: Visions of Childhood, Snug Harbor Cultural Center, Staten Island, New York, USA
|
|
1999
|
|
Evoking Myths, Evolving Dreams, Alan Koppel Gallery, Chicago, Illinois, USA
|
|
1998
|
|
Still Life: 1900-1998, Marlborough Gallery, New York, USA
|
|
1998
|
|
In Site 98 - Mysterious Voyages: Exploring the Subject of Photography, The Contemporary Museum, Baltimore, Maryland, USA
|
|
1998
|
|
Color, Edwynn Houk Gallery, New York, USA
|
|
1998
|
|
Adam Fuss, Glenn Horowitz Book Seller, East Hampton, New York, USA
|
|
1998
|
|
Artists Who Happen to be Photographers, Nina Freudenheim, Inc., Buffalo, New York, USA
|
|
1998
|
|
Adam Fuss: Pinhole Photographs, Fay Gold Gallery, Atlanta, Georgia, USA (solo)
|
|
1998
|
|
Adam Fuss, Glenn Horowitz Booksellers, East Hampton, New York, USA (solo)
|
|
1998
|
|
Adam Fuss: Snake Powder, Spore & Mucus Prints, Fraenkel Gallery, San Francisco, California, USA (solo)
|
|
1997
|
|
Adam Fuss: Fotogramme, Galerie Sabine Knust, Munich, Germany (solo)
|
|
1997
|
|
Adam Fuss: My Ghost, Galleri Charlotte Lund, Stockholm, Sweden (solo)
|
|
1997
|
|
Lynda Benglis, Adam Fuss, David Salle & Serge Spitzer, Cheim & Read, New York, USA
|
|
1997
|
|
The Quiet in the Land: Everday Life, Contemporary Art & the Shakers, Institute of Contemporary Art, Maine College of Art, Portland, Maine, USA
|
|
1997
|
|
Svenska Mässan, The Swedish Exhibition & Congress Centre, Göteburg, Sweden
|
|
1996
|
|
Adam Fuss: Mary and Love Machine, Rhona Hoffman Gallery, Chicago, Illinois, USA (solo)
|
|
1996
|
|
Adam Fuss: Pinhole Photographs, Baumgartner Galleries, Washington DC, USA (solo)
|
|
1996
|
|
Prospect 96, curated by Peter Weiermair, Frankfurt, Germany
|
|
1996
|
|
What’s Love Got To Do With It?, Randolph Street Gallery, Chicago, Illinois, USA
|
|
1996
|
|
Kingdom of Flora, Shoshana Wayne Gallery, Santa Monica, California, USA
|
|
1996
|
|
Light - Time - Focus, Museum of Contemporary Photography, Columbia College Chicago, Chicago, Illinois, USA
|
|
1996
|
|
Up North, Down South, Back East and O, USA ut West, Fay Gold Gallery, Atlanta, Georgia, USA
|
|
1996
|
|
Into the Deep Surface, PaceWildensteinMacGill, Los Angeles, California, USA
|
|
1996
|
|
The Quiet in the Land: Everyday Life, Contemporary Art & the Shakers, Institute of Contemporary Art, Maine College of Art, Portland, Maine, USA
|
|
1995
|
|
Adam Fuss, Robert Miller Gallery, New York, USA (solo)
|
|
1995
|
|
Adam Fuss, Charlotte Lund, Stockholm, Sweden (solo)
|
|
1995
|
|
Bloom, Cristinerose Gallery, New York, USA
|
|
1995
|
|
In the Garden, Ehlers Caudill Gallery, Chicago, Illinois, USA
|
|
1995
|
|
Content and Discontent in Today’s Photography, ICI, New York; British Museum; Greenwich, Conneticut; Pritchard Gallery, University of Idaho, Moscow, Idaho, USA
|
|
1995
|
|
Heaven’s Embroidered Cloths-Cameraless Photography, National Museum of Film, Photography and Television, Bradford, UK
|
|
1995
|
|
Nature Studies: Gregory Crewdson, Adam Fuss, Hiroshi Sugimoto, Johnson County Community College, Overland Park, Kansas, USA
|
|
1995
|
|
Flowers, 20th Century Photographs, Ltd, New York, USA
|
|
1995
|
|
Seeing Things, Andre Emmerich, New York, USA
|
|
1995
|
|
Fact, Fiction, and Truth: Contemporary Portraits, Lehman College Art Gallery, New York, USA
|
|
1995
|
|
Visions, Nina Freudenheim Gallery, New York, USA
|
|
1995
|
|
Crossing Borders: The Myst, Apex Art, New York, USA
|
|
1995
|
|
Possibilities of Extension, Aspex Visual Arts Trust, Portsmouth, UK
|
|
1995
|
|
Silhouettes, Paul Kasmin Gallery, New York, USA
|
|
1995
|
|
Stockholm Smart Show, Sweden
|
|
1995
|
|
Abstract photographs, The Baltimore Museum of Art, Maryland, USA
|
|
1995
|
|
Tibet House Benefit Exhibition, Robert Miller Gallery, New York, USA
|
|
1995
|
|
Human/Nature Benefit Exhibition, New Museum, New York, USA
|
|
1994
|
|
Adam Fuss, Fraenkel Gallery, San Francisco, California, USA (solo)
|
|
1994
|
|
Adam Fuss: In Between, Laura Carpenter, Santa Fe, New Mexico, USA (solo)
|
|
1994
|
|
Adam Fuss, Galerie Ghislaine Hussenot, Paris, France (solo)
|
|
1994
|
|
Experimental Vision: The Evolution of the Photogram Since 1919, Denver Art Museum, Denver, Colorado, USA
|
|
1994
|
|
The Light Fantastic, Laguna Gloria Art Museum, Austin, Texas, USA
|
|
1994
|
|
The Abstract Urge, Friends of Photography, San Francisco, California, USA
|
|
1994
|
|
Shooting Blind, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, Connecticut, USA
|
|
1994
|
|
Color, James Danziger Gallery, New York, USA
|
|
1994
|
|
The Riddle of the Sphinx: The Ages of Man', Islip Art Museum, East Islip, New York, USA
|
|
1994
|
|
Flora Metafisica: The Not-So-Still-Life of Plants, Guillaume Gallozzi, New York, USA
|
|
1994
|
|
Gramercy International, Chateau Marmont, Los Angeles, California, USA
|
|
1994
|
|
Galerie Ghislaine Hussenot, Paris, France
|
|
1994
|
|
A Garden, Barbara Krakow Gallery, Boston, Massachusetts, USA
|
|
1994
|
|
Nature Studies, Schmidt Contemporary Art, St. Louis, Missouri, USA
|
|
1993
|
|
Locks Gallery, Philadelphia, Pennsylvania, USA
|
|
1993
|
|
Image First: Eight Photographers for the 90's, Laura Carpenter Gallery, Santa Fe, New Mexico, USA
|
|
1993
|
|
Blooming: The Art of Nature, Renee Fotouhi Fine Art East, East Hampton, New York, USA
|
|
1993
|
|
A Lure, Jan Kesner Gallery, Los Angeles, California, USA
|
|
1993
|
|
The Language of Flowers, Paul Kasmin Gallery, New York, USA
|
|
1993
|
|
Robert Miller Gallery, New York, USA
|
|
1993
|
|
In Camera, Museum of Fine Arts, Museum of New Mexico, Santa Fe, New Mexico, USA
|
|
1993
|
|
Photograms & Photographs; Photographic works by Adam Fuss & Gary Schneider, curated by Victoria Espy Burns, Thomas Blackman Associates, Chicago, Illinois, USA
|
|
1993
|
|
Foreign Ferns: Botanical Studies from Talbot to the Present, Julie Saul Gallery, New York, USA
|
|
1993
|
|
Adam Fuss: Details of Love, Robert Miller Gallery, New York, USA (solo)
|
|
1992
|
|
Adam Fuss, Robert Miller Gallery, New York, USA (solo)
|
|
1992
|
|
Adam Fuss, Akron Art Museum, Akron, Oklahoma, USA (solo)
|
|
1992
|
|
Adam Fuss, Fraenkel Gallery, San Francisco, California, USA (solo)
|
|
1992
|
|
Adam Fuss, Tom Solomon's Garage, Los Angeles, California, USA (solo)
|
|
1992
|
|
Adam Fuss, National Gallery of Victoria, Melbourne, Australia (solo)
|
|
1992
|
|
Abstraction in the '90's, Jan Kesner Gallery, Los Angeles, California, USA
|
|
1992
|
|
Healing, Wooster Gardens, New York; Rena Bransten Gallery, San Francisco, California, USA
|
|
1992
|
|
Material Matter: Photography and Sculpture from the Collection, Fisher Landau Center, Long Island City, New York, USA
|
|
1992
|
|
Skulpturen-Fragmente, The Vienna Sucession, Vienna, Austria
|
|
1992
|
|
Adam Fuss, Pierre et Gilles, Robert Mapplethorpe, Esta Novo, Tokyo, Japan
|
|
1992
|
|
The Language of Flowers, Paul Kasmin Gallery, New York, USA
|
|
1991
|
|
Portraits on Paper, Robert Miller Gallery, New York, USA
|
|
1991
|
|
Photography 1980-1990, Tavelli Gallery, Aspen, Colorado, USA
|
|
1991
|
|
The Interrupted Life, The New Museum of Contemporary Art, New York, USA
|
|
1991
|
|
Annual International Exhibition, Santa Cruz de Tenerite, at the Casa de la Cultura and the Centro de Arte Regenta, Canary Islands
|
|
1991
|
|
Whitney Biennial, Whitney Museum, New York, USA
|
|
1991
|
|
Circle, Queens Museum, Flushing, New York, USA
|
|
1991
|
|
Photography from 1980 to 1990, Ginny Williams Gallery, Denver, Colorado, USA
|
|
1991
|
|
Contemporary Abstract Photography, Compass Rose Gallery, Chicago, Illinois, USA
|
|
1991
|
|
Fact or Fantasy, Coup de Grace Gallery, New York, USA
|
|
1990
|
|
Adam Fuss, Thomas Soloman's Garage, Los Angeles, California, USA (solo)
|
|
1990
|
|
Adam Fuss, Robert Miller Gallery, New York, USA (solo)
|
|
1990
|
|
Adam Fuss, Massimo Audiello Gallery, New York, USA (solo)
|
|
1990
|
|
Javier Baldeon and Adam Fuss, Fundacio Caixa de Pensions, Barcelona, Spain
|
|
1989
|
|
Abstraction in Contemporary Photography, curated by Jimmy De Sana, Emerson Gallery, Hamilton College, Clinton, New York; Anderson Gallery, School of the Arts, Virginia Commonwealth University, Richmond, Virginia, USA (cat.)
|
|
1989
|
|
Marta Cervera Gallery, New York, USA
|
|
1989
|
|
Creative Camera, Dayton Art Institute, Dayton, Ohio, USA
|
|
1989
|
|
Adam Fuss, Massimo Audiello Gallery, New York, USA (solo)
|
|
1989
|
|
Contemporary Photographers, University of South Florida Art Museum, Tampa, Florida, USA
|
|
1989
|
|
International Camera, Simon Salama-Caro Gallery, London, UK
|
|
1989
|
|
Photography: Recent Acquisitions, Australian National Gallery, Canberra, Australia
|
|
1989
|
|
Pinhole Photography, Centre Saidye Bronfman, Montreal, Canada
|
|
1989
|
|
Prospect Photographie, curated by Peter Weiermair, Frankfurter Kunstverein, Frankfurt, Germany (cat.)
|
|
1989
|
|
The Photography of Invention: American Pictures of the 1980's, National Museum of American Art, Smithsonian Smithsonian Institute, Washington, D.C. , USA
|
|
1989
|
|
Abstraction in Photography, Zabriskie Gallery, New York, USA
|
|
1988
|
|
Damon Brandt Gallery, New York, USA
|
|
1988
|
|
Fine Arts Museum of Long Island, New York; Roanoke Museum of Fine Arts, Roanoke, Virginia, USA
|
|
1988
|
|
Adam Fuss, Massimo Audiello Gallery, New York, USA (solo)
|
|
1987
|
|
Adam Fuss, Mark Morrisroe, The Starn Twins, Massimo Audiello Gallery, New York, USA
|
|
1986
|
|
Stux Gallery, Boston, Massachusetts, USA
|
|
1986
|
|
Massimo Audiello Gallery, New York, USA
|
|
1985
|
|
Alternative Museum, New York, USA (cat.)
|
|
1985
|
|
Simon Cerigo Gallery, New York, USA
|
|
1985
|
|
Ledel Gallery, New York, USA
|
|
1985
|
|
Adam Fuss, Massimo Audiello Gallery, New York, USA (solo)
|
|
|
| Literature |
|
|
|
2006
|
|
‘The Photogram an Artistic Position’, Art Daily.com, 23.10.2006
|
|
2006
|
|
Fuss, Adam and Blees Luxemberg, Rut, ‘Adam Fuss: Meta-Morphosis. Constructing a trace on the tabula rasa’, NextLevel, Edition 01, Volume 05, p. 048-053
|
|
2006
|
|
Neal, Jane, ‘London: Timothy Taylor Gallery’, Contemporary, Issue No. 81, p. 89
|
|
2006
|
|
‘Beyond the Pale’, New York Times Style Magazine, Spring
|
|
2006
|
|
Smee, Sebastian, 'Image fatigue', The Australian, 29 April
|
|
2006
|
|
Fornoff, Susan, 'Review: San francisco Decorator Showcase Getting Personal', San Francisco Chronicle, 29 April
|
|
2006
|
|
Robinson, Gaile, ‘Exhibit is worth all the Fuss’, Star-Telegram.com, 11 March
|
|
2005
|
|
Adam Fuss: A conversation between the artist and Paul Ardeen, DVD, Timothy Taylor Gallery, London
|
|
2005
|
|
Tenerife News, December
|
|
2005
|
|
‘Have you heard…’, Tatler, November
|
|
2005
|
|
‘Adam Fuss’, Time Out London, Listings, 12-19 October
|
|
2005
|
|
‘Adam Fuss’, Time Out London, Listings, 5-12 October
|
|
2005
|
|
Dyer, Richard, ‘London News’, Contemporary, Issue 76, p. 13
|
|
2005
|
|
Dobbs-Higginson, Julien, ‘Adam Fuss’, Kultureflash, Issue 138, 5 October
|
|
2005
|
|
Dyer, Richard, ‘Adam Fuss interview’, Pluk, Issue 26, September/October, p.40-44
|
|
2005
|
|
Gavin, Francesca, ‘What the Fuss is all about’, Wonderland, September/October, p. 194-195
|
|
2005
|
|
Barber, Ed, ‘Adam Fuss Profile’, Design Week, Number 19, 29 September, p. 13
|
|
2005
|
|
Hopkinson, Amanda, “The appliance of science”, Art Review, September, p. 57 – 58
|
|
2005
|
|
Harris, Lucian, ‘What’s on – United Kingdom’, The Art Newspaper, No. 161, September, p.7
|
|
2004
|
|
Dyer, Richard, 'Adam Fuss', Contemporary, Issue 67, special issue on photography, p. 38-41
|
|
2004
|
|
Kley, Elisabeth, 'Adam Fuss', Artnews, January
|
|
2003
|
|
Glueck Grace, 'Adam Fuss', New York Times, 31 October
|
|
2003
|
|
'Prints of Darkness', Art Review, October
|
|
2003
|
|
Nahas, Dominique, 'Mystery and Simplicity', Paris Photo
|
|
2002
|
|
'Adam Fuss', Blind Spot, Issue 22
|
|
2002
|
|
'Adam Fuss in His Own Words', Art on Paper, September-October
|
|
2002
|
|
Boxer, Sarah, 'The Tracks of Snakes, The Innards of Rabbits', The New York Times, 18 October
|
|
2002
|
|
Silver, Joanne, 'MFA Exhibit Sheds Light on All the Fuss', Boston Herald, 27 September
|
|
2002
|
|
MacLeod, Chris, 'Perils of the Past', New York Resident, 5 August
|
|
2002
|
|
Kellein, Thomas, Adam Fuss: Photograms of Life and Death, exhibition catalogue, Verlag der Buchhandlung, Walther Konig, Cologne, Germany
|
|
2001
|
|
Ackermann, Marion, Schattenrisse, Silhuetten and Cutouts, edited by Helmut Friedel, Staedtische Galerie im Lenbachhaus, Hatje Cantz Verlag, Ostfildern, Germany
|
|
2001
|
|
Ulmer, Sean M., Uncommon Threads. Contemporary Artists and Clothing, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York
|
|
2001
|
|
Coleman, A.D., This is Not a Photograph, University of California at San Diego, La Jolla, California
|
|
2001
|
|
Kirsch, Elizabeth, Re-Thought and Re-Seen, UMKC Gallery of Art, Kansas City, Missouri
|
|
2001
|
|
Poli, Francesco, 'Adam Fuss', Tema Celeste, November-December, p. 91
|
|
2001
|
|
Prose, Francine, 'A Metaphysical Fashion Shoot', ARTnews, November, pp. 126-128
|
|
2001
|
|
Thorson, Alice, 'Re-newed Art', Kansas City Star, 30 November
|
|
2001
|
|
Heise, Christian, 'Fuss Over Fuss', ARTnews, November, p. 106
|
|
2001
|
|
Schonauer, David, 'Hot Shots, The Latest Collecting Boom in Contemporary Photography', Worth, July/August, pp 108-111
|
|
2001
|
|
Panzer, Mary, 'In With the Old', American Photo, May/June, pp. 32-36
|
|
2001
|
|
Harris, Jane, 'aura fixation: old technology for new photography', Art On Paper, January/February, pp. 64-48
|
|
2000
|
|
Kellein, Thomas and Angela Lampe, editors, Abstrakte Fotografie, Hatje Cantz Verlag, Kunsthalle Bielefeld, Ostfildern
|
|
2000
|
|
Liu, Timothy, 'Adam Fuss', New Art Examiner, February
|
|
2000
|
|
Aletti, Vince, 'Photography About Photography', Village Voice, 29 February
|
|
1999
|
|
Fuss, Adam, Andrew Roth and Jerry Kelly, My Ghost, Daguerreotypes from the Series, limited edition book (ed. 300), Roth Horowitz, East Hampton, New York
|
|
1999
|
|
Kino, Carol, 'Adam Fuss at Cheim & Read', Art in America, December, p. 106
|
|
1999
|
|
Sheets, Hilarie. 'Adam Fuss; Cheim & Read', ARTnews, Volume 98, Number 10, November
|
|
1999
|
|
Yablonsky, Linda, 'Adam Fuss, My Ghost', Time Out New York, issue 211, 7 – 14 October, p. 86
|
|
1999
|
|
Cross, Guy, 'Adam Fuss', THE: Santa Fe’s Monthly Magazine of the Arts, October, pp. 45-49
|
|
1999
|
|
Klein, Lee, 'Adam Fuss', The New York Art World, October, p. 11
|
|
1999
|
|
Pinchbeck, Daniel, 'NY Artist Q&A: Adam Fuss', The Art Newspaper, No. 95, September
|
|
1999
|
|
Stevens, Mark, 'Adam Fuss', New York Magazine, 27 September
|
|
1999
|
|
Naves, Mario, 'Look, Ma, No Camera', The New York Observer, 20 September
|
|
1999
|
|
Smith, Roberta, 'Adam Fuss: My Ghost', The New York Times Art Review, 17 September
|
|
1999
|
|
Pedersen, Victoria, 'Date Book: Adam Fuss at Cheim & Read', Art & Auction, 1-14 September, Vol. XXI, No. 21
|
|
1999
|
|
Loke, Margaret, 'Going Back to the Daguerreotype, and Then Ahead', The New York Times, 31 August
|
|
1999
|
|
Johnson, Ken, 'Seen and Heard: Under the Spell of Childhood and its Trappings', The New York Times, 20 August
|
|
1999
|
|
Jana, Reena, 'Adam Fuss, Fraenkel Gallery', Flash Art, January, p.98
|
|
1999
|
|
Kenny, Kay, 'The Final Ghost', Articlemagazine.com, Issue 2
|
|
1998
|
|
Wakefield, Neville, 'Adam Fuss: Spinning gossamer membranes between life and death', Elle Décor, August/September, pp. 56 – 60
|
|
1998
|
|
Hart, Russell, 'no muss, no Fuss', American Photo, July/August, pp. 88 – 91
|
|
1998
|
|
Loke, Margaret, 'Cameraless Pictures, Rippling With Color', The New York Times, Weekend Fine Arts & Leisure, Friday 31 July, p. E 11
|
|
1998
|
|
Braff, Phyllis, 'Experiments in Color and Light: Adam Fuss', The New York Times, Long Island Edition, Sunday 26 July, p. 11
|
|
1998
|
|
Aletti, Vince, 'Picture This: The Top 10 Photo Books of 1997', The Village Voice, 20 January, pp. 52-53 Kagan, Dick, 'Go West: In Chelsea, New York’s hottest art dealers share street with auto-body shops', Art & Antiques, January, pp. 33-37
|
|
1998
|
|
Parry, Eugenia, Adam Fuss, Arena Editions, Santa Fe, New Mexico
|
|
1998
|
|
Roth, Andrew & Fuss, Andrew, What is Man?, limited edition book (ed. 200), Glenn Horowitz, East Hampton, New York
|
|
1997
|
|
Aletti, Vince, 'Holiday Books', The Village Voice, 23 December, p. 69
|
|
1997
|
|
Kaplan, Michael, 'Unique Gift: Photo Finish', Smart Money, December, pp. 213-215
|
|
1997
|
|
Grundberg, Andy, 'Adam Fuss', The New York Times, Book Review, December
|
|
1997
|
|
Persson, Hasse, 'Fotograf Utan Kamers', FOTO, Scandanavia, October, p. 46 – 53
|
|
1997
|
|
Ericsson, Lars O., 'Adam Fuss', Dagens Nyheter, Stockholm, Sweden, 24 October
|
|
1997
|
|
Svanberg, Anna-Karin, 'Adam Fuss', Upsala Nya Tidning, Stockholm, Sweden, 21 October
|
|
1997
|
|
Camhi, Leslie, 'Seeing and Believing: The Quiet in the Land', The Village Voice, 2 September, p. 89
|
|
1997
|
|
'Quiet Confidants', World Art, September
|
|
1997
|
|
Larson, Kay, 'Modern artists try out vanishing lifestyle', The Globe and Mail, Visual Arts, Saturday 23 August, p. C 5
|
|
1997
|
|
Larson, Kay, 'A Month in Shaker Country', The New York Times, Arts & Leisure, Sunday 10 August, pp. H 31 & 34
|
|
1997
|
|
McQuaid, Cate. 'Maine’s "Quiet in the Land" plumbs art of Shaker life', The Boston Globe
|
|
1997
|
|
Aletti, Vince, 'Adam Fuss', The Village Voice, Voice Choices Short List, 1 July, p. 4
|
|
1996
|
|
The Quiet in the Land: Everyday Life, Contemporary Art & the Shakers, Institute of Contemporary Art, Maine College of Art, Portland, Maine
|
|
1996
|
|
Under the Sun: Photographs by Christopher Bucklow, Susan Derges, Garry Fabian Miller, and Adam Fuss, edited by Jeffrey Fraenkel, Fraenkel Gallery, San Francisco, California
|
|
1996
|
|
Fuss, Adam, Pinhole Photographs, Photographers at Work, Smithsonian Institution Press, Washington DC and London
|
|
1995
|
|
James, Jamie, 'Adam Fuss: Photographer Without a Camera', ARTnews, February
|
|
1994
|
|
'Future Directions', Camera & Darkroom, October, p. 39-41
|
|
1994
|
|
Grundberg, Andy, 'Beyond Description', Independent Curators Incorporated, Fall
|
|
1994
|
|
'After Art: Rethinking 150 Years of Photography', The Washington University Press, p. 103
|
|
1994
|
|
Interview, Photogram represented, June, p. 14
|
|
1994
|
|
Choon, Angela, 'Irony at Work', Art & Auction, January, p. 27
|
|
1993
|
|
Frailey, Stephen, 'Thin Air: Adam Fuss Photographs', Artforum International, November, pp. 78-81
|
|
1993
|
|
Sand, Michael, 'Adam Fuss', Aperture, Number 133, Fall, pp. 2, 44-53
|
|
1992
|
|
Bleckner, Ross, 'Adam Fuss', Bomb Magazine, Spring, Cover, pp. 24-28
|
|
1991
|
|
'Legal Fictions', Arts Magazine, November, pp. 47-51
|
|
1991
|
|
'Light Motifs', House & Garden, October, p. 177
|
|
1991
|
|
'Photographs', MGM Grand Magazine, Autumn, pp. 57-61
|
|
1990
|
|
Terminal Lights, Javier Baldeon/Adam Fuss, Fundacio Caixa de Pensions, Barcelona, Spain
|
|
1990
|
|
'Photo', The Village Voice, Tuesday 27 February, Vol. XXXV, No. 9
|
|
1990
|
|
Grundberg, Andy, 'Abstraction Returns to Haunt Photography', The New York Times, Sunday 25 February, Section 2, p. 35
|
|
1990
|
|
'Photography', The New Yorker, Monday 19 February, p. 19
|
|
1989
|
|
Weiermair, Peter. Prospect Photographie, Frankfurter Kunstverein, Frankfurt, Germany
|
|
1989
|
|
Grundberg, Andy and Saltz, Jerry, Abstraction in Contemporary Photography, Emerson Gallery, Hamilton College, Clinton, New York
|
|
1989
|
|
Milani, Joanne, 'Exhibit Sheds Light on Photography', The Tampa Tribune, 1 November, Section F
|
|
1989
|
|
Grundberg, Andy, 'Photography View: The Pendulum Swings Away from Cynicism', The New York Times, Sunday 22 October
|
|
1989
|
|
Cotter, Holland, 'Adam Fuss at Massimo Audiello', Art in America, June
|
|
1989
|
|
Decter, Joshua, Arts Magazine, May, p. 104
|
|
1989
|
|
Hagen, Charles, Artforum, May, p. 154
|
|
1989
|
|
'Infantile Reality', Switch Magazine, Spring, pp. 216-220
|
|
1989
|
|
'New Faces 1989', American Photographer, February, pp. 25-36
|
|
1988
|
|
Bogre, Michelle, 'Pinhole Revival', Popular Photography, January, pp. 216-220
|
|
1987
|
|
Bogre, Michelle, 'A Small Window of Opportunity', American Photographer, December, p. 18
|
|
1987
|
|
Renner, Eric, 'Adam Fuss: Interview', Pinhole Journal, Vol. III, No.3, December, pp. 28-32
|
|
1987
|
|
Fontcuberta, Joan, 'Una Revision de los Origenes', Photo Vision, No. 15, January - March, pp. 12-16
|
|
1986
|
|
O'Brien, Glenn, 'Adam Fuss at Massimo Audiello', Artforum, March, pp. 117-8
|
|
1985
|
|
Jones, Alan, 'Adam Fuss, Past-Perfect Photography', New York Talk, December, p. 64
|
|
1985
|
|
Ludwig, Alan I., Seeing is believing? Alternative Museum, New York
|
|
|
| Links to further information |
|
|
|
|
|