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Hendrik Goltzius   (Dutch, 1558-1617) 

Find works of art, auction results & sale prices of artist Hendrik Goltzius at galleries and auctions worldwide.

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Artworks for sale (8)   View All   

Hendrik Goltzius, Hercules and Cacus
Hendrik Goltzius
Hercules and Cacus
1588

David Tunick, Inc.
Hendrik Goltzius, The Captain of the Infantry Marching to the Left
Hendrik Goltzius
The Captain of the Infantry Marching to the Left
1587

Tom Craig Fine Art
Hendrik Goltzius, Tantalus – From the Four Disgracers
Hendrik Goltzius
Tantalus – From the Four Disgracers
1588

Tom Craig Fine Art
Hendrik Goltzius, Portrait of Hans Bol, Painter at the Age of 58
Hendrik Goltzius
Portrait of Hans Bol, Painter at the Age of 58
1593

Harris Schrank Fine Prints
Hendrik Goltzius, The Banquet at the House of Tarquinius, or The Banquet of Turquinius Collatinus
Hendrik Goltzius
The Banquet at the House of Tarquinius, or The Banquet of Turquinius Collatinus
Harris Schrank Fine Prints
Manner Of Hendrik Goltzius, The Annunciation in the background, through the open doorway, the Visitation
Manner Of Hendrik Goltzius
The Annunciation in the background, through the open doorway, the Visitation
Trinity Fine Art Ltd

Past auction results (1372)  View All
Hendrik Goltzius, The Fall of Man
Hendrik Goltzius
The Fall of Man, 1616
sold: May 15, 1996
lot detail
Hendrik Goltzius, CHRIST ON THE CROSS WITH SAINT MARY MAGDALEN
Hendrik Goltzius
CHRIST ON THE CROSS WITH SAINT MARY MAGDALEN
sold: Apr 15, 1992
lot detail
Hendrik Goltzius, Rebecca, wife of Isaac
Hendrik Goltzius
Rebecca, wife of Isaac
sold: Jul 7, 1999
lot detail
  Hendrick Goltzius, the most important Dutch artist of his generation and a founder of the seventeenth-century Haarlem school, was born in Muhlbracht in 1558. After learning the trade of glass painting from his father, Jan II Goltz, Hendrick studied with Dirck Volckertsz. Coornhert in Xanten, who taught him the art of engraving. In 1577, Goltzius settled in Haarlem, where he made numerous reproduced engravings for the Antwerp publisher Philip Galle, and by 1582 had established a flourishing atelier in which prints of his own invention were also made and published.
  In 1583, the Flemish painter-theoretician Carel van Mander arrived in Haarlem, and introduced Goltzius to the work of the Flemish artist Bartholomaeus Spranger (1546-1611). Goltzius was quickly seduced by Spranger's flamboyant mannerist style, and not only made many prints after his works, but also began to incorporate Spranger's elegantly attenuated figures and violent foreshortenings into his own engravings.
  In 1590, Goltzius travelled to Italy, where he studied ancient sculpture and paintings of the High Renaissance masters in Rome, Florence, Venice and Bologna. Upon his return to Haarlem the following year, Goltzius abandoned his earlier mannerist mode, turning instead to the more normative, classic forms of the Italian and Northern Renaissance, a change which would prove decisive for the rest of his career. Around the turn of the century, Goltzius exchanged his engraver's tools for the painter's brush, in part due to failing eyesight after years of close work with the burin, but also in response to the theory of his friend van Mander, who held painting above the graphic arts. Goltzius's paintings are relatively rare. Approximately fifty autograph works are known, and all date from between c.1600 and 1617, the year of the artist's death.
  Drawings, Engravings and Paintings by Goltzius can be found in most major institutions around the world.


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