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Marsha Ginsberg   (American) 

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Marsha Ginsberg, Kafeneion: soon to be obsolete
Marsha Ginsberg
Kafeneion: soon to be obsolete
2008

magnus müller
Marsha Ginsberg, Kafeneion: soon to be obsolete
Marsha Ginsberg
Kafeneion: soon to be obsolete
2008

magnus müller
 

  Born in New York City
  Lives and work in New York City
  New York University, Tisch School of the Arts, New York, NY
  Master of Fine Arts in Theater Design
  Whitney Museum of American Art, Independent Study Studio Program, New York, NY
  Cooper Union for the Advancement of Science and Art, School of Art, New York, NY
  Bachelor of Fine Arts
2009   Design for Don Pasquale by Donizetti, directed by Roy Rallo, National Theater Weimar, Germany
2009   Scenic design for Telephone, a new play by poet Ariana Reines. Telephone operates like a switchboard connecting Watson and Bell, a succession of cellphone calls between people who love each other, and a famous schizophrenic. Directed by Ken Schmoll, Foundry Theater Company, at the Cherry Lane Theater, New York City
2008   Design Life Now, National Design Triennial, Contemporary Museum, Houston, TX
2007   Design Life Now, National Design Triennial, ICA Boston
2007   Artforum, Berlin, Magnus M�ller Gallery
2007   Pulse, London, Magnus M�ller Gallery
2007   Pulse, Miami, Magnus M�ller Gallery
2007   Pavlov's Lab and Other Rooms, Magnus M�ller Gallery, Berlin (solo)
2007   Photographs and stage-construction (solo)
2007   Curated performance series within installation: performances by directors Norma Somaini, David Levine, Heiko Kalmbach (solo)
2006   Design Life Now, National Design Triennial, Cooper Hewitt Museum, NYC
1999   Holiday Inn, Fine Arts Work Center, Provincetown, MA
1999   Turning Point 101, Pacific Design Center, Los Angeles, CA
1998   New Blood 101, Pacific Design Center, Los Angeles; AIA, San Francisco; Yale University, Art & Architecture Gallery
1997   The Register, A multi-media installation in several rooms of an abandoned Victorian Hotel, Art Awareness, Lexington, NY (Collaborators: Geoff Korf, lights; Wayne Frost, sound score; Peter Mattei, playwright) (solo)


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