|
|
Inka Essenhigh Biography
|
 |
 |
|
1969 |
|
Born, Belfonte, Pennsylvania
|
|
1991 |
|
BFA, Columbus College of Art & Design, Columbus, Ohio
|
|
1993 |
|
MFA, School of Visual Arts, NYC
|
|
|
|
Lives and works in New York
|
|
|
| Selected Exhibitions |
|
|
|
2008
|
|
Victoria Miro Gallery, London (solo)
|
|
2007
|
|
Counterparts: Contemporary Painters and Their Influences, Contemporary Center of Art, Virginia
|
|
2007
|
|
The Game of Multiple Meaning: Symbolism and the Art of the Present, Von der Heydt-Museum, Wuppertal, Germany
|
|
2007
|
|
Comic Abstraction, Museum of Modern Art, New York
|
|
2007
|
|
COMIX, Kunsthallen Brandts, Odense, Denmark
|
|
2006
|
|
Painting Codes, Galleria Comunale d'Arte Contemporanea, Monfalcone
|
|
2006
|
|
The Complusive Line: Etching 1900 to Now, Museum of Modern Art, New York
|
|
2006
|
|
USA Today, The Royal Academy of Art, London
|
|
2006
|
|
Imagination Becomes Reality, Part III. Talking Pictures, Goetz Collection
|
|
2006
|
|
Motion on Paper, Ben Brown Fine Arts, London
|
|
2006
|
|
303 Gallery, New York (solo)
|
|
2006
|
|
Victoria Miro Gallery, London (solo)
|
|
2005
|
|
DA2 Domus Artium 2, Salamanca, Spain (solo)
|
|
2005
|
|
Life and Limb, curated by David Humphrey, Feign Contemporary, New York
|
|
2005
|
|
Neobaroque, Salamanca, Spain
|
|
2004
|
|
Disparities and Deformations: Our Grotesque SITESanta Fe 5th International Biennial (curated by Robert Storr), Santa Fe, New Mexico
|
|
2004
|
|
26th Bienale de Sao Paulo, Sao Paulo, Brazil
|
|
2004
|
|
Funny Cuts – Cartoons and Comics in Contemporary Art, Staatsgalerie Stuttgart, Germany
|
|
2001 - 2004
|
|
2001-2004 My Reality: Contemporary Art and the Culture of Japanese Animation, Des Moines Art Center, Iowa - touring to Brooklyn Museum of Art, Brooklyn (July - October); Contemporary Arts Center, Cincinnati, Ohio (January - March 2002) and Tampa Museum of Art, Tampa, Illinois (April - June 2002), Chicago Cultural Center, Chicago (July –Sept 2002), Akron Art Museum, Akron, Ohio (Sept – Jan 2003), Museum of Glass: International Center for Contemporary Art, Tacoma, Washington (July –Sept 2003), Huntsville Museum of Art, Huntsville, Alabama (Oct –Jan, 2004)
|
|
2003
|
|
Museum of Contemporary Art, Miami (solo)
|
|
2003
|
|
Il Capricorno, Venice (solo)
|
|
2003
|
|
Fruitmarket Gallery, Edinburgh (solo)
|
|
2003
|
|
Painting Pictures; Painting and Media in the Digital Age, Kunstmuseum Wolfsburg
|
|
2003
|
|
Comic Release: Negotiating Identity for a New Generation, Carnegie Mellon University, Pittsburgh touring to Contemporary Arts Center, New Orleans and University of North Texas, Denton (January 2003 - mid 2005)
|
|
2002
|
|
Victoria Miro Gallery, London (solo)
|
|
2002
|
|
303 Gallery, New York (solo)
|
|
2002
|
|
The Galleries Show, The Royal Academy of Art, London (14 September – 12 October)
|
|
2002
|
|
Pertaining to Painting, Contemporary Arts Museum, Houston (28 June- 29 Sept, 2002) and Austin Museum of Art, Texas (November - February, 2003)
|
|
2002
|
|
Jay Davis, Inka Essenhigh, Christian Schuman, Angstrom Gallery, Dallas, TX
|
|
2002
|
|
La Part de l’Autre, Carre d’Art -Musee d’art contemporain de Nimes, France (May –Sept 2001)
|
|
2001
|
|
Works on paper, Victoria Miro Gallery (Project Room), London (solo)
|
|
2001
|
|
Works on paper, Mary Boone Gallery, New York (solo)
|
|
2001
|
|
Hybrids, Tate Gallery, Liverpool
|
|
2001
|
|
braille, Angstrom Gallery, Dallas (16 June – 11 August)
|
|
2001
|
|
2nd Berlin Biennale, Berlin
|
|
2001
|
|
Works on paper: from Acconci to Zittel, Victoria Miro Gallery, London
|
|
2001
|
|
Casino 2001, 1st Quadrennial of Contemporary Art, SMAK Stedelijk Museum voor Actuelle Kunst, Ghent
|
|
2000
|
|
Victoria Miro Gallery, London (solo)
|
|
2000
|
|
Mary Boone Gallery, New York (solo)
|
|
2000
|
|
Greater New York: New Art in New York Now, PS1 Contemporary Art Center, New York
|
|
2000
|
|
The Figure: Another State of Modernism, Newhouse Center for Contemporary Art at Snug Harbor Cultural Center, Staten Island, New York
|
|
2000
|
|
Deitch/Steinberg New Editions, Deitch Projects, New York
|
|
2000
|
|
Emotional Rescue, Center for Contemporary Art, Seattle
|
|
2000
|
|
To Infinity and Beyond, Brooke Alexander, New York
|
|
1999 - 2000
|
|
New Paintings, Deitch Projects, New York (solo)
|
|
1999 - 2000
|
|
American Landscapes: Recent Paintings by Inka Essenhigh, New Room of Contemporary Art, Albright Knox Art Gallery, Buffalo, New York (solo)
|
|
1999
|
|
Pleasure Dome, Jessica Fredericks Gallery, New York
|
|
1999
|
|
The Armory Show, Stefan Stux Gallery, New York
|
|
1999
|
|
A room with a view, Sixth @ Prince Fine Art, New York
|
|
1998 - 1999
|
|
Blade Runner, Caren Golden Fine Art, New York
|
|
1998
|
|
Recent Paintings, Stefan Stux Gallery, New York (solo)
|
|
1998
|
|
The New Surrealism, Pamela Auchincloss Project Space, New York
|
|
1998
|
|
Wild, Exit Art/The First World, New York
|
|
1998
|
|
Pop Surrealism, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
|
|
1998
|
|
Summer Review, 98, Stefan Stux Gallery, New York
|
|
1998
|
|
Celebrating Diversity: Contemporary Women Painters, Hillwood Art Museum, Long Island University, Brookville, New York
|
|
1998
|
|
ANATOMY/INTELLECT, Stefanelli Exhibition Space, New York
|
|
1997
|
|
Wallpaper Paintings, La Mama La Galleria, New York (solo)
|
|
1997
|
|
Sex/Industry, Stefan Stux Gallery, New York
|
|
1997
|
|
The Art Exchange Fair, with Stefan Stux Gallery, New York
|
|
1997
|
|
Girls! Girls! Girls! Tricia Collins’ Grand Salon, New York
|
|
1996
|
|
Set Off: Inaugural Group Show, View Room Exhibitions, New York
|
|
1996
|
|
Underexposed; Nine Young American Painters, André Zarre Gallery, New York
|
|
1996
|
|
Set Off: Inaugural Group Show, View Room Exhibitions, New York
|
|
1996
|
|
Anatomy Intellect, Stefanelli Exhibition Space, New York
|
|
1996
|
|
Featured Web Page Artist for December, Artists’ Space, New York
|
|
1996
|
|
Night of 1000 Drawings, Artists’ Space, New York
|
|
1994
|
|
Juried Group Show, School of Visual Arts, FirstFloor Gallery, New York
|
|
1993
|
|
Young Ukrainian American Painters Group Show, Ukrainian Museum, New York
|
|
1993
|
|
Work-Play; Picture Thinking and the Analogical Imagination, Visual Arts Gallery, New York
|
|
1993
|
|
Group Show: Inka Essenhigh, Stephen Mumford and Leemour Pelli: Paintings, School of Visual Arts, Wooster Street Gallery, New York
|
|
|
| Literature |
|
|
|
2007
|
|
Yannis Tsitsovits, Inka Essenhigh, Stimulus Response, no. 17/2007
|
|
2006
|
|
Jonathan T.D. Neil, Inka Essenhigh, Modern Painters, May 2006
|
|
2005
|
|
Eliza Williams, Inka Essenhigh, Flash Art, July – September 2005
|
|
2005
|
|
Inka Essenhigh, DA2 Domus Artium 2, Salamanca, Spain
|
|
2004
|
|
Swirls, Whrils and Mermaid Girls, Inka Essenhigh, Hilarie M. Sheets, Art News May 2004
|
|
2004
|
|
Sint-Lukas Galerij Brussel, Filip Luyckx, Inka Essenhigh, Jun-Jul-Aug 2004
|
|
2003
|
|
Jack Motram, Inka Essenhigh, Time List, May 2003
|
|
2003
|
|
Cary Levine, Inka Essenghigh, 303 Galllery, Art in America May 2003
|
|
2003
|
|
Barry Schwabsky, Tema Celeste Entering the Labyrinth March/April 2003
|
|
2003
|
|
David Gleeson, Inka Essenghigh, Victoria Miro Gallery, February 2003
|
|
2003
|
|
Bonnie Clearwater, Inka Essenhigh, Museum of Contemporary Art, North Miami
|
|
2003
|
|
Reverie: Works from the Collection of Douglas S. Cramer, The Speed Museum, Louisville, Kentucky
|
|
2002
|
|
Comic Release! Negotiating Identity for a New Generation, Distributed Art Publishers Inc
|
|
2002
|
|
Paola Morsiani, Imogen Cornwall-Jones, Inka Essenhigh, Victoria Miro Gallery, London
|
|
2002
|
|
Eddie Harrison, Inka Essenhigh, review of Fruitmarket exhibition, Metro Life, May 2003
|
|
2002
|
|
Ned Denny, Cartoon Death, New Statesman, 25 November 2002
|
|
2002
|
|
Katy Rochester, Inka Essenhigh, Time Out, 20 – 27 November 2002
|
|
2002
|
|
Michael Kimmelman, A Painter with Pop, The New York Times Magazine, 17 November 2002
|
|
2002
|
|
John Taylor Russel, Revenge of the Cute, The Times, 13 November 2002
|
|
2002
|
|
Louisa Buck, The World is Big and Time is Short, The Art Newspaper, November 2002
|
|
2002
|
|
Violet Fraser, A Brush with Violence, Art Review, November 2002
|
|
2002
|
|
In a World of its Own, Metro, (circ. 340,000) 31 October 2002
|
|
2002
|
|
Morgan Falconer, Fantastical creatures, What’s On in London, 30 October 2002
|
|
2002
|
|
Steven Vincent, A New Gloss on Essenhigh, Art & Auction, November 2002
|
|
2002
|
|
Julia Royse, Hot Art, Elle, November 2002
|
|
2002
|
|
Mandana Towhidy, Scratch the Surface, Dazed and Confused, July 2002
|
|
2002
|
|
Neru Ratnam, Inka Essenhigh, I-D Magazine, October 2002
|
|
2002
|
|
Vitamin P-New Perspectives in Painting, Phaidon, 2002
|
|
2001
|
|
Eberhard Mayntz, Saskia Bos etc. 2. berlin biennale, volumes 1 and 2, berlin biennale für zeitgenössische Kunst e.v., Berlin, May
|
|
2001
|
|
Christoph Grunenberg, Hybrids, International Contemporary Painting, Tate Liverpool, April
|
|
2000
|
|
Ingrid Sischy, Gotta Paint, Vanity Fair, February, p. 140-147
|
|
2000
|
|
Stuart Shave, New York Doll ID Magazine.March
|
|
2000
|
|
Martin Herbert, Inka Essenhigh. Time Out, March 29 . No 1545
|
|
2000
|
|
Jonathan Jones, Inka Essenhigh. The Guardian. March 30
|
|
2000
|
|
Peter Plagens, Art in the Fast Lane, Newsweek (New York), April 10, p. 70-73
|
|
2000
|
|
Jeff Johnson, We love a Surrealist, Jane (New York), May, p. 52
|
|
2000
|
|
Max Henry, Inka’s inhibitions, http: //www.artnet.com/Magazine/Reviews/Gotham Dispatch, 31 May
|
|
2000
|
|
Goings On About Town, Inka Essenhigh, The New Yorker, 12 June, p. 16
|
|
2000
|
|
Anton Saul, Inka Essenhigh, Time Out New York, 15-22 June, p. 67
|
|
2000
|
|
Roberta Smith, Inka Essenhigh, The New York Times, 23 June
|
|
2000
|
|
David Ebony, Inka Essenhigh at Mary Boone Gallery
|
|
2000
|
|
http://www.artnet.com/Magazine/Reviews/Ebony, 27 June
|
|
2000
|
|
Marie-Pierre Nakamura, Inka Essenhigh: Entre spectacle et minimalisme, Art Actuel, Paris, July/August, p. 78-81
|
|
2000
|
|
Michael Glover, Inka Essenhigh, Art News, Summer, p. 218-219
|
|
2000
|
|
David Hunt, A New Grammar of Motion, Flash Art, October, p. 74-77
|
|
2000
|
|
David Colman, David Sims, Master Class, Harper’s Bazaar (New York), December, p. 224-229
|
|
2000
|
|
Lytle Shaw, To Infinity and Beyond, Time Out New York, 14 - 18 December, p. 115
|
|
1999
|
|
Jay Murphy, Pop Surrealism, World Art, January, p. 70-71
|
|
1999
|
|
Grady T. Turner, Abstracted Flesh, Flash Art, January, p. 66-69
|
|
1999
|
|
Robert Mahoney, Inka Essenhigh, http://www.artnet.com/Magazine, 5 February
|
|
1999
|
|
Christian Viveros-Faune, Inka Essenhigh, artnet.com, January
|
|
1999
|
|
Max Henry, Gotham Dispatch, artnet.com, January, 1999
|
|
1999
|
|
Phoebe Hoban, The Mod Squad, New York Magazine, 11 January, p. 30-37
|
|
1999
|
|
Grace Glueck, Inka Essenhigh, The New York Times, 15 January, p. B40
|
|
1999
|
|
Dominique Nahas, Inka Essenhigh, Review: The Critical State of Visual Art in New York, 15 January, p. 7
|
|
1999
|
|
Christian Viveros-Faune, Art: Hot Stuff, New York Press, 27 January, p. 6
|
|
1999
|
|
Martha Schwendener, Inka Essenhigh, Time Out New York, 28 January - 4 February, p. 67
|
|
1999
|
|
Jerry Saltz, hot off the press, , 4 Feb
|
|
1999
|
|
Christian Viveros-Faune, calamity Inka, http://www.artnet.com/Magazine, 5 Feb
|
|
1999
|
|
Jerry Saltz, Heat Seekers, The Village Voice, 9 February, p. 125
|
|
1999
|
|
David Humphrey, New York e-mail: Thursday Feb 4 ’99 18:10:28, Art Issues, March/April, p. 34-34
|
|
1999
|
|
Grady T. Turner, Ouverture: Inka Essenhigh, Flash Art, March/April, p. 106
|
|
1999
|
|
Barry Schwabsky, Inka Essenhigh, Artforum, April, p. 123-124
|
|
1999
|
|
Sarah Valdez, Inka Essenhigh at Deitch Projects, Art in America, May, p. 157-158
|
|
1999
|
|
Laura Hoptman, Nothing Natural: Laura Hoptman on Inka Essenhigh, frieze, July/August, p. 74-75
|
|
1999
|
|
Michael Lavine, Iconograph, Ray Gun, August
|
|
1999
|
|
Neville Wakefield, Three to Watch, Elle Decor, August/September, p. 78-79
|
|
1999
|
|
Best of Manhattan: Best Gallery Exhibitions, New York Press, 22 September
|
|
1999
|
|
Douglas Dreishpoon, American Landscapes: Recent Paintings by Inka Essenhigh, New Room of Contemporary Art, Albright Knox Art Gallery, Buffalo, New York, November
|
|
1998
|
|
Richard Klein, Dominique Nahas, Ingrid Schaffner, Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, June
|
|
1998
|
|
Art Picks, Simon Says, January
|
|
1998
|
|
Something Wild, New York Post, 24 January
|
|
1998
|
|
First Look, Simon Says, February
|
|
1998
|
|
Kim Levin, Wild, The Village Voice/Voice Choices, 3 February, p. 76
|
|
1998
|
|
Erik Bakke, William R. Kaizen, Shelley Ward Mob Rule #10, NY Arts Magazine, March,p. 8
|
|
1998
|
|
Grady Turner, Wild, NY Arts Magazine, March, p. 23, 37
|
|
1998
|
|
Robert Murdock, IInka Essenhigh: Recent Painting, Review: The Critical State of Visual Art in New York, 1 March, p. 17-18
|
|
1998
|
|
Douglas Maxwell, Inka Essenhigh: Recent Painting, Review: The Critical State of Visual Art in New York, 1 March, p. 17-18
|
|
1998
|
|
Grady Turner, Gramercy Art Fair, NY Arts Magazine, June
|
|
1998
|
|
Grady Turner, Editor’s Choice, BOMB, Summer, p. 17
|
|
1998
|
|
Barry Schwabsky Inka Essenhigh, art/text, August
|
|
1998
|
|
Steven Henry Madoff, Pop Surrealism, Artforum, October, p. 120
|
|
1998
|
|
Scott Dietsch, The New Surrealism Gets Real, The Villager, 4 November, p. 1
|
|
1998
|
|
Julia Chaplin, The painter who’s getting a Lot of Inka, Interview, p. 50
|
|
1998
|
|
Inka Essenhigh, Centerfold, NY Arts Magazine, (commissioned art work), December
|
|
1998
|
|
Inka Essenhigh, Joy to the World, Interview, December
|
|
|
|
|
|