|
|
Angus Fairhurst Biography
|
 |
 |
|
1966 |
|
Born in Kent, England
|
|
1985 - 1986 |
|
Canterbury Art College, Kent
|
|
1986 - 1989 |
|
Goldsmith’s College, London
|
|
|
| Selected Exhibitions |
|
|
|
2006
|
|
Under Construction, THE SHORE INSTITUTE OF THE CONTEMPORARY ARTS, curated by Barbara MacAdam, Long Branch, NJ
|
|
2006
|
|
Dark, MUSEUM BOIJMANS VAN BEUNINGEN, Rotterdam, The Netherlands
|
|
2006
|
|
Survivor, Bortolami Dayan, New York
|
|
2006
|
|
Gegenstände/Handlungsformen, Badischer Kunstverein, Karlsruhe
|
|
2006
|
|
Big City Lab, 11. Artforum Berlin
|
|
2006
|
|
Nothing But Pleasure, BAWAG Foundation, Vienna
|
|
2006
|
|
Prints, Sadie Coles HQ, London
|
|
2006
|
|
Grimm Fine Art, Amsterdam (solo)
|
|
2006
|
|
Unwit, Paul Kasmin Gallery, New York (solo)
|
|
2005
|
|
Notnot, Vacio 9, Madrid (solo)
|
|
2005
|
|
Bazar de Verão, Galeria Fortes Vilaça, São Paolo, Brazil
|
|
2005
|
|
Cross Section, Paul Kasmin Gallery, New York
|
|
2005
|
|
Threshold, MW Projects, London
|
|
2005
|
|
Notnot, GALLERY VACIO 9, Madrid, Spain (solo)
|
|
2005
|
|
Threshold, MAX WIGRAM GALLERY, London
|
|
2005
|
|
Vertigo, SUDELEY CASTLE, Winchcombe, Gloucestershire, England
|
|
2005
|
|
Y[oung] B[ritish] A[rtists] Criss-Crossed, GALLERI KAARE BERNSTEN, Oslo
|
|
2005
|
|
Out of the Melting Pot, DEXIA BANQUE INTERNATIONALE À LUXEMBOURG, Luxembourg
|
|
2004
|
|
Summer Exhibition, ROYAL ACADEMY, London
|
|
2004
|
|
Collage, BLOOMBERG SPACE, London
|
|
2004
|
|
Incommunicado, CITY ART CENTRE, Edinburgh
|
|
2004
|
|
57th Aldeburgh Festival, Contemporary British Sculpture at Snape (Angus Fairhurst, Damien Hirst, Sarah Lucas), SNAPE, England
|
|
2004
|
|
Unwork, CONTEMPORARY FINE ARTS, Berlin, Germany (solo)
|
|
2004
|
|
Dysuniversal, GEORG KARGL, Vienna, Austria (solo)
|
|
2004
|
|
Drunkenmasters (Angus Fairhurst, Liam Gillick, Cerith Wyn Evans), GALERIA FORTES VILACA, São Paolo, Brazil (solo)
|
|
2004
|
|
In-A-Gadda-Da-Vida, TATE BRITAIN (with Sarah Lucas and Damien Hirst), London, England (solo)
|
|
2004
|
|
Contemporary Fine Arts, Berlin (solo)
|
|
2004
|
|
Georg Kargl, Vienna (solo)
|
|
2003
|
|
Trickfilm, BUCHMANN GALERIE, Cologne
|
|
2003
|
|
Sterling Stuff: Fifty Sculptors, SIGURJON OLAFSSON MUSEUM, Reykjavik and ROYAL ACADEMY OF ARTS, London
|
|
2003
|
|
In Retrospect: Thirty Sculptors, GALLERY PANGOLIN, Chalford, England
|
|
2002
|
|
Sterling Stuff: Fifty Sculptors, GALLERY PANGOLIN, Chalford, England
|
|
2002
|
|
Generator, SPACEX GALLERY, Exeter, England
|
|
2002
|
|
Iconoclast: Beyond the Image Wars, ZKM, Karlsruhe, Germany
|
|
2002
|
|
'Why Bother?’ The Burger King Exhibition, BURGER KING, London
|
|
2002
|
|
Man in the Middle, SAMMLUNG DEUTSCHE BANK, Frankfurt am Main, Germany
|
|
2002
|
|
The Unblinking Eye: Lens-based work from the IMMA Collection, IRISH MUSEUM OF MODERN ART, Dublin
|
|
2002
|
|
Alphadelta Gallery – Artio Gallery, Athens, Greece (solo)
|
|
2001
|
|
This Does Not Last More Than One Second, Spacex Gallery, Exeter (solo)
|
|
2001
|
|
Angus Fairhurst More or Less, China Art Objects Gallery, Los Angeles (solo)
|
|
2001
|
|
This Does Not Last More Than Ten Seconds, Kunsthalle St Gallen, Switzerland (solo)
|
|
2001
|
|
This Does Not Last More Than One Second, SPACEX GALLERY, Exeter, England (solo)
|
|
2001
|
|
More or Less Angus Fairhurst, SADIE COLES HQ, London, England (solo)
|
|
2001
|
|
Casino 2001, S.M.A.K. Gent, Belgium
|
|
2001
|
|
Open Plan P3 – The Marathon, ALPHADELTA GALLERY – ARTIO GALLERY, (curated by Sofia and Dimitria Vamiali), Athens, Greece
|
|
2001
|
|
Animations, P.S.1 CONTEMPORARY ART CENTER, New York
|
|
2001
|
|
Alternative Currents, THE MAC, MCKINNEY AVENUE CONTEMPORARY, Texas
|
|
2001
|
|
Century City: Art and Culture in the Modern Metropolis, TATE MODERN, London
|
|
2001
|
|
Lens and Paper – the Beauty of Intimacy, GEMEENTEMUSEUM, THE HAGUE and tour to STAATLICHE KUNSTHALLE BADEN-BADEN and MUSEUM HAUS AM WALDSEE, Berlin
|
|
2001
|
|
KUNSTHALLE, St. Gallen, Switzerland (PERFORMANCE)
|
|
2001
|
|
EXETER, Phoenix (PERFORMANCE)
|
|
2000
|
|
Apocalypse, THE ROYAL ACADEMY, London
|
|
2000
|
|
Video-vibe, BRITISH SCHOOL IN ROME, Italy
|
|
2000
|
|
00, BARBARA GLADSTONE GALLERY, New York
|
|
2000
|
|
Body Beautiful, GALERIE JENNIFER FLAY, Paris
|
|
2000
|
|
Puerile 69: Angus Fairhurst, Michael Landy, Sarah Lucas, Gillian Wearing, THE LIVING ART MUSEUM, Reykjavik
|
|
2000
|
|
About Collage, TATE LIVERPOOL, Liverpool, England
|
|
2000
|
|
Sanssouci Oder: Die Kunst Der Entsorgung, BADISCHER KUNSTVEREIN, Karlsruhe, Germany
|
|
2000
|
|
The Anagrammatical Body, ZKM CENTRE FOR MEDIA ART AND TECHNOLOGY, Karlsruhe, Germany
|
|
2000
|
|
Sex and the British, GALERIE THADDEAUS ROPAC, Salzburg, Austria and Paris
|
|
2000
|
|
Hoxton HQ, SADIE COLES HQ AT HOXTON HOUSE, London
|
|
2000
|
|
Psycho, Art and Anatomy, ANNE FAGGIONATO, London
|
|
200
|
|
More or Less Angus Fairhurst, Sadie Coles HQ, London (solo)
|
|
1999
|
|
Art Lovers, LIVERPOOL BIENNIAL, Liverpool, England
|
|
1999
|
|
Gallery Swap, SADIE COLES HQ AT CONTEMPORARY FINE ARTS, Berlin
|
|
1999
|
|
The Anagrammatical Body, NEUE LANDESMUSEUM, Graz, Austria
|
|
1999
|
|
Lowest Expectations, THE SCALA, London (PERFORMANCE)
|
|
1999
|
|
Lowest Expectations, BRITISH COUNCIL, Cologne, Germany (PERFORMANCE)
|
|
1999
|
|
Lower Expectations, URSULA BICKLE STIFUNG, Kraichtal, Germany (PERFORMANCE)
|
|
1999
|
|
The Trouble with Comedy, CONTEMPORARY FINE ARTS, Berlin Art Fair, Berlin, Germany (solo)
|
|
1999
|
|
The Foundation, URSULA BLICKLE STIFTUNG, Kraichtal, Germany and KUNSTHALLE ST. GALLEN, St. Gallen, Switzerland (solo)
|
|
1998
|
|
The Missing Link, SADIE COLES HQ, London, England (solo)
|
|
1998
|
|
Standing Stock Still, ANTON KERN GALLERY, New York (solo)
|
|
1998
|
|
Odd-Bod Photography (with Sarah Lucas), SADIE COLES HQ, London and KOLNISCHER KUNSTVEREIN, Cologne, Germany (solo)
|
|
1998
|
|
Low Expectations, BUROFRIEDRICH, Berlin (PERFORMANCE)
|
|
1998
|
|
Low Expectations, FLEX, Vienna (PERFORMANCE)
|
|
1998
|
|
Thinking Aloud, KETTLE’S YARD, Cambridge and tour to CAMDEN ARTS CENTRE, London
|
|
1998
|
|
Maximum Diversity, GALERIE KRINZINGER IN DEN BENGER FABRIK BREGENEZAND ATELIERHAUS DER AKADEMIE DER BILDENDEN KUNSTE, Vienna
|
|
1998
|
|
Crossings, KUNST ZUM HOREN UND SEHEN, Kunsthalle, Vienna (touring exhibition)
|
|
1997
|
|
Dimensions Variable, BRITISH COUNCIL, touring exhibition
|
|
1997
|
|
Package Holiday, HYDRA WORKSHOPS, Hydra, Greece
|
|
1997
|
|
Painting, Photography, Drawing, ANTON KERN GALLERY, New York
|
|
1997
|
|
Contemporary British Drawings, SANDRA GERING GALLERY, New York and GALERIE PAUL ANDRIESSE, Amsterdam
|
|
1997
|
|
Other Men’s Flowers, THE BRITISH SCHOOL IN ROME, Italy
|
|
1997
|
|
From Figure to Object, KARSTEN SCHUBERT LTD. and FRITH STREET GALLERY, London
|
|
1997
|
|
Top Ten Expectations, ICA, London (PERFORMANCE)
|
|
1997
|
|
Low Expectations, CABLE FACTORY, Helsinki (PERFORMANCE)
|
|
1997
|
|
Stand Still and Rot, CONTEMPORARY FINE ARTS, Berlin (solo)
|
|
1996
|
|
Low Lower Lowest, JAY JOPLING/WHITE CUBE, London (solo)
|
|
1996
|
|
The Artist Has Left, (with Lothar Hempel) ANTON KERN GALLERY, New York (solo)
|
|
1996
|
|
A Cheap and Ill-fitting Relationship, PAUL ANDRIESSE GALLERY, Amsterdam (solo)
|
|
1996
|
|
A False Dawn On The Road To Personal And Artistic Freedoms, RIDINGHOUSE EDITIONS, London (solo)
|
|
1996
|
|
Plastic, ARNOLFINI GALLERY, Bristol and tour to WALSALL MUSEUM AND ART GALLERY, Walsall, England
|
|
1996
|
|
Full House, KUNSTMUSEUM, Wolfsburg, Germany
|
|
1996
|
|
Domestic Violence, RHONA HOFFMANN GALLERY, Chicago
|
|
1996
|
|
A Small Shifting Sphere of Serious Culture, ICA, London and tour (video programme)
|
|
1996
|
|
Other Men’s Flowers, AUREL SCHEIBLER, Cologne, Germany
|
|
1996
|
|
Low Expectations, DEAN STREET, London (PERFORMANCE)
|
|
1996
|
|
Lexopewctations, ANTON KERN GALLERY, New York (PERFORMANCE)
|
|
1995
|
|
Low Expectations, BRIXTON ACADEMY, London (PERFORMANCE)
|
|
1995
|
|
Low Expectations, 56A CLERKENWELL ROAD, London (PERFORMANCE)
|
|
1995
|
|
Brilliant! New Art From London, WALKER ART CENTRE, Minneapolis, touring to CONTEMPORARY ART MUSEUM, Houston
|
|
1995
|
|
Corpus Delicti, PORTALEN, Copenhagen
|
|
1994
|
|
Karaoke Football, PORTIKUS NO 58, Frankfurt am Main, Germany
|
|
1994
|
|
Some Went Mad, Some Ran Away, SERPENTINE GALLERY, London, touring to NORDIC ARTS CENTRE, Helsinki; Kunstverein, Hanover, Germany; MUSEUM OF CONTEMPORARY ART, Chicago
|
|
1994
|
|
Not Self Portrait, KARSTEN SCHUBERT LTD., London
|
|
1994
|
|
Gallery Connections, KARSTEN SCHUBERT LTD., London (solo)
|
|
1994
|
|
Drawings and Cartoons, 71 HARTHAM ROAD, London (solo)
|
|
1993
|
|
All Evidence of Man Removed, KARSTEN SCHUBERT LTD., London (solo)
|
|
1993
|
|
Privacy, OPOS, Milan, Italy
|
|
1993
|
|
Other Men’s Flowers, FACTUAL NONSENSE, London
|
|
1992
|
|
Twenty Fragile Pieces, GALERIE ANALIX, Geneva, Switzerland
|
|
1992
|
|
Etats Specifiques, MUSÉE DES BEAUX ARTS, Le Havre, France
|
|
1992
|
|
Mat Collishaw, Angus Fairhurst, Abigail Lane, VIAFARINI, Milan, Italy
|
|
1992
|
|
Man Abandoned by Space, GALERIE ANALIX, Geneva, Switzerland (solo)
|
|
1991
|
|
Some Went Mad, Some Ran Away, KARSETN SCHUBERT LTD., London (solo)
|
|
1991
|
|
Gambler, BUILDING ONE, London
|
|
1991
|
|
Modern Medicine, BUILSING ONE, London
|
|
1990
|
|
You in Mind, KARSTEN SCHUBERT LTD., London (solo)
|
|
1988
|
|
Freeze, PLA BUILDING, London
|
|
|
| Literature |
|
|
|
2006
|
|
Survivor, Bortolami Dayan, New York, 2006
|
|
2006
|
|
David Hopkins, Dada’s Boys, Edinburgh: The Fruitmarket Gallery, 2006
|
|
2006
|
|
Sari Carel, New York Critics Picks, Artforum, Mai 2006
|
|
2005
|
|
Jennifer Allen, Angus Fairhurst / Contemporary Fine Arts, Artforum, Febuar 2005
|
|
2005
|
|
Visionaire 46: Uncensored by Mario Testino, New York: Visionaire Publishing, 2005
|
|
2005
|
|
Y[oung] B[ritish] A[rtists] Criss-Crossed, Oslo: Kaare Bernsten Galleri, 2005
|
|
2005
|
|
Out of the Melting Pot, Luxembourg: Dexia, Banque Internationale à Luxembourg, 2005
|
|
2004
|
|
In-A-Gadda-Da-Vida, London: Tate Britain / Tate Publishing
|
|
2004
|
|
Jones, Dafydd, In-A-Gadda-Da-Vida, ARTREVIEW, April
|
|
2004
|
|
Renton, Andrew, There is life after Hoxton, EVENING STANDARD, Jan 6
|
|
2004
|
|
Haw, Alex, London: Bloomberg Space, CONTEMPORARY, no. 63
|
|
2004
|
|
Gronlund, Melissa, Tate Britain: In-A-Gadda-Da-Vida, CONTEMPORARY, no. 63
|
|
2004
|
|
Furness, Rosalind, In-A-Gadda-Da-Vida, MODERN PAINTERS, Summer
|
|
2004
|
|
Reynolds, Nigel, A six-legged calf in paradise, THE TELEGRAPH, March 3
|
|
2004
|
|
Kent, Sarah, The Eden Project, TIME OUT, Feb. 25-March 3
|
|
2004
|
|
Katrin Wittneven, Augensterne, Tagesspiegel, 4. Dezember 2004, S. 49.
|
|
2004
|
|
Stripped Bare: The Body Revealed in Contemporary Art, London: Merrell Publishers
|
|
2004
|
|
Summer Exhibition, London: Royal Academy
|
|
2004
|
|
Waldemar Januszczak, The rot of ages, The Sunday Times, 7. März 2004
|
|
2004
|
|
Richard Dyer, Angus Fairhurst, Damien Hirst, Sarah Lucas: In-A-Gadda-Da-Vida, Contemporary, no. 61, März 2004
|
|
2003
|
|
Andrew Hale, (Interview) ‘The Art of Fragility’, GQ
|
|
2003
|
|
Proof of Principle, Arnhem, Netherlands: Akzo Nobel Art Foundation
|
|
2003
|
|
In Retrospect: Thirty Sculptors, Chalford, England: Gallery Pangolin
|
|
2002
|
|
Biesenbach, Klaus, Animations, New York: P.S.1 Contemporary Arts Centre, Dutch Magazine (ill)
|
|
2002
|
|
Man in the Middle, Germany: Sammlung Deutsche Bank
|
|
2002
|
|
Sterling Stuff, Chalford, England: Gallery Pangolin
|
|
2002
|
|
Falconer, Morgan and Pablo Lafuente, Art Rocks! The Group Show, ARTREVIEW, Vol. LIII, May
|
|
2002
|
|
Generator, FLUX, Issue 33, October-November
|
|
2001
|
|
Balth, Carel, Lens and Paper – the Beauty of Intimacy, Gemeentemuseum, The Hague
|
|
2001
|
|
Strauss, Dorothea, This Does Not Last More Than Ten Seconds, Kunsthalle St.Gallen, Switzerland (cat.).
|
|
2001
|
|
Kertess, Klaus, 00, Barbara Gladstone Gallery, New York
|
|
2001
|
|
Artists Project, Exquisite Corpse, Tate, The Art Magazine, Issue 26, Autumn
|
|
2001
|
|
Malik, S & D. & S. Vamiali, Open Plan P3; The Marathon, Athens. (cat.)
|
|
2001
|
|
Herbert, Martin, Review, TIME OUT, LONDON, March 28 – April 4
|
|
2001
|
|
Hackworth, Nick, Less is Less—More or Less, EVENING STANDARD, March 23
|
|
2001
|
|
Bussel, David, Art School Rock, I-D MAGAZINE, April
|
|
2001
|
|
Testino, DUTCH MAGAZINE, #34, July/August
|
|
2001
|
|
Art Athina 2001, GALLERY GUIDE: ATHENS, Autumn/Winter
|
|
2000
|
|
Shone, Richard, Puerile 69: Angus Fairhurst, Michael Landy, Sarah Lucas, Gillian Wearing, Reykjavik: The Living Art Museum
|
|
2000
|
|
Perrella, Cristiana and Daniela Cascella, Video-vibe – art music and video in Britain, Rome: British School in Rome
|
|
2000
|
|
Psycho, Art and anatomy, London: Anne Faggianato (cat.)
|
|
2000
|
|
Stepken, Angelika, Sanssouci Oder: Die Kunst Der Entsorgung, Karlsruhe, Germany: Badischer Kunstverein (cat.)
|
|
2000
|
|
Rosenthal, Norman, Sex and the British, Salzburg, Austria: Galerie Thaddeaus Ropac (cat.)
|
|
1999
|
|
Stallabrass, Julian, High Art Lite, London: Verso Books
|
|
1999
|
|
Wiebel, Peter and Christina Steinle, The Anagrammatical Body, Graz, Austria Neu Galerie am Landesmuseum Joanneum (cat.)
|
|
1999
|
|
Dwiezor, Yilmaz, Angus Cook, Jorg Heiser, Dorothea Strauss, Angus Fairhurst, Kraichtal, Germany: Ursula Blickle Stiftung (cat.)
|
|
1999
|
|
Lewisohn, Cedar, Art and Rock Stars, From White Cube to Gold Disk, FLASH ART, March-April
|
|
1999
|
|
Gibbons, Fiachra, Sensation’s over, now it’s Apocalypse, THE GUARDIAN, May 3
|
|
1999
|
|
Artists Portfolio, POP, # 01, Autumn/Winter
|
|
1998
|
|
Guha, Tania, Angus Fairhurst, TIME OUT LONDON, November 16
|
|
1998
|
|
Sanders, Mark, No Sex Please We’re British, DAZED AND CONFUSED MAGAZINE, October
|
|
1998
|
|
Wentworth, Richard, Thinking Aloud, London: SBC National Touring Exhibitions (cat.)
|
|
1998
|
|
Aliaga, Juan Vicente, Angus Fairhurst/Sarah Lucas, ARTFORUM, Sept.
|
|
1998
|
|
Buck, Louisa, Moving Targets: A User’s Guide to British Art Now, London: Tate Gallery Publishing
|
|
1998
|
|
Maximum Diversity, Vienna: Galerie Krinzinger in der Benger Fabrik, Bregenez and Academy of Arts (cat.)
|
|
1998
|
|
Self Portraits, Rotterdam, Netherlands: Caldic Collection (cat.)
|
|
1998
|
|
Arning, Bill, Standing Stock Still, TIME OUT (NEW YORK), June 11
|
|
1997
|
|
Dimensions Variable, London: The British Council (cat.)
|
|
1997
|
|
Package Holiday, London: Sadie Coles HQ / Hydra, Greece: Hydra Workshops (cat.)
|
|
1996
|
|
A False Dawn On The Road To Personal And Artistic Freedoms, London: Ridinghouse Editions
|
|
1996
|
|
Cummings, Neil, Plastic, Bristol, England: Arnolfini Gallery (cat)
|
|
1996
|
|
Angus Fairhurst and Gary Hume, Arena
|
|
1996
|
|
Contemporary British Art in Print, Edinburgh: Scottish National Gallery for Modern Art and Paragon Press (cat.)
|
|
1996
|
|
Avgikos, Jan, Angus Fairhurst and Lothar Hempel, ARTFORUM, No. 36, February
|
|
1996
|
|
Bussel, David, First Expectations, FRIEZE January/February
|
|
1996
|
|
Harris, Mark, Angus Fairhurst, ART MONTHLY, No. 202, December
|
|
1996
|
|
Sound and Vision, THE ART NEWSPAPER, No. 64, November
|
|
1996
|
|
Art, ‘New Haven, Connecticut, ART NEWS, Vol. 95, March
|
|
1995
|
|
Brilliant! New Art from London, Minneapolis (MN): Walker Art Centre (cat.)
|
|
1995
|
|
Christiansen, Torben, Andrew Renton, Corpus Delicti, Copenhagen: Portalen (cat.)
|
|
1994
|
|
Muir, Gregor, Angus Fairhurst, FRIEZE, Summer
|
|
1993
|
|
Archer, Michael, Art Schubert Ltd, ARTFORUM, Vol. 32, December
|
|
1993
|
|
Romano, Gianni, Privacy, Milan: Opos (cat.)
|
|
1992
|
|
Angus Fairhurst, Geneva, Switzerland: Galerie Analix (cat.)
|
|
1992
|
|
Romano, Gianni, Twenty Fragile Pieces, Geneva, Switzerland: Galerie Analix (cat.)
|
|
1991
|
|
Gillick, Liam and Andrew Renton, Technique Anglaise, London: Thames and Hudson
|
|
1991
|
|
Man Abandoned by Colour, (artist’s project), FRIEZE, pilot issue
|
|
1990
|
|
Gillick, Liam, Gambler, London: Building One (cat.)
|
|
1990
|
|
Fairhurst, Angus, Modern Medicine, London: Building One (cat.)
|
|
1990
|
|
Renton, Andrew, Modern Medicine, FLASH ART INTERNATIONAL, Summer
|
|
1990
|
|
It’s A Maggot Farm, ARTSCRIBE, November/December
|
|
1988
|
|
Jeffrey, Ian, Freeze, London: PLA Building (cat.)
|
|
|
|
|
|