|
|
Dana Schutz Biography
|
 |
 |
|
2002 |
|
Rema Hort Foundation Grant, New York
|
|
2003 |
|
Louis Comfort Tiffany Foundation Award, New York
|
|
|
|
MFA, Columbia University New York
|
|
|
|
BFA, Cleveland Institute of Art, Cleveland, OH
|
|
|
|
Skowhegan School of Painting and Sculpture, Skowhegan, ME
|
|
|
|
Norwich School of Art and Design, Norwich, England
|
|
|
|
Lives and works in New York
|
|
|
| Selected Exhibitions |
|
|
|
2007
|
|
Stand by Earth Man, Zach Feuer Gallery, New York (solo)
|
|
2007
|
|
Douglas Hyde Gallery, Dublin (solo)
|
|
2007
|
|
Poets on Paintings, Ulrich Museum, Wichita
|
|
2006
|
|
USA Today, Royal Academy of Arts, London
|
|
2006
|
|
Le Printemps de septembre à Toulouse, Musee les Abattoirs, Toulouse
|
|
2006
|
|
Imagination Become Reality, Sammlung Goetz, Munich
|
|
2006
|
|
Full House – Gesichter einer Sammlung, Kunsthalle Mannheim, Mannheim
|
|
2006
|
|
Cleveland Museum of Art (solo)
|
|
2006
|
|
Dana Schutz. Paintings 2002-2005, The Rose Art Museum, Waltham (solo)
|
|
2005
|
|
Teeth Dreams and Other Supposed Truths, Contemporary Fine Arts, Berlin (solo)
|
|
2005
|
|
The Triumph of Painting. Part II, The Saatchi Gallery, London
|
|
2005
|
|
Greater New York 2005, P.S. 1 Contemporary Art Center, New York
|
|
2004
|
|
Direct Painting, Kunsthalle Mannheim
|
|
2004
|
|
Dana Schutz, Amy Sillman, Kara Walker, Brent Sikkema, New York
|
|
2004
|
|
Group Show, Portland Institute of Contemporary Art, Portland
|
|
2004
|
|
Now Is A Good Time, Andrea Rosen Gallery, New York
|
|
2004
|
|
Painting 2004, Victoria Miro Gallery, London
|
|
2004
|
|
The Dreamland Artist Club, Creative Time / Coney Island, New York
|
|
2004
|
|
It’s a Wonderful Life: Psychodrama in Contemporary Painting, Spaces Gallery, Cleveland
|
|
2004
|
|
When I Think About You I Touch Myself, New York Academy of Art, New York
|
|
2004
|
|
Eye of the Needle, Roberts & Tilton, Los Angeles
|
|
2004
|
|
JCCC/Nerman Museum of Contemporary Art, Overland Park, KS (solo)
|
|
2004
|
|
LFL Gallery, New York (solo)
|
|
2004
|
|
Galerie Emmanuel Perrotin, Paris (solo)
|
|
2004
|
|
Mario Diacono Gallery, Boston (solo)
|
|
2003
|
|
Marc Foxx, Los Angeles
|
|
2003
|
|
Material Eyes, LFL Gallery, New York
|
|
2003
|
|
Clandestine, Venice Biennale, Venice
|
|
2003
|
|
Lazarus Effect, Prague Biennale, Prague
|
|
2003
|
|
Drawings, Metro Pictures, New York
|
|
2002
|
|
Cut, Pulled Colored & Burnt, Hyde Park Art Center, Chicago
|
|
2002
|
|
Young, Free and Single, Zinc Gallery, Stockholm
|
|
2002
|
|
Loaded, Midway Contemporary Art, St. Paul, MN
|
|
2002
|
|
Dana Schutz/Holly Coulis, LFL Gallery, New York
|
|
2002
|
|
Frank From Observation, LFL Gallery, New York (solo)
|
|
2001
|
|
Portraits, PS. 1 / MOMA, New York
|
|
|
| Literature |
|
|
|
2007
|
|
Cotter, Holland, Leaving her mark, sometimes with tape, The New York Times online, 17. Mai 2007.
|
|
2007
|
|
Stern, Steven, Image Search, frieze, issue 106, April 2007, S. 136-141
|
|
2007
|
|
USA Today Review, Art Review, London, Januar 2007, S. 140-141.
|
|
2007
|
|
Imagination becomes Reality - Eine Ausstellung zum erweiterten Malereibegriff. Werke aus der Sammlung Goetz, Ingvild Goetz, Gregor Jansen und Stephan Urbaschek (Hrsg.),Karlsruhe, 2007.
|
|
2007
|
|
Rockers Island - Olbricht Collection, Thomas Olbricht (Hrsg.), Göttingen 2007.
|
|
2007
|
|
Werneburg, Brigitte, Marc Jacobs’ Muse, die tageszeitung, 20. Juni 2007, S. 15.
|
|
2006
|
|
Wittneven, Katrin, Dana Schutz, Marie-Thérèse Perrin (Hrsg.), Printemps de septembre à Toulouse, Vol. 3.
|
|
2006
|
|
Dana Schutz: Paintings 2002-2005, The Rose Art Museum, Waltham
|
|
2006
|
|
Bodin, Claudia, Das Paradies der Monster, ART - Das Kunstmagazin, 2006, S. 21-27.
|
|
2006
|
|
Lapp, Axel , Once upon a Time in the West - Part One, Artreview, Vol. 04, October 2006, S. 160-161.
|
|
2006
|
|
They draw portrait, Vogue girl (Korea), Nr. 53, Juli 2006, S. 144-151.
|
|
2006
|
|
Wittneven, Katrin, Willkommen in Neverland / Welcome to Neverland; Jan Avgikos, „Monster Mash / Monsterparade”; Brian Sholis, „Under Close Observation / Unter strenger Beobachtung”. In: Parkett, Zürich, Januar 2006, S. 26-64.
|
|
2006
|
|
Fineman, Mia, With bold strokes, absurdist takes art world by storm, International Herald Tribune, 14./15. Januar 2006, S. 9.
|
|
2005
|
|
Reski, Gunter, Neuigkeiten aus dem eskalierten Körperkabinett. Über Dana Schutz bei Contemporary Fine Arts, Texte zur Kunst, 15. Jhrg., Dez. 2004, S. 226-228.
|
|
2005
|
|
Lange, Christy, Dana Schutz: Tooth Dreams and Other Supposed Truths, Modern Painters, Nov. 2005, S. 105-106.
|
|
2005
|
|
Teeth Dreams and Other Supposed Truths, Contemporary Fine Arts, Berlin.
|
|
2005
|
|
The Triumph of Painting, Hrsg. Saatchi Gallery, London.
|
|
2005
|
|
Pollack, Barbara, The Details, Time Out New York, Nr. 486, 20-26. Januar 2005, S. 20.
|
|
2004
|
|
Bembnister, Theresa, Mmm, Tasty, The Pitch, 10.-16. Juni 2004, S. 31.
|
|
2004
|
|
Carlson, Benjamin, The Dreamland Artist Club, Time Out New York, 5.-12. August 2004, S. 51.
|
|
2004
|
|
Dailey, Meghan, Laying it on Thick, Artforum, April 2004, S. 138-141.
|
|
2004
|
|
Gallery Spotlight, The Plain Dealer, 19. März 2004
|
|
2004
|
|
Halley, Peter, Dana Schutz, Index Magazine, Februar/März 2004, S. 30-35.
|
|
2004
|
|
Hubbard, Sue, Painting 2004 at Victoria Miro, The Independent, 6. April 2004.
|
|
2004
|
|
Horodner, Stuart, Dana Schutz, Bomb, Frühling 2004, S. 16.
|
|
2004
|
|
Johnson, Ken, The Cyclone, Cotton Candy and (Wink) Sly Signs, The New York Times, 20. August 2004.
|
|
2002
|
|
Cattelan, Maurizio; Gioni, Massimo; Subotnick, Ali, Charley 02, Les Presses du Réel, Dijon.
|
|
|
|
|
|